Highlights from unique, hand-stencilled, spray painted book by Savant, 2020 – 1 of 1
Ringbound, 19x19cm, 80 pages.
For more of his art visit https://savantstreetart.bigcartel.com/
Follow him on Instagram
Search Results for: originals #
One of a kind hand-painted, signed and embossed Sam Spence ‘Sounds’ LP and insert by Andy Votel
Original zoetropes made by Reuben Sutherland of Sculpture, approx. A5 in size. Each animate at 45 or 78 rpm on a turntable viewed through a video camera at 35 fps and a fast shutter speed.
Carlos Ezquerra – Strontium Dog Ep 10, Pg 16/17, 1979
(700 x 480 mm, ink and paint on art board).
Starlord Issue 10. (DPS: Double Page Spread)
Mike McMahon – ‘Dredd & Spikes in The Cursed Earth’, private commission, 2014
(420 x 297 mm, black ink on paper).
Jim Mahfood – ‘Caught In The Middle of a 3-Way Mix’, 2012
(420 x 420 mm, black ink on paper).
The Paul’s Boutique deconstructed mix that this image is for can be heard here.
Anyone of a certain age who was into sci-fi in the 70’s and 80’s will be familiar with Peter Elson‘s work, if not his name. His highly detailed spaceships and futuristic tech were as recognisable as Chris Foss‘s and I used to seek out the tiny ‘PE’ logo that he hid in most of his work time and again as confirmation that an image was by him.
*Special ‘Originals’ guest post – I don’t own this one* My friend David Rees recently bought this original painting from Peter’s sister (Elson passed away many years ago) and was kind enough to share these images with me. It’s fascinating for me to see the close up details of this piece – ‘Mission To Universe’ – that I first saw in one of the Steven Caldwell Terran Trade Authority books way back when. As far as I know there is only one book of Elson’s work collected, ‘Parallel Lines’, long out of print and shared with another artist of the genre, Chris Moore. That’s a real shame and he deserves wider recognition. The painting is shown next to the paperback which it was painted for below.
Ian Gibson – Robo Hunter ‘Day of the Droids’ Ep 7, Pg 2, 1980
(640 x 450 mm, black ink and Letratone on art board).
2000ad Prog 158.
Kevin O’Neill – ‘Metalzoic’ Pg 11 & 12, 1986
(440 x 330 mm, black ink on art board).
2000ad Prog 485 and DC graphic novel.
Henry Flint – ‘Deadlock’ Ep 5, Pg 3, 2000
(594 x 420 mm, black ink and Letratone on art board).
2000ad Prog 1216.
Brendan McCarthy – ‘Zaucer Of Zilk’ Ep 6 Pg 5, 2012
(420 x 295 mm, black ink on paper).
2000ad Prog 1780 / IDW.
(*note – compare the original and the coloured final page, the side panels have been elongated slightly and there is a wealth of extra detail added)
Ian Gibson – ‘Robo Hunter’ illustration, 1978
(430 x 360 mm, black ink on art board).
2000ad Prog 80 cover.
Kev Walker – ‘Tharg‘ – 2001
(59.4 x 420 cm, ink on paper).
I was recently lucky enough to win the original pencil sketch from a seller on eBay too…
(59.4 x 420 cm, pencil on paper – image is cropped down, the drawing is nearer A4 in size).
Original pencil and ink drawings for the cover of 2000ad Prog 1263.
Note from Kev Walker: “I blew them up on my printer, then drew the linework in ink. Then I scan the linework, and fill in the solid blacks on the computer and add any other stuff that needs adding. In Photoshop, nothing else.
They really should be classed as final pencils, because hardly anything changes from those. I draw at print size cos I find it easier to judge how much space I’m leaving for speech bubbles.”
Ian Gibson – original inks, Tom Frame – colours (unconfirmed) – The Best of 2000ad Monthly ‘Robo Hunter – World Cup Special’ cover, 1986
(36.4 x 27.3 cm, acetate overlay, watercolour on card).
Production artwork for cover, The Best of 2000ad Monthly No.10.
Henry Flint – ‘Cosmonaut’, 2011
(594 x 420 mm, ink and silver pen on paper)
DJ Food album artwork, Ninja Tune.
Kevin O’Neill – original inks, Tom Frame – colours (unconfirmed) – ‘Nemesis The Warlock Book III’ Pgs 16-17, 1983
(53.7 x 35.5 cm, acetate overlay, watercolour on card).
Production artwork for colour centre spread, 2000ad prog 347.
She One – ‘Wildstyle Pour Homme’ painting, 1995
(124 x 100 cm, Aerosol paint and ink on canvas).
Commissioned canvases
She One – ‘Suburban Zulu’, 1997
(152 x 91 cm, Aerosol paint and ink on canvas).
Commissioned canvas
Andy ‘Dog’ Johnson – ‘Soul Mining’, 1983
(330 x 230 mm, ink and gouache on art board)
The The album press ad artwork, Some Bizarre.
Lawrence ‘Lo’ Cole – ‘Welcome To The Pleasuredome’ front, inner gatefold and back cover paintings, 1984
(335 x 220 mm, 683 x 193 mm, 335 x 220 mm, wax crayon, watercolour and ink on paper).
Frankie Goes To Hollywood album artwork, Zang Tuum Tumb.