Mixcloud Select 200: Coldcut Solid Steel 3hr Spacetime mix 21/10/1994

MS200 3hr Spacetime mix 21:10:94 pt.1 tape
I’m ending on an epic – after more than four years, 199 uploads and seven exclusive mixes – a three hour Solid Steel with Matt, Jon and myself from October 1994. As the show aired between 1am-3am on a Saturday night/Sunday morning and the traditional time of putting the clocks back is 2am – smack bang in the middle of the show – we get an extra hour. For this reason, this mix was referred to as a Spacetime mix, due to the fact that we time travelled during it and thus needed several tapes to fit it on. I’ve got nearly two and half hours, some of which would have been taken up by adverts and some may have been missed with tape turnovers but let’s just say the remainder has disappeared into the space time continuum.

I’ve also slaved over this track list between Shazam, Matt & Jon’s incomplete track backs in the recording and my own fading memory. I’ve nearly got it but not quite. The fourth tune at the 15 min mark was really annoying me as I know it, Jon says it’s ‘Todd Terry – Bad Boys’ but there’s no such track that I can find. UK original Todd Terry licensee Champion had an offshoot called Bad Boys Records in the early 90s so I checked there but it’s none of those releases. Turns out it was his Hardhouse alias with the dub of the B side ’11:55’, subtitled ‘Bee Boys Dub’. When we were (hand) writing down the track lists on the PRS sheets for Kiss we’d sometimes not know exactly what had been played in what order, were cribbing through a pile of discarded records, some of which were white label promos and just had to guess. Then sometimes we couldn’t read each other’s hand writing or ran out of time to go through the list, with Matt’s favourite get-out clause being, ‘and other mystery beats’. All in all it created confusion and no doubt frustration for those who wanted to track down the songs but had no access to any form of internet database like Discogs.

MS200 3hr Spacetime mix 21:10:94 Pt.2 tape
My section is roughly in the middle with Matt and Jon either side, I’ve left them in for this one as it’s the only three hour show I’ve got in the archive and it’s the last of this run. I think the Art of Noise is my entry point with maybe the Attica Blues as the exit – no idea on the female led ‘dabba daaah’ tune after it or the Hendrix-sampling trip hop track after that which is, again, naggingly familiar. I’d got the white vinyl FSOL ‘Smokin’ Japanese Babe’ 12” shortly before this show and was so taken with it I played both sides in full alongside a bit of old school electro. I’m not going to go through every track as I’m writing this Thursday night but I hope you enjoy this nearly two and a half hour ‘rub’ to end this epic archive project. When all is said and done, the left over tapes are minimal; a one and half hour Sphinx mix from the end of 1994 (we did a lot in that year!) a few personal mixes that I did for friends that never aired on Solid Steel and a live recording of PC and I in Bristol in 1997 which is mostly Patrick leading. I’ll send that one to him and maybe he’ll put it up, the others I may put up for free later but for now I need a break from the weekly uploads.

If you still want access to all these uploads you’ll have to subscribe but I anticipate a drop off in numbers which is fine, the work is done and I thank everyone who contributed along the way, especially those who have been here from the start (are there any?). I’ll let someone else do the math but there’s quite a few hours worth up here now and these are just up until 2007/8, not the years after which should be a bit more readily available in general via solid steel.net, Mixcloud, Soundcloud and various other places. I’ll be concentrating on my new monthly radio show on ROVR – the Electrik Collage – the third of which dropped last Friday – listen back here. It’ll be good to be looking forward and playing new music – like we did on Solid Steel – rather than getting stuck in the nostalgia trap, nice as it can be. I’m keen to make the shows that soundtrack these times that I’ll hopefully enjoy listening back to in 20 years time.

Track list:
The Sex Pistols – Anarchy In The UK
Beastie Boys – Fight For Your Right To Party
The Aloof – Society
Hardhouse – 11:55 (Bee Boys Dub)
The Transplant – Afrocentric (Come Together)
Bedouin Ascent – Internal Bleeding
Acacia – Cord
Hydra – Song For a Fish
Spacetime Continuum – Ping Pong
LFO – Tied Up
Mephisto Odyssey – Dream of The Black Dahlia (Keyboard mix)
Art of Noise – Opus 4
The Firesign Theatre – Everything You Know Is Wrong
Far Out Son Of Lung – Ramblings of a Madman
Far Out Son Of Lung – Zeebox
Vapourspace – Gravitational Arch of 10
The 7th Plain – Think City
The Octagon Man – The Demented Spirit
Hashim – Al-Naayfisch (The Soul)
La Funk Mob – Motor Bass Gets Phunked Up (Electrofunk mix)
Herbie Hancock – Rockit
Arthur Baker – Breaker’s Revenge (Extended Vocal version)
Unknown – unknown ambient
Autechre – Montreal
Silence – Omid/Hope
Massive Attack – Euro Child
Inky Blacknuss – Desolator
Far Out Son Of Lung – Are They Fighting Us
Far Out Son Of Lung – Smokin’ Japanese Babe
Attica Blues – Contemplating Jazz
Unknown – female vocal
Unknown – unknown trip hop
Single Cell Orchestra – Call Me
The Auteurs va Mu-Ziq – Lenny Valentino (Mu-Ziq #3) (on 45rpm)
Spring Heel Jack – The Sea Lettuce
Yellow Magic Orchestra – Tong Poo (The Orb remix)
Freak Power – unknown

David Schiller and Jim Michaelson posters

Dave Schiller Jefferson Airplane 2
There’s not too much info out there about David Schiller, he was American and produced these posters in the late 60s for Sparta Graphics. The company was born from the successful dance concert series that Dave promoted in San Jose in 1966. Fellow student Jim Michaelson submitted the winning poster in Dave’s poster competition and, in the years that followed from 1966-1968, they published 16 posters. Working with San Francisco promoters Bill Graham and Sid Bernstein they created concert posters for The Byrds, The Bee Gees, Buffalo Springfield and Jefferson Airplane among others. Some were printed with metallic inks and some with vivid fluorescent day-glo inks.

Michaelson obviously had a thing for crazy flying contraptions and the poster above was actually painted on wood and photographed with real flowers, it was one of Bill Graham’s favourite posters. It’s not clear whether this influenced Ron Cobb‘s illustration for the cover of the Jefferson Airplane’s ‘After Bathing At Baxter’s’ LP which was released late 1967 but Michaelson’s first gig poster for the band was made in 1966 (see below).
Michaelson passed away in 2019 but his son, Rob, maintains a website in his memory with many other great examples of his work, including posters for Disney https://jameslmichaelson.wixsite.com/artwork/the-60s

Dave Schiller Bee Gees
Dave Schiller Buffalo Springfield
Dave Schiller Monkees
Dave Schiller The Monkees
Dave Schiller the Rascals
Dave Schiller The Young Rascals
Dave Schiller Sunday Afternoon
The posters below are from some of the gigs David put on and, I presume, by the same graphic team.

Dave Schiller Eric Burdon
Dave Schiller The Byrds
Dave Schiller Jefferson Airplane
Dave Schiller Syndicate of Sound
He also had a fine line in posters for cities and states – there are at least two variants of the New York poster in different colourways and with different mastheads. I’ve also seen these posters printed on linen.

Dave Schiller - California
Dave Schiller New York
Dave Schiller London
Dave Schiller San Francisco
Michaelson also did at least two calendars, variants of the same images for 1968 and 1969.

Sparta logo

Electrik Collage show #3

My new monthly radio show continues, the next episode streams at 2pm-4pm, Friday June 7th wherever you are in the world. Featuring bits and pieces from the in-box, recent buying trips whilst trying to keep a good portion of it current or new. There are dips back in time, sometimes where I’ve recently discovered something I missed a few years back. There are some re-edits too – usually just a nip and a tuck for my DJ sets to trim tracks down slightly but in the case of the Radio Slave mix I’ve actually combined elements of two different remixes and then edited them down. The Bishops of the Holy Rollers Fallout Shelter track is about the joys of VD, a little 45 I picked up recently at Mr Thing’s shop in Hastings, Pressing Matters – definitely one to check out. I’ve made some Electrik Collage jingles that will feature throughout the shows from now on (see one above) and there are over 40 of them so tune in and collect the set. Listen at ROVR radio, download the app to get archive access. APPLE or ANDROID

Show #3 tracklist 7th June 2024

DJ Food – Electrik Collage #12
Bassbin Twins – WORK
Reso – Raid
Effersay – This Sound
Indo Tribe – Obstinta
S’Express x Daddy Squad – Je Suis Acid (DJ Food edit)
Varonos – The Trip (ft Yanna Thomas)
Akufen – Death of a Mascot
Bassbin Twins – TUFF
Radio Slave – Children Of The E (DJ Food North+South Re-edit)
DJ Food – Electrik Collage #45
Patrick Carpenter – Lucky 7
The Dining Rooms – Common Questions
Jlin – Challenge (To Be Continued)
DJ Fokus – Get A Bearing
Jlin – Challenge (To Be Continued II)
DJ Food – Electrik Collage #12
Markey Funk – Japanese Fonts
Bishops of the Holy Rollers Fallout Shelter – It’s Free
Prefuse 73 – Vast Wildlife Poison (Scene Two)
Memorials – A Guaranty of Sanity
The Luvmenauts – Doing Jazz
Justin Warfield – All Of The Time
Homeboy Sandman & Edan – Unwavering Mind
Hard 2 Obtain – Babble On
Clocolan – Humantime
DJ Food – Electrik Collage #35
Champagne Dub – Refreshment Guy
Bsidewinsagain – 5 Minutes Of Fire (Instrumental)
Acid House Therapy – Existential Plasmodia
Hieroglyphic Being – Ogee
DJ Shadow – Changeling / Transmission 1 (drumless)

Mixcloud Select 199: Coldcut Solid Sphinx Strictly section 25/11/1994

MS199 Tape
As I’ve said before in these missives, a Solid Sphinx was an ad-free, minimal chat mix for two hours. The upside being that both we and the listeners could dive in and really immerse ourselves into the music without interruption between 1-3am. The downside is now evident when listening back and trying to identify the songs contained within as there were no track backs to let people know what was played. The old memory is unreliable three decades later and Shazam can’t identify everything you throw at it and so the track list for this upload is far from complete. Once again I implore anyone with a better recall to fill in the blanks here as I’m struggling although a couple are annoyingly familiar.

This show was at the tale end of 1994 and, to my trained ear, features all four of us in the original two hour rub. Kickstarted by PC, then I, Matt and finally Jon each took approx 30 minutes to mix and match whatever we had been feeling that week. This is just my section and I will forewarn you, it gets pretty nasty in places, certainly not a chill out half hour, you can almost feel the testosterone dripping from the speakers. Unknown DnB track 1 – no idea – in fact it may not even have come from my box, the lines are blurred as to where and when each of us end and begin but the second track, Caustic Visions, is definitely me. One of the group – I think his name was Tim possibly? – visited Ambient Soho one day brandishing their new single (actually Caustic Visions 2) and a brace of very well-designed promo posters. I was immediately taken with them and the disc was a fresh-sounding mix of acid, Gabber and industrial noise with a clear nod to Aphex Twin in both style and title (Caustic Window being one of his aliases). Always looking for the latest thing, I jumped on it and kept in touch, collecting several of their other releases, some of which were on Industrial Strength, the US hardcore techno label run by Lenny Dee. At one point I was convinced that Gabber would be the next thing to blow up but it never really caught on in the UK to the extent it did in Europe.

Anyway, I really liked what CV did and kept an eye on them for the few years that they were active as they always seemed to be occupying their own corner of the techno world. Three unidentifiable tracks follow; a rattle-y Amen-led DnB breakfest that seems to pre-figure Plug and Squarepusher with those rapid-fire machine gun edits and another that stops and starts like a scratch DJ who can’t keep their finger off the turntable stop button. Bridging the two is a wall of looping 8-bit noise that was also by Caustic Visions but the two DnB tracks show off my love of highly-detailed drum cut up programming before DJ Crystl’s classic ‘Let It Roll’ arrives to calm the waters somewhat. Crystl was originally the DJ with UK rap group The Brotherhood under the name of DJ Pump Action but left to pursue a DnB career before they achieved commercial success. ‘Let It Roll’ was a fresh sound at the time, even though the genre was still in its infancy. Racing in at what almost seems like double time is another unknown tune, and I’m barely keeping it in time at points before the actual track breaks down itself and shudders to a stop.

Mark Van Hoen’s Locust project was a big favourite back then, he didn’t and still doesn’t sound like anyone else and there were a lot of Aphex copyists around in the early 90s. You stood out by being original and having your own sound. With his spindly IDM and Designers Republic-designed sleeves he should have been on Warp by all accounts but wound up on the next best thing, R&S. I’d forgotten the next classic; this got a LOT of play at the time, a Sabres of Paradise remix of the Wolfgang Press of all people! They did two of which this was the second and I’m mixing the extended percussion breakdown of ‘Trans Europe Express’ over the middle of it for some time. The last track was a frustrating head scratcher until I ran across it by complete chance whilst researching something else just yesterday. Coming on like a slower version of Soul Coughing’s ‘Super Bon Bon’ (the Propellerheads remix – they must have used the same break) – it was local group Camberwell Butterflies with a track entitled ‘Gloop’ from their sole release on The Chill Out Label.

Next week is upload 200 and I’ve still not decided what it will be… with that I bring this round of Mixcloud Select weekly uploads to an end after 4+ years of almost weekly activity. The CDrs are done, as are the DATs and there are just a handful of tapes left. My third show for ROVR radio debut’s today at 2pm worldwide with two hours of new music and a sprinkling of oldies or obscurities. Tune in at 2pm wherever you are in the world

Track list:
Unknown DnB 1 – unknown
Caustic Visions – Contortion
Unknown DnB 2 – unknown
Caustic Visions – Virex
Unknown DnB 3 – unknown
DJ Crystl – Let It Roll
Unknown – Unknown
Locust – Good God
The Wolfgang Press – 11 Years (Sabres Main Mix 2)
Kraftwerk – Trans Europe Express
Camberwell Butterflies – Gloop

Mixcloud Select 198: Coldcut Solid Sphinx live – Strictly highlights 14/10/1994

MS198 Tape
As described in earlier posts, a Solid Sphinx was an occasional Solid Steel show – usually live – with no ads and very little talking. It might have been that there were no ads booked in that week, no ‘reads’ (KISS-affiliated announcements to be made during the show) or just that there were only a few ads lined up and we conveniently forgot to air them. Either way, it was heads down and concentrate on the mix for two hours rather than have an eye on the clock for the next ad break.

What we have here are some edited parts of a 2 hour Sphinx where I was in control, I think Matt started the show off with a 30 minute mix, then me, then PC finished up, I don’t think Jon was around for this one. It’s marked as live on the tape which means we probably did it Saturday night directly to air whereas we usually pre-recorded it on a Friday night around 9pm if memory serves. I’ve snipped out some bits here and there just to make it a bit more digestible but you get the flavour – trip hop, electro, old school hip hop and spoken word interludes. I had acquired a copy of the Firesign Theatre’s Everything You Know is Wrong album and eagerly added some passages in here and there to add to the usual Coldcut Word Treasure jingles. We kick off with the end of Matt’s mix, some early jungle, and I come in with a Digidub tune that was a regular spin back in the day.

Cue Coldcut’s ‘More Beats’ on 45rpm then switched down to 33 for a tempo change before the underrated and overshadowed (by UNKLE on the A side) Howie B vs Major Force ‘Martian Economics’ – a fab slice or early trip hop if ever there was one. I loved that 12”, to me it embodied everything I wanted from ‘trip hop’ – dusty drums, weird electronics, samples and spoken world with a sci-fi touch. M.S.P. stood for Manic Street Preachers and the track ‘Faster’ was taken from a ‘promo’ 12” named Done & Dusted, featuring versions of MSP tracks made over by The Dust Brothers before they had to change their name to the Chemical variety of siblings. This was early big beat colliding with rock – as the Chems would perfect later, more electro than trip hop but still coming from similar sources, very exciting at the time – no idea if I still have it in the collection.

Kraftwerk cycle into the mix with ‘Tour de France’ – never ages – before an ambient breakdown I can’t identify and a clip of Matt Black’s dad reading a text called ‘The Ninth World’. There was an ad break here, or the tape ended but we proceed with Air Liquide’s ‘ The Increased Difficulty of Concentration’ and into Two Sandwiches Short of a Lunchbox which was Andrea Parker and David Morley on the Apollo label, an ambient subsidiary of R&S records. Weirdly I’ve just designed an LP sleeve for David for De:tuned records, how odd the way things circle back? The Dust Brothers are back with ‘Dust Up Beats’ from their My Mercury Mouth EP, I was obviously smitten and hoovering up everything I could find by them (which was probably less than 5 releases at the time including remixes). We slip into a couple of old hip hop classics, evidently played directly from Street Sounds Electro 4 by the sound of it as the two mix into each other exactly the same. I still think D.St’s mix of Herbie Hancock is one of the greatest mega mixes of all time, he obviously had access to the studio tapes and a proper studio to do it in but it’s a superb creation.

A brief blast of the Firesign Theatre before a track I’d forgotten all about, GTO’s ‘Dub Killer’ from their Data Trax vol.1 12” – a great example of odd little B side experiments that would turn up on dance singles around this time, very Renegade Soundwave / trip hop-sounding. Autechre’s ‘Teartear’ from Amber is up next, a track I still play out occasionally with its tempo switch down. Sheila Chandra was a big element of my ambient sets a couple of years earlier after I found a clutch of her LPs in Cheapo Cheapo’s in Soho. Her ‘Mecca’ track from the Roots & Wings album is a bit out of tune here but mercifully not for long. Tori Amos’s ‘God’ appeared in a variety of mixes including three from Carl Craig but my favourite was by The Joy – possibly their only remix work aside for one for D:REAM – and a 12 minute+ epic. Looking them up I found they were fond of long tracks with two mixes of their debut, ‘Shine’, clocking in at 27 minutes each(!). Denise Johnson was part of the group and they did work with her later, it’s very much in that post-ambient / baggy / Screamadelica / long Sabres of Paradise remix mode that was the thing around then.

Encoded tapes
Only one more entry until we hit the magic 200 mark and this series comes to an end. I probably have less than 10 tapes left and not all of them are going to be uploaded as I don’t want to go over the 200 mark at the moment. I also have drawers full of encoded cassettes I don’t want/need now so if anyone wants to make me an offer to take custody of them then feel free. I’m trying to clear things out that have been with me for decades that I don’t need.

Track list:
Coldcut – Solid Steel intro
L.S. Diezel & Launch Dat – Rougher Than A Lion
Coldcut – More Beats (on 45/33 rpm)
Howie B Vs. Major Force E.M.S. Orchestra – Martian Economics (Unified Plant Theory)
M.S.P. – Faster (7-11 Dub)
Kraftwerk – Tour de France
Matt’s Dad – The Ninth World
Air Liquide – The Increased Difficulty of Concentration
Two Sandwiches Short of a Lunchbox – Too Good To be Strange
The Dust Brothers – Dust-Up-Beats
Pumpkin & The Profile All-Stars – Here Comes That Beat!
Herbie Hancock – Megamix
The Firesign Theatre – Everything You Know Is Wrong!
GTO – Dub Killer
Autechre – Teartear
Sheila Chandra – Mecca
Tori Amos – God (The Dharma Kaya mix)

Buy Music Club Recommends June 2024

Buy Music Club June 24
Getting back into some 90s hip hop this month, some new – dare I say it – trip hop and other assorted styles. The Dave Morley is a new cover designed for De:tuned and if you ever wanted my re-edit of the Sesame Street ‘Pinball Number Count’ then I found out recently that Galaxy Sound Co. have put it (uncredited) on a 45.

Posted in DJ Food, Music. | No Comments | Tags:

Mixcloud Select 197: DJ Food Live In NZ Edit (Dec 2003) 29/04/2004

MS197 DJ Food Live In NZ Edit (Dec 2003) 29:04:2004 CDr
A typical club set from around the early ’00s with a mash up of DnB, acappellas, hip hop and other beats, recorded live whilst on tour in New Zealand at the end of 2003. The recording is fairly compressed as it must be a feed from the desk and we drop in probably for the latter half of the set as it’s in full flow and I’ve reached the drum and bass section. I probably had two decks and a Numark CDJ for this and several classic mixes are in there including PC’s ‘Mirror In The Bathroom/Square Off’ combination from Now, Listen, DJ Zinc/Rodney P, Nas/DJ Shadow and Beastie Boys/Lisa Maffia which were all staples of the set around this time. There’s a live take on the Obie Trice beat cut up featured on a previous mix upload and I float a bit of Shirley Bassey’s ‘Light My Fire’ over Un-Cut’s ‘Midnight’ track who sample the strings from her version. Anyway, I won’t pontificate on the contents but there’s lot of obvious stuff in here including 3 DJ Food tracks which is a rarity for me.

MS197 DJ Food Live In NZ Edit (Dec 2003) 29:04:2004 PRS
We’re heading towards upload 200 and I’ve still decided what I’m going to do for it but thanks to everyone who’s stuck with this for the last four years. We’re nearly there, virtually everything worth hearing is encoded and uploaded now and it’s going to be good to move on from this and concentrate on my new monthly show on ROVR radio where I’m trying to concentrate on new music if possible (or new to me). The next show is June 7th but you can listen back to the first two episodes via the phone app which gives you access to the archive.

2 Tall – Luminous Thongs Solid Steel intro
Krust & Die present – Movin’ Fast
Nextmen vs Cyantific feat. Dynamite MC – High Score
Un-Cut – Midnight (Mist 2003 remix)
Pharoah Monch – Got You (DnB remix)
DJ Zinc – Reach Out (remix)
Rodney P – Riddim Killa
The Beat – Mirror In the Bathroom
Mask – Square Off
DJ Food – Scratch Yer Hed (Squarepusher remix)
DJ Food – Mr Scruff Megamix
DJ Shadow – Right Thing (Z Trip Party mix)
Nas – I Can (acappella)
DJ Food – Dark Lady
Quantic Soul Orchestra – Pushin’ On (acapella)
Diverse, RJD2, Lyrics Born – Explosive
Prince – Sign O The Times (Rootz n Workz remix)
Return of the Returner – Throwdown No.1
Obie Trice – Got Some Teeth (acappella)
Phill Most Chill – On Tempo Jack
Beastie Boys – 33% God
Lisa Maffia – All Over (acapella)
Dsico – Bille Jean Dub
Derrick Largo & Trinity – Don’t Stop ’til You Get Enough

The New Obsolescents’ LP exclusives at Wow and Flutter from this Saturday

W+F flyer 2 A4
As it says above – Wow and Flutter in Hastings will have the 20 unique LPs for sale that we displayed during our live instore last month. As you can see in the video at the top, each one has a hand-assembled, screenprinted sleeve on a different type of holographic card in a variety of printings (black/white ink and postive/negative image inversions). These were all test ideas for the second print run of the LP and were passed over in favour of the prism effect card we eventually used.

Castles in Space had 20 extra sleeveless copies of the LP left over from the second batch (silver and white swirl vinyl) and so we married them up for this unique final run. Wow and Flutter are the only people selling these anywhere in the world, they will be a highly affordable £25 each and it’s first come, first served plus they’ll let you pick your favourite sleeve from the bunch – a Castle’s in Space completist’s nightmare but there you go.

Here’s a quick blast of a bit of our instore performance which will possibly wind up on the next album in some form or other. Video by Tim Scullion from W&F – also if you’ve not heard the podcast Tim does with Paul Field under the name We Buy Records then check that out too.

Mixcloud Select 196: Openmind – That’s My Boy! Pt.2 side B – Live Mixxx 26/05/1994

MS196 Openmind - That's My Boy! Pt.2 (side B) - Live Mixxx 26:05:1994
That’s My Boy! was a trilogy of tapes I made when I lived in a house share in East Dulwich that were given out to friends and neighbours at the time around 30 years ago as my DJ career was just starting with Coldcut and Ninja Tune. There were three volumes of which this is the second and I was showcasing the tracks of the day whilst trying to find my style as the times shifted out of the ambient scene I had been playing in for the last few years. The first strands of what would become known as trip hop were mutating out of the hip hop, indie dance and acid jazz scenes and it was a fertile time for electronic music with Warp leading the pack with their Artificial Intelligence series. You can still hear the tendrils of the German kosmischer scene overlaid in places as well as the collaged soundscapes of the Orb and others of their ilk but this volume definitely ups the funk factor with cuts from the Beastie Boys’ then current Ill Communication album, the Ballistic Brothers vs the Eccentric Afros EPs and early Mo Wax and Ninja Tune releases.

I can still remember the excitement of these times, the rush to find the early MoWax 12″s, the Beasties playing in London and doing the instore at Rough Trade in Covent Garden. Ninja signing new artists like The Herbaliser and doing my first artwork for them including redesigning the logo and 9 Lazy 9’s second album cover. Warp and R&S putting out great records every month and doing Telepathic Fish parties around London and even abroad in Amsterdam with Matt Black, Mixmaster Morris and electronic acts of the day like Autechre, Higher Intelligence Agency and Pentatonik. Working at Ambient Soho at the weekends with Rockit and helping out with the graphic design on my first Apple Mac (shared with David Vallade), an LC475. First DJ gigs around the UK with Coldcut, seeing new cities for the first time like Bristol, Leeds and Manchester. Clubs like Megatripolis on a Thursday and squat parties like Tribal Energy at the weekends plus festivals in parks around London. In my mind it’s always sunny although that’s technically impossible in the UK. There was definitely something in the air, the music was shifting and my hip hop knowledge from my first 80s forays into DJing was informing my tastes. Despite the late 80s tip into gangsterism which had soured some of the genre for me, I was still listening to hip hop via Max & Dave’s show on KISS FM alongside Coldcut, Colin Dale and Colin Faver’s more electronic-based shows and finding more interesting material coming out of the west coast.

This mix was probably done live on three decks and a basic CD player – the two Technics were used to mix beats and another old Panasonic belt drive deck for adding ambience with the CD reserved for more ambience of the occasional spoken word segment. The 4-channel mixer had a basic at best ‘echo’ function but this is mostly kept at bay as it was awful. You’ll hear bits of Sheila Chandra, Orbital, The Woodentops, Pulsation, Blue Pearl and more over these tracks as I was always layering and keeping to the chilled end of the beats. This was also the first time I’d used a Ken Nordine track, having been turned on to him by Mixmaster Morris the year before and then hunted down the Rhino Records compilation of Word Jazz they’d issued. There’s not too much you could call dance floor here, more of a head nodder for the smokers, something that would change on vol. 3 I seem to recall.

Side B Track list:
Beastie Boys – Shambala
Ballistic Brothers vs the Eccentric Afros – Save The Children
Beastie Boys – Bodhisattva Vow
DJ Toolz – Rusty Goes Ga Ga
DJ Toolz – Readybrek
La Funk Mob – La Doctoresse
R.P.M. – 2000
Ballistic Brothers vs the Eccentric Afros – Anti-Gun Movement
Paul Weller – Kosmos (Lynch Mob Bonus Beats)
DJ Toolz – Electric Junk
The Radha Krona Temple – Baja Hure Mana
Beastie Boys – Transitions

More Moscoso Miscellania

Camel 4
Victor Moscoso has been posting pictures of his original art on social media recently – seen here alongside other oddities culled from Heritage Auctions‘ site.

Mickey c 1970
(above) Character from the cover of Rip Off Review of Western Culture #2
Psychedelic Mickey 1968
Dance Pinnacle Concert collab with Rick Griffin
Pinnacle collab w Rick Griffin-topaz-standard v2-4x
An alternate (rough?) Zap Comix no.10 front and back cover – pre-colouring!
Zap 10 cover -2_00x-gigapixel-art-scale-2_00x
Zap 10 front and back cover

Posted in Art, Comics. | No Comments | Tags: ,

Electrik Collage show #2

EC screenshotMy second monthly Electrik Collage radio show is now archived on ROVR radio, download the app to get archive access. APPLE or ANDROID

Show #2 May 2024

Patrick Carpenter – Arrival
Man From Mantis – Digitalis
Planet Battagon – Wezlee’s Disco Inferno
Stone Roses – Fool’s Gold (DJ Food Re-Fix)
Touni Minwi – Babani Soundsystem
Humanoid – 808 Nation
The Best Ever & Muhammad Ali – Rope A Dope
Chicago Housing Commission – Good Good Feeling
Jerome Hill – Harlesden Shuffle (DJ Food Edit)
Cleon – My Mind…
Rebecca Vasmant – Teen Town
Hard Ton – Slow (Hard Ton’s Rave Mix)
Hieroglyphic Being – The Moon Dance
Smart Systems – The Nu Generation
Bullant – Orange Baby
Planet Battagon – Escape from Sedna
Ictus – Soul Meeting
The Luvmenauts – Rasputin’s Mystic Frozen Appendage Pt. 1 & 2 (feat. Adam Beer​-​Colacino)
dgoHn & Badun – VHS Copy 1979
Emperors New Clothes – Heading Out (Past Mendota Tower)
Prefuse 73 – The End of Air
Markey Funk – Eyes Closed
Kid Acne – Eat Right
Coast Contra – Scenario Freestyle (DJ Food Re-edit)
Primal Scream – Xterminator (DJ Food Re-edit)

Dae Lims’ AI-enhanced Smile

This version of The Beach Boys‘ Smile has been enhanced by Dae Lims (Smile Ad?) into a subtlely different take incorporating elements from multiple versions, adding harmonies and spoken word that pushes it to new realms in places. It’s a VERY minimal remix, some tracks don’t have anything different that I can hear but occasionally things will take a left turn from the version you know. As is says on the post: “All songs remixed using AI de-mixing technology.”

*Tracks 3,4,5,6,8,9,10,12,13,14,15 contain new AI vocals.
*Tracks 3,4,7,9,10,12 contain AI enhanced vocals.
*”Do You Like Worms” contains new melodies, partially based on “Little Pad” by The Beach Boys.
*”Child Is Father Of The Man” contains new lyrics and melodies, inspired by the original and 2004 versions of the song.

From what I understand he’s used technology to re-mix and enhance existing mixdowns, generated new voice parts approximating the BB’s melodies, possibly used stem-splitters to pull stereo tracks out for new sections. He hasn’t prompted AI to remake the album – it’s too close and I don’t think that’s possible yet, more used existing apps to take the original apart and put it back together as if he had the master tapes. Whatever he’s done he’s nailed it, it’s respectful to the original material and obviously done with a deep knowledge of the myriad of versions out there. I used to devour bootlegs of this material before Brian finished it and the box sets appeared from the vaults and I truly believe that if it had been finished in the 60s it would have rivalled The Beatles’ efforts that he was so obsessed with. The Child Is Father of the Man/Surf’s Up sections can still reduce me to tears with their beauty on any given day, give it a listen and see what you think before it gets taken down.

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Desktop design dump

Be The Fool
I’m constantly saving stuff I like the look of from the web, sometimes I need to follow up on an image I come across, other times it’s inspirational or a better quality version of something I’ve seen before. All these were cluttering up the desktop with nowhere to go and, as I treat this blog as a form of scrapbook, consider me adding these to a page. Above, the poster and some screen shots from Be The Fool, a new documentary about two members of Dutch design group, The Fool. This is currently only doing the film festival circuit but hopefully will show up on streaming at some point. Below, a lesser seen poster by Hapshash & The Coloured Coat for an Italian festival in 1968, this recently came up for auction and went for big money.

The backing card for a pair of op-art tights called Kinkies from the 1960s. Available here from the excellent Division Leap seller on eBay.
From the same seller, a flyer for a 1980s San Francisco punk event, Z-RO G.

An alternate front and back cover for comic book Spectregraph by Tradd Moore

Spectregraph 001 - COVER-D2
Windy & Carl‘s Consciousness LP sleeve, recently reissued I think.

Windy & Carl
Which my partner has just indignantly pointed out is a huge rip-off of this Archie Shepp album cover

The Who Sell Out promo poster by Adrian George, printed by Osiris Visions in 1967, another one that recently came up for auction and sells for a fair bit. These came with initial copies of the album and were reproduced a few years back for the reissue.

The Who Sellout

Mixcloud Select 195: Openmind – That’s My Boy! Pt.2 (What Time Is It?) side A – Live Mixxx 26/05/1994

MS195 Openmind - That's My Boy! Pt.2 (What Time Is It?) side A - Live Mixxx 26:05:1994 tapeThat’s My Boy! was a trilogy of tapes I made whilst living in a house share in East Dulwich, they were given out to friends and neighbours around 30 years ago as my DJ career was just starting with Coldcut and Ninja Tune. Weirdly my old friend Jem Panufnik sent me a photo of his copy of this tape he’d found just a week after I’d digitised it (see below). There were three volumes of which this is the second and I was showcasing the tracks of the day whilst trying to find my style as the times shifted out of the ambient scene I had been playing in for the last few years. The first strands of what would become known as trip hop were mutating out of the hip hop, indie dance and acid jazz scenes and it was a fertile time for electronic music with Warp leading the pack with their Artificial Intelligence series. You can still hear the tendrils of the German kosmischer scene overlaid in places as well as the collaged soundscapes of the Orb and others of their ilk but this volume definitely ups the funk factor with cuts from the Beastie Boys’ then current Ill Communication album, the Ballistic Brothers vs the Eccentric Afros EPs and early Mo Wax and Ninja Tune releases.

There was definitely something in the air, the music was shifting and my hip hop knowledge from my first 80s forays into DJing was informing my tastes. Despite the late 80s tip into gangsterism which had soured some of the genre for me, I was still listening to hip hop via Max & Dave’s show on KISS FM alongside Coldcut, Colin Dale and Colin Faver’s more electronic-based shows and finding more interesting material coming out of the west coast. Even recently I’ve been finding hidden gems from the early 90s that never got past the promo stage or had limited releases but slipped between the cracks as they maybe didn’t hit the flavour of the day. The Prince Paul-produced Resident Alien album, Justin Warfield’s unreleased ‘Return To Planet 9’ and the recent reissue of Hard 2 Obtain’s ‘Ism & Blues’ all fit the early 90s overlooked rap bracket and are well worth tracking down.

Thats My Boy 2 Jem what time
This mix was probably done live on three decks and a basic CD player – the two Technics were used to mix beats and another old Panasonic belt drive deck for adding ambience with the CD reserved for more ambience of the occasional spoken word segment. The 4-channel mixer had a basic at best ‘echo’ function but this is mostly kept at bay as it was awful. You’ll hear bits of Sheila Chandra, Orbital, The Woodentops, Pulsation, Blue Pearl and more over these tracks as I was always layering and keeping to the chilled end of the beats. This was also the first time I’d used a Ken Nordine track, having been turned on to him by Mixmaster Morris the year before and then hunted down the Rhino Records compilation of Word Jazz they’d issued. There’s not too much you could call dance floor here, more of a head nodder for the smokers, something that would change on vol. 3 I seem to recall. Side B next week…

Side A Track list:
Material – Mantra (Praying Mantra mix)
La Funk Mob – Motor Bass Get Phunked Up
Saint Etienne – Like A Motorway (The Dust Brothers remix)
Unknown – unknown
DJ Toolz – Intercontinental
Beastie Boys – B-Boys Makin’ With The Freak Freak
Cypress Hill – Scooby Doo
Sheila Chandra – One
Unknown – unknown
Saint Etienne – Your Head My Voice (Voix Revirement)
The Woodentops – You Make Me Feel (Late Night Mix)
Ken Nordine – What Time Is It?

My second monthly Electrik Collage radio show debuts this afternoon: May 10th at 2pm wherever you are in the world on ROVR radio, download the app to get archive access. APPLE or ANDROID

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Mixcloud Select 194: Solid Steel Birthday Beats 05/05/2003

MS194 Solid Steel Birthday Beats 05:05:2003 CDr
As it’s my birthday weekend this week I thought I’d save this one until (nearly) last. Either recorded or broadcast on my birthday 21 years ago (it’s not unusual for me to work on a birthday) it’s one of the bumper crop of mixes I recorded for Solid Steel in 2003, probably my most prolific year on the show. The Glitter Band stomp of The Timelords’ ‘Doctorin’ The Tardis’ was a no-brainer to put with Goldfrapp’s ‘Train’ so I started off with a mash up of the two by Lionel Vinyl before progressing into the original and then Ewan Pearson’s straighter 6/8 and 4/4 mixes which still manage to be funky. RSL’s ‘Wesley Music’ was such a jam, huge tune back in the day, I once played it at a party some years later and a woman started screaming when she heard the opening bars, we thought she was in trouble but she actually just loved it so much! Linda Lewis’ ‘I Keep A Wish’ came out on Riz Maslen Council Folk label, was an acoustic ballad which serves as a near acappella here and I’m doing something with it with the Numark CDJ FX I used at the time by the sounds of it.

The Nextmen make over Reno’s ‘Rock n Roll’ and do a nice pitch up trick from downtempo to UK Garage beats before The Baker Brothers who had a nice run of funk 45s on their own ARSE label around this time of which this was the third I think. This slides smoothly into The Cinematic Orchestra’s ‘Man With The Music Camera’ which was possibly preceding the album at this point. The script flips quickly into the Geezers of Nazareth, a weird little 7” which is listed as a mini-album on Discogs, containing seven tracks and apparently soundtracking the short film, ‘Pole’. I was never much of a Blur fan but their track ‘Out Of Time’ really resonated and later named Miranda Sawyer’s book about middle age which I can recommend once you get there. The spoken word about Marrakech I overlaid was because they used the Marrakech String Orchestra or something for the backing.
MS194 Solid Steel Birthday Beats 05:05:2003 PRS
Quite a change of mood and pace next with Kid 606’s remix of Amon Tobin’s ‘Verbal’ and then a sequence I would use often in my DJ sets around this time with Z-Trip’s mix of DJ Shadow / The D.O.C. / Nas all blended into a party-rocking mess. Actually a lot of this second half is something I would work into DJ sets in a myriad of variations over the 00’s, that Z-Trip mix was so useful as a mix tool. I think the Quantic Soul Orchestra mix of Sunshine Anderson’s ‘Heard It All Before’ was from one of the Tru Thoughts Rebtuz 12”s that were possibly not exactly legit but would arrive in the promo post of the day, this was from the first apparently. Frenchbloke & Son’s ‘Sound of da S-Club’ is one of THE best mash ups of the day – wrong-foots everyone when they first hear it but is so stupidly obvious you have to give it to them. For some reason I decided to add a bit of Neil Sedaka into the middle as the band were possibly breaking up at the time, pop showbiz gossip in the middle of a Solid Steel mix!

I used to do the Lisa Maffia/Lil Kim mix all the time, it required a pretty swift change of the record to get the acappella in on time and then switch from the instrumental to vocal version. Mr Guder was a funk combo with Dr Rubberfunk on drums who released a couple of 45s with breaks medleys – vol.1 and 3 but no vol.2. I recently asked the good Dr what happened to vol.2, did it come out and I miss it? Apparently not, they never finished it but he still has the tapes as well as sessions for vol.4 and 5! They sound pretty good too and he’s getting to finishing them soon… The Roots’ ‘Thought @ Work’ is one of those great pieces that can legitimately be filed under ‘old school hip hop’ despite being made in 2002 without violating the trades descriptions act. The band perfectly reimagine the old Bronx park breakbeat jams and I get busy with a copy of ‘Apache’ over the top, doubling up snares before running into Grandmaster Flash’s ‘rock steady’ cut up of the same for his Strut compilation. Another dose of the Quantic Soul Orchestra comes in the form of a vocal retake of their classic ’Super 8’ track and an Ochre edit-heavy mix of Justin Timberlake’s ‘Like I Love You’ plays us out. I’m constantly surprised at how much work I put into some of these mixes, lacing much of it with relevant spoken word clips sourced from Megatrip’s Soundbank CDs – that’s what happens before you have kids!

Track list:
Lionel Vinyl – Doctorin’ The Train
Goldfrapp – Train (original)
Goldfrapp – Train (Ewan Pearson 6/8 & 4/4 mixes)
RSL – Wesley Music
Linda Lewis – I Keep A Wish (Re-edit)
Reno – Rock ‘n’ Roll (The Nextmen – The Mines mix)
Baker Brothers – Aargh, Aargh, Aargh
The Cinematic Orchestra – Man With The Movie Camera
Geezers of Nazareth – Introducing the Pole
Blur – Out of Time
Amon Tobin – Verbal (Kid 606 remix)
DJ Shadow – Right Thing (Z-Trip Get The Party Off mix pts 1 & 2)
The D.O.C. – Portrait of a Masterpiece
DJ Shadow – Right Thing (Z-Trip Get The Party Off mix pt 3+bonus beats)
Nas – I Can (acappella)
Sunshine Anderson – Heard It All Before (Quantic Soul Orchestra mix)
Frenchbloke and Son – Sound of da S Club
Neil Sedaka – Breaking Up is Hard to Do
Lisa Maffia – All Over (acappella)
Lil’ Kim – The Jump Off (instrumental/Vocal)
Mr Guder – Mr Guder Breaks 3
The Roots – Thought @ Work
Incredible Bongo Band – Apache (Grandmaster Flash Rock Steady mix)
Quantic Soul Orchestra – Walking Through Tomorrow (Super 8 Pt 3)
Justin Timberlake – Like I Love You (Ochre mix)

Jeff Keen’s Amazing Rayday Comic collages

Amazing Rayday 1
Artist Jeff Keen‘s collage comics from the 60s, Amazing Rayday 1-4, along with other related works. Keen was a fascinating multimedia artist – Jonny Trunk put out an album of his work some years ago. The one-sheet comics came on my radar today so I’ve put them all here for future reference – check Keen’s work out online, there’s films, art, music, poetry…

Amazing Rayday 2
Amazing Rayday 3
Amazing Rayday 4
Rayday Day of Decision, 1972
Rayday Film, 1970

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Mixcloud Select 193: Acappella’s Anonymous 24/11/2003

MS193 Acapellas Anonymous 24:11:2003 CDr
A classic smorgasbord of then-current releases and retro oddities laced with spoken word in the best Solid Steel style, opening with Dani Siciliano’s ‘Walk The Line’, co-produced with Matthew Herbert (we had her take on Nirvana’s ‘Come As You Are’ from the same EP a few uploads ago). I can’t remember where the dialogue about drum machines and drummers was from or which band was doing the talking but it’s verging on Spinal Tap territory. Ricci Rucker was definitely one of the leading abstract turntablists around this time as his disjointed ‘Dirt’ shows, not one for the party rocking crowd. Unlike Yasuharu Konishi’s Lesson-like breaks cut up, ‘A Tribute to Simon Harris’ which came from a flexi disc – possibly from Relax magazine in Japan.

The tempo is all over the place and that was the common thread behind DJ Zinc’s album, Faster, the title track of which follows, steadily gaining speed as did each subsequent track on his LP. Zinc was always one of the most forward-thinking of the drum n bass producers, able to turn his hand to a myriad of styles. Again, I’m not sure the origin of the spoken word I’ve garnished the beats with but it sounds pretty cosmic. Mordant Music’s ‘Dark Side of the Autobahn’ mash up slips into the mix and I always wondered how he’d done this as he appears to have stems to a number of the elements, either that or there’s some very canny EQ-ing going on. Digital Midgets’ debut EP also heralded the Lost Idol remix of the title track by label-mate James Dean who is still going from strength to strength under the moniker.

MS193 Acapellas Anonymous 24:11:2003 PRS
‘Shining Pain’ is a fine bit of 90’s trip hop from 2003 ‘presented’ by St. Germain on the Warner Jazz label, Soel was a frequent collaborator with him and a trumpeter to boot. A slight change of pace from smooth jazz to electronic hip hop via Prefuse 73’s remix of Beans’ ‘Mutescreamer’ next before a slightly out of tune mix into Quantic’s excellent ‘Compartiment Tueurs’ remix from the incredible Cinemix album which saw a raft of producers remixing rare French soundtrack cuts by Morricone, Roubaix and Vannier/Gainsbourg. Compiled by old friend Fred Elalouf aka DJ Oof, this was rich with more hits than misses, something these projects can sometimes suffer from and it can still be had very cheaply for a triple vinyl LP. A super-rare John Rydgren flexi disc follows – possibly grabbed from the online 365 Days project curated by Otis Fodder on WFMU as I definitely don’t have a copy.

Moving on we get a Prop track remixed by Mice Parade that comes on like a Steve Reich piece before the Diverse/RJD2/Lyric Born rap banger that is ‘Explosive’ – on Chocolate Industries who were definitely putting out some of the most interested rap of the era. Some ropey scratching from me of Sly & Robbie’s ‘Boops’ instrumental provided the intro to the CJ Scratch version so I could float the a cappella of FYA’s cover – which works for the most part but it’s a bit busy with all the samples underneath. Then it’s rap throwdown time again as I cut up two copies of The Returner’s ‘Throwdown No.1’ under Obie Trice’s ‘Got Some Teeth’ a cappella. Immediately this trio is over Missy’s ‘Pass That Dutch’ a cappella is in with Keno 1 (aka Natural Self) and The Hermit’s ‘Heavy Heavy’ – must dig that 45 out again, so tough. The second half morphs into Luke Vibert’s ‘Yoseph’ for a bit of light acid and an odd tempo change into Diplo’s Big Dada debut ‘Epistimology Suite’ and the drum machine evangelists are back. Forss’ micro-edited ‘Flickermood’ from his Soulhack debut LP plays us out with a moment of calm, like a jazzier Akufen and with that, we’re done – phew!

Dani Siciliano – Walk The Line (Dani’s original mix)
Ricci Rucker – Dirt
Yasuharu Konishi – A Tribute To Simon Harris
Zinc – Faster
Dark Side of The Autobahn – Dark Side of The Autobahn
Digital Midgets – We Always Have Been (Lost Idol mix)
Soel – Shining Pain
Beans – Mutescreamer (Prefuse 73 remix)
Quantic – Compartiment Tueurs
John Rydgren – Unknown
Mice Parade/Prop – Remora (Free From The Shark remix)
Diverse feat. RJD2 & Lyrics Born – Explosive
Sly & Robbie – Boops (instrumental – CJ Scratch)
FYA – Boops (Acappella)
Return of the Returner – Throwdown No.1
Obie Trice – Got Some Teeth (Acappella)
Keno 1 & The Hermit – Heavy Heavy
Missy Elliot – Pass That Dutch (Acappella)
Luke Vibert – Yoseph
Diplodocus – Epistimology Suite (Don’t Fall/Like Cats)
Forss – Flickermood

Mixcloud Select 192: Coldcut Alien Sphinx – Strictly Kev section 16/09/1994

MS192 Coldcut Alien Sphinx on Solid Steel 16:09:1994 tape
*Apologies – I’ve been away on holiday and thought I’d posted this on Thursday night last week

An Alien Sphinx or sometimes Solid Sphinx was a 2 hour, ad-free show where we dispensed with any chat and just went heads down into the mix. I’m not sure why there were no ads (maybe advertising was lacking that week and you’d get less coverage at 1am in the morning?) but this seemed to happen a couple of times a year at KISS FM. Here’s my section from a 2 hour ‘rub’ as Matt would call it, where the four of us were present in the studio; Matt going first, then me, PC and Jon last I think – I can usually tell by the song selections or playing style. While one of us was playing the others would be slurping spoken word or ambient sounds over the top to pad out the mix, hence the busy nature of the sound field.

Kraftwerk spring out of the end of Air Liquide from Matt’s set to being mine and then into Coldcut’s own ‘Beats & Pieces’ B-side, ‘More Beats’ which gets a speed switch half way to up the tempo. Motorbass’ Ritchie Hawtin/Plastikman slow-burn remix slides in before the second Kraftwerk outing of ‘Home Computer’ which then has its own tempo switch in the second half. Drome’s ‘Hoax! What Did You Got?’ from the slept on Ninja album is riding that early drum and bass sound but with classical Indian overtones. Actually this was released on Ninja TONE, but confusion made the label retitle it Ntone – a sub-label for more electronic fair. Bedouin Ascent’s astonishing ‘Manganese In Deep Violet III’ from the Pavillion of the New Spirit EP is somehow mixed in by the skin of its teeth, one of the hardest tracks to mix ever. There’s a snatch of an unknown ambient dub cut, some War of the Worlds dialogue and then we finish with Mantonix’ ‘Get Stupid Pt.3’ which samples Art of Noise and Billy Cobham’s ‘Spectrum’ three years before Massive Attack would make it their own on ‘Safe From Harm’.

Track list:
Kraftwerk – Boing Boom Tschak
Coldcut – More Beats
La Funk Mob -Motor Bass Get Phunked Up (Electrofunk remix)
Kraftwerk – Home Computer
Drone – Hoax! What Did You Got?
Bedouin Ascent – Manganese In Deep Violet III
Unknown – unknown
Mantronix – Get Stupid (Pt.III)

My first monthly Electrik Collage radio show from April 12th is also now archived on ROVR radio, download the app to get archive access. APPLE or ANDROID

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Show #1 April 2024 track list:

Coast Contra – Breathe + Stop Freestyle (DJ Food Edit)
Valentine Unlimited Orchestra – Take You Back
Resident Alien – It’s The Resident Alien
Your Old Droog & MF DOOM – Dropout Boogie
Resident Alien – Are You Ready
Tuff Crew – Soul Food
Charlotte Adigéry & Bolis Pupul – Ceci n’est pas un cliché
Edan – Real Bad Promo
Itsu Uno – Noise of the B-Boy
DJ Format – Beyond Disco
Edrix Puzzle – Lapetus
Jlin – Nyakinyua Rise
Rei Mitsui – Rekodoten Disuko
ScanOne – Serious Rhythm
Rei Mitsui – Kotozuke/Owaru
Clesse – Gehm
Raj Pannu – Elements
Beans – Pendulum
The Stone Roses – Begging You (Lakota Mix DJ Food Edit)
Emperors New Clothes – Boogie Electric
Planet Battagon – Endeavour Tugg Luke
Raj Pannu – The Heat
Prefuse 73 – Forever Chase (Scene One)
Patrick Carpenter – 27 Degrees of Sagittarius
Markey Funk – Five Minutes
Nevermen – Treat ‘Em Right (Boards Of Canada Remix – Instrumental + chorus re-edit)
The Luvmenauts – ’71 Shuttle
DJ Fingers – Pelham

The New Obsolescents Live at Wow And Flutter 2024-04-07 + Deliaphonic!

A couple of Sundays ago The New Obsolescents played live at the excellent Wow And Flutter record shop in Hastings. Chris Weaver, Robin The Fog and myself, improvised live for several hours in-store as people watched, listened and shopped. As you will see in the video, hanging above their heads were test printed sleeves for the second pressing of our debut LP that had been passed over in favour of the prism version we eventually used. These unique items have been retained by the shop and will be sold (with the vinyl) on a first come, first served basis to those who visit over the next month before the remainder go online to those who can’t make it down to the South coast.

Here’s a little snippet of our performance put together by the shop’s own Tim Scullion as a very early taster for our second album as we will be using some of the recordings made in the shop on the next release. Thanks to everyone who came down, Colin from Castles In Space and especially Tim and Susan from Wow And Flutter for having us. This is their 10th year in business and they are planning nine more in-store events over the year so give them a follow or better yet, a visit!

We also play at the Deliaphonic all-dayer in Coventry on May 2nd at the newly re-christened Delia Derbyshire Building University alongside… well, just look at that line up! Entry is FREE via the sign up here. I will also be playing a solo Quadraphon set with PuttyRubber on the visuals to close the event. By coincidence, Delia and I share the same birthday just a few days later.

Deliaphonic flyer