[youtube width=”636″ height=”480″]http://www.youtube.com/watch?v=qRShLb49EhI[/youtube]
“68 years ago Disney has asked Dali to draw a cartoon film which would be an embodiment of idea of surrealism, but turned out it was so unusual to the ordinary spectator that display have closed and have not given to publicity already till 2003.” Thanks to Kelly for the hook up.
Nicely done collage of images over the making of 10cc’s best known song.
[youtube width=”636″ height=”478″]http://www.youtube.com/watch?v=Qq7oGenbp2I[/youtube]
[youtube width=”636″ height=”382″]http://www.youtube.com/watch?v=rpPVPEoJdb0[/youtube]
Taken from the new Wagon Christ album ‘Toomorrow’, out now on CD, LP and download
The ‘Chunkothy’ video is directed and animated by Celyn Brazier at Nexus with Beccy McCray providing invaluable production skills. Bali Engel helped colour and provided the beautiful animated sequences for the insect loop and fishes. Margot Tsakiri-Scanatovits and Manav Dhir also provided colouring skills and contributed to the animation of the insects. Steve Mc Inerney constructed the final edit with perfect timing and imagination.
The animation was created in Photoshop, with most sequences on one layer. It was as simple as that really. No gimmicks, no tweeny motion tricks, no cgi. Celyn created small beat guides for reference, sometimes following the rhythm, for example on the bouncy ball loops, but mostly as many random patterns and as much weird sh*t that she could possibly make in six weeks.
CREDITS
Celyn Brazier – directing, deigning, colouring, animating
Beccy Mccray – producer
Steve Mcinerney – editor
Bali Engel – colouring, animating
Margot Tsakiri-scanatovits – assistant colouring
Manav Dhir – assistant colouring
Gutted I can’t go to this as I’m out of the country, lots of my favourite artists on one bill.
Live sets from Moon Wiring Club and Pye Corner Audio, Ghost Box & Outer Church DJs a screening of Julian House‘s short film Winter Sun Wavelength, Public Information Films, lost television and other odd visuals.
Thursday 14th April 7.30pm – 12.00 midnight
Komedia
Brighton
Tickets £7
www.komedia.co.uk
Box Office: 0845 293 8480
Resident Records: 01273 606 312
[vimeo width=”640″ height=”480″]http://www.vimeo.com/20765024[/vimeo]
From the Dangerous Minds site: Melody, a film based on Histoire de Melody Nelson made for French TV, was directed by Jean Christophe Averty with Gainsbourg and his lover Jane Birkin in the lead roles. Amazing.
I saw about 90 minutes of this last night at the Hayward Gallery on the Southbank. They were screening the entire 24 hour film for free but for one day only so, by the time you read this, it will be over I’m afraid. Marclay’s piece is made from hundreds of snippets of films with the constant being a clock, or time keeping device, present in each scene. The piece starts at 6pm and every clip corresponds to the actual time you are watching it which creates a vortex in which you are hyper aware of each passing minute.
It is hypnotic, fascinating and frequently funny, even though there is no plot, central character or conclusion in sight. The soundtrack creates amazing tension and release moments too, as you can imagine. If a clock is featured in a film it’s usually signaling someone waiting or something about to happen, a race against time or some sort of horror about to awaken. The approach to the hour becomes the equivalent of a major plot event and something that you’re willing to happen faster than it ever will. I saw the section before midnight and on the hour there was a large montage of clocks striking terror into the heart accompanied by suitably demonic music, all ended by a hilarious clip of a grandfather clock opening to reveal a zombie woman which was so perfectly timed the whole audience burst out laughing.
Most people won’t be able to sit through the whole thing and you don’t need to to ‘get’ it but there’s much more to the piece than the basic premise. Certain images become a recurring motif ; lighting candles or ringing phones for instance, and footage from several films repeatedly crops up giving it a certain continuity. I was surprised at how watchable it was, despite having no ending in sight. Waiting for a bus on Waterloo Bridge sometime after 1am, I looked across the river to the see the giant clock near Enbankment Station, as if starring in my own personal version of the film. Recommended viewing even if you can only catch a small portion of it.
Lots of great stuff floating around at the moment…[vimeo width=”636″ height=”478″]http://vimeo.com/20122120[/vimeo]
These appeared on the web recently, no one seems to know whether they are original 80’s posters or more recent versions. Fascinating nevertheless.
DJ Food – The Crow Animated from Tom Webb on Vimeo.
Tom Webb contacted me with this film he made as part of his 3rd year Illustration Minor project. It’s the first half of the DJ Food track ‘The Crow‘, written by PC, from our ‘Kaleidoscope‘ LP. Here are his comments about the making of it;
“I set myself the task of trying to illustrate the DJ Food album Kaleidoscope. Initially, I was trying to produce stand alone images but eventually decided to dive into the world of animation for the first time. I created a sequence for the first half of The Crow. I was hoping to animate to the whole track, I storyboarded a lot of it but the deadline got the better of me.”
“The images were created as spontaneous responses to the sounds and atmospheres I was hearing inside some of the tracks. I started investigating ‘Full Bleed’, ‘Cookin’, ‘The Riff’, ‘The Crow’ and both the ‘Sleep Dyad‘s’ a lot because of their particular energies.
The idea was to finish making the image before the track finished, so I started painting with my hands to help speed things up and build a small library of personal reactions in texture. I then scanned the images at hi-res and chopped out suitable macro sections which were then imported into the animation. There was a lot of trial and error involved. It’s also the first time I’ve had a go at animating so I had to learn the program from scratch as well.”
I personally love the syncopation he’s got and the movements from dark to light corresponding to the moods of the track. You can see more of Tom’s work on his blog calamridropkick.com
Posted this on Facebook last night but don’t want it to get lost in the ether. Apart from being a car ad that isn’t generic and instantly forgettable this perfectly shows what it’s all about for a 5 year old. It’s also one of the rare occasions you don’t want to wring George Lucas’ over-sized neck for whoring the Star Wars franchise to death.
I got sent the new Reso ‘Valken’ EP yesterday and was so taken with the lead track – ‘War Machine’ – I decided to make a video for it using animation from Vexille, Appleseed and the end titles of the first Iron Man film. If you like your music heavy, intricate and indestructible and your robots the same then this is for you.
The EP is out on Civil Music on February the 21st and contains four tracks.
[youtube width=”640″ height=”480″]http://www.youtube.com/watch?v=IZWX4hMZpdg[/youtube]
Yet another late 80’s coincidence: I saw this film in late ’89 or early ’90 on UK terrestrial TV as filler between programs. I’ve wanted to see it again for over 20 years and I finally found it on YouTube. It’s an animation by Danish director Lejf Marcussen called ‘Den Offentlige Rost’ (The Public Voice, 1988) and it’s a simple idea executed fantastically. It starts out pretty simply but starts getting interesting around the 2.40 mark and it’s all done by hand, no computer graphic trickery apparently – stunning. I can only keep searching for a better copy now.
I seem to be on a late 80’s kick at the moment and one of my favourite bands as the the 80’s turned into the 90’s was Fishbone. I saw them at least twice but missed their legendary Astoria gig where Angelo jumped off the balcony because my girlfriend at the time decided to dump me that day. One of life’s big regrets. Seems they’ve been around for 25 years now and, even though their recorded output fell off by the mid 90’s, they still hold a place in my heart.
[youtube width=”640″ height=”480″]http://www.youtube.com/watch?v=ChXk4R0mGNw[/youtube]
A new documentary is doing the rounds called ‘Everyday Sunshine’ – named after possibly their biggest hit – and you can see how influential they were at the time by the names cropping up to pay homage. Chuck D, Flea, Ice T, Perry Farrell, George Clinton, Les Claypool and, er… Tim Robbins and Gwen Stefani (!). Fair enough on Gwen, No Doubt were a ska band before they hit the big time. Anyway, the trailer looks very promising, Larry Fishburne narrates (nice touch) and let’s hope they get the dues they deserve after all these years. There’s a full website devoted to the doc and the DVD should be out late summer.
Also, does anyone remember an early 90’s TV show with David Rappaport called ‘Beyond the Groove’? I think it only ran for one series and it was a music show fashioned as a road movie of sorts. David would drive around and meet people or find himself in different situations and bands or artists would appear and do their thing. Fishbone once featured at the end of one episode when David drove into a deserted outdoor film lot, the screen flickers into life and you see the band doing a live version of ‘Behaviour Control Technician’ from their (at that time unreleased) ‘Reality of My Surroundings’ LP. I had it on videotape for years and tried to find it recently but it had been taped over! Nothing on YouTube, in fact very little about the show at all, if someone has a copy of it, I’d love to see it, likewise their performance of ‘Fishbone Is Red Hot’ on the Big World Café programme.
And here’s the ‘Beyond the Groove‘ clip courtesy of Matt Davies (see comments below), thanks so much – the power of the internet!.
[youtube width=”640″ height=”480″]http://www.youtube.com/watch?v=_qeYUOf4s8g[/youtube]
New 1 hour video mix by my DJ sparring partner DK. Catch us tomorrow at Videocrash alongside Hexstatic, DJ Cheeba and Digitonal at the Electrowerkz in London for some of this and more.
[vimeo width=”640″ height=”480″]http://www.vimeo.com/19005861[/vimeo]
This is new to me but about 6 months old, love Cut Chemist’s stuff, one of my favourite DJs.
[vimeo width=”640″ height=”480″]http://vimeo.com/13404672[/vimeo]
[flickrvideo width=”636″ height=”480″]http://www.flickr.com/photos/strictly-kev/5334664470/[/flickrvideo]
and you can hear the performance in full here…
Sculpture Live at the London Short Film Festival 2011 by tapebox
This is one of the most beautiful vinyl records I’ve bought all year, Sculpture’s ‘Rotary Signal Emitter’ which doubles as a zoetrope when spun and filmed.
Check out the film they made of it, their site is here and they’ll be performing in London at the ICA on Jan 7th.
Demonstration Reel from Sculpture on Vimeo.
Further to the Star Wars fan posters post earlier I felt I should dedicate a post to Olly Moss’s work. He has such a simple angle on things, great colour sense and a clean, unfussy presentation. Able to merge different genre styles and bring a touch of the classics to everyday pop culture. For examples see his Penguin Classic book covers illustrating video games or his film poster updates via his site (click on Design > Rolling Roadshow or Videogame classics).
Tron:Legacy is the big Xmas movie to see as I type and these just popped up on Deviant Art by iamclu – beautiful.
Following on from the fan posters post there are a couple of lovely Tron ones by Eric Tan for the first and second film that go together beautifully. They had glow in the dark inks and were available from Sideshow Collectibles earlier this month but are now gone, maybe eBay?
Fan versions of film posters are nothing new but there seem to be more and more of them around with every major release these days. They can be a deviation from the norm for working artists in other practices or virtually launch careers of unknowns posting on their blogs or deviant art page (see the Tron post). Of course the most popular films will get multiple versions and inspire hitherto unseen levels of love and creativity, far outshining the original film’s posters themselves. The best example is probably the original Star Wars trilogy (I’m yet to see ANY fan posters for the second trilogy) and the recent smash and grab success of Olly Moss’ set on the Mondo site show that there is plenty of mileage in those old images as he brings a fresh look to all three films with gorgeous colour combinations.
Earlier this year Andy Helms got into hot water with Lucasfilm after he posted his take on the trilogy on his site and offered them for sale. His reward was a cease and desist letter, which is fair enough if you don’t have permission, but a shame as the posters are excellent.
A couple of years ago the ridiculously talented Tom Whalen did his take on Star Wars and Empire but never did one for Return of the Jedi. Wanting copies of the posters I even contacted him asking why he didn’t make a 3rd but it seems time didn’t make it a reality. Now he’s finished the trilogy to complete a beautiful set (also check out his Godzilla posters). There are many more Star Wars-themed posters out there if you google, a lot not even attempting to portray each film but taking obscure references and imagining situations or alternate versions. I’m sure these won’t be the last.
