My 360º fulldome presentation, ‘The Search Engine’, returns to Dome Club at a new location this summer – the Q Club Complex, Birmingham. There will be three showings – all playbacks, I won’t be present – during July, August and September.
Tickets are £10 or £8 concessions and this will be in the new portable dome they have acquired which means viewers can lie on the floor for the best experience.
Dates and ticket links: 18th July / 15th August / 19th September
I’ve put one of the mixes I did for this weekend’s live streaming Altar Ego Radio on my Soundcloud so that it can kill two birds with one stone (pun intended) and promote my set at the Lunar Festival in Tanworth, Warwickshire on June 6th. The mix was done with that in mind being that it’s a psychedelic set for a gig of the same, check the line up below, tickets and other info available here.
A second hour of Magpie Music by 2econd Class Citizen is available here.
These Serato controller discs just arrived from 12inchSkinz in the US. They are clear 12″ discs with custom-made graphic pictures on the underside and a label over the top.
They are sanctioned by Serato but only playable on one side because of the image underneath. Expensive but well worth it as they are objects of beauty.
12inchSkinz also do stickers for your laptop and mixer and I highly recommend them as I’ve got stickers for both of those as well and they’re very high quality.
Friday at the Dust & Grooves book launch – so many lovely people, shame I had to jet early for another gig, will make up for it later today at the Vinyl Library get together. 
Last minute post I know but I’ll be on Altar Ego Radio at 6 – 8pm tonight with a show of electronica that sounds like the past predicting the future called ‘Future Shock’. You can listen live here – I’ll even be talking.
Then tomorrow, Sunday 25th I’ll be doing another show with 2econd Class Citizen called ‘Magpie Music’ – one hour each of heavy psychedelia and the like.
I’ll be playing from 6pm – all vinyl – alongside Ollie Teeba, Jonny Trunk, Colleen ‘Cosmo’ Murphy, Dom Servini, Kid Dyno and Sheila B. It’s FREE and takes place at the Proud Archivist gallery in East London – more details here.
This Friday I’ll be doing an early (6pm) all vinyl set at the Dust & Grooves book launch at the Proud Archivist in Hackney and then racing down to join Cheeba and Moneyshot in Southampton for another round of our Paul’s Boutique deconstruction. The gig was to be in the Orange Rooms but has been moved next door to the Roxx apparently.
‘Children of the Sun’ is a mix about the sun and summer in general, made especially for Farmfest 2014. 50 minutes designed to relax to outside, lying on the grass in the warmth of the sun. Taking in jazz, beats, ambient, soul, funk, rock and electronica each track comments on the sun, summer or the great outdoors in some way.
This is just being premiered over on ClashMusic.com and won’t be appearing on Solid Steel, being exclusively for Farmfest where I’ll be playing on August 1st.
Tracklist:
Wolfgang Dauner – Take Off Your Shoes To Feel The Setting Sun (MPS)
The KLF – Brownsville Turnaround On The Tex-Mex Border (KLF Communications)
Koushik – Lying In the Sun (Stones Throw)
DJ Food – Sunspot (Unreleased)
Boards of Canada – A Beautiful Place Out In The Country (Warp)
Three Dog Night – Out In The Country (Dunhill)
Dr Rubberfunk – Sunset Breakdown (GPS Recordings)
The Orb – Little Fluffy Clouds (Ambient Mix MkI) (Big Life)
Ammoncontact – Children Of The Sun (Ninja Tune)
Belbury Poly – Summer Round (Ghost Box)
Sesame Street – Bees & Honey (Children’s Television Workshop)
July – Dandelion Seeds (Bam-Caruso)
Diplo – Summer’s Gonna Hurt You (Big Dada)
Isley Brothers – Summer Breeze (Epic)
Roberta Flack – I Can See The Sun In Late December (Atlantic)
Delia Derbyshire & Barry Bermange – Dreams / Land (BBC)
The Dells – Wichita Lineman (Cadet)
The KLF – Pulling Out of Ricardo And The Dusk Is Falling Fast (KLF Communications)
Friday May 23rd, Dust and Grooves along with Wah Wah 45s, Ninja Tune, MixCloud, Dewar’s + Classic Album Sundays celebrates the release of their book (released today!) at the Proud Archivist in East London.
DJ’s include: myself, Ollie Teeba, Colleen “Cosmo” Murphy, Jonny Trunk, Kid Dyno, Dom Servini, and Sheila B. They’ve just held parties in Amsterdam and Paris but now it’s our turn – more info here.
Also for those who can’t make it there will be a gathering up at the Vinyl Library in Islington on Sunday 25th from 3-9pm – info here.
Imagine an alternate version of the 80’s pop chart, not the one already there in the form of the extended 12″ remix that came to prominence in that decade, but a secret, subtly twisted one with different producers at the controls. Imagine Depeche Mode and Gary Numan remixed by a Hip Hop engineer, Tears For Fears cut to ribbons by a tape edit king, Bow Wow Wow and The Human League streamlined into a slow disco groove. Grace Jones and Heaven 17 pumped up for a House club, Japan remixed by Giorgio Morodor or Grace Jones covering Tubeway Army – no actually, those last two really happened.
My latest Solid Steel mix compiles an hour of mostly unofficial remixes, re-edits and versions of classic pop songs from the 80’s, remodeled by fans or studio engineers with access to the separate track stems. What emerges is a collection of pop classics seen through a distorted looking glass, culled from the darkest corners of Soundcloud or the hard drives of those with access to audio they shouldn’t have and time on their hands. See below for track listing and more info.
‘E Is For Eighties’ – An Alternate 80’s (Re)mix
Gary Numan – Films (DJ Butcher Instrumental) (soundcloud mp3) – Found on Soundcloud, this toughened up Hip Hop take on the Numan classic, beloved by break fiends from back in the day, is minimally tweaked for the dance floor. Check more of DJ Butcher‘s wares here.
Tears For Fears – Shout (Remix di Marco De Luca) (soundcloud mp3) – a crazed edit-fest of cuts and splices of one of TFF’s best known songs, I actually had to edit this down a little as the machine gun edits got so relentless that it was a difficult listen – the full 8 minutes is here.
Grace Jones – Slave To the Rhythm (Better Days’ Rough Slave version) (mp3) – The first of three versions of Grace’s finest moment – this one takes the multitracks and strips away the percussion and bass to leave a gorgeous string and acappella version that’s billed as a ‘Rough Slave’ version on YouTube.. Info suggests that this was done by DJ Bruce Forest circa 1990, who got the chance to do a quick mix when working at SARM Studios on a different project. It has since been taken off of the web.
Grace Jones – Slave To the Disco (Tribute To Trevor Horn mix) (We Mean Disco mp3) – upping the bpm to a steady 110 this new cheeky re-edit turns a mid 80’s hyper-polished pop masterpiece into a dirty disco groove to brilliant effect. I’ve added a fair amount of the Better Days acappella and strings version over the top of this as the original is mainly instrumental.
Bow Wow Wow – I Want Candy (Deep Sound Design Balearic Dub) (soundcloud mp3) – Taking the original’s drum and bass groove and stretching it out, the mix just feels so dirty. Again I edited this down as the sugar-sweet singing of Annabella sounded a little too cheesy in the mix but check out Deep Sound Design‘s Soundcloud pages for tons of excellent mixes both past and present, he even makes ZZ Top sound good.
Frankie Goes To Hollywood – Relax (Hibakusha ‘Don’t Crack’ mix) (CDR) – One of my favourite 80’s songs tackled by my good friend Jeff Knowler aka Hibakusha. This is a few years old now and was largely achieved through EQing the various mixes of the song and re-sampling parts to achieve a mix. This is actually only half of Jeff’s version and he’s done many more Frankie and ZTT mixes in his own time, all sounding like they could have existed 30 years ago and among the best fan mixes I’ve ever come across.
Talking Heads – Once In A Lifetime (Hibakusha remix) (CDR) – Another one of Jeff’s, originally done for a friend’s birthday present and now presented here for the first time in public.
The Human League – Seconds (Antony Toga Unlimited Orchestra Mix) (soundcloud mp3) – The ‘Don’t You Want Me’ B-side taken and stretched into a menacing 8 minute groove with the help of the ‘Love & Dancing’ version by Anthony Toga. I added the news bulletin dialogue as JFK’s assassination took place and edited it again for length.
Japan – Life In Tokyo (Extended Disco mix) (Virgin) – A bonafide original, this actually saw a release in 1979 with Giorgio Morodor at the controls, one of the turning points in Japan’s history which saw them at a crossroads between outdated glam rockers and early adopters of synthesisers who were put in the same bracket as the Futurists.
Grace Jones – Slave to the Rhythm (Steve Anderson & Chad Jackson remix) (soundcloud mp3) – A third outing but justified by this killer mix for DMC from the late 90’s, unreleased but one that successfully ups the bpm by 20 or so to make this go-go pop classic into an 11 minute house club banger. Check out Steve Anderson’s Soundcloud for tons of interesting mixes in this vein.
Tears For Fears – Mad World (ABH Remix) (soundcloud mp3) – Another Soundcloud find, TFF’s breakthrough hit given a crunching big beat undercarriage by ABH from London.
Depeche Mode – Big Muff (K Master bootleg demo) (soundcloud mp3) – This is actually an unfinished demo but I liked it so much I featured it anyway. A slowed down, Plastikman-esque remake of one of my favourite tracks from DM’s debut album, ‘Speak & Spell’ – hopefully one day he’ll finish it. K_Master hails for Minnesota, USA, not to be confused with the K Master from the UK.
Heaven 17 – Penthouse and Pavement (Eggman Remix) (soundcloud mp3) – The mysterious Eggman Productions from London, filters the Heaven 17 classic into House territory – the original is nearly 10 minutes long but I edited it a lot to fit it in, hear the full version here.
The Clash – Rock The Casbah (Dubrobots 12″) (mp3) – One of Jeff’s engineer friends who goes by the name of Dubrobots takes on The Clash. ‘…Casbah’ has been versioned a few times over the years but this sympathetic, dubbed out mix using the original stems to break it down caught my ear for the open piano passages. Also check out his Dubrobots HQ blog for a great mix of Adam & The Antz – Cartrouble Pt.1 (Dubrobots ‘Who’s The Slave & Who’s the Master’ mix). It’s a rarity to find any remixes of Adam Ant material, even more so to find one of the original, pre-fame Antz tracks. His is a fantastic re-imagining of ‘Cartrouble Pt.1’ which really exists in its own little world, I’m not sure how you’d place this with any other music successfully and it just didn’t make the final cut because of this.
Grace Jones – Me, I Disconnect From You (Island) Another track that’s legit but has only just seen the light of day. Originally recorded in 1981 for inclusion on the ‘Night Clubbing’ album, Grace covered Tubeway Army but it sadly never made the cut. Finally released on the new 2 CD deluxe edition we get to hear it and I mixed a little of the original into the ending so that Numan bookends the whole mix.
Along the way, whilst making this mix and auditioning a lot of other mixes in a similar vein, I stumbled upon Paul Dakeyne‘s site where he has a number of interesting posts including one on tape edits with an unreleased Omar Santana ‘Bullet edit’ version of the same Tears For Fears track I used. It’s pretty full on and comes from a cassette Paul had, his Soundcloud page is also worth a look with unreleased megamixes of Paul Hardcastle material.
To mark the release of The The‘s newly boxed and remastered ‘Soul Mining’ album on June 30th I will be quizzing Matt Johnson about its history and making at Rough Trade East at 7pm.
Sadly on Sunday it was two years since MCA passed away and there was a weekend long celebration in Brooklyn to remember the man and the music he made with the Beasties. With another, happier, anniversary also approaching – 25 years since the release of ‘Paul’s Boutique’ – there is a fair bit of Beastie-related activity on the horizon.
Above and below you can see a comic created by Derek Langille illustrating the song ‘Sabotage’ – this was done nearly two years ago now and takes a similar old school comic style to Ed Piskor‘s excellent on-going ‘Hip Hop Family Tree‘.
A couple of fans in Italy (SM&A Prod.) are preparing a ‘visual companion’ to the album, to debut online on July 25th (see new trailer above) and Filter magazine are running a special on it in an upcoming issue.
The 3-Way Mix should be getting a feature somewhere in that issue and I was interviewed recently for an updated version of Dan LeRoy‘s 33 1/3 book about the making of the album.
Also over the weekend the deconstructed mix of the album that I made with DJ Cheeba and DJ Moneyshot finally hit 100,000 plays on Soundcloud – this is a big milestone for us so thanks to all for listening.
Two views of Lisbon; inside my hotel and out on the street by the MusicBox club where I played on Thursday night.
Sun through the clouds in Switzerland, driving towards France on Friday afternoon.
Sound check in La Rodia, Besancon, France with our new banner featuring every artist sampled on the ‘Paul’s Boutique’ LP.
The not-quite-finished hotel in France the next morning – note the 2 stars – it was actually OK inside. Next, a fantastic view on the road back to Geneva.
Saturday night back in London – Adam & The (original) Antz do ‘Dirk Wears White Sox’ at the Hammersmith Apollo.
Beastie fans get ready for the 3-Way Mix at the Moon Club in Cardiff on Sunday night and we premiere our new picture disc controller records from 12InchSkinz during the set.
I was pretty excited when Matt Johnson got in touch to ask about the possibility of licensing my version of ‘GIANT’ for a The The vs DJ Food double A side 12″ on Record Store Day. Not only because my version would be paired with his original on vinyl (the only track from the album not to make it to vinyl in last years repress of the original EPs as his vocal didn’t make the deadline when those were pressed) but because he wanted me to design one side of the sleeve too.
The brief was simple, the front was his brother, Andy ‘Dog’ Johnson‘s shouting face image from the cover of the American issue of the ‘Soul Mining’ LP and I was to do my interpretation for the reverse. OK, so a shouting face, fairly obviously Matt’s, to compliment Andy’s vision, how best to go about this? I didn’t want to ape his style as that would be pointless but there had to be some visual connection so I decide to use the same colour palette.
I’d remembered an image of Matt shouting/singing from the Infected video that was featured in the The The songbook as a still, taken straight from the TV by the looks of it and so scanned that as the basis of my version. The head was facing the opposite direction from Andy’s so this was a good start and I took the idea of the arrows he would add to some of his images and redrew the face, now made from a warren of intertwined arrows. This was supposed to represent the confusion in the character but also served to create a dynamic image with movement without copying the blizzard of detail that gives Andy’s art such a visual buzz.
After inking the pencil tracing I scanned it and cleaned up edges to get a clear B&W version before adding a limited colour palette that would mimic the lighting of the original photo. The background I’d decided would be black rather than white to counterbalance the other side and I added some distorted TV feedback I’d taken years before to reference the texture of the original photo. It was looking a little clean for my taste so a layer of grain was added across the face just to give it some ‘glue’ to pull the flat face together with the background and a tiny amount of spin blurring to the black outlines to blend it further.
I then experimented with adding a section of the Robosunburst from the background of the ‘Search Engine’ LP cover to reference that release but, while it added an extra level of dynamism to the image. I felt it was too busy although I did submit a couple of versions to Matt for a second opinion and my feeling was Matt’s too and he went with the simpler image.
I also felt that my colour choice was a bit on the dark side so a re-balancing of the browns for redder tones evened things out and bought it a little closer to Andy’s colourful original.
All that remained then was to add the titles and I wanted my clean DJ Food logo to reflect Fiona Skinner‘s original choppy The The logo design. For this I imported the Food one into Illustrator and used the tracing tool too create a rougher outline as it can never trace exactly, especially at small sizes.
This was then further roughed up on the edges in Photoshop and the words ‘featuring Matt Johnson’ and ‘GIANT’ were taken from the back of the ‘Soul Mining’ LP cover. Actually I think I had to cobble the ‘featuring’ together from several different words…
After this I wanted a copy of the arrow Andy had pointing toward the nose of the face to tie our designs together and form an anchor point to align the titles with.
Luckily Matt and the people at Sony loved what I had done and it was all sent off to have barcodes and other text added by Matt’s manager Cally at Antar (a fascinating character with many tales to tell if you ever run into him). The hardest thing then was the wait as this was finished back in January and I wasn’t allowed to announce anything about it until the end of March when all I wanted to do was scream about it from the rooftops. The finished copies arrived a couple of weeks before RSD and that was a day to remember I can tell you.
It’s impossible to convey how much Matt’s music has meant to me since I first heard it in college in the 80’s when a classmate taped ‘Soul Mining’ and ‘Infected’ back to back on a C90 cassette for me, instantly turning me into a fan who hunted down everything else he had recorded. To meet him for the first time, over ten years ago now, was a big enough deal but to then record and be a part of an official The The release is something I never thought would happen in a million years. As another friend of mine named Matt would say, “living the dream”…
I’m finally allowed to shout about this. A remastered, deluxe box set of The The‘s seminal debut LP, ‘Soul Mining’. A classic to many and one of my all time top 5 albums as well as the source of the track ‘GIANT’ that I covered with Matt Johnson on my LP, ‘The Search Engine’.
I posted a photo of myself with Matt back in January when we met up at Abbey Road studios to re-cut ‘GIANT’ for a double A sided 12″ due out on April 19th for Record Store Day. At the same time he was making the final tweaks to the bonus disc of remixes and B sides that accompanies the original album in this set.
Re-mastered by Matt from the original master tapes and packaged in a lavish 12” box, this vinyl only release includes an authentic reproduction of the 1983 release on 180g vinyl, plus an extra 12” gatefold vinyl of alternative versions and remixes.
The tracklist for the second disc is :
LP 2 – SOUL MINING RECOLLECTED
1. Uncertain Smile (New York 12” version)
2. Perfect (New York 12” version)
3. This Is The Day (12” version)
4. Fruit Of The Heart
5. Perfect (London 12” version)
6. I’ve Been Waitin’ For Tomorrow (All My Life) (12” mix)
For those who like their mp3’s the re-mastered audio has also then been dubbed from the new vinyl test pressings played on Matt’s original 1982 Thorens TD-147 gramophone for a new analogue to digital experience, obtainable via a download code contained within the box set. The set also includes a unique ‘news-poster’ containing extensive notes written by Matt detailing the making of the album including his decision not to include the cassette only tracks that were on the original release.
I’m very honored to have played a tiny part in this release by providing artwork from my archive of adverts from this period for the poster. But I’m even more honored to be part of the ‘GIANT2FACED12 INCH’ for Record Store Day next week, including providing the back cover art for my side of the single. This 12″ has been designed to fit inside the ‘Soul Mining’ box to add to the collection. Of course this won’t be available until April 19th (I haven’t even got a copy myself yet aside from a test pressing) but the box set is available to pre-order now and due on June 30th..
I’ll be breaking out the vinyl for this one! Fumetto is the most important comic festival in Switzerland and I’ll be playing the final party this Saturday.
Some shots from last Friday’s 3-Way Mix set at Sonar in Siena, Italy taken by FotoSintesi lab project. See more shots here.
It’s going to great to be sharing a stage with these artists this coming Friday plus I’ll get to hook up with Kid Koala as a he’s part of the Deltron line up.
On Saturday I’ll be doing a rare vinyl-only set at the closing party of the Fumetto comics festival in Lucerne, Switzerland.
Taken from the Galaxial Pharmacutical: The tracklisting for The Amorphous Androgynous‘ ‘The Cartel’ 2xLP Record Store Day vinyl edition has been revealed:
1. The Chaser [Black Light Cinema Remix]
2. 000000 [Cranium Pie’s Baking Research Centre Remix]
3. City Of Regrets [Broadcast Of Variants Remix]
4. Where Does The Evil Go
5. Tunnel Vision [DJ Food Remix]
6. Billionaire
7. Bugged [Virgil Howe Remix]
8. The Watch Man
9. The Killin’ Spree
10. The Costa Rican Cartel
11. Visiting The Visitor [Seafar Remix]
12. Out About [Mikey Rowe Remix]
13. Wasp [Blood Solution] [Youth Remix]
14. Banksters
15. The Bug
16. Regrets [Re-edit]
17. Radio Break [NMESH Re-mix]
18. Wasped [Cranium Pie’s Baking Research Centre Remix]
19. The Wasp
20. Bankster Island
21. The First Billion Is The Hardest
22. Regrets And The Damage Done [Lost In Edit Re-mix]
23. The Rat
24. Opium Smiles
Very pleased to be a part of this release, being a fan of the band for so long,
can’t wait for people to hear the mix, Record Store Day is April 19th.
E is for Eighties Edits – the next installment in the Alphabet mix series…