Mixcloud Select 117: Unwind Your Mind – Solid Steel 03/07/2000 Pt.2

MS117 PRS
I’m fairly sure that this was the first kind of psychedelic mix that I did, largely made up of records bought whilst on tour in North America with Kid Koala and Amon Tobin during the Spring of 2000. It kicks off with something from the Blast First compilation Nothing Short of Total War (Rock Music Report) and then into some whispering piano talk from The Mothers of Invention. John Simon’s ‘Painting For Freakout’ precedes The Electric Flag’s incredible 10 minute … uh, ‘Freakout’ on the All You Can Eat soundtrack which is a fine record in the tradition of the Monkees’ Head and parts of this mix would end up in my rescore for that film later. Rod McKuen jumps on the hippy bandwagon with his soothing tones from the Takes A San Francisco Hippy Trip album with ‘Of Girls’ – warning the cover is more psychedelic than the record. The Three Ring Circus made one single and an album with a clown through a kaleidoscope on the cover which which was enough for me to check it out. Goblin’s ‘Blind Concert’ is from their classic Suspiria soundtrack and the Two Daughters track is from a Cherry Red comp from the early 80s, Perspectives and Distortion, which has all manner of interesting post punk, new wave experimentation on it including an early solo Matt Johnson track.

The Monkees’ ‘Opening Ceremony’ montage from Head makes an appearance, in the middle of the mix, before we segue into a bit of Barry Gray’s ‘Breakaway’ from the Space 1999 soundtrack, as sampled a few years previously by Tipsy for their ‘Space Golf’ tune. Susan & The Children’s Chorus was a Sesame Street spin off record, not actually on Sesame Workshop, the label of the TV show. I was already collecting funky Sesame St material around this time before approaching the company to license their Pinball Number Count and later put together a compilation. I dived into Frank Zappa and the Mothers of Invention pretty hard in the early 00’s, spurred on by his music concrete tape collages and Cal Schenkel’s amazing cover art. The Landlords’ ‘The Landlord’ is from the soundtrack to The Landlord – who’d have thought? This was basically an Al Kooper pseudonym and the OST has a few nice bits and pieces on it as well as a great cover.

Along with Zappa I was hoovering up David Axelrod productions including the more far out Cannonball Adderly ones and it took a little while to track down Soul Zodiac where Rick Holmes narrates the 12 signs over spacey jazz. A fairly pedestrian cover of ‘The Sound of Silence’ follows, the amount of cheap easy listening albums with vaguely funky versions of old standards was mind boggling back then. The Beatle’ ‘Jessie’s Dream’ – should probably be Aunt Jessies Dream I think and is from their Magical Mystery Tour film, it probably came from a bootleg of psyche-era stuff I was into along with all the Beach Boys Smile sessions I could find. ‘Bendix 2: The Tomorrow People’ comes from one of the greatest compilations of all time, Raymond Scott’s Manhattan Research Inc. on Basta which was newly released at the time and caught the ear of a certain J Dilla. We play out with the title track from probably the UK’s nearest equivalent to Scott, Joe Meek from his freaky space travel epic I Hear A New World, probably also a bootleg from around that time.

The Mothers of Invention – Are You Hung Up?
John Simon – Painting For Freakout
Rod McKuen – Of Girls
Three Ring Circus – Fantastic Voyage
Goblin – Blind Concert
Two Daughters – Return Call/We Are
The Monkees – Opening Ceremony
Barry Gray – Breakaway
Susan & The Children’s Chorus – The Counting Song
The Mothers of Invention – Flower Punk
The Landlords – The Landlord
Cannonball Adderly – Cancer
Groovin’ Strings and Things – The Sound of Silence
The Beatles – Jessie’s Dream
Raymond Scott – Bendix 2: The Tomorrow People
Joe Meek & The Blue Men – I Hear A New World

Mixcloud Select 116: Hip Hop 2000 – Solid Steel 03/07/2000 Pt.1

MS116 CDr
A quick round up of what can now be seen as a golden age for UK and US independent hip hop from the middle of 2000. This is the first half of an hour long mix that concludes with a psychedelic mix (next week).
Def Tex on the Ninja-affiliated Son Records from their Synchronise EP – hugely underrated IMO, early PUTS from their second album and Jurassic 5 making their second album comeback with lead single, Quality Control. One Cut – straight outta Bristol from a 12” that now goes for an eye-watering price due to its Banksy cover then Mark B & Blade with a crazed cut up instrumental of their ‘Ya Don’t See The Signs’ 12”. Styles of Beyond were from the US and made a ton of singles, this one was actually from 1998 and The Nextmen’s DJ cut from their debut LP, ‘Amongst The Madness’.
‘The Last Tune’ from Task Force’s amazing Voice of the Great Outdoors single samples a snatch of ‘Caravan’ from some easy listening LP I can’t remember now – check the whole 12” if you can. Advertising The Invisible were Brad from The Nextmen and Cept 148 and I totally recognise that bass sound but can’t place it. Yes that is a Morcheeba track but it’s a banger featuring Biz Markie and we finish with a classic from the Jungle Brothers although it’s the remix version.

Track list:
Def Tex – Written Response
People Under The Stairs – Code Check
Jurassic 5 – Quality Control
One Cut – Underground Terror Tactics
Mark B & Blade – Ya Don’t See The Signs
Styles of Beyond – Spies Like Us
The Nextmen – We Originate
Task Force – The Last Tune
Advertising The Invisible – Making Heads Turn
Morcheeba – In The Hands of the Gods
Jungle Brothers – J Beez Comin’ Through (remix)

Mixcloud Select 115: Version Aversion 2 20/05/2002

MS115 PRS
Part 2 of the Version Aversion mix kicks off with another ‘dictionaroake’ cover, of Ken Nordine’s ‘Flesh’ of all things! Go here for more of an explanation of this strange medium: http://www.dictionaraoke.com/ I’d always loved ‘The Man With The Golden Arm’ theme, hearing the Jet Harris version on a tape my dad had when I was a kid. What happens if you take three different versions and synch them up to play simultaneously, cutting back and forth frequently? Listen and find out. This strings and drums version of ’Strawberry Fields Forever’ was possibly taken from one of the Anthology compilations, chock full of interesting Beatles outtakes.

The Roy Meriwether Trio take on the Nina Simone’s ‘I Wish I Knew How It Would Feel To Be Free’ and then we get another excerpt from the Langley Schools Music Project album, this time with excerpts of a radio documentary interspersed telling the story of how it came to be. Bowie’s ’Space Oddity’ gets the treatment and again, the eerie oddness of not quite trained voices with strange arrangements gives it a unique quality. Monk Higgins provides Gang Starr with a sample on ‘Little Green Apples’ from his ‘Extra Soul Perception’ LP and ‘Brother’ John Rydgren pervs out over ‘Music To Watch Girls By’. Finally, a remix rather than a cover, Bill Laswell does the impossible and takes electric Miles Davis and makes something decent out of it from the Panthalassa remix project. This 1998 album is worth tracking down, Laswell gets given the masters to run riot with in the studio and creates four extended soundscapes, each ranging around the 15 minute mark from music written 1969-74. It’s respectful as he doesn’t attempt to contemporize the sounds, instead extended and dubbing them out into Orb-like epics, an hour of fusion-era Miles, reimagined 25 years later by a master.

Track list:
Ken Nordine – Flesh
Billy May & His Orchestra – The Man With The Golden Arm
Jet Harris – The Man With The Golden Arm
Jack Nitzche – The Man With The Golden Arm
The Beatles – Strawberry Fields Forever (Take 7)
Roy Meriwether Trio – Wish I Knew How It Would Feel To Be Free
Langley Schools Music Project – Space Oddity
Monk Higgins – Little Green Apples
John Rydgren – Music to Watch Girls By
Miles Davis – Rated X /Billy Preston (Bill Laswell reconstruction)

Mixcloud Select 114: Version Aversion 22/04/2002

MS114 CDr

The first of two ‘Version Aversion’ mixes – various covers in all sorts of styles – I love a good cover version, one that takes the original and does something weird with it ideally. The opening ‘Girl From Ipanema’ is a good example – this kind of cover was called ‘dictionaraoke’ – using computer-generated words to voice a cover version. There were a spate of them on the web around this time and I have a feeling it’s connected to Negativland by the mentions on this website http://www.dictionaraoke.com/ . Having just had the beginnings of the mash up craze (which was still gaining momentum) and being perpetually on the look out for the latest thing, I was convinced this was the answer. Instead it was a fun novelty that got old quite fast.

The Lenny Constanza version of Kylie’s ‘Can’t Get You Out Of My Head’ I have a vague memory might have something to do with Rob Galliano. The only mention of it on Discogs is on a compilation called The Selector from Hungary but I’m sure I have it on a 7” somewhere.
Julius Brockington’s version of ‘Rock Steady’ gets mixed with a bit of Aretha’s original, not always successfully but there’s some nice scratching in there. Johnny Hammond smooths out Carole King’s ‘It’s Too Late’ into an easy organ instrumental before Breakestra cover The Vibrettes’ ‘Humpty Dump’ in convincing analogue style. Mixing Digital Underground’s ‘The Humpty Dance’ over the top at rapid speed may not have been a good idea but it occasionally works. Christ, an Elbow track! This cheeky rinky dink cover of Destiny’s Child was from something on Twisted Nerve, possibly the Jukebox series of 7”s that yielded all sorts of oddities.

The Langley Schools Music Project was one of those records that just appeared and everyone was talking about it. The first of the privat press ’school music’ recordings I remember being reissued and their take on The Carpenters’ eerie but evergreen, ’Calling Occupants of Interplanetary Craft’ is so epic it has to qualify as one of the greatest covers ever. Little Miss Trintron was another Twisted Nerve oddity who produced one single and a couple of compilation appearances before disappearing leaving this 8-bit version of The Eagles’ ‘Hotel California’ for us to mull over. Again, placing the original vocal over parts of it at a greatly reduced speed wasn’t maybe the best idea in the world. With all these little mixes where they’re mainly unmixed selections I was trying to tart them up and give value for money by overdubbing spoken word and extras on top, usually using a computer by this stage.

No mix next week as I’m on holiday but there will be the second part of this set once I return.

Track list:
Mittelschmerz – Girl From Ipanema
Lenny Constanza – Can’t Get You Out Of My Bed
Julius Brockington – Rock Steady
Johnny Hammond – It’s Too Late
Breakestra – Humpty Dump
Digital Underground – The Humpty Dance
Elbow – Independent Woman
Langley Schools Music Project – Calling Occupants of Interplanetary Craft
Little Miss Trinitron – Hotel California

Mixcloud Select 113: The Monkees’ Head – DJ Food Rescore, 2001-2005

CD DISC ON BODY

This post is dedicated to Bob Rafelson, the director of Head, who passed away this week, RIP.
Back in 2001 I was asked to compose a turntable rescore for a film of my choice for a club night in Budapest, Hungary called Cinetrip. At the time I was really starting to explore psychedelia through digging trips in the US and Canada and thought this would an ideal way to soundtrack something weird and wild that would hold the attention without too much dialogue.

Head Flyer - Size1

Sometime around the late 80’s I’d taped The Monkees’ freak film flop from TV as it intrigued me when reading the blurb. I was pretty confounded by it, this wasn’t the squeaky clean boy band with the ‘here we come…’ hi-jinx of their Saturday morning TV series. This contained cut up sequences, solarized freak outs, Vietnam war commentary and more fourth wall-breaking than you could shake the dandruff out of your hair to. It made no sense, consisted of an ever-changing series of completely different scenes designed to link songs and concepts together before looping back on itself and returning to the start. There was little plot to follow, just The Monkees as they jumped from genre to genre, location to location, costume change to character evolution.

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Music choice ranged from present day right back to the 60s, a psychedelic flavour of course but elements of library, soundtracks, jazz, electronics, trip hop and spoken word to fill the few talking moments all fitted over an over-evolving selection that was refined each time I played it. After the initial performance I severely reworked the parts for The Big Chill Festival where it had evolved into a three turntable and FX performance that was so complex and stressful to perform that my legs weirdly seized up the minute I’d finished the set! I did another nine performances – mostly in the UK and Ireland but also playing at the Portuguese short film festival to a bemused audience – until it was retired in 2005.

Head DVD front:backHead DVD contents

After this I decided to preserve the set by making a DVD with both the original and my alternate soundtrack selectable via the audio menu, adding in some of the original film dialogue in the edit to mesh the sound and vision together a little more. The disc came wrapped in mirror board card to mimic the original soundtrack LP packaging and included a random flyer from one of the nine different cigarette card-sized ones made for the Dublin performance. These were sold online via the Ninja Tune forum and later on I uploaded the whole thing to the Internet Archive for posterity. This mix has never been put up solo on the web and I’ve never done a track listing for it, preferring for people to have to work it out. Sometimes it’s good to have a mystery to dig into, although a lot of tracks are fairly obvious to anyone with a decent musical knowledge. Also I sampled a few bits later on…

Head1

So here it is, sans the film of course, but that’s out there if you dig a little

end credits (final)

Mixcloud Select 112 Strictly Kev – Soul Jazz Selection 25/07/2005

MS112 Soul Jazz Select CDR
A jazz and beats-heavy hours from mid July 17 years ago this week. The lead track is from Loka who were just releasing their first records on Ninja Tune and who now have so many aliases I can’t keep up (I just got the new Rotary Fifth LP this week and there’s also Harmoniche 23). Nostalgia 77 follows, this was during Tru Thoughts golden period where they barely put a foot wrong release-wise and Nostalgia aka Ben Lamdin was always a solid producer. Afu-Ra’s ‘Poisonous Taoist’ was doing the rounds on a weird bootleg-like 12” I seem to remember which I can’t find on Discogs, great DJ Premier production.

The only mention of the Kid Sublime ‘This Way’ track on Discogs is on a Japanese comp from 2008 which can’t be right unless I had a time machine. Lovely Harmonic 33 track mining the Lalo Schifrin vibe, the first of two from the ‘Music For Film, Television & Radio volume 1’ album on Warp (still don’t think we’ve seen a vol.2). Elmore Judd fitted into that west coast beat maker scene for a bit, Madlib, Dilla, Sa-Ra and Dr Who-DAT?. DJ Vadim’s One Self project with Blu Rum 13 and Yarah Bravo was on the same tip too. The Bees’ trippy remix was only on the 7” and sees Ninja riding a nice line between rap, soul and jazz. I really need to revisit this Harmonic 33 album, it’s really aged well. More Ninja business from The Herbaliser’s fifth album, ‘Take London’ with one of my favourites of theirs – ‘Geddim!’ in fine Roy Budd style, (as usual I love the uptempo numbers). Ollie once told me the source of the main riff and it’s really obvious once you know it but I’m sworn to secrecy.

Weirdly I’ve had Digital underground’s ‘Packet Man’ in my head all week and now Humpty Hump (RIP) turns up on this Perceptionists track, a group that includes Mr Lif from the B side of their second single. It’s a brilliant expose of gang bangers wanting to get into the rap game and they suggest better alternatives for their ‘skills’. Roisin Murphy produced by Matthew Herbert is always a joy, he has such a minimalist groove and bounce to this, from her Ruby Blue album. Ending with the vocoder funk of Rubin Steiner and Break Reform’s gorgeous Cut A Map in The Soles Of My Feet from their final album.

MS112 Soul Jazz Select PRS

Wasps – Solid Steel intro
Loka – Safe Self Tester
Nostalgia 77 – Cheney Lane
Afu Ra – Poisonous Taoist
Kid Sublime – This Way feat. U Gene
Harmonic 33 – Long Shadow
Elmore Judd – There’s A War Going On
One Self – Blue Bird (The Bees version)
Harmonic 33 – Paranoia
The Herbaliser – Geddim!
Prefuse 73 – Just The Thought feat. GZA & Masta Killa
Perceptionists – Career Finders feat Humpty Hump
Roisin Murphy – Ramalama (Bang Bang)
Rubin Steiner – Turn Off The Lights
Break Reform – Cut A Map In The Soles Of My Feet

Mixcloud Select 111: Solid Steel – Kev vs Oscar The Golden Child 08/02/1998

MS111 TapeHere’s a couple of early 1998 sets strung together from a Solid Steel show I did with Oscar The Golden Child aka Oscar Wilson. I knew Oscar from the early days of the Sunday Best club, run by Rob Da Bank before he started Bestival. Oscar was/still is a super-talented illustrator and graphic artist as well as a DJ so we hit it off easily and I invited him in to play on the show a few times. We took turns in doing a half hour each and here I’ve strung my two sets together, check out his work here

Kicking off the mix with good old Boards of Canada, I think this might be the original Skam 7” mix of Aquarius, itself now an eye-watering average price of around £170 to find. Sliding messily into Skylab, and I do know the title, it’s actually ‘?’ but I don’t know whether this is part 1,2 or 3 as I can’t find my 12” of it. Over to the French connection for DJ Vadim’s remix of DJ Cam’s ‘Innervisions’ next featuring A-Cyde and Air’s still exquisite ‘All I Need’ classic. I’d forgotten the madness of Clifford Gilberto’s Timber remix, wow, how crazy is that? Probably doesn’t help that I’m playing the Balanese Monkey Chant over parts of it. This might have been before he’d actually released anything on Ninja aside from a track on the Funkungfusion compilation too, nothing like a new artist wanting to impress. The madness continues with AFX’s ‘Bummy’ from the Mealtime compilation on Planet Mu, complete with its odd speed up/slow down programming.

After an intrusive KISS jingle we’re into the second set, kicking off a brief electronic section with Lowish from the debut dual release with Solvent on Canada’s Suction Records and Phoenicia’s debut on Warp. Food fans may recognise the odd sample cropping up in the coming selection but it would be remiss of me to give the game away, it was a different time and library, electronic jazz and easy listening was being hoovered up and turning up all sorts of great tunes. Apologies for the chunky mixing, those tricky time signatures. Jasper van’t Hof’s amazing ’T.E.E. Again’ sounds like Boards before Boards and I always thought the early On-U Sound project Missing Brazilians sounded like a template for some of The Orb’s dub workouts. The distortion on that is actually on the record, crazed dub from 1984 on their sole release, Warzone which was reissued back in 2015.

I have to say, I don’t remember these really full on KISS FM jingles that crop up now and again, they point to the change the station was undergoing, getting more commercial and we’d be leaving in a year or so.

Track list:
Boards Of Canada – Aquarius
Skylab – ? (Part ?)
DJ Cam – Innervisions (DJ Vadim remix)
Air – All I Need
Coldcut – Timber (Clifford Gilberto mix 2)
AFX – Bummy
Lowfish – ESP (edit)
Phoenecia – Y-intercpnkt
George Duke – Nigerian Numberuma
Piero Umiliani – Topless Party
Hugo Montenegro – Stutterology
Jasper van’t Hof – T.E.E. Again
Missing Brazillians – Savanna Prance

Mixcloud Select 110 – Coldcut & Openmind in for Andrew Weatherall – 25/08/1994 3rd hour

MS110 tape

I’m doing something different this week by putting this hour up for all seeing as it’s half by Coldcut and half by myself. Subscribers who have last week’s 2nd hour can complete the full 3 hr show if you head over to Coldcut’s Solid Steel Mixcloud page where they will upload the first hour by Matt Black. The 3rd hour is below and open to all.

In a mirror of my set in last week’s upload I start with a Ken Nordine then an Orb track and into a pivotal tune that holds a special place for me in how things evolved in the 90s musically. I first heard Coldcut’s ‘Eine Kleine Hed Musik’ on their incredible Coldcut meets the Orb show of New Years Eve, 1991/92. At the time it was unreleased and when I first met Matt Black at one of our Telepathic Fish parties in 1993 I asked him what it was as there was no track list and no clue as to where it came from. He told me it was a Coldcut track but others weren’t sure about releasing it, to which I told him in no uncertain terms that it was amazing and perfectly timed with what was happening at the moment (elements of what would become trip hop bubbling up through the ambient scene).

This propelled him to include it on the vinyl version of Coldcut’s ‘Philosophy’ LP when Ninja Tune released it (the majors not seeing the point in vinyl at that point, how things change). This was at a point when (I think) Coldcut were still signed to A&M but breaking away and trying to get their name back to use on Ninja Tune as the label seemed to be losing interest and they were keen to be their own bosses, hence Ninja and the DJ Food alias. By the time of this show I had a solid vinyl copy of the track at last after having it on tape for 2.5 years, it gave Matt and I a connection from our first meeting and it represents a key point in my career as a DJ.

The Ballistic Brothers vs Eccentric Afros 12”s got so much action back in the mid 90s, seminal trip hop blueprints, probably never to be repressed due to huge samples I’d wager. The unknown ambient sax track up next was from a tape I bought in Ambient Soho, long since lost in the mists of time and the sax loop I’ve just discovered (via the power of Shazam) is the intro to Dionne Warwick’s ‘A House Is Not A Home’. Such a beautiful track made from a simple idea. Mike Oldfield meeting the Orb was always an idea waiting to be ticked off the list and their overhaul of his Sentinel track is one of their best remixes IMO. Swimming out of this come the Cocteau Twins with ‘Whales Tails’, I played a fair bit of 4AD stuff in chill out sets around this time, lots of This Mortal Coil and Dead Can Dance too.

I think Matt takes over for this last section so I can’t comment too much although the Autechre tracks might be me but I can’t be sure. This 3rd hour concludes the set – I’ve sent Matt’s 1st hour to him to put up on the Coldcut Mixcloud – and has a similar feel to the Alien Sphinx shows we used to do something on Solid Steel where we’d forego the ads and sometimes have an extra hour for one reason or another (British Summer Time ending was always one).

Tracklist:
Ken Nordine – You’re Getting Better
The Orb – Back Side Of The Moon (Underwater Deep Space)
Coldcut – Eine Kleine Hed Musik
The Ballistic Brothers vs The Eccentric Afros – Anti-Gun Movement
Unknown – Ambient sax track
Mike Oldfield Vs The Orb – Sentinel (Orbular Bells)
Cocteau Twins – Whales Tails

The Ink Spots – Do I Worry?
Coldcut – Sign
Drome – Hinterland, Kassler Kessel
Unknown – Unknown
Autechre – The Eggshell
Autechre – Flutter (on 33rpm)
Deep Space Network – Om
Tonoto’s Expanding Headband – Jetsex

Mixcloud Select 109 – Coldcut & Openmind in for Andrew Weatherall – 25/08/1994 2nd hour

MS109 Tape
Andrew Weatherall once had a late night, weekday show on KISS FM back in the 90’s, running – I think – between 1993 and 1994. Coldcut were asked to sit in for him a few times and I got to play one of these during August 1994. I can’t remember if we did it live, I doubt it being that it was 1-4am on a Wednesday night, we probably pre-recorded it.

This particular set is Matt Black and myself using multiple decks and CD players, I think I even bought a cassette in to play one particular piece from and it’s a good example of Solid Steel from around that time, quite ambient, downtempo with an uptempo electronic ending. Of the three hours, Matt did the first, I did the 2nd and most if not all of the 3rd, it’s hard to tell until I have a full track list.

Kicking off with Ken Nordine, then a recent find on a Rhino best of CD via Mixmaster Morris who introduced me to him in 1993 and blew my mind. The Orb we all know, hard to believe it’s 30 years this summer that this came out on the UFOrb album. Early Ninja beats from Up, Bustle & Out into Sounds From The Ground – a lesser heralded act from around this time which included Elliot Morgan Jones who was also Path who appear later. One of the first vinyl design jobs I ever did was for him under the Path alias on his own Sound Information label – lovely guy.

There’s been a lot of talk on the internet about trip hop this week and here are a brace of beats from older 80s cuts by the likes of Depth Charge and Tackhead with a couple of tracks from Aphex’s then newly-released Selected Ambient Works II and the Psychic Warriors of Gaia sandwiched in between. A brief dash of the Orb’s mix of KLF’s 3AM and another snatch of Ken from the Sound Museum, one of my absolute favourites by the man.

Things get multi-layered from here and I can’t identify all the tracks going on as many of them bleed into one another or run in the background, ducking and diving in and out of the mix. Steve Hillage’s ‘Rainbow Dome Musick’ is one of them and must play for at least 10 minutes or more. Global Communication’s ‘9.25’ I can definitely hear, the Path vs Spacehead is another and Tounesol’s ‘Holy Cow’ but there’s lots more going on in there. Once we reach Hillage there’s a slow build into quite a raucous section of pounding acid techno with a Beaumont Hannant track from the vinyl version of his Texturology album that I can’t find the name of. Out of this comes one of my favourite UK acid tracks – Sulphuric’s ‘Acid Chamber’ on Infonet – a sole release under this name being the work of Pete (The Hypnotist/MLO and may more) Smith and Kris Needs and it’s incredible. Hillage is still in the mix and then we get another Aphex track to play out, the pounding but mysterious ‘D-Scape’ from his ‘On’ release.

Tracklist:
Ken Nordine – The Sound Museum
The Orb – O.O.B.E.
Up, Bustle & Out – Lazy Daze
Sounds From The Ground – Triangle
Depth Charge – Bounty Killers (Measly 1000 Bucks version)
Aphex Twin – Untitled (Flute SAW II)
P.W.O.G – Linkage
Aphex Twin – Untitled (Industrial Beats SAW II)
Tackhead – What’s My Mission Now?
KLF – 3AM (Blue Danube Orbital)
Ken Nordine – The Sound Museum
Global Communiation – 9.25
Unknown – Unknown
Path vs Spacehead – Neptune
Tounesol – Holy Cow
Steve Hillage – Rainbow Dome Musick
Beaumont Hannant – unknown
Sulphuric – Acid Chamber
Aphex Twin – D-Scape

Mixcloud Select 108: Beating Around The Bush 14/02/2005

MS108 CDr

This was a last half hour in early 2005, we’d traditionally save selections like this for the last slot, material that was a bit more esoteric and unusual, something to wind down with rather than kick off the show and risk people turning off. It’s a game of two halves but both are played for laughs with the former being country cover versions of hip hop classics and the latter being George Bush cut ups, mainly focused on the War in Iraq.

Ricky V Valentine’s ‘Ghetto Classics’ (split into two halves here) first appeared on the Souvenirs EP via the Leeds-based C Side Trax label and is – as far as I know – the only thing released under that name by whoever was behind it. It’s a brilliantly observed take off of Grandmaster Flash, NWA, Outcaste and Jay Z and more of a skit than a song. Nina Gordon was in mid 90’s band Veruca Salt, an indie/grungy pop band who the UK press loved for a minute which is why it’s so odd to hear her cover NWA in such a delicate way, brilliantly absurd. I probably got it from the internet but it turned up on what looks like a bootleg 45 years later in 2010 with a Richard Cheese cover on the flip which makes an appearance next with his take on Snoop Dogg’s ‘Gin & Juice’.

MS108 PRS

Through the power of Discogs I’ve finally discovered who did the cover of ‘Boyz In (N) The Hood’ – it was alt rock band Dynamite Hack (no, me neither) – there’s a cheesy frat boy golfing video on YouTube to go with it too. Then we have tales from Boris ‘the hip hop roadie’ from Pitman’s second LP, according to Boris he was the catalyst for most of hip hop’s founding moments. No idea where I found the ‘Ace of Spades’ cover (probably online, it was the file-sharing 00’s) but the vocal is a dead ringer for Lemmy or they found the multi-tracks somewhere.

Now comes the George Bush half of the set with the bizarre George Bush Singers shadowing lines cut from Bush speeches. This comes from a whole album entitled ‘Songs In The Key of W’ which I’m now keen to hear and has sent me down a YouTube/Discogs wormhole. Big City Orchestra have been making cut ups in the tradition of Negativland for decades and they have a special take on George, the origin of which I’ve no idea as their discography is so huge. After another blast of the GWB Singers we finish with ‘Bushwhacked 2’ – a collaboration by Chris Morris and Osymyso released on Warp records with this being a remix by Jonathan Whitehead. Dubya was the subject of many cut ups over the years with his speeches an easy target for re-editing, these weren’t the first or the last to be featured on Solid Steel.

PS: As you can see my KLF mix was also archived on this disc although it wasn’t broadcast on this show, to hear it you can go here https://www.mixcloud.com/strictlykev/the-sound-of-music/

Track list:
Ricky V Valentine – Ghetto Classics Pt.1
Nina Gordon – Straight Outta Compton
Richard Cheese – Gin & Juice
Ricky V Valentine – Ghetto Classics Pt.2
Dynamite Hack – Boyz In the Hood
Pitman – Boris
Twistin Tarantulas – Ace Of Spades
The George W. Bush Singers – 4,000 Hours
Big City Orchestra – F The Leader
The George W. Bush Singers – War in Iraq
10NN – Bushwhacked 2 (Gim Ponavesspa conclusion)

Mixcloud Select -107 Satanic Messages in Rock pt 492 Solid Steel 03/02/2003

MS107 Satanic Messages in Rock CDR
This is a silly one, a short collection of mostly comedy, cover versions or mash up tracks that was probably a last half hour in early February of 2003. The CD says ‘Satan’ but the PRS sheet states, ‘Satanic Messages in Rock pt 492’. Opening with Kenny Everett who loved his Jean-Jacques Perry as a backing track, we slide quickly into a laid back Stereolab remix of The Polyphonic Spree’s ‘Soldier Girl’. By this point, the internet was yielding all sorts of audio treats via numerous illegal file sharing sites and the preacher talking about Satanic messages in rock music is spoken word gold and peppered throughout the mix. Including Missy Elliot’s ‘Work It’ chorus which reverses itself was a nice touch. The Queen classic ‘Another One Bites The Dust’ was mentioned so it made sense to include it and showcase exactly what the preacher was talking about, I’ll let you discover it for yourself.

I’ve no idea where ‘I’m A Mormon’ came from but I thought it was funny, apologies to all Mormons out there. Now into a couple of ska cover version, Mancini’s peerless ‘A Shot In The Dark’ from the Pink Panther and ‘Caravan’, always go down well at parties. The Amelie theme song set to an electronic background was probably found on the web, I loved the film so this connected. More preaching over the end of it in the form of a ludicrous list of performers and films that were deemed ‘satanic’ by the church in the 80’s. Back to the silliness and the Perry & Kingsley, this time paired with the ‘Thong Song’ by Frenchbloke & Son, two of the funniest practitioners of the mash up scene and friends to this day. Moog Country meets Missy next with more backwards lyrics and then into Andy Votel’s cover of the ‘Chatanaga Choo Choo’ from the Finders Keepers Jukebox series of 45s.

We play out with an excerpt from the DJs On Strike Solid Steel mix which was so crazy it was vetoed by the powers that be and self-released on CD by the group as ‘Too Hot For Solid Steel’. I excerpted a couple of bits so that you get the gist and added Kenny in for the final few bars.

Tracklist:

Kenny Everett – Hello/Moog theme
Polyphonic Spree – Soldier Girl (Stereolab remix)
Missy Elliot – Work It
Queen – Another One Bites the Dust
Janine Brady & the Brite Singers – I’m a Mormon
Roland Alphonso – A Shot In The Dark (Take 1)
Roland Alphonso – Ska-ra-van (Take 2)
Unknown – Amelie On Ice
Frenchbloke & Son – Unidentified Flying Thong
Dsico – This Is Missy Country
Andy Votel – Chatanaga Choo Choo
DJs On Strike – Too Hot For Solid Steel (excerpt)

Mixcloud Select 106: Tomorrow Radio Solid Steel 16/09/2002

MS106 CDr
Tomorrow Radio is the name of an amazing LP by the advertising group, TM Productions Inc. I found it in the States one time on tour and the whole album is an audio play based on a fictitious radio station showcasing what the production company can do for your station in the way of ads, jingles and suchlike. Samples from the album feature throughout the mix and it’s worth checking out if you find a copy as there’s a very dodgy ‘advert’ nestled in there which wouldn’t pass in today’s world. This is a Solid Steel set from nearly 20 years ago, a time when I was very prolific on the show and getting more into making densely layered mixes.

Anyway, let’s get to it, an excellent Four Tet remix opener as he takes on Blue States, the Sinewave track I’d completely forgotten though. He was a Canadian drum & Bass artist who is mixed over the Four Tet remix, the track comes from his debut album, ‘Interplanterary Ridicule’. The P Brothers work over The Herbaliser and Blade in their unique style, love the way they put his vocal through an Echoplex, not enough delay in hip hop, not since ‘Beat Bop’ anyway. RJD2’s ‘Let The Good Times Roll’ still sounds as rough and ready as it always did, he seemed to just appear fully formed and slot straight into the scene at the time before moving off into other areas. Dennis Coffey’s classic, ‘Scorpio’ flows nicely out of it and under LCD Soundsystem’s debut ‘Losing My Edge’, one of my favourite tracks of the decade – absolutely timeless, still makes the hairs on my neck stand up. ‘Scorpio’ needs a fair amount of pushing and pulling to keep in time but it’s just about there.

MS106 PRS

The Free Association liberally take from Johnny Jones and the King Casuals’ version of ‘Purple Haze’ on ‘Everybody Knows’ – this was an instrumental before the vocal version I think. I always hoped Holmes and co. would do more with this alias but he had bigger fish to fry in Hollywood. Soulwax’s excellent remix of The Sugarbabes slotted right in, you can hear the Electroclash scene working into the mix here. Apparat Organ Quartet put out a curious 7” on David Holmes’ 13 Amp label and I had to look them up to see what else they’d done. A CD single on Duophonic Super 45s and two albums it seems. Johann Jonhannsson was also part of the group early on as well it says on Discogs but had to leave because of solo projects. I think I first heard of Mr Chop via his releases on the Jazzman offshoot label, Stark Reality and he’d later go on to record for Jazz & Milk, Now-Again and Five Day Weekend. I love Barry Adamson, he has the kind of voice I can always listen to and he’s in hamming it up pop mode here, I’d love to do something with him one day, almost remixed him a few years back but the stars didn’t align. A rare case of an artist adding their child to a record and it not being cringe-worthy.

Always have time for Andy Votel’s work, whether graphic or sonic, ‘Lenica’ was a promo-only release at the time (big sample I think) which showcases his wonky production style to perfection. Nice little delay mix into it and odd Tomorrow Radio insert in the middle, I must have added that later in the edit as a lot of this mix seems live. I would record a pass on decks (all vinyl, no Serato yet) with a delay pedal and then tidy up stuff and overdub spoken word sections in Cubase afterwards. Early Reptiles release from their debut 7” on Jazz Fudge offshoot Electro Caramel (only four releases) with vocals from Juice 126 and Remi/Rough who is still one of the hardest working men in the game. Ah, the Bug/Tom Jones mash up I made under my Flexus alias (there’s an album’s worth of these peppered throughout Solid Steel mixes). I played this at the Supersonic festival in Birmingham when I appeared the next year with The Bug, LCD Soundsystem and Coil among others, in fact I think Coil were playing their Time Machines set outside while I was inside, they were probably well pissed off as the sound leaked like buggery. Ming & FS were super-prolific around the late 90s and 00s and ‘The Most Dangerous Drip’ comes from the Subway Series on OM Records. I’ve no idea why The Goodies’ version of ‘Wild Thing’ finishes the set off here but I have a soft spot for their uniquely British silliness.

Track list:
TM Productions Inc. – Tomorrow Radio intro
Blue States – Metro Sound (Four Tet mix)
Sinewave – Escape From The Island
The Herbaliser feat Blade – Time To Build (P Brothers mix)
RJD2 – Let The Good Times Roll pt 2
Dennis Coffey – Scorpio
LCD Soundsystem – Losing My Edge
The Free Association – Everybody Knows
Sugarbabes – Round Round (Soulwax mix)
Apparat Organ Quartet – Stereo Rock & Roll
Mr Chop – Electric Vibes
Barry Adamson – Cinematic Soul
Andy Votel – Lenica
Reptiles – Electriclovesong
Flexus – Unusual killer
Ming & FS – The Most Dangerous Drip
The Goodies – Wild Thing
TM Productions Inc. – Tomorrow Radio outro

Mixcloud Select 105: Strictly’s Hip Hop Hour 29/05/2001

MS105 CDr
21 years ago this week I rounded up a bunch of current hip hop and presented the first half of a Solid Steel show that also included mixes from Four Tet and DK. The tracks largely fall into two camps, the serious, ‘backpacker’ kind, pushing things forward like the Anticon crew or the good time party kind with an eye of the 90s like the Quannum and Ugly Duckling camps. Samples are still a thing and the music is all the better for it with a mix of US and European artists. A lot of this has aged very well and I had a great trip down memory lane listening back. After the usual Solid Steel intro there’s a snatch of a US news report about the new phenomenon of hip hop where the newscaster actually raps along with a snatch of Beat Street Breakdown, probably found online.

Bristol’s Aspects open the show proper with a spoken word cut up track straight out of the Cut Chemist mould, possibly sampling the Columbia School Of Broadcasting set of ‘How To Be A DJ’ albums. Porn Theatre Ushers came out strong with ‘Me & Him’ in the late 90s and ‘Blah Blah Blah’ is taken from the follow up, Sloppy Seconds. They only released one album in 2004 which I’ve still not heard. PUTS were mining that classic 90s Primo/Pete Rock production style and always had solid tracks on their releases. DJ Vadim remixes Supersoul who released a bunch of singles and a couple of LPs over a ten year period and there’s another snatch of the vintage news report on hip hop.

MS105 PRS

The A-Trak scratch fest is worth hearing if only to catch DMC’s Tony Prince getting his name wrong from the time he won the Disco Mix Club finals when he was still 15. Def Tex were always underrated IMO, soulful production and decent lyrics, self-releasing before signing to Ninja-affiliated Son Records whose back catalogue is full of gems. It’s party time with the next three tunes kicking up the funk factor with The Nextmen remixing Rae & Christian, Cut Chemist all over Ugly Duckling and Pablo from the Psychonauts giving Lyrics Born and the Poets of Rhythm a bit of turntable grit. This track is a contender for the last great record on MoWax. More Aspects and Def Tex before a lesser known DJ Shadow compilation track makes an appearance.

Guru from Gang Starr’s remix sees him in Jazzmatazz mode of the M, M&W track and then we come to one of my fave Def Tex tracks, ‘Sing Sad Songs’. Produced by Francis Gooding (always asleep by midnight at parties) and Liam Large (he painted my windows once you know) under the name the Large Lefties on a one-off 7” that can criminally still be had for pennies. This is the instrumental part 2 with a scratched story over it but the Def Tex-rapped A side is great too. ‘Basmentized Soul’ is taken from Mr Flash’s debut 7”, ‘Le Voyage Fantastique’ and predates his move to Ed Banger by a couple of years. Changing things up a bit we get a Timmy Thomas cut from his debut LP before Canadian Kunga 219 slips into the mix. His sole album is quite a gem with people like Sixtoo, Buck 65, DJ Moves, Sole and more contributing production or rhymes and has since received a vinyl pressing some years back which you can still find copies of on Bandcamp. ‘Seasus’ brilliantly samples one of my favourite George Duke tracks, ‘North Beach’ so it made sense to finish the set with that.

Track list:
Coldcut – Solid Steel intro
Unknown – 80s Hip Hop News intro
Aspects – Correct English
Porn Theatre Ushers – Blah Blah Blah
People Under The Stairs – Underground Run
Supersoul – Sleepwalker (DJ Vadim remix)
A-Trak – Umbilical Chord
Def Tex – Hey Tune In
Rae & Christian feat. The Pharcyde – It Ain’t Nothing Like (Nextmen remix)
Ugly Duckling – Eye on the Gold Chain (Cut Chemist remix)
Quannum/Lyrics Born & The Poets of Rhythm – I Changed My Mind (Pablo mix)
Aspects – Bristol Fingers
Def Tex – Into The Future
DJ Shadow – Untitled Heavy beat 1&2
Medeski, Martin & Wood – Whatever Happened to Gus (Guru remix)
Def Tex – Sing Sad Songs Pt 2
Mr Flash feat. Mike Ladd – Basmentized Soul
Timmy Thomas – Cold Cold People
Kunga 219 – Seasus
George Duke – North Beach

Mixcloud Select 104 – James Brown tribute mix 12/01/2007

MS104 crop
As James Brown passed away on Christmas Day 2006 I thought it would an idea to do a tribute, but rather than the obvious list of classics we’ve all heard a thousand times, play cover versions, spoken word that referenced him and DJ re-edits for an alternate look at the Godfather of Soul.

Franklin Ajaye opens with the title track from his comedy LP ‘Don’t Smoke Dope, Fry Your Hair’, riffing off JB’s quirks, he’d have had a field day with James’ later shenanigans. Enoch Light comes with a funky (for him) cover of ‘Hot Pants’ from The Brass Menagerie 1973. An easy cover of ‘Papa’s Got A Brand New Bag’ is taken from side 2 of Bobby & Betty Go To The Moon, a similar feat is performed on the uncredited Happy Monsters LP of children’s songs where they tackle the same track under the title, ‘Clap Your Tentacles’. Derek & Clive’s ‘Bo Duddley’ take off owes more to Mr Dynamite than Mr Diddley, analysing afro-American speech in the most British of ways. DJ Harvey’s re-edit of Dick Hyman’s easy take on ‘Give It Up Or Turn It Loose’ extends the original to nearly nine minutes. The Dick version is from ‘The Age of Electronicus’ LP but this re-edit turned up on a 12” on Black Cock records in the late 90’s.

MS104 PRS

I’ve no idea where the reggae cover of Hot Pants comes from, quite possibly cribbed from online somewhere but Nicky Thomas’ version of Soul Power was featured on the ‘Funky Kingston 2 – Reggae Dance Floor Grooves’ compilation in 2005. I’m sure if James was alive today he’d have capitalised on the energy crisis by remaking this as ‘Solar Power’… (I’ll get me coat). Kenny & the Beach Boys’ ‘Big Payback’ was bootlegged on a 45 in 2004 but I’ve no memory of having a copy, Kenny is a dead ringer for James but the band are no relation to Brian Wilson’s boys. The same Orchestra Werner Muller LP that yielded ‘Get Up I Feel Like Being A Sex Machine’ was pillaged for not one but two tracks by Bentley Rhythm Ace – a fairly easy album to come by entitled ‘The Strip Goes On’. Salaam Remi’s 40th Anniversary megamix of the hardest working man in show business turned up on a promo 12” in the late 90’s which can still be had for cheap on Discogs.

*Note: this mix was on the same Cdr that last week’s XFM Superchunk mix came from

Track list:
Franklyn Ajaye – Don’t Smoke Dope, Fry Your Hair
Enoch Light & the Light Brigade – Hot Pants
Bobby & Betty – Bobby & Betty Go To The Moon Pt 2
Derek & Clive – Bo Duddley
Dick Hyman – Give it Up Or Turn it Loose (DJ Harvey edit)
Unknown – Hot Pants
Nicky Thomas – Soul Power
Kenny & the Beach Boys – Big Payback
Orchestra Werner Muller – Get Up I Feel Like Being A Sex Machine
Salaam Remi – James Brown 40th Anniversary mix

Mixcloud Select: DJ Food & DK – Now, Listen Again – The Remix Superchunk 20/04/2007

MS103 CDrThe Remix was Eddy Temple-Morris’ Friday night radio show on the London-based XFM station. Eddy did the show for 15 years, featuring a 30 minute ‘Superchunk’ guest mix each week and asked DK and I to do one after the release of our second Solid Steel mix, ‘Now, Listen Again’. The first half is a live recreation of the beginning of the mix, as we did it on the tour upon the mix’s release but then it takes off and goes somewhere else using elements that I would subsequently put into my DJ sets.

If I remember correctly this was the first time I put ‘The Number Song’ with ‘Dark Lady’, a mix that was always a winner on the floor. Here it’s a bit wobbly in places but the vibe is there. As The Remix was the radio show that popularised the mash up genre I thought we should end the set with one and the uncredited mix of Frankie Goes To Hollywood and Diana Ross is nothing short of inspired. By 2007 the mash up craze was well and truly old hat but the odd one would pop up and hit the spot and this one does it for me. If anyone knows who did it then please let me know.

MS103 PRS

There’s not much more to say on this one, if you saw DK and I do one of our 4 deck sets at any point around 2007-2009 then you probably heard a version of most of this, minus the final bootleg. Great times, we toured the 4 deck mix all over the world for around a year or more and then spent a good part of 2008 learning how to edit video, building an AV version. We used the Videocrash event in London that September to launch the set for the first time and I’m pretty sure we were the first 4 deck AV DJs using Serato’s brand new VSL software of which we had a beta version. We hoped we’d repeat the world tour all over again with a video show in tow but the recession of late 2008 put paid to that among other things.

DJ Food & DK – Solid Steel Intro
MVP – Mic Check 1,2
Z Trip – Listen to the DJ
Timbaland feat. Magoo & Missy Elliot – Cop That Shit
Eric B & Rakim – I Know You Got Soul (acappella)
The Human League – Being Boiled
Area Code 615 – Stone Fox Chase
Cut Chemist – A Peek In Time
Jane’s Addiction – Been Caught Stealing
DJ Shadow – The Number Song (Cut Chemist remix)
X Clan – Rockin’ It (acappella)
DJ Food – Dark Lady
Q Tip – Breath & Stop (acappella)
Pepe Deluxe – Salami Fever
The Roots – Here I Come
FGTH /Diana Ross – Relax, I’m Coming (Bootleg)

Mixcloud Select 102: 14 Hours In May 03/05/2005

MS102 CDR
An eclectic mixed bag with no real theme or consistent musical style, more a general round up of tracks from around that time, 17 years ago this week. We had a competition via the Ninja Tune forum to get people to remix the Solid Steel theme jingle and entries poured in over several months leaving us with bags of versions to use at will. I tried to find ones that would fit the mood of each set’s opening track so that most got an airing. Someone called Zoleede kicks off mix in fine style, no idea who this was the alias of but it reflects the show perfectly.

Madlib remixes The Bees in fine fast funk style – was this track in a film at the time (Tarantino?). The Osmonds kick out the jams with their ‘Hold Her Tight’, I maintain that the Osmonds were a decent outfit when they rocked out with their Moog and got their Led Zep funk on, pretty sure there’s live versions of this with full horn section somewhere on YouTube. It’d be a short mix but there’s definitely an Osmonds selector to be made of their finest moments.

Downtempo psych from Koushik on Stones Throw, he was so good and then disappeared. M83 turn in a beautiful electronic epic and Max & Harvey (actually Paul Frankland aka Journeyman and Mark Butt of Dead Sea Sound) grace us with ’Sleep’. There was supposed to be a Max & Harvey album at one point, it was on the Ninja Tune release schedule but never materialised. Looking on Discogs it seems there was a flurry of releases around 2010-2012 on Woob’s Big Amoeba Sounds label including the 2 track 10” that Ninja released this on and an archival EP.

MS102 PRS

The Shortwave Set and Viva Voce were both things I was either sent or found secondhand and took a chance on because they looked interesting. I think sometimes promotional companies would send me oddities that didn’t easily fit into a genre because they thought I’d be more likely to play them on the show. I’m usually the guy who rates the last experimental track on the B side over the commercial lead on the A. I’m not sure they’ve stood the test of time tbh – it’s quite winsome folk stuff when viewed with a bit of hindsight although ‘Is It Any Wonder’ is nice. Busdriver, one of the most gymnastic of MCs at that point, excels on ‘Unemployed Black Astronaut’, in an alternate universe this should have been a huge pop hit, great hook in the chorus.

Tom Tyler is another one who’s dropped off the radar after a couple of albums and singles on DC around 2000, he later morphed into Vincent Markowski for a couple of singles though. The second Viva Voce track here is the one I love, part of a 4 track double 7” I think, big drums and vocal harmonies, bit of mellotron in there too, job done. Really odd mix into Kidda, like a dial turn into another station on beat, it’s a bit of a stylistic switch, I quite like the simplicity of it though. We’re into more beat-y sample territory now but even Divine Sounds sticks out like a sore thumb, not sure why this is in here, maybe I finally scored an original 12” or something. A classic track which DJ Cheese used to cut to pieces in his DMC sets with two copies and of course DJ Shadow had a line out of too. Lemon Jelly changes the tone of it somewhat from NYC street rap to English countryside. I have no recollection of the Nylon Rhythm Machine Black Grass mix but it’s a decent hip hop history cut. We round things out with Four Tet’s ‘Smile Around The Face’, I love the looseness of it, drums samples flamming all over the place.

Track list:
Zoleede – Solid Steel intro
The Bees – Chicken Payback (Madlib remix)
The Osmonds – Hold Her Tight
Koushik – Pretty Soon
m83 – Don’t Save Us From The Flames (Boom Bip remix)
Max & Harvey – Sleep
The Shortwave Set – In Your Debt
Viva Voce – The Tiger And How We Tamed It
The Shortwave Set – Is It Any Wonder?
Busdriver – Unemployed Black Astronaut
Tom Tyler – Forward Going Backward
Viva Voce – One In Every Crowd
Kidda – All I Need
Divine Sounds – Do Or Die Bedsty
Lemon Jelly – Baby Battle Scratch
Nylon Rhythm Machine – White Wind (Black Grass remix)
Four Tet – Smile Around The Face

Mixcloud Select 101: Openmind – That’s My Boy! Side B 14-25/03/1994

MS100 tape B
The B side to last week’s A – apparently made over two sessions and you can certainly hear at least two tape edits during the set so maybe I was getting more experimental or maybe I made some big mistakes. This one definitely has three decks involved because of some fast transitions and the flange pedal is still in effect. Warning, there’s some NSFW language in this one as well as a few comedy riffs that definitely wouldn’t get a pass these days.

Classic mixtape starter skit with radio dialling from Ice Cube’s debut LP – straight RnB, straight RnB, straight… RnB. More JBs with a mystery breakbeat I can’t identify into the Ultimatum Jungle Beats from the free 12” with the UK edition of the Straight Out The Jungle LP. Funkdoobiest porno skit into the very un-PC Blowfly ode to anal sex. This album was a 10p find at a Surrey car boot in the late 80s, the cover showing a topless lady and a costumed Blowfly with very few other details, I had no idea what it was but thought I should investigate. As with all Blowfly records, funk and soul classics of the day are covered with filthy lyrics and no doubt no royalties paid.
MS100 tape back
The first of four Ballistic Brothers Vs The Eccentric Afros appearances – this was Rocky & Diesel with Ashley Beedle, Dave Hill and Uschi Classen, loads of samples, loads of fun. Justin Warfield made the first psychedelic hip hop record, then sadly changed his style but My Field trip To Planet 9 is a classic in a small genre within hip hop. More breaks, a Terminator X skit and then Coldcut’s mighty ‘The Music Maker’ into Tackhead featuring DJ Cheese. During this section I attempt some scratching which not only sounds like the faders were bunged up with glue but also skips several times.
MS100 tape inlay
Ballistic battle with Dust Brothers over several tracks until it all ends with an orchestral flourish and Andrew Dice Clay’s most famous nursery rhyme routine, not for the children. Dice was a comedian on Def Jam (and later Def American) and his shtick was similar to Eddie Murphy’s at the time, un-PC and full of profanity. His signature was a triumphant ‘ooooh!’ after a punchline which was later sampled as the hook to EMF’s ‘Unbelievable’. I think I was trying to be Alex Paterson here, playing odd spoken word over classical music, complete opposites that would raise an eyebrow or a smile.

Tracklist:
Ice Cube – Turn Off The Radio
Jungle Brothers – Jimbrowski
Mystery breakbeat 1
Jungle Brothers – Jungle Beats
Funkdoobiest – The Porno King
Blowfly – Spread Your Cheeks
Ballistic Brothers Vs The Eccentric Afros – Grovers Return
Justin Warfield – Cool Like The Blues
Mystery breakbeat 2
Ballistic Brothers Vs The Eccentric Afros – Save The Children
Terminator X – Juvenile Delinquintz
Coldcut – The Music Maker
Tackhead – Mind At The End Of The Tether
Ballistic Brothers Vs The Eccentric Afros – Anti-Gun Movement
The Dust Brothers – Chemical Beats
Ballistic Brothers Vs The Eccentric Afros – Blacker
Mystery breakbeat 3
The Dust Brothers – One Too Many Mornings
Berlin Philharmonic Orchestra – An Der Schonen Blauen Donau
Andrew Dice Clay – Mother Goose
Derek & Clive – Just Another One Of Those Songs

Mixcloud Select 100: Openmind – That’s My Boy! Side A 01/1994

MS100 tape A
I’ve been looking back to the early 90s a lot recently, partly because of the passing of my old friend Chantal Passamonte, partly with the anniversary of the Beastie Boys’ Check Your Head this week. Nostalgia can be a comfort at times, not only for the times the songs represent but also for a time when your limited access to media meant you digested things more fully rather than the skim-reading/watching/listening it’s so easy to indulge in with the access we have today. After a run through of Check Your Head (still peerless and possibly their pinnacle) I was hungry for more of the same and dug back to a small caché of personal mix tapes made in the early 90s that weren’t broadcast.
MS100 tape back
These were made in my bedroom in the house I shared with Chantal, Mario and David who formed the Openmind/Telepathic Fish collective at the time. I would make tapes live and dub copies for my friends so only a handful of people have heard these mixes. By this time I had two Technics, a Phonic mixer and an old guitar flange pedal that I’d hook up and use occasionally (my mixer didn’t actually have an FX send and return so I’ve no idea how this actually worked). It’s as rough as you like with some terrible scratching in places but all one take to oversaturated cassette. I’ve rebalanced, de-clicked and levelled things out just to make for a more even listen but here is the first That’s My Boy! mix (there were three in total), a name given by David Vallade.

Kev bedroom 1993
A quick run through of the tracks: My purile sense of humour still loves the absurdity of Derek & Clive and they crop up on both sides of the tape. Sandoz = Richard H. Kirk at his finest (RIP). Early Dust/Chemical Brothers remix action for The Sandals, loved The Ballistic Brothers vs The Eccentric Afros 12”s, so many great tracks, early trip hop that doesn’t get the props. Manic tempo switch with a snatch of Terminator X’s first LP where the Afros sampled the little sine wave sample from. A needle skipping start to X-rated Schoolly D, gangster before most others, uptempo Cypress Hill before they got obsessed by smoking. Constant record box staple – the Ultimatum (Stereo MCs) beats megamix of the JBs works well into The Orb, then Coldcut’s classic B&P – making the connection to the life-changing Coldcut meets the Orb mix set.

A cringeworthy car crash out of ‘Beats & Pieces’ into Busy Bee freestyle from the Wildstyle soundtrack, never try to beat mix another DJ cutting up two copies of a record. Cypress-sampling Ballistics into Beasties into Depth Charge classic before an A-Team intro insert (?). The Dub of The Sandals’ ‘Nothing’ got some serious play in our house around this time. Transglobal Underground’s ‘Temple Head’ sounds like some kind of cousin to The Primal’s ‘Loaded’ to me, loved this brief era of downtempo piano-led euphoria. The ending with The Prisoner Theme overlaid with more Derek & Clive I’d completely forgotten but still makes me laugh.

MS100 tape cover
Thanks so much to everyone old and new for tuning in for over 100 uploads now, it’s really appreciated and gives me a motive to digitise my archive each week. Side B next week…

Tracklist:
Derek & Clive – Blind
Sandoz – White Darkness
The Sandals – Feet (Dust Brothers remix)
Ballistic Brothers Vs The Eccentric Afro’s – Valley of The Afro Temple (on 45)
Terminator X – Vendetta… The Big Getback
Ballistic Brothers Vs The Eccentric Afro’s – Valley of The Afro Temple (on 33)
Schoolly D – Saturday Night (X-Rated)
Cypress Hill – Light Another
Jungle Brothers – Ultimatum Ultramix
The Orb – Perpetual Dawn
Coldcut – Beats & Pieces
Busy Bee & DJ AJ – At the Amphitheatre
Ballistic Brothers Vs The Eccentric Afro’s – And It Goes Like This
Beastie Boys – 33% God
Depth Charge – Depth Charge (Death Drum version)
The A-Team TV show intro
The Sandals – Nothing (Dub)
Transglobal Underground – Temple Head (Pacific Mix – Airwaves)
Lynne Hamilton – On the Inside (Prisoner Theme)
Derek & Clive – Coughin’ Contest

Mixcloud Select X-03 DJ Food – Music For 18 Revisions

DJFood MS X03

Being that one of my favourite pieces of music is Steve Reich’s Music for 18 Musicians I thought I’d explore as many contemporary remixes and versions as I could for this third, exclusive mix for Mixcloud Select. Scouring the web as well as a few pieces in my own collection yielded many different interpretations from the last 15 years or so.

Some are dancefloor versions including Coldcut’s famous remix and Ruoho Ruotsis for official Reich Remixed compilations. A few artists have attempted the whole piece solo, Outbounded creates an electronic version, Erik Hall recorded his piece part by part in a close copy of the score and Rough Fields played along with the original over 18 days in an acoustic style. I’d recommend them all and there are more out there but they didn’t fit stylistically which what I was looking for. There were also several jokey versions although I didn’t include them here (Music for 19 Musicians sees a child playing very randomly over a recording of the original) and I found a band named Music for 18 Magicians.

There’s no attempt to put the parts in order of the original, they were placed more for tempo continuity than anything else. There are also only 9 remixes/versions although some appear several times but 18 reads better than 9. I’ve also added spoken word pieces of Reich from interviews talking about the piece and his practice in general. Weirdly it’s only about one minute shorter than the original ECM performance although it contains more sections. Interesting fact I did not know: the original cover of the record was by Beryl Korot, a video artist and also Mrs Reich.

This was suppose to be upload 100 but I then realised that the exclusive remixes have a different cat no. and anyway, this was actually upload 102. Doh! Back to the regular program next week for MS100.

Track list:
Meridian Response – Enter The Reich
Rough Fields – Steve Reich – Music For 18 Musicians (Rough Fields Overdubbed Version excerpt 1)
Outbounded – Music For 18 Musicians (Electronic version excerpt 1)
Steve Reich – Music For 18 Musicians (Villager Remix)
Erik Hall – Music For 18 Musicians (Section II)
Amistry – Music For 18 Musicians (Section VI for electric pianos)
Outbounded – Music For 18 Musicians (Electronic version excerpt 2)
Immaterial – Music For 18 Musicians (Part 3A remix)
Outbounded – Music For 18 Musicians (Electronic version excerpt 3)
Steve Reich – Music For 18 Musicians (Ruoho Ruotsis Pulse Section Dub Remix)
Steve Reich – Music For 18 Musicians (Coldcut Remix)
Rough Fields – Steve Reich – Music For 18 Musicians (Rough Fields Overdubbed Version excerpt 2)
Outbounded – Music For 18 Musicians (Electronic version excerpt 4)
Rough Fields – Steve Reich – Music For 18 Musicians (Rough Fields Overdubbed Version excerpt 3)

Mixcloud Select : Time For Food Radio 1 Breezeblock mix for Mary Anne Hobbs 11/04/00

MS99 CD spine

22 years ago this week, just as the ‘Kaleidoscope’ album was released, I was invited onto Mary Anne Hobbs’ Breezeblock show on Radio 1 to record a live mix in the studio. I think this was three turntables and an FX pedal, I can’t quite remember. The set is a few Food bits from the album and contemporary tracks from around the time, peppered with spoken word and the odd jazz piece.

My track, ‘Nocturne’ obviously features elements of Dudley Moore’s ‘The Millionaire’ from the Bedazzled soundtrack so I dropped in a snatch of that just to ram the point home. Position Normal were a really interesting outfit who made sample-heavy cut and paste pieces and were later dubbed ‘the Godfathers of Hauntology’ by Simon Reynolds in typically grandiose fashion. Two Banks of Four were a collective featuring Galliano’s Rob Gallagher and ‘Skylines Over Rooftops’ is from their debut album. Scratched over the top is the flute of Yussef Lateef’s beautiful ‘Lowland Lullaby’, something I would regularly play about with in DJ sets at the time.
MS99 CDR
PC’s Hustler’s Convention-sampling ‘Break’ is lightened up by a Dr Rockit’ track which completely escapes me now, I’ve looked for it everywhere in my collection but can’t find it. I think it was on Clear but don’t quote me, if anyone knows… A snatch of Andy Votel and Cherrystones leads into The Third Wave, a quintet of teenage girls who made an album with George Duke on MPS with several covers including Herbie Hancock and The Beatles. This was reissued in 1999 by Crippled Dick Hot Wax! hence it’s appearance here. They overlap into ‘The Sky At Night’ where there may be some tuning issues and then out into the epic finale – ‘Minitoka’ into Bent’s ‘Invisible Pedestrian’ laced with the acappella of Jelisha’s ‘Friendly Pressure’ – all live on three turntables. A brief food-related outro concludes and what you can’t hear here is Mary Anne bellowing “ABSOLUTELY INCREDIBLE!” or some such descriptive, completely destroying the ambience I’d just spent 30 minutes building.

PS: I was actually sent a CDr copy of this by Wise Buddah, the promo company that dealt with the show, after the set, complete with stickered, embossed sleeve.

MS99 cover

Tracklist:
Now Is The Time For Food radio ad intro
DJ Food – Nocturne
Dudley Moore – The Millionaire
DJ Food – Nocturne
Position Normal – Nostrils and Eyes
Two Banks of Four – Skylines Over Rooftops
Yussef Lateef – Lowland Lullabye
DJ Food – Break
Dr Rockit – unknown
Andy Votel & Cherrystones – A Patterns Emerges
The Third Wave – Eleanor Rigby
DJ Food – The Sky At Night
DJ Food – Minitoka
Jelisha – Friendly Pressure (acappella)
Bent – Invisible Pedestrian
Eat Food outro