Bureau of Lost Culture

Objects or items related to the Bureau of Lost Culture ethos of exploring the forgotten corners of the counter culture.

Zodiac posters by Bruce Krefting, 1969

Zodiac Aquarius-Pisces
In my periodic searches for graphic material from the late 60s I came across several sellers on eBay offering these long zodiac door posters from 1969. Designed by Bruce Krefting, printed by Wespac Visual Communications Inc. from San Francisco and standing at 70 inches tall, they form an impressive set of psychedelic typographic designs. Wespac was one of the printing houses that sprung up at the end of the 60s in San Francisco and they produced a number of psychedelic black light posters as well as these. I’ve pieced these together as best I could from various sources on the web but it took a long time to find these in any kind of decent quality. July (Leo) and Nov (Sagittarius) have so far alluded me in any kind of usable quality but I’ll add to the post if I find them.

Zodiac Aries-Taurus Zodiac Gemini-Cancer Zodiac Libra-Scorpio8-12 Zodiac Virgo Capricorn credit 2 Credit

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Middle Earth posters

Middle Earth poster colour
Continuing the occasional overview of British psychedelic club advertising I’ve been compiling over the years…
I’ve not come across too many posters for the Middle Earth club, the psychedelic happening in Covent Garden that sprung up and eventually succeeded the UFO club in 1967 through to 1969. Michael English illustrated possibly the most famous poster for the club above and the original art was sold some years ago at auction.
From the auction blurb: “Michael English’s detailed explanatory letter explains that this was the last, and technically the most sophisticated, poster created under the Hapshash name. Printed by offset lithography rather than the usual silkscreen process, the image takes its theme from J.R. Tolkien’s books, from which the Middle Earth derived its name.

Middle Earth poster original canvas
“In typical post-Freudian Hapshash style the content was heavily sexualized but the less explicit version of the two lovers was printed and used for promoting the club’s concerts. Above the lovers, entwined in foliage very much in Alphonse Mucha style, are two windows into two worlds, one of darkness, one of light. Locked in eternal balance, they are a symbol of the symmetry of space-time, as are the lovers – a reflection of each other, independent, yet inter-dependent. English recalls that, at the time, he felt it was somehow dishonest to hide the boy’s genitals in the printed version as it somehow diluted the force of their love and consequently weakened the message.”

Below is the background colour printing plate and below that a rather aged example of an original print.

Middle Earth poster colour plate
Middle Earth Mar April
There’s little info about this landscape poster except the credit at the bottom and the names Marc Tracy and Paul Bennett hidden in the hair. The V&A hold a copy in their archive, originating from 1967 but despite the title, ‘A Trip To Middle Earth’, it’s not clear whether this was for the club or just a Tolkien reference.

Middle Earth poster
Below is a strange anomaly I found; a minute scan of a Middle Earth poster or advert – now upscaled – that cribs its main image and type from an American poster by Clifford Charles Sealey for the Summer of Love festival in San Francisco, dated March 1, 1967. From the dates on the British poster it must be from late 1967, over six months after the American event, I guess the similarity of the name was too good to pass up and they swiped it.

Middle Earth poster 2-low_res-scale-4_00x-gigapixel
CTME orig 1967

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Random images from the desktop

Michael David Brown
I’ve had these images cluttering up the desktop for too long, seen whilst browsing the web, downloaded and researched later, let’s have a tidy up. Above is something I saw just the other day, an amazing illustrator, Michael David Brown, an American artist who I wasn’t familiar with at all. There’s not too much of his stuff on the web but it’s all good.

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Above is a sleeve from the Italo group Easy Going from the late 70s, I love it with the Shatter typeface and the star in the middle placed just so. The track ‘Fear’ is excellent too if you like a bit of electronics with your disco. The original cover is embossed too apparently.

Franz Altschuler CoverSpread

Monster Tales CoverSpread
The two covers above were by Franz Altschuler, a German artist who emigrated to America, these seem to be the only examples of this kind of style within his work, very 70s Heinz Edelmann.

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The only info I can find on the above is that it appears in an exhibition catalogue, ‘Revolution et Cinema’ and is by the Cuban artist Antonio Fernandez Reboiro, seen in the 70s Sci-Fi Art group on Tumblr. ‘Siempre es 26’ translates as ‘It’s always 26’.

The six images below were created by an artist using AI and I stupidly didn’t retain who it was so if anyone recognises them then please leave a comment. They’ve nailed the collage aspect of the medium which is difficult from experience.
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Madam Tussaud’s / Planetarium underground poster

Automaton 1
I was watching a Jamiroquai video – NO, stay with me! Why was I doing that you ask? Well, the song is a bit of an electro pop banger and Jay Kay is some sort of robot coming out of hibernation in a post-apocalyptic world who just wants to see the sun. It’s supposed to be a warning against living a digital life and that we should get back to nature, which is fair enough really. To make you believe he’s an automaton (the title of the song) he has an automated headdress that lights up and at one point stops in a subway to focus on an old poster on the wall.

Automation 2
Weirdly it’s a joint Madam Tussaud’s / London Planetarium poster, designed in the style of Peter Max or Milton Glaser, that popular pop style made famous by Heinz Edelmann’s Yellow Submarine. I very much doubt it was done by either Max or Glaser because they generally sign their work but it looked cool enough for me to google it as I’d not seen it before. Typing in ‘Madam Tussauds Planetarium poster’ only netted two results, different shots of the same poster, on the wall in a subway in the disused Aldwych underground station. One of the shots, by Payne & Gunter, was very well framed so I downloaded it.

MT Pt orig
On close inspection it was pretty obvious that it was the same poster, so we all know where parts of the ‘Automaton’ video was shot at the very least. The wear and tear of time, coupled with what looks like a few people stubbing cigarettes out on parts of the image (that dates it!) mean that the poster isn’t in the best condition. So I couldn’t resist cleaning the image up and restoring it to some of its former glory. What an amazing design!

MT PT Restored-Recovered 2 web

Talking of Milton Glaser, there’s a stunning looking book of his work coming out next month via Phaidon.
Pre-order here
Milton Glaser book
And talking of Peter Max, I just acquired this set of his Book of Red, Blue and Yellow from the excellent Book Cellar in Camberwell. Max is sadly embroiled in a guardianship case in the US whilst suffering ill health, his daughter has been trying to extract him for some time now, for more info follow Free Peter Max

Max Books x3

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High Meadows psychedelic poster site

HM - Mainline Love, artist Unknown. 1969
Mainline Love, artist Unknown, 1969

High Meadows is a new account showcasing an incredible collection of psychedelic posters inherited from a lifelong collector who has many obscure examples I’ve never seen before. As well as prime examples of classic posters by the likes of Hapshash & The Coloured Coat there are many uncredited images including black light posters that would have been sold in head shops and Op Art designs that rarely crop up in the usual exhibitions or books. Well worth checking out on Instagram and Facebook, they’re posting new examples daily at the moment – all images and info here are taken from their site.

HM Ass Id Egg by Nick Nickolds, 1967
Ass Id Egg by Nick Nickolds, 1967

HM Cyclops by LeRoy Olson, 1971
Cyclops by LeRoy Olson, 1971

HM Electric Pig by Joe Roberts Jr, 1969
Electric Pig by Joe Roberts Jr, 1969

HM Inner Zonk, Artist Unknown, Year Unknown
Inner Zonk, Artist Unknown, Year Unknown

HM International Image by Ian Andrew Galbraith, 1967
International Image by Ian Andrew Galbraith, 1967

HM Orange Eye Circle, unknown artist 1968
Orange Eye Circle, unknown artist, 1968

HM Untitled, Asher Ein-dor, 1972
Untitled, Asher Ein-dor, 1972

HM Ziggy Stardust by Joseph Pentagno. 1972
Ziggy Stardust by Joseph Pentagno, 1972

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Tripping The Light Fantastic on the Bureau of Lost Culture

9G9A3660

I joined Stephen Coates again on his excellent Bureau of Lost Culture podcast the other week alongside Optikinetics co-founder Neil Rice and FX wheel artist and light show operator Jennie Caldwell to talk psychedelic light shows in support of my book, Wheels of Light.
Neil recounts his first light show experiences, starting one of the main companies making equipment for light show in the ’70s and the rise and fall of the industry. Jennie was part of the second generation of artists who saw it rise from the ashes in the second summer of love, when acid house and dance music arrived and revived the artform for a while. They both have tales to tell and I learned plenty from listening to them.

She also took some excellent shots a few weeks back when Optikinetics lit the Raven Row gallery for the publisher Four Corners Books at the book launch.

9G9A3750
Stuart Warren-Hill (Hexstatic / Holotronica) and Neil Rice (Optikinetics)

9G9A3677
Brendan and Emma from Insight Lighting with Geoff Blindt (Mystic Lights) who contributed some photos to the book.

9G9A3722
Neil Rice and I, he really should have a co-author credit, he helped me so much during the research.

9G9A3765
9G9A3615
One of my Solar 250 projectors with a custom-made Wheels of Light FX wheel for the night, made by Larry Wooden of Orion Lighting, also present showing original art and wheels from the 70s and profiled in the book.

9G9A3725
(left in hat) Chris Thomsett (Innerstrings), (middle) David Fowler (Optifanatics) and (right with beard) Nigel Bailey (The Odd Light Show)

9G9A3628
9G9A3672

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Retinal Circus gig posters 1966-68

Retinal Circus July 17-19
A selection of gig posters for the Retinal Circus. The Circus nights, promoted by Roger Schiffer, ran from summer 1967 to the end of 1968 in a basement venue in Vancouver, Canada and would play host to many of the top bands of the day in the late 60s. The main poster artist was Steve Seymour who managed to weave all sorts of intricate typography into each image including dates, bands, start and end times and even a dot-to-dot puzzle which spelt out ‘surprise’ when filled in. The main exception I can see being the Velvet Underground one by Frank Lewis who also did other posters around Vancouver, early Afterthought ones being an example, Vancouver’s psychedelic venue before the Retinal Circus.
There was also a light show called The Retina Circus in Seattle at the same time but they weren’t connected, the main two house lighting crews were called Addled Chromish and Ecto Plasmic Assault.
*Thanks to Greg Evans from the Acid Rain light show in Victoria, Canada for additional info.
Retinal Circus Aug 13-18 1968

Retinal Circus Aug 20-24 1968

Retinal Circus Aug 27-Sept 1 1968

Retinal Circus April 11-13

Retinal Circus July 25-27

Retinal Circus Mar 8-9

Retinal Circus May 23-25

Retinal Circus May 30-Jun1

Retinal Circus Oct 4-6

Retinal Circus Sept 27-29

Retinal Circus Oct 31 - Nov 3

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The Exploding Galaxy at the Bureau of Lost Culture

99 Balls Pond Road
At Xmas I was lucky enough to receive a copy of Jill Drower‘s ’99 Balls Pond Road’ book which is a weighty tome that had been expensive and hard to come by for some time. I devoured it over the holiday and into the new year before deciding that I had to contact Jill and invite her to Stephen Coates‘ Bureau of Lost Culture podcast. Her story of the performance art collective who were part of the first wave of kinetic art and the psychedelic underground in the 60s whilst squatting at the Dalston address of the title is an eye opener.

Finally tracking her down, she kindly agreed to come in and tell her story, a rare female voice in a sea of men who have so far largely written the history of the movement. She doesn’t pull her punches on the inequality of women, the class structure of the underground and the collusion between police and gutter press in suppressing their happenings and invasion of the home.

There are two versions of the book; the original, large format, picture-heavy coffee table book entitled ’99 Balls Pond Road’ which will cost a bit more but is worth every penny. Or the new paperback-sized, picture-light, more affordable version entitled ‘The Exploding Galaxy – Performance Art, LSD and Bent Copper in the Sixties Counterculture’, which is a mouthful but sums up the contents far better than the original title.

TEG book blurb

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Punch covers by Geoffrey Dickinson

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I was alerted to the Punch cover above by the excellent Instagram account ephemeramablog and it sent me down a rabbit hole to find more. Geoffrey Dickinson did a fair bit of work for Punch over the years as far as I can ascertain as well as numerous other magazines. From the blog:
“Geoffrey Dickinson (1933-1988) created these two cover illustrations for Punch magazine. Born in Liverpool, Dickinson studied at the Royal Academy Schools with the intention of becoming a landscape painter. He became a teacher while also freelancing, producing graphics and animations for BBC TV. Dickinson began contributing to Punch in 1963 and produced numerous covers. He took the position of Deputy Art Editor at Punch while continuing to freelance, working for Reader’s Digest, Which?, Esquire, Highlife, Hallmark Cards and more. In 1966, he also created the notable “Swinging Sixties” cover for Time Magazine. In 1984, Dickinson left Punch and joined the Financial Times, producing a daily pocket cartoon and illustrations for the weekend supplement.“

Time Swinging Sixtiespunch-magazine-dated-11th-september-1968-illustration-by-geoffrey-EWD2F097284851_367948707497781_3382373416050321216_n s-l1600 s-l16002 s-l16003 Two-Original-Cartoons-by-Punch-Cartoonist-Geoffrey-Dickinson-Vintage-c1960_2_2048x

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Syd Mead Celcon Steel brochure images, 1965

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Cover and inside images from the rare 1965 Celanese Celcon brochure that Syd Mead designed – very much referencing that Atomic look of the era but with plenty of the signature Mead style already present. I don’t have a copy of this and forget where I found these images on the web but I believe these were the bulk of the content Mead made for it. UPDATE: original images taken by Hiroshi Matsui, check out his amazing collection @sydmode on Instagram.

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The 5th Dimension Club, Leicester, Michael English poster

5th Dimension Leicester

The Fifth Dimension was a very short-lived club night in Leicester, it only lasted around two months by all accounts. I showcased plenty of acts in its short life though with an average of four gigs a week. It also had the distinction of having an original poster designed by Michael English of Hapshash & The Coloured Coat, printed in red, blue and gold as seen above. The original pencil line work for this was sold at auction many years back and a letter from Michael with it, signed and dated December 1999, explained the genesis and concept of the design.

”Normally, the structural design of our work was created on layout paper and then traced out onto the final artwork card. That layout was then invariably discarded as waste. However the 5th Dimension poster was so complex that it required a great deal more preparatory work. This meant the creation of a master drawing on cartridge paper whose more robust nature allowed us the freedom to erase and re-draw the various parts of the design until we were satisfied with it. That done, a final tracing was then made from it on layout paper which was then transferred to the card.

The complex maze like pattern that comprises the central theme of this poster was intended to give the impression of a window or doorway into a fifth dimension. The flickering effect of the colours together with the pattern creates a mesmerising experience that was supposed to draw the observer into another space. Under the influence of LSD, of course, the effect would have been much more dramatic”.


5th Dimension Leicester drawing

Below is a local paper listing for the opening night of the club, presumably before they had the poster above. By the end of October the night would be over.

Fifth Dimension paper ad

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Jeff Pitcher – Crawley

I was really taken with Jeff Pitcher‘s images of Crawley, recently published on his Facebook page, where he has tried to capture the remaining details of the original town. Whilst looking through the 300+ images I was playing a record of Tibetan Bells that I’d just bought. The mix of the two gave the images an eerie atmosphere and I thought I’d put them together for the hell of it.

I grew up near Crawley and have fond memories of visiting it in the 80’s and remember the odd spot here so his photos resonate with me. Jeff is obsessively documenting the vanishing detail of Crawley; the ‘no ball games’ signs, the elegant, 1950s stairs, the final few original doors, handles and shopfronts. The last details of this baby boomer Utopia are fading, being quietly lost, and succumbing to decay and nature.

From his FB page: Crawley was one of eight new towns built in an 20-30 mile radius of London in a plan that began in the 1940s. Each promised an infrastructure designed for cleaner living, employment, and houses rather than high-rises. Londoners poured from the over-crowded, war-scarred capital into what they saw as a brighter future.
As social housing was sold off by the Conservative government of the 1980s, so the new town dream slowly faded. Original shop frontages were replaced with loud signs and corporate logos, and libraries and police stations left to moulder. But it was the small details that went with the least noise. Previously uniform, wood-and-glass doors and Crittall windows were replaced with plastic versions, tiles torn away or concreted over, fences torn up to create parking spaces, staircases ripped out, and the simplicity of the new town was lost in a jumble of UPVC porches, double glazing and extensions.

Jeff is starting a new photography project and would like to track down Crawley residents who’ve lived in the same council/commission house since they moved here. Here’s the thing, you’ll need to have a picture of you outside that house taken in the early years of you living in the town – whether that was in the 1950s, 60s, 70s, 80s, 90s or beyond. He’d love to take pictures of you outside your house now, and speak to you about how the area’s changed in the intervening years. Do you fit the bill? Know someone who does? Please get in touch via email [email protected]

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UFO Club posters

Having already covered adverts for the UFO Club in a previous post I thought I’d try to match the posters up with the dates. The club started life at The Blarney Club in the basement of the Berkley Cinema at 31 Tottenham Court Road in December 1966. Founded by John ‘Hoppy’ Hopkins and Joe Boyd, the night was first billed as ‘UFO Presents Nite Tripper‘ because they couldn’t decide on a name, it came to be the former, pronounced, ‘You-Fo’.
Listings taken from the UFO wiki page, I’ve tried to match posters to the dates but sometimes bands were announced but wouldn’t play as their fame grew and other commitments called. Most were done by Michael English and Nigel Waymouth who designed under the name Hapshash & The Coloured Coat.

Nite Tripper poster 1
23/30 Dec: Nite Tripper under Gala Berkeley Cinema; Warhol movies; Soft Machine; Pink Floyd; Anger movies; Heating warm; IT god
Poster by Michael English

UFO Jan 67
13 Jan: Pink Floyd; Marilyn Monroe movie; The Sun Trolley; Technicolor strobe; Five acre slides; Karate
20 Jan: Pink Floyd; Anger movie
Poster by Michael English

UFO Jan Feb 2
27 Jan: AMM Music; Pink Floyd; Five Acre Light; Flight of the Aerogenius Chpt 1; International Times; IT Girl Beauty Contest
3 Feb: Soft Machine; Brown’s Poetry; Flight of the Aerogenius Chpt 2; Bruce Connor Movies
Poster by Michael English

UFO Love Festival poster
10 Feb: Bonzo Dog Doo Dah Band; Ginger Johnson African Drums; flix – Dali – Bunuel, WC Fields
17 Feb: Soft Machine; Indian Music; Disney Cartoons; Mark Boyle Projections; Feature Movie; ‘erogenius 3 + 4’
Poster by Michael English

Micheal English UFO screen print 2
24 Feb: Pink Floyd; Brothers Grimm
3 Mar: Soft Machine; Pink Floyd
10 Mar: Pink Floyd
Poster by Michael English, below is English’s original artwork, notice there is a mistake with the date, it should have read Feb 24th
Michael English UFO_original

17 Mar: St Patrick’s day off
UFO mk2 Mar
The classic ‘UFO Mk2’ by Hapshash & The Coloured Coat, this is the reprint, stamped and signed by Nigel Waymouth

24 Mar: Soft Machine
31 Mar: Crazy World of Arthur Brown; Pink Alberts; ‘spot the fuzz contest’
7 Apr: Soft Machine
14 Apr: Arthur Brown; Social Deviants; Special: the fuzz
21 Apr: Pink Floyd
28 Apr: Tomorrow; The Purple Gang

(29/30 Apr: The 14 Hour Technicolor Dream at the Alexandra Palace) – To be covered in a future post…

5 May: Soft Machine; Arthur Brown
12 May: The Graham Bond Organisation; Procol Harum
19 May: Tomorrow; Arthur Brown; The People Show
UFO May 2
26 May: The Move, The Knack
2 Jun: Pink Floyd; Soft Machine; The Tales of Ollin dance group; Hydrogen Jukebox
Poster by Jacob And The Coloured Coat (Michael English & Nigel Waymouth)

9 Jun: Procol Harum; The Smoke
10 Jun: Pink Floyd

UFO June

16 Jun: Crazy World of Arthur Brown; Soft Machine; The People Blues Band 4.30am
23 Jun: Liverpool Love Festival; The Trip
30 Jun: Tomorrow; The Knack; Dead Sea Fruit
7 Jul: Denny Laine; The Pretty Things

UFO 19th-21st July, 1967,
UPDATE: Rare colour variant via the High Meadows Vintage Posters amazing poster site, absolutely essential, give them a follow.
UFO Dusk To Dawn
A more accurate line up on this new poster for the next two dates
14 Jul: Arthur Brown; Alexis Korner; Victor Brox
21 Jul: Tomorrow; Bonzo Dog Doo Dah Band

UFO July

28 Jul: Pink Floyd; CIA v UFO; Fairport Convention; Shiva’s Children

After an article published in the News of the World on 30 July, the landlord told Joe Boyd the UFO could not continue at the Blarney and Boyd decided to use the larger Roundhouse venue.

4 Aug: Eric Burdon & The New Animals; Family; The Hydrogen Juke Box
11 Aug: Tomorrow
18 Aug: Arthur Brown; The Incredible String Band
1/2 Sep: UFO Festival: Pink Floyd; Soft Machine; The Move; Arthur Brown; Tomorrow; Denny Laine
8 Sep: Eric Burdon & The New Animals; Aynsley Dunbar
15 Sep: Soft Machine; Family
UFO Roundhouse poster
This fantastic Martin Sharp poster sadly heralded the end of the UFO’s run at the Roundhouse.
22 Sep: Dantalian’s Chariot w/ Zoot Money & His Light Show; The Social Deviants; The Exploding Galaxy
29 Sep: Jeff Beck; Ten Years After; Mark Boyle’s New Sensual Laboratory; Contessa Veronica

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Victor Moscoso – Poster from the Past

Poster, The Miller Blues Band, 1967; Designed by Victor Moscoso (Spanish, active USA, b.1936); offset lithograph on white wove paper; 50.3 x 35.8 cm (19 13/16 x 14 1/8 in.); Gift of Mr. and Mrs. Leslie J. Schreyer; 1979-34-38; Cooper Hewitt, Smithsonian Design Museum. Photo: Matt Flynn © Smithsonian Institution
Poster, The Miller Blues Band, 1967; Designed by Victor Moscoso (Spanish, active USA, b.1936); offset lithograph on white wove paper; 50.3 x 35.8 cm (19 13/16 x 14 1/8 in.); Gift of Mr. and Mrs. Leslie J. Schreyer; 1979-34-38; Cooper Hewitt, Smithsonian Design Museum.
Photo: Matt Flynn © Smithsonian Institution

‘Poster From The Past’ – #2 in the Neon Rose series by the legendary Victor Moscoso  – plus original artwork below. 55 years ago today.

Neon Rose original Victor M

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A Million Volt Light & Sound Rave

Million Volt Rave poster colour

The Million Volt Light & Sound Rave was put on at The Roundhouse over two separate days in early 1967 by the Binder Edwards Vaughan / BEV design partnership of Douglas Binder, Dudley Edwards and David Vaughan.

Sometimes also known as the Carnival of Light Rave, it most famously featured the airing of ‘Carnival of Light’, Paul McCartney’s mythical 14 minute musique concrete piece, specially made for the occasion with the participation of the other three Beatles. Vaughan had painted a piano for McCartney the year before and asked if he would be up for contributing something whilst delivering it. It was played a number of times during the two events and hasn’t been officially released since. Less heralded was a performance of tape music by Unit Delta Plus, the trio of Delia Derbyshire, Brian Hodgson and Peter Zinovieff although it’s unknown if they were there in person to play it or if it was just playback. Also on the bill, Tonics, Soft Machine and Electric Poets which consisted of Soft Machine‘s Daevid Allen and Robert Wyatt with Gilli Smyth and Early Fuggle on welding kit (according to a clipping from International Times). Allen and Smyth of course went on to form Gong. The poster and flyer above and below I’m presuming were done by BEV although I can’t find any confirmation of this anywhere, if anyone knows please leave a comment.

Million Volt yellow
Above, A Million Volt Rave flyer for the first event, these also exist on white, below, detail from BEV headed stationary that was found dumped in a skip outside a mill in Manchester, 1999. The collection of papers included sketches for McCartney’s piano and a list of BEV commissions was found by builder Andy Clynes, more info and photos here. This design has also been found printed on silver paper as a poster (see below) and may be an early draft (I’m speculating here).

BEV Collective (Binder, Edwards, Vaughan)Million Volt Light & Sound IT listing-studio-studio2Here’s Dudley Edwards talking about the event, he reveals that an unknown Jimi Hendrix was also on the bill.

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Dave Little artwork at the Club Culture screening

Jibaro I was amazed to see the originals of Dave Little‘s covers for S’Express‘ Original Soundtrack album and Jibraro ‘Electra’ 12″ at the screening of the 1988 documentary, Club Culture tonight at Arboretum. There was a small show of his work including Renegade Soundwave, Spectrum, Junior Boys Own and his Acid screen print. If you look closely at the Jibaro sleeve you can see the stuck on lettering peeling away. You can buy some of these as prints from Dave’s site.

Jibarodetail1 Jibarodetail2 Jibarodetail3 OSTOST detailOST detail2OST detail3OST detail4OST Mark SpectrumMap of Acid MOA detail 2 MOA detail

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