I was lucky enough to be present at this performance, one of the best DJ sets I saw last year. Check Rival Self out, he’s doing great things with records, turntables and samples. Also check Rook Records out in Hackney, one of the best digging spots in London.
This set from Prime Cuts right after is worth your time too.
And we don’t stop – Happy New Year! Here’s a bunch of music from the last month to get your teeth into for 2025. There’s a new Hieroglyphic Being album – one of his best for a while, an old Akufen I discovered recently through Bandcamp – absolutely stunning. The new Arcadia library compilation on Buried Treasure is full of treats as is the Kosmologic Research Society – the return of an old project featuring Markey Funk. Space is the place for that one, both inner and outer as is the latet LF58 album on Astral Industries who I’d slept on in recent years but hoovered up several titles from during their Xmas sale. For the beat heads look no further than a new album by Awkward which collects various beats and pieces together and the MagicTouch ‘Lessons’-style 45 on Delic Records, out this month. The new Special Request album wasn’t totally my bag if I’m honest except for the track ‘Don’t Hold Back’ which is dancefloor destruction and will get you from 140-160 bpm with ease during a set.
My next ROVR radio show featuring some of these will air on Friday Jan 17th and this year’s ten shows should be available to listen back to now via the ROVR live app APPLE or ANDROID
It’s been a while and things have been piling up on the desktop so… above is a Japanese jazz album called, I believe, ‘Forbidden Love’, released on RCA in I’d guess the late 60s. It includes covers of The Beatles and The Mindbenders and the cover looks like either Victor Moscoso or Peter Max but maybe it’s a take off of that style that was so prevalent back then.
Below is a Muppets Electric Mayhem LP sleeve I discovered by Matt Taylor after seeing his poster for McCartney’s Got Back tour featured below.
Below are three Portable Flower Factory 45 sleeves, a project from Bob Dorough with cover versions of popular songs for kids on the Scholastic label made between 1970-1972. The artist is uncredited but what fabulous sleeves.
Below is an advert for a psychedelic light from a girl’s comic from 1970, love the “Invite BOYS to assemble Love Lites.. and stay for a come together Jam session” line. Below that a light show of the laser kind for a Beatles-themed run at the Laserium, probably around 1983.
Carson Morris illustrated San Francisco International Pop Festival poster from October 1968.
Love and Big Brother & The Holding Company poster with an early design by Stanley Mouse and Alton Kelley from 1966 (+ lights by Bill Ham!)
The Yardbirds / Doors gig at the Fillmore, 1967 by Bonnie MacLean with the original below
I curated this month’s Dust & Grooves You Dig? newsletter – tons of record-related links in there for your Sunday
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Nearly the end of the year but no ‘best of’ round ups when we still have four weeks to go, that always appears at some point on Dec 31st on this site. Still a virtual avalanche of great music turning up out there, the Visioneers album being a good example of old tunes made new coupled with some new ones harking back to a golden age. The Virtual Dreams II compilation of 90s ambient music from Japan is quite otherworldly as is As One‘s new album on De:tuned (cover by yours truly, *cough*). Top left is abstract electronica by graffiti artist Soda, exclusively on cassette – think LP5-era Autechre and you’re in the ballpark. Middle image is the new Bakesale comp from Cheeba Cheeba Records, haven’t heard it all yet but they’re a great label and the release comes with a Dan Lish comic so it’s an instant buy. Bottom middle is the MagicTouch single I posted about before, up for pre-order and bottom right is Bsidewinsagain‘s tribute to Depth Charge and The Octagon Man – RIP J Saul Kane.
My latest ROVR radio show featuring some of these (including an exclusive edit I made of a DJ Prime Cuts track) was aired on Friday Nov 22nd and should be available to listen back to now via the ROVR live app APPLE or ANDROID
I’ve been waiting for this day for several years – Dust & Grooves delivery day! Having worked with Eilon Paz over the last few years on parts of this I know the blood, sweat and tears that have gone into just a small portion of it but nothing prepared me for seeing the final product last week at the launch night in London.
The new book is HUGE, it weighs a ton and looks incredible. The attention to detail throughout is beautiful, with spot varnish and embossing on the slipcase of the deluxe edition plus printed insides and a free poster.
The first volume has been re-covered and fits snugly with the second, make no mistake, this is a huge piece of work and will test the strength of any bookcase. I’m extremely proud to have contributed three extensive features to the back half of the book as well as several for the Dust & Grooves website (the Alex Paterson one is already up there with several yet to come that didn’t fit in the book). Interviews with Kid Koala, Andy Votel and Tom Ravenscroft fill pages alongside Eilon’s incredible photography and make this a must for all serious diggers out there.
We’ll never own all these records but we can share in the knowledge and stories behind them via this tome. As you could see from the photos of the launch party in London the other week, it bought together collectors from around the UK with nothing but goodwill and shared enthusiasm. Well done to Eilon and all the editors, designers and proofreaders who helped make this happen. Grab your own copy here
Let’s not the forget the Portables book that Eilon shot alongside the Dust & Grooves volume 2 one! The man’s a machine and this book lovingly catalogues 222 portable turntables – available now, here
Listen back at https://www.rovr.live/show/3800
Download the app to get archive access. APPLE or ANDROID
Show #9 Nov 2024
DJ Food – Electrik Collage #13
Visioneers – Today
LL Cool J – The Force
Midnight Heist – Deep Thrust
LL Cool J – Runnit Back
Nídia & Valentina
Nídia & Valentina – Rapido
Visioneers – Heather
DJ Food – Electrik Collage #32
Forsaj – Pierogi Funk
Robert Leiner – My Dream
Lextron – Jaunt
Bush Doctors – Turn It Out
DJ Food – Electrik Collage #36
Alex Kassian – A reference to E2-E4 (Mad Professor’s Quantas Crazy Remix)
Robert Leiner – Analog Days
Gaslamp Killer & Jason Wool – Chaos (Club Edit)
DJ Prime Cuts – Out Time Is Now (DJ Food re-edit)
Dave Lombardo – Vicissitude
Beautify Junkyards – Turn the Tide
DJ Food – Electrik Collage #24
Beautify Junkyards – Here Everything Is Still Floating
Paul Cousins – Tessellation Pact
Dub Squad – Blown Fruit
Lo Five – The Observer Trap
Palomatic – Flutter
Benedict Drew – Optical Frame Work (excerpt)
DJ Food – Electrik Collage #13
Paul Cousins – Thought Loops
I’m lucky enough to have a dub plate copy of this as I’m doing to some work with the Japanese label Delic Records at the moment. They kindly sent me a copy for my set this Tuesday at the BBE store for the Dust & Grooves launch party (with a line up like that you need something special in the bag).
‘Kyousoku’ translates as ‘teaching’ or ‘instruction’ = ‘Lesson’ (as inspired by Double D & Steinski’s Lesson megamixes). The contents are exclusively sampled from 70’s-80’s Japanese artists and instructional records and a limited release is planned for next spring – keep an eye on their Bandcamp for more info
Magictouch (@dupeginger)
Delic Records (@delic_ishiyama)
It’s been a vinyl kind of weekend, starting on Friday with a visit to Deptford where the hardcore diggers descended on new shop Perfect Lives for their opening. Run by Danny and Bruno, it’s a countercultural wonderland of books, magazines, fanzines and records, the likes of you which rarely see or have never seen before. It’s a small spot at 6a Florence Road, London, SE14 6TW and they’re open Wednesday to Sunday, not cheap but you don’t see some of this stuff every day unless it’s in a museum or a book.
Deptford’s really becoming a spot now with Upside Down Records on the high street and new vinyl listening bar, Jazu down the other end. In the arches on Resolution Way across from the train station you have The Shop which sells music gear and records and further up, the Villages bar where we went to hear Huw from Mr Bongos play a Halloween-themed set.
Saturday was the Groovy Record Fayre at the Mildmay Club on Newington Green for as much of a social catch up with a million friends as a dig for the black crack. Despite finding a few bits and pieces I actually managed to leave a clutch of 45s behind at the end because I was nattering.
Sunday was a day of rest but Rich Headland‘s Record Shop Stories has just published the jaunt to the Book & Record Bar in West Norwood that we took a few weeks back. Read it here, give Rich’s substack a follow and pay the shop a visit if this piece piques your interest.
It’s not all records around here though, next week is all about light shows and painting one of my son’s bedroom, then the print fair in Leicester at the Print Workshop next weekend.
It’s been a while coming but I’ve finally had some time to dive into the pile of cassettes I got at Revolution Records in Penge this summer. Just to refresh your memory; I found a stash of tapes that obviously came from someone who worked in the dance music industry in the 80s and 90s and the next round of posts will be my attempts at deciphering what’s on them. Most have little or no info on them but now we have Discogs and Shazam so finding out about their contents is a little easier than back in the day.
This first tape is simply entitled ‘Megamixers No.1 / No.2’, recorded on a TDK tape and most likely dates from 1986. It’s essentially two DJ mixes but there’s more to it than that. I’m putting these up on my Mixcloud Select subscription page so if you’d like to hear then sign up for £3 p/m for access including over 200 archive mixes from the Solid Steel days.
Side 1
Up until the Art of Noise track this mix is the 1983 Disconet Top Tune Medley from Vo.6 Program 9 – mixed by John Matarazzo and Mike Arato. Disconet was an American DJ pool series of albums with hot promo tracks and exclusive remixes or megamixes similar to the UK’s Disco Mix Club.
I’m guessing whoever made this tape had that record and added their own extras onto the end.
After Thomas Dolby you’ll notice that the pace of blends slows somewhat and the tracks are cut into each other rather than beat mixed, there was also a jump in volume when AON was introduced which I’ve levelled out here. Both Trouble Funk tracks are intercut back and forth before introducing the Beastie Boys’ ‘Hold It Now, Hit It’ (which samples a piece of ‘Drop The Bomb’ for its chorus – there’s the connection) and a big drop in tempo. There’s an extended section at the end where it sounds like the DJ is playing with two copies of the instrumental for a bit after the main song finishes and then we get an album cut by Lovebug Starski. This plays in full and, after a pause, the mix reconvenes in the middle of a couple of hip hop tracks, probably a previous set that was taped over.
Tracklist:
Shannon – Let The Music Play intro
Men Without Hats – The Safety Dance
S.O.S. Band – Just Be Good To Me
Yazoo – State Farm (Extended Version)
Herbie Hancock – Rockit
Madonna – Holiday
Michael Jackson – Billie Jean
Freez – AEIOU
Shannon – Let The Music Play (12” version)
Lime – Angel Eyes (remix)
Irene Cara – Flashdance… What A Feeling (Extended remix)
Eurythmics – Sweet Dreams (Are Made Of This)
Thomas Dolby – She Blinded Me With Science (Extended Version)
Art of Noise – Legs (Inside Leg Mix)
Trouble Funk – Drop The Bomb
Trouble Funk – Pump Me Up
Beastie Boys – Hold It Now, Hit It
Beastie Boys – Hold It Now, Hit It (Instrumental)
Lovebug Starski – Say What You Wanna Say
Salt ’n Pepa – The Showstopper
Roxanne Shante – The Def Fresh Crew (cuts off near the end)
Side 2
This side sounds like it was a mix by the DJ rather than a pre-recorded megamix – sadly (or thankfully) it cuts off in the middle to make way for three Beastie Boys and Run DMC demos
Tracklist:
Rochelle – My Magic Man (Magic Mix)
(an unknown house track is mixing in near the end but then abruptly cuts off early)
Beastie Boys – Time To Get Ill (demo version)
Run DMC – Slow & Low (demo version)
Beastie Boys – I’m Down (demo version)
At this point the tape cuts into two Beastie Boys demos from Licensed to Ill – the acoustic version of ‘I’m Down’ (a cut that never made it onto the album) and a version of ‘Time To Get Ill’ – that are different to any of the other demos on the web that I could find, certainly better quality. Also inbetween the two is a hissy recording of Run DMC’s original demo of ‘Slow & Low’ which they originally wrote and the Beasties would later record. I ran these by my friend Noah Uman in the US who has an amazing archive of hip hop and a ton of knowledge and he came back with, “The song I’m Down was meant for Licensed To Ill but the Beatles blocked it, I’m pretty sure it showed up semi commercially on a CMJ release (College Music Journal) in 1986.”
This might be the more rock guitar-orientated version that’s out there on the web. The Run DMC recording would later surface in much better quality on an expanded version of King of Rock but I’ve tried to clean it up here as best I can, the tape sounds like it’s recorded through a sock.
About the Run DMC demo Noah said, “The Slow And Low demo of Run DMC doing it, I actually uncovered that from a DNU tape (do not use), whenever I saw that written on tapes I knew we had to check it haha…After I had it released on the reissue it started popping up on bootlegs, one of my few proud record industry moments!”
I’m guessing that whoever had access to these tracks had to quickly find a tape to record them onto from another industry source, hence the random inclusion in the middle of a side.
(The mix reconvenes in the middle of an unknown house track before…)
Kenny ‘Jammin’ Jason – Jam Tracks
Farley ‘Jackmaster’ Funk – Jack The Bass
Unknown – (more Jam Tracks?)
Mantronix – Hardcore Hip Hop
And that’s it, a snapshot in time from the early to mid 80s. Disco mix classics on side 1 with golden era hip hop cuts and a snatch of early house music on side 2 with some rap history interjected randomly in the middle. More soon, I’ll try to get them out on a weekly basis on a Friday morning as before and if anyone is interested in the actual tapes, they’re for sale if you want to make an offer (although this one is already sold).
Coming out of the Summer months and into Autumn there’s a slow trickle of new releases as we ramp up towards Xmas. Featured across the top are three Castles In Space acts including the Field Lines Cartographer performance at the label’s Levitation festival last month that I was was lucky enough to witness (possibly from just behind where this photo was taken actually as he was on after Graham Dunning and I).
I have to register an interest in the middle and middle left releases as I designed both covers; left is As One‘s new album (see previous post) and middle is Dave Barbarossa’s new venture, Third House and their Inside Outisde EP – out Nov 1st!. To their right is Fracture‘s SLOW860 – an ambient take on his 0860 pirate radio project, imagine the KLF‘s Chill Out recorded in Hackney rather than Memphis. So many sleeves with no titles on them this month, bottom left is Valentina Magaletti and Nidia‘s collaboration and far right is the new Floating Points on Ninja Tune. Tim Exile is BACK after his recent troubles (cancer, a failing business and newborn twins to look after) and has made an EP from his hospital bed as a thankyou to everyone who contributed to the fundraiser set up by his family. Good to hear he’s on the mend.
Oh and I probably should mention that there is NO Bandcamp Friday on the 1st but the platform is still your best bet for putting the largest slice of revenue into the hands of the artist and labels short of going to their shows or buying merch direct from them.
My latest ROVR radio show featuring some of these was aired on Friday Oct 25th and should be available to listen back to now via the ROVR live app APPLE or ANDROID
There’s obviously something about the word, ‘groove’ that ticks several boxes for me. My favourite record fair of the year is this Saturday, The Groovy Record Fayre at the Mildmay Club on Newington Green. The record fair is in the day until about 5-6pm then a pub quiz after 7pm followed by a party until 1am – all FREE!
Then on November 19th it’s the UK launch of the Dust & Grooves vol.2 at the BBE Store in Hackney – could this be the line up of the year? Also FREE but you have to RSVP here
Here’s a look at the artwork I made for As One‘s new album, ‘Requiem’ (I think this is the third album I’ve designed for them now). As One is now Kirk Degiorgio and Catherine Siofra Prendergast and the duo have created eight new tracks for this album which you can pre-order and preview here. The vinyl comes in the usual black and coloured variants and is out on December 6th.
Robert Lockhart has nearly a hundred Discogs entries for his design work and could turn his hand to many different styles. Above is his interior gatefold for Gene Harris of the Three Sounds LP from 1971 which displays a fine grasp of the airbrush as well as collage. Below, his Bloodrock sleeve mixes S. Clay Wilson with Milton Glaser and comes up with something in the middle.
Above’s Bob Seger LP back cover displays more affection for the Milton Glaser style that was so popular back in the early 70s and below Lockhart whips up a fine collage for the front and back of Quintet’s ‘Future Tense’ LP, then channeling Michael English/Richard Hamilton for the cover of Steely Dan’s ‘Can’t Buy A Thrill’.
I’ve shown this before; Ravi Shankar goes psychedelic (for the cover at least) and below that an oddity of the Pablo Light Show providing visuals for a ‘Heavy Organ’ recital of Bach in San Francisco with cover illustrations very reminiscent of Victor Moscoso.
Whilst looking for Gene Harris records I came upon this series of Blue Note sleeves by designer, Bob Cato. I’d seen a few of these over the years but didn’t realise how many of them there were. Cato was an art director, designer, painter and photographer for many major US labels who designed over 550 sleeves, with many of them becoming classics. These torn collage close-ups of halftone prints are more punk than jazz but originated in the mid seventies, the oversaturated colours bring to mind Pop Art rather than the classic Reid Miles era of the label.
I was in TenPinRecords in Purley the other day and the owner, Lisa, had this beautiful 13th Floor Elevators 7″ on the counter which I had to take a photo of. It’s a bootleg from 1978 of ‘You Really Got Me’ and don’t all jump at once, that £1.50 price sticker was the original, it’s nearer £50 these days. In a bid to find out more about it, including the cover artist (Michael Beal) I went down the Discogs rabbit hole and found a few more nice 13th Floor sleeve designs, not least this great 7″ picture sleeve for ‘You’re Gonna Miss Me’ (front and back shown below).
On the reissue front there’s this book cover from the Sign of the 3 Eyed Men compilation, not sure the designer here
Today is release day for my good friend Eilon Paz‘s monster of a book Dust & Grooves vol.2!
A decade after the first volume and after over two years of tireless work and globetrotting, he presents this follow up tome, clocking in at 650 pages. It charts the world of record collecting in all its myriad forms through Eilon’s incredible photography (this man cannot take a bad photo).
I’m yet to see the finished book but being asked to contribute and come along on some of his adventures was the stuff of dreams. From interviewing Alex Paterson about the contents of his live DJ boxes to navigating the tidal wave of Andy Votel‘s collection to picking Kid Koala‘s brains about his methods to visiting Peel Acres and hearing vinyl hoarding stories you wouldn’t believe from Tom Ravenscroft.
The latter three are all in the book and the Alex Paterson interview is on the Dust & Grooves website in full. Still to come: long-form interviews with Zoe Luckycat Baxter, DJ Format and Trevor Jackson – see some behind the scenes photos here.
You can buy the book right now as well as a revamped volume 1 and there’s still the companion Portable turntables book to come!
Congratulations Eilon – hardest working photographer I know, what an incredible thing you’ve created.
The monthly round up: Mostly new music here, the centre image is the new Gaslamp Killer LP, to it’s left is the new Paul Cousins album ‘Oxide Manifesto’ on Castles In Space and below it, Benedict Drew‘s new one on Thanet Tape Centre, ‘Tone Works (for film and video)’. Dave Lombardo‘s ‘Rites of Percussion’ is a killer drum album from the Slayer/Fantomas legend that actually came out over a year ago but I only just discovered and it’s always nice to see a new Space Oddities collection, this time focussing on Bernard Fevre aka Black Devil Disco Club. Not pictured here (because they’re not on Bandcamp) but well worth tracking down are Beautify Junkyards‘ ‘Nova’ on Ghost Box and LL Cool J‘s amazing return on ‘The Force’, produced by Q-Tip. Also check out Skylab International‘s cover of Hot Chocolate‘s ‘Emma’ from the list below, it’s a treat. It’s also Bandcamp Friday at the end of this week, so fill your baskets in readiness…
My latest ROVR radio show featuring some of these was aired on Friday Sept 27th and should be available to listen back to now via the ROVR live app APPLE or ANDROID
Here’s the new Robert Leiner album I designed for De:tuned which also happens to be their 50th release!
Up for pre-order now and released on Nov 8th on black or bottle green vinyl.
Here’s an audio preview of the whole album
I wrote a huge piece for Dust & Grooves about joining Alex Paterson of the Orb to go through a couple of old DJ boxes he used to use in live sets. This took place two years ago to the day it’s been published and we’ve just finished it off as it didn’t make the forthcoming book in time for publication, mainly due to space. But on the web you can have all the space you want and space is most definitely the place for this feature. If you ever wanted to know where that sample was from or what record was used where then this feature goes some way to pulling back the curtain.
D&G creator and photographer, Eilon Paz beautifully captured the results of the momentous occasion which was situated first at the Book & Record Bar in West Norwood and later at Alex’s home nearby. I’m proud of all my work with Dust & Grooves (and there’s a fair bit more to come) but this was quite the fanboy’s dream as I’d probably first seen the Orb close to thirty years before. You can read the full piece here. The huge 650 page Dust & Grooves 2 arrives in a month’s time and can be ordered here along with its sister publication, Portables, all about, you guessed it – portable turntables. Enjoy…
