Ninja Tune Exhibition opens today

Well last night’s book launch at Black Dog’s gallery in Kings Cross was a lot of fun, a huge turn out of artists, staff, friends and family made it a massive success. Thanks to everyone at Black Dog for a supreme effort in turning the exhibition round in three days, also everyone who came down, there were a few old faces I’d not seen in years and some who I’d only known via email but never met in person. Photos by Martin LeSanto-Smith, on form as ever to capture the event.

Record wall

The exhibition is open to the public, free, between 12-5pm Monday-Friday until September 16th. It’s situated at 10a Acton St, London, WC1X 9NG, nearest tube is Kings Cross and then it’s a 5 minute walk, press the buzzer and you’ll be let in.

More 3A goodness

entreatThis dropped through the post last week, well, it actually arrived by courier, soaking wet, looking like it had been sitting in a puddle for some time, the cardboard around it literally falling off when I unwrapped it. Good job they wrapped it in bubble wrap, and it’s a heavy bugger too at 12″x12″ size. This is Entr3At – a visual celebration of the first 2 years of Ashley Wood and Kim Fung Wong’s 3A toy making company, makers of the best robot toys in the world by a long chalk. This is my kind of book, studio shots of the badly weathered toys, production designs, work in progress, box layouts and logo art for the individual figures. To think that they made all this in just 2 years is incredible and there’s already much more in the pipeline for a follow up later.

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Their latest release is a ‘Heavy’ version of the popular Bramble bot, this time with huge bazooka and tougher build, coming in 4 different colourways. My good friend JP McCarthy managed to score me a Grave Digger variant this week and they sold out on pre-order in hours. Not cheap at $280 a pop but that includes shipping to anywhere in the world (and these bots aren’t small), some of the nicest packaging you’ll ever see and the most detailed paint jobs this side of a film set. These will doubtless not even turn up until around xmas time, if that, as they take a long time to make but a 3A package at the door is always a treat.

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Posted in Art, Books, Design, Robots, Toys. | 1 Comment |

Kraftwerk Tribute 12″ of a different kind

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Here’s something interesting I stumbled across whilst perusing the Kraftwerk Facebook page that’s been set up by fans. A limited edition of the band’s Tour De France 12″ that comes with a built in player like those cheesy birthday cards you can get that play a tune when you open them.

The designer’s name is Woes Van Haaften and there are 5 different sleeve colours to choose from but they don’t come cheap let me warn you! Full info and a little film here

Ninja Tune 20 year exhibition in London

Opening in 2 weeks time will be Ninja’s first bonafide exhibition in the UK to celebrate the publication of the book, ‘Ninja Tune: 20 Years of Beats & Pieces’. Black Dog Publishing have generously offered to host a little showcase of the design and imagery that went into it and, after designing the book, the box set and all the paraphernalia that goes with it, I’m curating the exhibition too. It will feature lots of original artwork, models, posters, sleeves, flyers and promo bits from across the years.

e-invite (no party)

It opens Friday, 20th of August at Black Dog’s gallery space, 10 Acton St. London, WC1X 9NG between 12-5pm weekdays and is only on for a month. There will be a special pop up shop on Saturday 11th September where there will be several special items for sale, hand picked from the Ninja archives as well as the new book.

MEGADETH!

One my oldest friends, Steven Baker, found this in a box of stuff this week. I painted it for another friend, Cliff Purtell, back in 1988 I think, maybe later, I don’t really remember. He was going to Donnington (the rock festival) and wanted to show his appreciation of the band. I can’t quite remember how long it took but it was somewhere in the region of 2 weeks I think due to the fact that a lot of it was painted with modeling paints watered down, you know, the tiny pots you can buy to paint up Airfix kits and the like. We didn’t have money for proper paints and figured that these wouldn’t run if the weather was wet. We also only had an old tablecloth or bed sheet to paint it on as you can see from the not-quite-finished-yet bottom corner.

Megadeth banner

Anyway, I would troop round to Cliff’s place each morning (it was the summer holidays) and he would furnish me with tea and biscuits all day and blast out heavy metal. This was my introduction to thrash metal primarily although I think I bought a fair bit of LL Cool J, Beastie Boys and Public Enemy with me to even things out. Anthrax, Metallica, Megadeth (obviously), Slayer, G.W.A.R. probably a lot more that didn’t stick too, all were played on repeat throughout the making of this banner, a tiny picture of which ended up in Kerrang the week after the festival. Cliff swore that, during their set, Dave Mustaine of Megadeth quipped, “You’ve got some fucking nice banners out there”.

Posted in Art, Oddities. | 2 Comments |

To Kill A Mockingbird – New US 50th Anniversary cover

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There’s a lot of talk about Harper Lee’s classic at the moment being that it’s 50 years since its original publication and I’m going to jump on the bandwagon and declare my love for it. I read this in school and it was probably the first ‘proper’ book to affect me, even though I haven’t read it for 25 years or more I can still remember passages of the book and being enthralled by it.

The reason for this post though is that my friend Sarah ‘Inkymole’ Coleman was asked to illustrate the cover for the American 50th anniversary edition I just found out. Being that it is one of her favourite books, this is a lifetime dream and I was really pleased for her when I found out. Even more impressed when I saw what she’s come up with for it, love the detail of the hole in the tree trunk where Boo Radley leaves his gifts on the spine. More info with work in progress on Sarah’s site and you can buy the book from Barnes and Noble as well. I’ve included a selection of other covers from across the years too.

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Posted in Art, Books, Design. | 3 Comments |

Spiderman meets Dr. Strange by Brendan McCarthy

Just finished reading this short, 3 part series where everyone’s favourite wall crawler teams up with Dr. Strange in a story called ‘Fever’. I’m not a big superhero comics fan, Superman, Batman, X-Men etc. don’t do much for me. I generally prefer the more leftfield end of things, in fact I think this is the first Spiderman comic I’ve ever bought outside of the watered down kind for my boys. So, why the special occasion? Brendan McCarthy. One of the demi-gods of UK comic book art, 2000ad veteran and, in the last 2 decades, storyboardist and character designer to Hollywood.

I’ll buy pretty much anything with Brendan’s name on it as he’s a unique talent, rarely repeats himself but has a visual language all of his own. Sometimes copied – Jamie Hewlett’s early work owes much to McCarthy – but never bettered, he is one of the few comic book artists who can portray psychedelia effectively on the printed page, Savage Pencil being another example. He mainly left comics behind after getting his foot in the movie making door and who can blame him, I’m sure the pay is better. But recently he’s been active again here and there and this Marvel Team Up is his first major comic book for some time.

This time round he’s writing as well as illustrating too and seems to have been given quite free reign with the character, something he dives head on into conjuring up a Spider-themed story that incorporates magic, other dimensions, soul-snatching and even references Spidey’s origins quite neatly. It all serves to provide material for a great big acid trip of a story with nods to Steve Ditko and a thinly veiled Alistair Crowley. If you like your comics dark, camp and sporting all the colours of the spectrum then this is for you. In fact one of my only criticisms (aside from the shortness of it all) is the colouring ,which has been done via computer. Some of it works but, knowing McCarthy’s painted work from the past, there’s something lacking in some of the pages.

Posted in Art, Comics. | 4 Comments |

Montreal

On Adam Ant’s solo album from 1983, ‘Strip’, he has a song called ‘Montreal’. It was always my favourite track on what was a pretty patchy album and it shares its name with is one of my favourite cities in the world, second only to my hometown of London. I love it mainly for its unpretentious, multi-cultural, wildly artistic inhabitants and this last weekend I was there playing at the Jazz Festival on a bill with Spank Rock and The Slew in one of two Ninja Tune XX shows. It was a pretty laid back affair as I flew in on Friday, played Saturday night and flew out on Sunday evening, a rare treat in my usual touring schedule. The weather was perfect and I got to catch up with lots of friends from the North American Ninja office which is based there as well as catching tons of amazing art dotted around the downtown district where the venue, Metropolis, was.

The gig was good, Spank Rock were nuts and the Slew were just amazing, virtually playing their 100% album in its entirety. British Airways managed to forget my mixer in London so there was a mild panic for a minute to source a duplicate – I can’t do my video set without the Rane 57 – but this seemed no problem. It eventually turned up 20 minutes before I finished playing, being brought on stage by the soundman much to my relief.

On Sunday I visited the Museum of Fine Arts to check out the Miles Davis exhibition which was stunning and is on until the end of August, make the effort if you’re in the city. It is laid out immaculately, chronologically guiding you through his life and work room by room. The late 60’s and 70’s rooms were the ones I’d come for and I wasn’t disappointed as they had the Mati Klarwein originals of the Live/Evil LP cover, Corky McCoy sketches for On The Corner and Water Babies and some hilarious memos to record company staff from Teo Macero. One for Filles De Kilimanjaro ended, “Also Miles would like all the titles on the album translated into French. HELP!”. The whole thing was suberbly put together with original LPs, magazines, sheet music, stage wear, instruments and even some of Miles’ art amongst much more – highly recommended.

After this I met up with ex-Ninja staff, Phillipa Klein and Pat Hamou and Eric San (Kid Koala) who took us to a great Chinese dumpling spot nearby the museum. It’s not widely known but Eric is the number one food stop diviner when on tour. If you’re in a strange city and you need to eat, Eric will know somewhere that will usually turn out to be exceptional. After stuffing our faces we went back to Eric’s with his wife and daughter and marveled at his studio, chock full of amazing kit, 3D models of miniature towns they’d built for a forthcoming project and his own, personalised record cutter. In the basement there was a full size robotron ‘costume’ made out of metal and his studio boasts a massive model of a swordfish sitting atop a bookcase. He played me a new track he’s just finished for the Ninja Tune XX compilation and revealed that he’s recording the first parts of a new Slew record next week in between tour dates.

My time was up so we drove back to my hotel and said goodbyes, a great way to spend a weekend for sure, the flight back was overnight and the week ahead sees me tying up the last parts of the Ninja box set artwork, starting a 4 deck AV set for the 20th parties and finishing a track for the compilation.

Posted in Art, Event, Gigs, Ninja Tune. | No Comments |

3A books launch today

headerbeiOne of my favourite artists and certainly my favourite toy-making company – Ashley Wood and 3A – launch their new book range today on the eve of a massive art and toy show in Beijing. Two hardback books with work from Phil Hale and Ashley Wood are available for $25 each but the one I’m most excited about is ‘Entr3At’, a 282 page celebration of the first 2 years of 3A toys. Packed with paintings, photos, works in progress, designs and box art, it’s going to be one of my books of the year for sure. Order any or all of them from bambalandstore now.entreat-cover

Posted in Art, Books, Comics, Design, Robots, Toys. | 1 Comment |

New Qemists LP cover by Glenn Fabry

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Ninja Tune artists seem to have a love of comic art and one particular comic in particular has played host to various artists who have also graced Ninja Tune sleeves – 2000AD. The first was The Herbaliser’s ‘Wall Crawling Giant Insect Breaks’ 12″ back in 1998 with a cover painting by Jason Brashill -aka graffiti artist Jase – who used to paint with Req and She One in Brighton. His design of a robotic bug perched on a pair of decks and a mixer is one of my favourites of that era.

DJ Food - ...Weird...World EP 12"cover (72 dpi)My own DJ Food EPs from last year featured new work from Henry Flint who has been a regular on both the weekly comic and monthly Judge Dredd Megazine for over 10 years. He kindly gave me some of his personal work, highly detailed abstract ‘doodles’, to colour for my sleeves (you can see one to the left of this post) and there will be more for the third EP and album.

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FInally we have the latest addition: The Qemists have enlisted none other than Glenn Fabry to paint their new ‘Spirit In The System’ LP cover in what looks like a homage to Stanley Mouse’s Grateful Dead work. If you’ve been paying attention to the recent Qemists releases you’ll notice that the first two are sections of a large ‘logo-ified’ version of the painting, I hope Ninja press a vinyl LP of the album too.

Diplo – Florida (limited screenprint edition) (Big Dada)

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An oldie but goody for the last entry in this week-long vinyl series – Diplo’s debut (and only solo) record, the classic ‘Florida’. I’ve been pulling out all manner of releases from the Big Dada, Ninja and Ntone catalogues over the last few months as material for the on-going Ninja Tune book I’m working on and this is the very rare screen printed cover edition.
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As I recall, Diplo actually wanted to have an old Frazetta image of dinosaurs on the cover but it was decided that would be too expensive to license and he found an artist to do the illustration in a similar style. Only 500 were made with hand-stamped labels and a sticker on the reverse stating the number of the edition (you can see mine is 045).

Posted in Art, Design, Music, Records. | 3 Comments |

2econd Class Citizen – Divided Reality (Equinox)

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This is the most gorgeous smelling record I own. i don’t know what they put in the ink they printed this with but it smells like sickly sweets to me. This is a (very) limited repress – only 30 copies – of Aaron Thomason, aka 2econd Class Citizen‘s first release, a four track white label made back in 2005. Half the EP bears the sort of style you’d expect from him today albeit in a more primitive form, the song ‘Wishing Well’ was later reworked for his ‘Wyred Folk’ EP. The other half of the EP is more of a surprise, a couple of tracks that definitely sound of their time and show a different path that Aaron could have taken.

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The sleeve is a wrapround piece of heavy card, screenprinted and designed to look like a private press release with minimal layout by Gunter, the label head at ever excellent Equinox records. Each one has been signed and numbered by Aaron and it’s all housed in a plastic sleeve. I think there are a few copies left if you contact Aaron or Gunter at Equinox but if not then you can still buy the mp3s.

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Posted in Art, Design, Music, Records. | 1 Comment |

Edan – Echo Party (Stones Throw)

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This record was all over the net at the end of last year and Edan should need no introduction. This is basically a mix tape on vinyl and the legend has it that Edan was given access to the Traffic Entertainment Group back catalogue to do what he could with. Two years passed and it’s finally here, barely 30 minutes but who’s complaining when it sounds as good as this? There’s a sample with video here to start you off.

The beautiful thing about the covers for this vinyl release is that, much like the ‘Secondhand Sureshots‘ record I posted about earlier, they are all different. Instead of screen printing though you get variations of a rubber stamp and I picked up what I think is a particularly nice version with multiple women on it. Only two pictures here as the sleeve is super minimal, the only other mark on it is a tiny ‘A’ stamped on one of the labels.

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See a little video of Edan customising the covers here.

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