On Adam Ant’s solo album from 1983, ‘Strip’, he has a song called ‘Montreal’. It was always my favourite track on what was a pretty patchy album and it shares its name with is one of my favourite cities in the world, second only to my hometown of London. I love it mainly for its unpretentious, multi-cultural, wildly artistic inhabitants and this last weekend I was there playing at the Jazz Festival on a bill with Spank Rock and The Slew in one of two Ninja Tune XX shows. It was a pretty laid back affair as I flew in on Friday, played Saturday night and flew out on Sunday evening, a rare treat in my usual touring schedule. The weather was perfect and I got to catch up with lots of friends from the North American Ninja office which is based there as well as catching tons of amazing art dotted around the downtown district where the venue, Metropolis, was.
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The gig was good, Spank Rock were nuts and the Slew were just amazing, virtually playing their 100% album in its entirety. British Airways managed to forget my mixer in London so there was a mild panic for a minute to source a duplicate – I can’t do my video set without the Rane 57 – but this seemed no problem. It eventually turned up 20 minutes before I finished playing, being brought on stage by the soundman much to my relief.
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On Sunday I visited the Museum of Fine Arts to check out the Miles Davis exhibition which was stunning and is on until the end of August, make the effort if you’re in the city. It is laid out immaculately, chronologically guiding you through his life and work room by room. The late 60’s and 70’s rooms were the ones I’d come for and I wasn’t disappointed as they had the Mati Klarwein originals of the Live/Evil LP cover, Corky McCoy sketches for On The Corner and Water Babies and some hilarious memos to record company staff from Teo Macero. One for Filles De Kilimanjaro ended, “Also Miles would like all the titles on the album translated into French. HELP!”. The whole thing was suberbly put together with original LPs, magazines, sheet music, stage wear, instruments and even some of Miles’ art amongst much more – highly recommended.
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After this I met up with ex-Ninja staff, Phillipa Klein and Pat Hamou and Eric San (Kid Koala) who took us to a great Chinese dumpling spot nearby the museum. It’s not widely known but Eric is the number one food stop diviner when on tour. If you’re in a strange city and you need to eat, Eric will know somewhere that will usually turn out to be exceptional. After stuffing our faces we went back to Eric’s with his wife and daughter and marveled at his studio, chock full of amazing kit, 3D models of miniature towns they’d built for a forthcoming project and his own, personalised record cutter. In the basement there was a full size robotron ‘costume’ made out of metal and his studio boasts a massive model of a swordfish sitting atop a bookcase. He played me a new track he’s just finished for the Ninja Tune XX compilation and revealed that he’s recording the first parts of a new Slew record next week in between tour dates.
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My time was up so we drove back to my hotel and said goodbyes, a great way to spend a weekend for sure, the flight back was overnight and the week ahead sees me tying up the last parts of the Ninja box set artwork, starting a 4 deck AV set for the 20th parties and finishing a track for the compilation.