Music

RIP David Bowie

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In shock, see the post before last, the new album was on since Friday, I’d revisited ‘The Next Day’ as a result. Bowie has been in my life since my first memories of radio and Top Of The Pops and now he’s gone. A huge loss for music and another legend taken from us by cancer. Watching the video for new album track ‘Lazarus’ over the weekend I now realise the significance of the final scene. What an exit, a career orchestrated down to the last days. RIP David Bowie

UPDATE: There have been some lovely tributes cropping up in my social media feed today, this one from Christian Ward is beautiful. “Been thinking about what to say. Figured art would say it better. See you Star-man. Thanks for the music”.

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Sophie Harrington did this via Twitter which says it allSophieHarringtonBowie
Continuing the Ziggy Stardust theme, Shindig magazine posted this…
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Rough Trade are donating all profits from sales of the artist to Cancer Research for the whole of January.

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PS. Just remembered that there’s a little nod to Bowie in the text of ‘The Search Engine’, see if you can find it.

Posted in Event, Music. | 1 Comment |

David Bowie ‘Sue’ video

With the new Bowie ‘Blackstar’ LP just out and the world (quite rightly) going gaga over it, I thought I’d revisit the original version ‘Sue (Or In A Season Of Crime)’ from the ‘Nothing Has Changed’ compilation of last Xmas. This version is different to the one on the new LP, being way more jazz-orientated than the newer LP one which adds guitars to stunning effect. What I’d not seen before was the video that accompanied the original release and is quite beautiful, taking all sorts of visual cues from Carol Reed‘s ‘The Third Man’ tunnel scenes with added projected lyrics. This is also an edit of the original near eight minute track so try and check that out if you’re liking this.

If you’ve still not seen the ten minute video to lead LP track ‘Blackstar’ then it’s a must too. Equally beautiful, disturbing and fascinating it’s a mini epic that reveals more with each viewing. Any video featuring a skeleton in a spacesuit is OK with me and Bowie’s cheeky moves to camera in the second half are delightful.

 

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Markey Funk ‘Instinct’ LP

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A cross-over album from the end of 2015, delayed until 2016 – these records always get lost in the Xmas rush and so I’m secretly glad that the original release date of mid December was pushed back to the new year for Markey Funk‘s second solo album, ‘Instinct: A Study In Tension, Fear and Anxiety’. A dark, brooding imaginary soundtrack of a record full of swirling synths, ghostly voices and taut, brittle beats. Out now on LP and DL via his Bandcamp page (there’s also an LP/CD bundle that includes his rare first album (Forgot the Word) too). You can preview the album in full and also find several of his other releases there. An early package that came with a screen print of Asfe‘s excellent cover image has long sold out and we have a Solid Steel mix from him being lined up soon…MarkeyFunkInstinctLPback  MarkeyFunkInstinctLPdetailMarkeyFunkInstinctPrint

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Jodorowsky’s Dune LP packaging

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One of my favourite releases of 2015 and one I’ve been meaning to photograph for ages, the pre-order version of Kurt Stenzel’s ‘Jodoroowsky’s Dune’ soundtrack. Everything about this release is top notch, the design (by Signalstarr), the quality of the sleeve, the obi strip and insert with sleeve notes. The coloured vinyl is stunning, one of the best examples of its use I’ve seen and the music – which let’s not forget is the reason to buy such an item – is excellent too. One point deducted on an otherwise 10/10 release though, there was no 27″ x 40″ folded film poster as promised on the pre-order and sticker – did anyone else get one or was it just me?. I’ve mailed Light In The Attic about this and they’ve promised to send one though which will complete this as one of the best record packages released last year. * See below for update
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*UPDATE* – and here’s the poster, newly arrived from those lovely people at Light In The Attic – it’s huge and makes this my favourite piece of music, design and packaging of 2015.

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RIP Mark B

Mark B & Blade Hitmen 12"RIP Mark Barnes aka Mark B – Very sad news and a genuine shock. I did a bunch of covers for him in the 90s when he and DJ Vadim started Jazz Fudge, he knew what he wanted but was always open to new ideas. (Mark above with Blade in DJ Vadim’s old studio, Kingston, late 90s) A talented producer who was at the forefront of the UK Hip Hop production scene with a wealth of knowledge, especially on Library music. I remember accompanying him and (I think) Joel Martin to a lock up in Wembley one day when the Bruton and Chappell catalogue was housed there, researching for a compilation. They went through master tape reels and vinyl LPs whilst I took photos for what would have been the cover but there were gaps, someone had been and cherry picked it already and the comp never happened in the end. One of the only people I knew to have an original copy of ‘Beat Bop’ on 12″ in the 90s and appeared on Top of The Pops when his album with Blade blew up. Always humble, even when KRS One freestyled over his beats on 279‘s radio show that time…

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Highlights of 2015

2015 Albums
They say that creativity flourishes under oppression and bleak times and it’s been a great year for music so there must be a grain of truth there. In an effort to glean something positive to remember 2015 by in light of all the injustice and hate out there in the world, here are some of my favourite things, in no order whatsoever.

There were several amazing music releases that went far beyond the normal album format – the main one being Aphex Twin‘s incredible Soundcloud dump of archive tracks which continue to drip out and now number over 200 tracks even if he has taken a lot of them down now. If there’s a ‘release’ of the year then that wins hands down although I’m still trying to process it all and tried to compile a selection of the cream in this mix for Solid Steel but bear in mind that that was when he’d only released half of it so by it’s no means definitive.
The other mega-release that deserves special mention is Rammellzee‘s ‘Cosmic Flush’ magnum opus that’s still in the process of materializing in a physical format. Released across seven 12″s with one track + remix + instrumentals + art print each, to be collected in a limited box with booklet around Spring 2016, it’s taken a huge effort by the Gamma Proforma label to bring to fruition seven years after the record’s completion and five years after Rammellzee’s death. It’s been a vintage year for independent Hip Hop too with great albums by Divine Styler, Ollie Teeba, Memory Man and The Fabreeze Brothers.
It’s nice to see the Leaf label celebrating 20 years of existence and still as vital as ever with Melt Yourself Down, Polar Bear, Radioland and new signing The Comet Is Coming all releasing excellent records this year. One last mention must go to the album at the top of the list below that crept out under everyone’s noses on Record Store Day and has slowly been gathering attention through word of mouth in the last eight months. So much so that it won the Dead Albatross Music Prize – an alternative to the Mercury award set up by independent Norman Records to nominate records that would otherwise be passed over at such things. If you only listen to one album from the list below, make it the Annabel (lee) one.

Albums:
Annabel (lee) – By The Sea & Other Solitary Places (If Music/Ninja Tune)
Rammellzee – Cosmic Flush (Gamma Proforma)
Divine Styler – Def Mask (Gamma Proforma) (technically 2014)
Memory Man – Broadcast One (Chopped Herring)
Eagles of Death Metal – Zipper Down
Jane Weaver – The Amber Light (Bird)
Cavern Of Anti-Matter – Blood Music (Grautag Records) (technically 2013)
The The – Hyena (Death Waltz)
The Fabreeze Brothers – S/T (AE Productions)
Markey Funk – Instinct (Audio Montage) (released fully in Jan 2016)
Aphex Twin – Soundcloud Archive dump
Amon Tobin – Dark Jovian EP (Ninja Tune)
Radioland – Radio-Activity Revisited (Leaf)
Ollie Teeba – Short Order (World Expo)
Kurt Stenzel – Jodorowsky’s Dune (Light In The Attic)
Various Artists – The Delaware Road (Buried Treasure)
Floating Points – Elaenia (Pluto)
Morgan Delt – S/T (Trouble In Mind) (technically 2014)
Gaz Coombes – Matador (Universal)
Black Devil – Disco Club (Lo Recordings)
Bruce Ditmas – Yellow Dust (Finders Keepers)
Rodinia – Drumside / Dreamside (Now Again)
Various Artists – In A Moment (Ghost Box)
Jaga Jazzist – Starfire (Ninja Tune)

Tracks:
a few of these are from a few years ago but new to me…
Noel Gallagher – The Right Stuff (Sour Mash)
Graeme Miller & Steve Shill – Moomins Theme (Finders Keepers)
The The – Everybody Wants To Go To Heaven But Nobody Wants To Die) (Cineola)
The Comet Is Coming – Neon Baby (Leaf)
Reso – Richochet (Hospital)
Black Channels – Oracles (Death Waltz Originals)
Paul Rutherford – Get Real (Hardcore) (1989)
Beck – Dreams (Capitol)
Band of Skulls – Hootchie Cootchie (Ignition Records) (2014)
Pond – Zond (EMI)
Ash Grunwald – Walking (2011 but via the Amorphous Androgynous ‘Wizards of Oz’ 2015 RSD comp)
Olivier Libaux – No One Knows (feat. Inara George) (2013)
Alan Copeland – Mission Impossible/Norwegian Wood (ABC) (1968!)

Packaging 2015

Design / packaging / covers:
so many incredibly high quality creations, a oglden age for record sleeve packaging and design…
Science Fiction Dancehall Classics compilation (Trevor Jackson) (On-U Sound)
The The – Hyena (Cineola / Death Waltz/Mondo)
Kurt Stenzel – Jodorowsky’s Dune (Signal Starr) (Light In The Attic)
Jaga Jazzist – Starfire (Ninja Tune)
Tame Impala – Currents (Robert Beatty)
The ‘Beat Bop’ record case (Jean-Michel Basquiat)
Grasscut – Everyone Was A Bird (Lo Recordings)

Artists2015

Artists:
Dan Lish
Kim Jung Gi
Signal Starr
Oddly Head
Ameet Hindocha
Reuben Sutherland
Stan & Vince
Jonathan Edwards
Laurie Lipton
Larry Carlson

Books2015

Books / Comics:
Augustine Kofie – Keep Drafting (ZERO+ Publishing)
Stephen Coates – X-Ray Audio (Strange Attractor Press)
Roger Perry – The Writing On The Wall (Plain Crisp Books Ltd)
Hanson, Godtland & Krassner – Psychedelic Sex (Taschen)
Island – Various (Image)
Sandman: Overture – Gaiman/Williams (Vertigo)
Ody-C – Fraction/Ward (Image)
8-House – Various (Image)
B.P.R.D: Hell On Earth – Various (Dark Horse)
Punks: The Comic – Fialkov/Chamberlain (Image)
Judge Dredd: Enceladus – New Life – Williams / Flint (2000AD)

Format expo

Exhibitions:
Peter Kennard at the Imperial War Museum
Charles & Ray Eames at the Barbican
Cosmonauts at the Science Museum
X-Ray Audio at the Horse Hospital
Trevor Jackson / Format at the Vinyl Factory space
Zulu Nation 42nd Anniversary at House of Vans

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Film / TV: (I really didn’t watch much this year)
Mad Max: Fury Road
Star Wars : The Force Awakens
Love & Mercy
Dune The Complete Saga (Fan edit)
‘Colossus: The Forbin Project’
Rick & Morty

Secret Cinema X-Wing

Moments:
The X-Wing Fighter flying overhead during Star Wars Secret Cinema
The Frankie Goes To Hollywood box set getting nominated for an AIM award for best box set design
Interviewing Edwin Pouncey aka Savage Pencil for a forthcoming book
Getting to wear a full Stormtrooper suit whilst DJing during Star Wars Secret Cinema
DJ Shadow & Cut Chemist – Renegades of Rhythm show at Koko
Writing a piece and creating a mix about Rammellzee for the Quietus
The moving sale finds at Lambiek in Amsterdam
Crazy scenes at the Southbank for the Big Fish Little Fish free Sunday session

BFLF Southbank

Heroes:
Ben Coghill (again) for being the best agent in the business
The NHS – for saving my mum’s life and generally being incredible
Joshu Docherty – for recommending me for Star Wars Secret Cinema
Jeremy Corbyn – for giving hope that there can be an alternative
Sarah Coleman & Leigh Adams – for releasing their first film, making unique and
interesting things and generally being great people
Pete Williams – for getting the keys to the basement
Shindig! magazine – for overcoming the odds and turning a bad situation to their advantage
Pete Isaac & Scott Boca 45 for getting the whole 45 Live crew together and building an international collective
Everyone who gave their time and dug through their collections to contribute to the weekly Flexibition posts on the site: Jonny Trunk, Pete Isaac, Jon Brooks, Markey Funk & Ofer Tal, Stephen Coates, Jon More, John Stapleton, Steve Cook, Anton Armtone, Sarah & Leigh, Spencer Hickman.

RIP:
Mike Allen (Legendary Hip Hop DJ), Lemmy, Demis Roussos, The Pizz, Don Joyce (Negativland), Shusei Nagaoka, Kája Saudek, Errol Brown (Hot Chocolate), Daevid Allen (Gong), Leonard Nimoy, Brett Ewins, Noriyoshi Ohrai, Rod McKuen, Edgar Froese (Tangerine Dream), Mark B.

Looking forward to:
Transmission shop opening in Margate
David Bowie – Black Star LP
Mute 40 book
The Black Channels LP
The Allergies – Rock Rock feat. Andy Cat (Ugly Duckling)
Prophet: Earth War

Posted in 2000ad, Art, Books, Comics, Design, Event, Film, Gigs, Music, Ninja Tune, Star Wars. | 6 Comments | Tags:

Sculpture 8″ Lathe cut picture postcard record

486dc05e-d312-4fab-9f79-66cf3c14d3c1Sculpture have made a Christmas record, just released last week in a limited edition of 160 (each record individually cut) by Hasenbart Records… (the people who did the great People Like Us Xmas record this time last year)
It’s called ‘Self Checkout Ego Death Westfield Stratford City’ and is a 1-sided lathe cut 8” zoetropic picture disc, square cardboard with full colour printing on both sides, stamped on the back, audio on front side.

Loving everything Sculpture, flexi disc and zoetropic, I had to have one, you can too, order here

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The Pink Floyd – The Comic Tourbook

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I ran across this recently, a Pink Floyd tour program in the form of a comic. It was sold on their 1975 Dark Side Of The Moon tour and consists of 16 pages with colour cover and back where each band member gets their own story in a classic 70s boys comic kind of way. Roger Waters is a football hero, Nick Mason, the captain of a ship, Rick Wright, a rich playboy and Dave Gilmore, a daredevil biker.
There’s also the famous Ralph Steadman centre spread of the band (was this the first time it was used?), a personality file (where Wright and Waters quickly get bored and start giving joke answers), a quiz and song lyrics. It’s very much in the spirit of the 60s and 70s undergrounds and the alt. press of Oz, Ink or International Times including some un-PC depictions of women. It was put together by Hipgnosis and Nick Mason and featured cartoonists Paul Stubbs, Joe Patagno, Colin Elgie, Richard Evans and Dave Gale – none of which I think I’m familiar with. You can download a full set of scanned pages from here.

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Researching the Ramm.Ell.Zee

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Last week I played at the opening of the ‘Cosmic Flush’ exhibition in London at the Magda Danysz Gallery. The contents of which celebrated the work and life of Rammellzee, the MC and artist who passed away in 2010. Instigated by the Gamma Proforma label, it was full of art from the new album and attended by a who’s who of the leftfield art scene. Pieces by Futura 2000, Kofie 1, She One, Will Barras, Dan Lish and Poesia sat with art from three of Ramm’s crew: Doze Green, Ian Kuali’i and one of Dr Zulu‘s Lego letter racers. There were also life-size cut-outs of Rammellzee in full battle gear by Will Barras with backgrounds by O.Two.

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The exhibition will run until 22nd December. The gallery is open daily from 11am-7pm, closed Mondays.
You can buy the seven releases that make up the ‘Cosmic Flush’ album from Gamma’s online store.

During the run up to the exhibition opening The Quietus website premiered a piece I’d written about Ramm which you can read in full here. It featured a previously unseen image by Timothy Saccenti, made in collaboration with Rammellzee, for a photo session they did in 2005. Here’s another unpublished image from the same time and I’m incredibly grateful to Timothy for letting me use these great images for the piece.

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At the opening I played an all-Rammellzee set including a new mix I made for Solid Steel celebrating his musical career. The object was to map an aural history of Rammellzee‘s recorded output, in roughly chronological order, to showcase his music, theories and wordplay for those who wondered what all the adulation and legendary status was about. Take a trip from the early 80s up to the present day, through Ramm’s intricate, confusing, yet always unique recording career from his old school origins through to his final masterpiece.

As an addition to The Quietus piece, for which I had way too many images, here’s an extended look at some of his releases over the years. Going back to the beginning, want to see Profile Records‘ original master tape of the ‘Beat Bop’ single? It was recently unearthed by Noah Uman and given a proper reissue after countless bootlegs over the years. Originals now go for triple figures, but here’s the no frills master tape box that was taken from Jean-Michel Basquiat‘s original reel.
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Here’s the Slinky Gym School single he featured on in 1983

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The 1985 Death Comet Crew 12″ on Beggars Banquet 

Ramm DCCfrontRamm DCCbackThe Gettovets album with Shock Dell and Delta II, produced by Material on 4th & Broadway in the late 80s
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Whilst researching the mix I came across some beautiful sleeve artwork from the various Japanese-only albums and DVD releases in the 00s. Some of these were news to me but well worth tracking down.
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Posted in Design, Mixes/Solid Steel, Music, Records. | 1 Comment | Tags: ,

Final reveals for the Rammellzee ‘Cosmic Flush’ album & show

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Just revealed yesterday, a cover mock up for the ‘Cosmic Flush’ box set by Will Barras (we’d seen the silhouetted version of this on the T-shirt earlier this year) and cover artists Poesia and Kofie for the final two releases. Poesia is paired with Sam Sever on the remix and Kofie provides cover for a Psychopab version on the final of seven 12″s. Both can be pre-ordered over on the Gamma Proforma website.
The exhibition of all this art – including She One, Futura 2000, Delta, Doze Green and Ian Kuali’i – opens this Thursday at the Magda Danysz Gallery, 61 Charlotte Street, London. Yours truly will be playing an all-Rammellzee set with a mix for Solid Steel premiering on the Quietus the same day.

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New Ghost Box ‘Other Voices’ pre-order

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Just in time for Xmas here’s two new 45s from Ghost Box‘s ‘Other Voices’ series – one-offs from friends and like-minded souls of the label. Being a huge fan of Tim Gane‘s Cavern of Anti-Matter I was excited to see their name appear months ago as next up on the agenda. Their excellent debut album ‘Blood Drums’ is long gone (still looking for a copy if anyone is selling) but you can hear it via the Staalplaat bancamp page and they have a website at last with a new album on the way early next year.

The single doesn’t disappoint either with the A side unfolding into a near 6 minute sprawling electro-country-fied epic that, at one point, almost threatens to break into ‘Witchita Lineman’ (the second of the Other Voices series to do so). The B-side is even better and mines a sound familiar to many Stereolab fans, all motorik Krautrock groove with guitar and organ accompaniment. But what’s the point of trying to describe them (‘dancng about architecture’ etc…) when you can listen to clips below and make your own mind up?

ToiToiToi are completely new to me and a google search reveals that it’s the project of Sebastian Counts from Berlin. His 7″ is a mixture of lo-fi childlike tunes that sound like Brian Wilson having fun in his sandbox mixed with early Kraftwerk Autobahn-era overtones. ‘Odin’s Jungle’ on the single comes from a 2011 album that you can hear on his Bandcamp page. Order both singles HERE.

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The Future Sound of London ‘The Most Important Moments In A Life’ book/CD

FSOLBookCover+CDTime machine. Pod rooms, Liquid Insects and Tales of Ephidrina (must dig that out again). Westside, Jumpin’ & Pumpin’, Virgin, EBV, FSOLDigital. A can of worms. Master tapes, promos, press releases and magazine reviews. Reaching for Discogs. More questions than answers. Just who was Philip Pin? What happened to the longform film, ‘Yage’? The first band to ever offer downloadable music? (yes, apparently they were)

FSOLBook1FSOLBook2Reading FSOL‘s scrapbook of their career made me sad rather than nostalgic for the music industry of old. For all its technological advancements, a lot of which the band spearheaded, we’re left with a shadow of the brave new world promised by the online digital revolution. In a week when Solid Steel‘s Vimeo account was terminated without warning over a single copyright claim, a time when an entire radio station’s Soundcloud account disappears, one artist sells more than the entire top 200 combined and independent labels are being told there’s a 14-16 week wait for pressing vinyl, it’s a sobering read.

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FSOLBook4FSOLBook5There’s a quote from Radio 1’s then controller, Matthew Bannister, in one of the clippings, saying that “…FSOL typified the kind of forward-looking outfit the station wanted to embrace”, and, for a while, it did. Unfortunately, rejecting the lagered up anthems needed to become poster children for an electronic generation to forge a more cerebral path into the charts, it was only a matter of time before the bubbling Britpop and Big Beat bandwagons changed that.

FSOLBook6The book’s also filled with quaint technological reminders of the time, mention of ADATs, Power Mac1800/80s, laser discs, images of Syquests and floppy discs and the web frequently mentioned as just ‘Internet’. There’s a noticeable drop off in the amount of press after ‘Dead Cities’ and you realise that, despite releasing well over two albums worth of material and countless mixes, the duo’s Amorphous Androgynous cosmic rebirth only really gained acclaim after their Oasis remix and first ‘Monstrous Psychedelic Bubble…’ mix CD. By that point in time the ‘Psych’ word was back on people’s lips and once again Gary and Brian earned their ‘Future Sound…’ tag from having plowed this furrow since an aborted 1997 compilation a full decade before the genre made its resurgence.

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FSOLBook8FSOLBook7The ‘Life In Moments’ CD that accompanies the book is a treat too, offering a physical version of several tracks given away free as digital EPs with items purchased from the FSOLDigital webstore. The amazing ‘I Turn To Face The Sun’ is worth the price alone amongst the unreleased and alternate mixes. Buy it here

FSOLBook10 FSOLBook12 FSOLBook11Talking of unreleased FSOL material, the previously announced soundtrack to the computer game Mushroom 11 has been expanded to include four new tracks and comes as a download with purchases of the game. If you want to get a copy try here and here (links courtesy of the Galaxial Pharmaceutical website).

Mushroom-11-logoAnd it doesn’t rain, it pours, The Amorphous Androgynous have a 14 minute Monstrous Psychedelic Bubble remix called ‘Murdered & Downer’ on The Kooks‘ remix album, Hello, What’s Your Name?, available from 4th December. It’s already on the web if you search hard enough…

*STOP PRESS!: There’s a Black Friday sale on at their webstore right now, lots discounted, go take a look…

Posted in Books, Music. | 5 Comments | Tags: ,

Images from the KLF night at the Cube Cinema

Cube crowd
Scenes from last weekend’s KLF-themed night at the Cube Cinema, Bristol. John Higgs gave a talk and there was an hour-long video montage by Mr Hopkinson of which this is but a short segment.

Below my friends Phil and Stuart prepare to burn part of their entrance fee which was given back to them upon entry. Jonathan Harris led several money burning rituals outside and writes about the experience on his blog here.

Phil & Stu@Cube
Several attendees purchased the One Million Mu notes that I designed for the night and posted their acquisitions afterwards, sorry for the lack of credits but I know the last one is DJ Moneyshot‘s copy. I’m still waiting for my copies in the post but will post shots when they arrive.

BenSwag KLF$&matcheslarge Moneyshot note

Posted in Event, Film, Music, Openmind designs. | 2 Comments | Tags: ,

Rodina ‘Drumside / Dreamside’

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This album is gorgeous, two sides split between drums and dreams by JJ Whitefield of the Poets of Rhythm, Whitefield Brothers etc and Johannes Schleiermacher. This is a big departure from that sound though as the German roots of Krautrock and ambient music shine through. The Drum side charts similar territory to that trodden by The Heliocentrics, Natural Yoghurt Band or Chop but at a glacial pace, drums and guitars dripping with electronic FX. The Dream side is stone cold pure ambient bliss, in the best traditions of Tangerine Dream, Cluster and Popul Vuh, totally organic-sounding and calming. Both sides were the result of a 2 day studio lock in and enough vintage studio tech and substance abuse to keep anyone happy. I’m glad Now Again unlocked the door and let this beauty out – listen to the Drumside (although I rate the Dreamside even more) and buy vinyl, CD or DL.

Here’s also a 71 minute mix of German Space-Rock Classics they just put up on Soundcloud.

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New 45 Live label and radio show

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The 45 Live crew notch things up a gear with the first release on their own label and a new bi-weekly radio show. Boca 45 takes the first release slot with a double whammy of ‘Soul On Top’ / ‘Diego’s Theme’. Listen and buy a copy here. Over in LA, 45 Live member Greg Belson has set up a radio show on Dublab that will air on the first and third Friday’s of each month and feature a guest mix from one of the 45 Live roster on each show.

45 Live Roster

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Review: ‘The Delaware Road’ – South St. Arts Centre, Reading

DelawareRd_DollyDollyDeparting South London on a rainy Saturday evening we travelled to Reading for the launch of Buried Treasure‘s new compilation, ‘The Delaware Road’, at the South Street Arts Centre. Bumping into Jonny Trunk at the parking meter was fortunate as we’d run out of change and, after a battle with an unruly £1 coin which refused to stay inside the machine, we entered the packed room. Promised a night of radiophonics, tape loops, vintage synths and spoken word we braced ourselves for an eight band line up held together by a narrative from Dolly Dolly. Seated at a table under angle poise lamp to one side of the stage for the entirety of the gig and looking for all the world like a broadcast announcer of old he was a revelation, holding the audience captive between acts as the night and story unfolded. Written by Dolly aka David Yates and label manager Alan Gubby, the tale of The Delaware Road is loosely based on two members (‘the man’ and ‘the woman’) of a sound studio reminiscent of the Radiophonic Workshop. The clues are all there, the BBC being referred to as ‘the corporation’, and the tale includes shades of The Stone Tape Theory, the occult, the swinging 60s, orgies and demonic powers released through sound recorded on copper wire.

DelawareRd_12HrFoundationThe evening was an ambitious production including visuals, smoke and lighting to compliment the soundscapes for the three hour duration. Proceeding chronologically from the late 60s through to the 80s, each act soundtracked the period in time perfectly, kicking off with Robin the Fog‘s Howlround project of tape loops strung around mic stands, mirroring the early tape experiments of the Workshop. The Twelve Hour Foundation duo tickled us with synth-heavy ditties redolent of the many radio and TV themes produced for the BBC by John Baker and repopularized by the likes of The Advisory Circle today.

DelawareRd_IanHelliwellIan Helliwell‘s set up consisted of a small pub table crammed with small boxes (i’m sure I saw an alarm clock too) which throbbed and pulsed with all manner of devilish tones as he bent sine waves out of shape, accompanied by his own amazing animations. As the narrative moved into the swinging sixties it was the perfect moment for The Dandelion Set’s first public performance, oil wheels revolving and Op-art shirts waving. Despite a technical hitch with the Moog during the first track, a setback which had the crowd cheering once fixed, they didn’t let it phase them and ran through several tracks from their forthcoming album, ‘A Thousand Strands‘.

DelawareRd_DandelionSetAlan Gubby’s own band, the unpronounceable Revbjelde, produced a stunning set with bow scraped cymbal, metal percussion and lute, unleashing a Wickerman-esque medieval suite for the releasing of spirits. Loose Capacitor paid thrilling homage to the golden age of TV, climaxing with the joyous ‘Theme From Robin’s Nest’ which had part of the crowd clapping along whilst Tim Hill’s sax and FX pedal set up changed musical tack again. Each performer bought a new dimension to the story as images of vintage synths, solarised landscapes, 70s Britain, Morris dances and electronic components were projected overhead. A compilation of seventies celebrities flashed by to the glam beat of ‘The Shag’ by Trouble & Strife – Basil Brush, David Essex, Keith Chegwin – ending in Gary Glitter and Jimmy Saville to the collective gasp of the audience.

DelawareRd_LooseCapacitorAs the night and narrative wound to a close we entered the eighties of ‘suits’, buttons replacing dials and microchips on the ends of fingers with Robin Lee‘s synths perfectly capturing the cheesy ‘business funk’ of many library albums of the era. Finishing with a second set from Revbjelde, this time accompanied by Tim Hill, the band closed with a storming rendition of ‘Tidworth Drum’ from the new compilation to huge applause and a heartfelt thanks from Alan, surprised at such a turnout for such an esoteric event. It was presented with such love and care that it felt like a family occasion where the label had found a common ground amongst its roster – so far a mix of reissues and original material – that pointed the way forward. All in all a genuinely unique night with many unknown names now firmly lodged in the subconscious, seek out the compilation and keep an eye on the Buried Treasure label, still not even up to their tenth release.
VARIOUS ARTISTS - SOUNDTRACK - THE DELAWARE ROAD - BUTR9opened

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New music

It’s hard to keep up with all the new music out there at the best of times so here’s a quick round up of some things that I’m really liking at the moment.

Floating Points ‘Elaenia’ album
Just a great late night jazz album, deep, dark, dreamy. You’ll have read about this one in the press, believe the hype.

House of Black Lanterns ‘You Were Telling Me Of Mountains’ (Bandcamp)
Long time coming album from Dylan Richards aka King Cannibal – synth soundtrack stylings rich with Carpenter, Vangelis and Tangerine Dream influences as well as more contemporary beats.

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The Comet Is Coming ‘Prophecy’ EP (Leaf)
Sax-heavy cosmic space jazz – Sun Ra meets Can

Jacco Gardner ‘Hypnophonic’ (Polyvinyl)
Well late on this one, glad I picked it up though, great singer, beautiful off-kilter arrangements

Black Channels ‘Two Knocks For Yes’ (Castles In Space cassette)
The spookiest mixtape you’ll hear this year with extra B side instrumentals, proper Hauntology.

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Eagles of Death Metal ‘Zipper Down’ album
You know what these guys do, unashamed, straight up Rock n Roll. The reason I love them so much is because of things like the video below. Just skip the Duran Duran cover version though.

Black Devil Disco Club ‘H Friend Dance Remixes’ (Alter K)
Many, many remixes of ‘H Friend’ from the original Black Devil EP – head for the Andy Weatherall, Turzi or Loframes ones first.

Den Sorte Skole ‘Indians & Cowboys’
I can’t describe this album, it encompasses so many styles but the basis is collage, I’d call it ‘sampledelia’.

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Various Artists ‘The Delaware Road’ CD compilation (Buried Treasure)
A radiophonic, tape collage, jazz and a million other things journey through an illusory soundtrack

The Dandelion Set ‘A Thousands Strands’ (forthcoming LP on Buried Treasure)
Another one long in the making, after several digital releases the Set finally pull an album together of new and old material and cajole none other than Alan Moore to voice one of their sonic looks back in time to a summer rich with the simplicities of childhood.

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Ollie Teeba ‘Short Order’ LP (World Expo)
Teeba takes his time but serves up a 10 track banger of all styles Hip Hop for the mature B-Boy.

Annabel (lee) ‘By the Sea.. and other solitary places’ LP (If Music / Ninja Tune)
Still one of the best releases this year, a unique record that mixes female vocals with tarnished soundtrack and string samples, torch song jazz with the patina of time etched all over it. Could have been made anytime in the last 50 years.

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