Mixcloud Select 130: Solid Salena vs Strictly 01/06/1997

Kev Crimson
Drunken shenanigans reigned last Friday night at The Book & Record Bar’s Stick It On night where we were all having so much fun no one noticed that it was approaching 2am and Michael, the shop’s owner, only has a license until 1. The monthly night takes place on the first Friday of the month after the shop closes and the idea is to bring your own records, put your name on the board and then play three tunes when your turn comes up. I ran out of records and started pulling stuff from the racks that I wanted to hear. Michael unearthed a huge box set of disco, soul and funk classics and proceeded to make us act like the drunken idiots we were.

Stereolab

Saturday was a site recce in the morning and then Stereolab at EartH in Dalston which was nice but we missed most of the supporting acts due to bad timing and trains not running. After a shaky start they rocked it.

WOL FX cassette
Monday was a visit to Neil Rice out of town for tea, a demonstration of how polarising slides work, a trip up to his packed loft of light show equipment and a lot of chat. He had the Optikinetics FX Cassette featured on the cover of my book too. I came home full of inspiration… the rest of the week has been writing and battling a cold I must have picked up at some point during all that lot. Last night was going to be Warrington Runcorn Town Development Plan (or WRTDP to those too lazy to write it) and Pye Corner Audio at Corsica Studios but I felt too rough to attend. But, as the Mighty Boosh always say, “on with the show”…

MS130 Solid Salena vs Strictly tape 01:06:1997

The earliest track lists we have in a digital format thankfully reside with Marcus Maack of BTTB – Back To The Basics who maintained the PRS information when he was one of the first to license Solid Steel for German radio station FSK in the late 90s. As a result we have some track lists and sometimes DJ info from early 1997 through to the end of the decade by which time DK had arrived as show producer and things were better organised than us scribbling on huge sheets of paper at KISS FM in between mixes. There are still the usual mistakes and typos, gaps and unknowns but now we have Discogs, Shazam and the Internet to help fill in the blanks.

Using one of Marcus’ play lists I compiled the track order below for this mid 1997 show where I provided two sets in the second hour. Salena Godden aka Salena Saliva was the guest in the studio with Jon More and I and she periodically performed her poetry over passages in the mix. Kicking off with one of my favourite Kirk Degorgio tracks from his Celestial Soul album – an influence on my own track ‘…you’ from ‘Kaleidoscope’. Into this we have Faze Action’s ‘Plans & Designs’ (String Reprise) which still sounds majestic all these years later, I’m sure Simon Lee from the group used to work in a Soho record shop and I’d regularly buy records off him in the 90s. Next, Hardfloor prove that there’s more to them than just acid bangers with some excellent trip hop under their Dadamnphreaknoizphunk? moniker from Volume 2. I don’t know what I’m doing in the mix, it all seems a bit tentative with little drop-ins rather than things really getting going, maybe we were discussing when Salena was going to make an appearance and sorting the tracks out.

I don’t recall ever having this Denise Johnson single but the remix is excellent although I’ve not idea which one it is out of about eight possible contenders, must look for that in the collection. Next up is Salena’s first turn, a tale of walking amongst the wild flowers before things take an unexpected turn, over the Witchman remix of Bowery Electric’s ‘Without Stopping’. Later in the track she drops in with an ode to arse watching, I think I was always a bit weary of Salena as she was so sexually upfront with her material which was not common in 1997, or not in the circles I ran in anyway, but she was always lovely on tour with Coldcut. The Witchman mix rattles on with that submerged Amen sound he did so well before merging into Sukia’s ‘Dream Machine’ which seems completely at odds with the darkcore d’n’b underneath it. I loved Sukia, it was silly, cheesy sampledelia, produced by the Dust Brothers and later licensed to Mo Wax. I always put it in the same box as bands like Tipsy from that era. This track samples a hypnotist called Reveen who made many records on how to quit smoking, gain confidence, stop over-eating etc. I found some in Canada on tour and we deduced that the records were identical aside from the intro’s and outro’s relating to each subject matter.

MS130 Solid Salena vs Strictly 01:06:1997 PRS

Part 2 opens with the remix Kid Koala, Ollie Teeba and I did of Coldcut’s ‘More Beats & Pieces’ – collaged together from freeform jams we did at sound checks on tour around North America using specially cut dub plates of the B&P’s parts given to all remixers. It’s a bit of a mess but it was my first remix so go easy. I’m not sure where the spoken word skit comes from directly afterwards, probably one of Coldcut’s Word Treasure jingle compilations, but Kirk’s back was another As One track from Celestial Soul doing exactly what he does best with that soaring, melodic techno of his. I appear to be scratching some stuff over it which adds little to the mix. Out of the extended breakdown comes Hell Interface – a pseudonym of Boards of Canada – with their version of Colonel Abrahams’ ‘Trapped’ over a scratchy roller of a beat from one of the MASK compilation 12”s. Sliding awkwardly out of this is Faze Action’s ‘Plans & Designs’ proper with all its kettle drums and strings intact over the beat, very much in that Rob Dougan ‘Clubbed To Death’ tradition. Someone is playing all sorts of jingles over it with delays which makes me think that this set might have been recorded up at Ahead Of Our Time in Clink St. with Ali Tod on the mix. I think I’m playing some Kid Koala over the end of the track and it’s all a bit of a mess to be honest. Bizarrely we then dip into two random Ken Nordine tracks from the How Are Things In Your Town compilation on Blue Thumb. A very odd selection and collection of sounds.

Track list:
As One – Renaissance
Faze Action – Plans & Designs (String Reprise)
Hardfloor presents Dadamnphreaknoizphunk?- Chillin’ 6 Feet Deep
Denise Johnson – Inner Peace
Salena Saliva – unknown 1
Bowery Electric – Without Stopping (Witchman Mix)
Salena Saliva – unknown 2
Sukia – Dream Machine

Coldcut – Beans ‘n’ Pizzas (Strictly Kid Teeba version)
As One – We No Longer Understand
Hell Interface – Trapped
Faze Action – Plans & Designs
Kid Koala – Goodnight, Drive Safely
Ken Nordine – Outer Space
Ken Nordine – Manned Space Capsule

Bandcamp Friday Openmind artwork selection

Yeti Janko cover
It seems it doesn’t rain, it pours, suddenly several releases I’ve done the sleeve design for are all on sale or pre-order this week. Above and below is Janko Nilovic and Yeti on the Pads 7″ I did during one of the Covid lockdowns using a collage from around 10 years ago as the front cover, this has taken years to come to fruition.
Buy hereYeti Janko back
IMG_0524
Next is a very new design that I’ve only just signed off for print, The Real Tuesday Weld‘s annual 3″ CD Xmas card is a buildable stereogram with mini vinyl effect 5 track CD. Order here There’ll be more from them next week…
MWM card
IMG_0525
DE038LTD-Cover-mockup Coloured Vinyl
At last Kirk Degorgio‘s ‘The Unveiling’ 12″ is revealed, this comes in black and black vinyl variants from those lovely De:tuned people. Take your pick here

DE038-Cover-mockup Black
TCO Every Day 20th front inside And, as previously mentioned, The Cinematic Orchestra‘s 20th anniversary edition of their ‘Every Day’ album went on sale yesterday, remade and revised from an original graphic concept I had when first designing the artwork in 2002. Pre-Order now

TCO Every Day 20th front
TCO Every Day 20th back

Mixcloud Select 129: Saxondale 21/08/2006


Exciting times this weekend when I visited the Spark House in Leyton for an AV gig with the Light Surgeons, Blanca Regina & Pierre Bouvier Patron, Generic Human, Julian Hand and Heena Song. The night was put on by Matekoi and featured an experimental set of modular soundtracks, film showings and DJ sets along with a few punters walking in unawares of what was going on. Wheels of Light got featured in the Observer on Sunday and online via the Guardian and we visited the Horror Show exhibition at Somerset House which was a mixed but fascinating bag. I’ve been doing even more promo and writing this week to promote the book as well as writing for Dust & Grooves 2 and swelling the ranks of my underground magazine collection. But enough of that, on to the mix!

Underground press
MS129 CDrSaxondale was a short-lived TV comedy starring Steve Coogan as an embittered ex-roadie with anger management issues who now runs a pest control business. DK was and is a huge Coogan fan so I put the quote about music from it into the end of the mix and we sometimes dropped the theme tune from the show – ‘House of the King’ by Focus – at gigs around the time it was airing. Scanning down the track list before listening to this it looks a bit like one of my live DJ sets around the time, book-ended with a few esoteric inclusions.

Kicking off with yet another entry for the Solid Steel intro competition (these kept us going for years) by S24 and then into a DJ Krush/DJ Shadow/Cut Chemist three-way, in fact Shadow pops up in different configurations all over this mix. Dualling with DJ Krush in a snatch from his Meiso LP on MoWax and then into ‘This Time’ from his own The Outsider album using a found reel to reel tape of an unknown vocal take to build an extraordinary pop song. Cut Chemist’s incredible ‘(My 1st) Big Break’ from his ‘The Audience Is Listening’ LP is one of my favourite things he’s done, from the wrong-footing polyrhythmic breakdown to the amazing 360 video (check it out). Sirconical was always an artist I hoped would release more material but he seemed to crop up more on mastering duties than writing on numerous Twisted Nerve or Finders Keepers releases. ‘Ziggonometry’ is from his only album and the heavy beats sync nicely with the following three tracks that all feature that Bangra-type rhythm so popular around that era. No idea who Blunt Laser was, the Thomilla track came on a neon green 10” promo and the Caveman on the Kelis remix wasn’t the UK hip hop crew from the early 90s but a Ross Orton and Steve Mackey collaboration.

Shadow’s back but this time remixed by Soulwax via a huge chunk of the B-52s, Danny Breaks’ ‘Duck Rock’ takes it back to the old school with the wobbly bass reminiscent of Scruff’s ‘Ug’and his own ‘The Jellyfish’. A snatch of the Mighty Boosh from the radio series bridges into the Nextmen who pump up the party with Dynamite MC. Next is a couplet I used to spin all the time; Cut Chemist’s remix of Shadow’s ‘Number Song’ into ‘Dark Lady’ – always works nicely, especially when pulling the bass line out and teasing it back in again with a replayed melody. But this is an early version where I hadn’t worked out the replay sequence yet or added in the ‘Bug Powder Dust’ dessert for afters. Urgh, Kanye, the less said the better, this was such a huge tune and the Hollertronix version was genuinely exciting at the time but it got overplayed very quickly. Ah, but saved by Zero db’s incredible ‘Bongos, Bleeps & Basslines’ – DK and I played the shit out of this for years in all kinds of combinations, still sounds incredible. I even went so far as to edit together a video made from a Len Lye animation that visually synced to each part for our first 4-deck AV sets.

MS129 PRS

Z-Trip’s block-rocking ‘Bus Stop’ beats work so well over it, taking it half time and then back again. Yes that’s Christine Aguilera, top tune with the original that it sampled afterwards, ‘Hippy Skippy Moon Strut’ by the Moon People, awkwardly stumbling out of it. We take a turn to Los Angeles for a couple of tunes from Paul Humphrey and his Cool Aid Chemists and The Dragons which preceded our use of the latter in the Solid Steel ‘Now, Listen Again’ mix the year after. I’m glad we didn’t include the embarrassing ‘D-J’ before the chorus in that (or did we? I forget) – RIP Daryl and Dennis Dragon. There’s the Saxondale music rant before Focus and the bit where he mentions ‘the Rascal’ refers to his pet name for his car, ‘oh! New shoes!?’. Recognise that bass line! ‘Yeeeaaah! That’s right!’, Galt McDermot’s ‘Aquarius’ from Hair slides in before Orriel Smith takes us out with ‘Winds of Space’. This would have been taken from the excellent ‘Fuzzy Felt Folk’ compilation by Jonny Trunk and Martin Green on Trunk Records, a highly recommended album of songs for children that bears repeated listens.

Track list:
S24 – Solid Steel intro
DJ Krush vs DJ Shadow – Duality
DJ Shadow – This Time (I’m Gonna Do It My Way)
Cut Chemist – (My 1st) Big Break
Sirconical – Ziggonometry
Zero 7 – You’re My Flame (Blunt Laser mix)
Thomilla – Freaky Girl (Geeky Boy mix)
Kelis – Bossy (Caveman mix)
DJ Shadow – 6 Days (Soulwax mix)
Danny Breaks – Duck Rock (instr)
The Nextmen feat. Dynamite MC – Spin It Round
DJ Shadow – The Number Song (Cut Chemist remix)
DJ Food – Dark Lady
Kanye West – Gold Digger
Hollertronix – Gold Digger (Diplo remix)
Zero db – Bongos, Bleeps & Basslines
Z-Trip – Bus Stop
Christina Aguilera – Ain’t No Other Man
The Moon People – Hippy Skippy Moon Strut
Paul Humphrey and his Cool Aid Chemists – Funky LA
The Dragons – Food For My Soul
Saxondale – Rant
Focus – House of The King
Galt McDermot – Aquarius
Orriel Smith – Winds of Space

The Delaware Road omnibus edition


The Delaware Road deluxe edition unwrapping, the omnibus edition is out today via Buried Treasure and neatly brings together years worth of work and research by Alan Gubby, aided by poet Dolly Dolly, designer Nick Taylor and illustrator Jarrod Gosling. Originally conceived as a documentary film by Alan 15 years ago then rewritten as a fictional account of the Radiophonic Workshop’s perhaps two most famous practitioners, Delia Derbyshire and John Baker, the Delaware project then expanded into a compilation album and live performance.

DR packageDR cover
I went to the first incarnation in Reading back in 2015, you can read about that here. For the second, more ambitious outing at the disused Nuclear Bunker at Kelvedon Hatch in Essex, I was on the bill – more about that here. The third incarnation then morphed into a mini festival in a Salisbury Plain army base which nearly didn’t happen but was an incredible collection of performers and people the likes of which haven’t been seen since, see photos from that here.

DR seal
DR postcards
A six part comic series that followed – illustrating the whole story as originally envisaged – and now the whole project has been collected into a smart omnibus edition with notes, photos, preliminary designs and more, all wrapped in a beautiful cover that brings to mind the Festival of Britain. Out today, I think the limited deluxe edition with 4″ lathe cut disc has now sold out but this book tells the whole story, both fictional and then from the inside, of this most amazing series of events.
Order it here, right now, plus it’s Bandcamp Friday so more of it goes to the artist and label.

DR contents
DR insides

The Cinematic Orchestra – Every Day (20th Anniversary Edition)


Finally I can talk about this, it’s been in the planning since the summer and now it’s announced. A 3xLP reissue of The Cinematic Orchestra‘s ‘Every Day’ album with extras, revised artwork and a gatefold sleeve. I was asked by Jason Swinscoe to remake the album art from the original files but go back to an early concept (actually the first version) that I’d submitted in 2002.

0030618422_10
I was happy to do this as I’d never been entirely happy with how the original artwork finally turned out so this was a chance to have a second go and I am really happy with how it’s turned out. Pre-order yours here also here for Bandcamp Friday

0030618424_10

Mixcloud Select 128: Strictly Session – Getting Through Pt.2 Coldcut Solid Steel 23/02/1997

Diskery

Last weekend saw a long-delayed trip out of town to Leicester to get away from the city for a few days, seriously needed when you’ve been living next to a building site for the last 18 months. The Leicester Print Workshop were having their Xmas Bazaar so we dropped in and caught up with friends including Kid Acne, down from Sheffield for the day to hawk his wares. Then off to Nottingham to have a mooch about, saw my book in a shop for the first time and visited brand new record shop, Running Circle.

Akkers

Monday I was in Birmingham picking up a turntable and sought shelter from the pounding rain in the new Diskery premises now that they’ve moved (well, nearly). The shop is one of the UK’s oldest record emporiums and has recently had to vacate the shop they’d been in for 50 years. Luckily they didn’t have to go far, just 2 minutes round the corner and they now have a large basement stacked to the rafters with 45s, the LPs and 12″s being upstairs.

Back to London for more writing and research on Tuesday, designing The Real Tuesday Weld‘s Xmas card and a couple of bits for De:tuned. My sons were asking about the Telepathic Fish parties I used to do and one of them is running rings around me on the iPad where I’m supposed to be teaching him how to paint with it. Loads more going on as ever but all in good time, let’s get to this week’s archive show…

Following on from last week’s part 1, here’s the rest of the set, kicking off with a snatch of People Like Us’ ‘Bran Mash and Crushed Beans’ that we’d steal a decade later for the intro to our Now, Listen Again live set. The jazzy drum n bass track that follows is one I remember but not by name, the lovely little ‘Shadow’s Creep’ refrain always brings a smile though. Sounds like I attempted to mix Squarepusher’s ‘Vic Acid’ in three times before nailing it, those rolling, stumbling beats took time to get right in the mix. Out into the Plug (Luke Vibert) remix of Meat Beat Manifesto’s ‘Asbestos Lead Asbestos’ which – I think – was only available on the US 12” of this release.

Three Wheels Out was a British ex-pat named Graham who was living in San Francisco when we first toured there in 1996 and we hung out with him as he showed us around Haight Street which was near where he had a place. As far as I know this was his only release under this name, an excellent, tempo-switching number, released on Pussyfoot and sampling the same drums we’d had for ‘Spiral’, always wrong-footed them in the clubs. The Herbaliser’s ‘Theme From Control Centre’ creeps into the mix and, from the sound of it, that could be Ollie Teeba or PC cutting up The Jungle Brothers’ ‘Beyond This World’ a cappella over it. We finish with the sublime ‘Nuane’ by Autechre from their Chiastic Slide LP which reminds me that I must dig it out again.

Track list:
People Like Us – Bran Mash and Crushed Beans
Unknown – Shadows Creep
Squarepusher – Vic Acid
Meat Beat Manifesto – Asbestos Lead Asbestos (Plug Remix)
Three Wheels Out – Rise Up Children
The Herbaliser – Theme From Control Centre
Jungle Brothers – Beyond This World (a cappella)
Autechre – Nuane

Mixcloud Select 127: Strictly Session – Getting Through Pt.1 Coldcut Solid Steel 23/02/1997

MS127 Tape

Another week, another book launch, with a film launch before it in the form of At Home With The Boyle Family by Stuart Heaney and Chris De Selincourt at Iklectik on Sunday. Telling the story of how the Boyle Family (Mark Boyle, Joan Hills and their children Sebastian and Georgia Boyle) developed liquid light shows at home before hooking up with Soft Machine, Pink Floyd and Hendrix and blowing people’s minds at the UFO Club. The film showing was augmented by a liquid and microscopic light show display to a live set by Jim Edgar Morgan’s soundtrack (album online here), a Q&A, food and a great closing set from Avsluta aka Lucie Stepankova. The ‘Lumini’ of the lighting world came out for it and a great day out was had in this fantastic but now threatened venue.

Tuesday was a double-header book launch at the Century Club on Shaftsbury Avenue with Dorothy Max Prior and Dave Barbarossa reading from their new books, both focussing on their adventures in a pre and post punk time frame from the 70s. I’ve read Dave’s book, Mud Sharks already and am now well into Max’s and cannot recommend them both enough. Covering a similar time to Jordan’s recent biography by Cathi Unsworth, her bio, 69 Exhibition Road from Strange Attractor, connects COUM Transmissions and seedy sex work with the punk and gay communities she straddled.

This week’s workload has seen me finish another sleeve for a forthcoming 12″ on De:tuned, license some photos I took at a hip hop gig in 1988 to a BBC3 documentary, begin research on a secret project and start writing for the second Dust & Grooves book, due out 2024. I also scored a great number of Oz and International Times magazines from a collector and then found even more Oz’s elsewhere at unbelievable prices (clue, it wasn’t eBay). Still haven’t found time to watch Andor and it’s nearly over, but anyway, onto this week’s upload.

This set was recorded up at the Ahead Of Our Time studio in Clink Street where the Ninja Tune office was located until the end of the century. The recording engineer, Ali Tod, would subtlety add FX and samples live during the mix as well as type things into the artificial speech app on the computer. The sets opens with Autechre’s amazing ‘Cipater’ from their Chiastic Slide album with its time signature shift midway and a spoken word section from the ‘Getting Through’ album recently procured from a Canadian tour. The down tempo shift slowly morphs into ‘Rettic AC’, a mass of static waves and the following track from the LP. I could have played the whole album, I think it’s still my favourite of theirs. That dissolves with delay and turntable speed manipulation into what Shazam now tells me was Leonard Bernstein’s ‘Cresendo e Diminuendo’ – all classical concrete-ish blurbs and parps – with a Martin Luther King speech we’d regularly use over the top.

A sizeable chunk of the middle of the mix is taken up with a track from Siah & Yeshua dapoED’s debut on Fondle ‘Em Records (the Bobbito Garcia-run label that MF Doom debuted on). Given that ‘A Day Like No Other’ is a multi-part, tempo-changing 11 minute collage of beats and rhymes, it’s no surprise. I then slice into a DJ Vadim track (under his Andre Gurov alias), ‘Organized Babbitry’ on his Jazz Fudge label. Not recognising the track and Shazam being no use here, I turned to my record collection thinking it may be from his Ninja debut LP, U.S.S.R. Repertoire, but no. The Jazz Fudge section yielded the goods but I was dismayed to find a huge crack and piece missing from my only copy (I designed the artwork as well so pride myself in having mint copies in my archive).

MS127 Andre Gurov crack

More spoken word from the Getting Through album interrupts before a breakdown into The Silhouettes’ slinky, flute-led ‘Lunar Invasion’. I’ve never managed to get an original of this (this was played from a late 90’s bootleg) as it was too expensive but it’s an amazing, multi-faceted track that suddenly takes off completely unexpectedly from a slow strip tease into a frenzied funk freak out and back again. For some unknown reason I thought it was a good idea to add in David Rose’s version of ‘The Stripper’ for a few bars to heighten the mood before it takes off again, absolute monster of a track. Out of this comes some crazed crowd-pleasing funk mash up of which I’m struggling to identify, quickly descending into a further snatch of Bernstein before abruptly ending with a ‘Strictly Kev on the mix’ from the computer. Time was up it seemed. Part 2 next week…

Thanks to the ever-helpful, all knowing Mr Armtone for helping me complete this set as my original tape only had half of it. I’ve tried to re-EQ the two halves to match in some way, see if you can spot the join.

PS: the ‘+ ambient set?’ on the tape is an excellent session from the same show, presumably by Coldcut, possibly Matt Black, which I’ll send to them for their Mixcloud sometime.

Track list:
Autechre – Cipater
Autechre – Rettic AC
Leonard Bernstein & New York Philharmonic – Cresendo e Diminuendo
Siah & Yeshua dapoED – A Day Like Any Other
Andre Gurov – Organised Babbitry
Unknown – Getting Through: A Guide To Better Understanding The Hard of Hearing
The Silhouettes – Lunar Invasion
David Rose – The Stripper
Unknown – unknown

Funki Porcini’s Laserium returns

Funki at Iklectik

Funki Porcini returns to Coventry’s Commonground for a week-long residency from Nov 25th to Dec 2nd. This is his new show, The Laserium, which I had the pleasure of seeing debut at this very venue last year and also was a support act for at Iklectik recently. The set has come a long way since it was first in Coventry and was amazing in London last month. Go see it if you can. Tickets here

FP Laserium flyer

Mixcloud Select 126 Strictly Session – Coldcut Solid Steel 25/05/1996

MS126 TapeHeading back to mid 1995 this week for a fine selection of trip hop, drum (drill?) n bass, retro lounge, ambience and more. I realised that the ’96 / ’97 uploads have been thin on the ground and have spent some time digitising cassettes as well as doing some general housekeeping on the 125 previous uploads. This takes a lot longer than the CDs as all the track lists have to be done by ear as very little exists pre-’97. I’m probably about half way through the tapes and 3/4s through the CDrs by now, still a way to go. Finding some gems though.

I wish I knew what the first track in this set was, a jumble of spoken word about possession, Satan, burning records etc. Perfect for one of my religious mixes, if anyone knows, please leave a comment. Wagon Christ’s superb remix of Moloko’s ‘Lotus Eater’ is taken from the Further Self Evident Truths 3 compilation on Rising High, a fantastic comp with barely a bad track on it. Just love the creeping intro on this, the strings, chopped up beats and hand claps, just amazing. The Gentle People were amazing too, such a curveball for RePhLeX, those soaring strings… ‘Emotion Heater’ isn’t quite up to their debut, ‘Journey’, but has aged very well.

Conrad Schnitzler swoops in with ‘Electric Garden’ from his Con LP, a track that Mixmaster Morris hipped me to a few years before, sounding as fresh now as back then and it’s 45 years old next year! ‘Squarepusher Theme’ barges into proceedings, doing what only Tom Jenkinson can do in a frantic five minutes before we exhale for The Orb’s Peel Session version of ‘O.O.B.E.’ Odd that I put Squarepusher between Conrad and The Orb, these days common sense would tell me not to but I suppose it does mix in time. Ethik’s ‘Moral Sculpture’ is one of those tracks I instantly know but can never remember the name of and comes from a great 1993 album, ‘Music For Stock Exchange’ – reissued a couple of years back on Kompakt.

It’s nice to know that I was playing Andy Votel right from the beginning, his left field, wonky take on sample collage has always appealed. ‘Spooky Driver’ comes from his debut 12” on Grand Central – then just billed as VOTEL. Careering out this is JG Thirlwell at the wheel of a sonic juggernaut under his Steroid Maximus moniker from the ‘Gondwanaland’ album. His cover of Raymond Scott’s ‘Powerhouse’ has all the industrial (sorry, Jim) bombast you’d expect from the master of disaster. I remember Jon More rolling his eyes at this one as some of my more over the top choices weren’t always to his taste (‘it’s an un-easy listening sound’). In hindsight he could probably hear all the late night listeners switching off or over. The sudden end wrong-footed me (it was only on CD) and we get a snatch of the next track, ‘Homeo’ before submerging into Funki Porcini’s gorgeous ‘Going Down’ from his second album for Ninja Tune, ‘Love, Pussycats & Carwrecks’. Calm is restored as we ‘whinge on into the night’ as Jonathan puts it.

Track list:
Unknown – Possessed intro
Moloko – Lotus Eater (Wagon Christ remix)
The Gentle People – Emotion Heater (Instrumental Mix Parts I,II,III)
Conrad Schnitzler – Electric Garden
Squarepusher – Squarepusher Theme
The Orb – O.O.B.E. (John Peel Session)
Ethik – Moral Sculpture
Andy Votel – Spooky Driver
Steroid Maximus – Powerhouse!
Steroid Maximus – Homeo
Funki Porcini – Going Down

Mixcloud Select 125: Openmind on Solid Steel 15/07/1994

Opti stuff
It’s been a packed week… Saturday was Jonny Trunk‘s Groovy Record Fayre at the Mildmay Club (see more of that here) and a great time was had. Nursing a hangover and then a cold through the week I managed to catch the end of Stephen CoatesBone Music book launch at the Horse Hospital and see the extraordinary Rain Time exhibition at the same time, ending up in the pub with the authors and making more connections that will unravel over time. There’s been more press to do for my Wheels of Light book, published by Four Corners Books, some of which is hitting the shelves this week in the form of Moonbuilding issue 2 and the latest Shindig! magazine. A podcast for the Bureau of Lost Culture should debut this Sunday (Nov 5th) about the book and light show culture in general (if we finish it in time). In between I managed to design a zoetrope for an Australian TV show, finish the artwork for an anniversary Ninja Tune release which will be announced soon and see Michael Rother live at the Clapham Grand last night.

Rother, Weller, Morris

I was slightly non-plussed by a lot of it, the highlight being a storming Harmonia track early in the set. New Order’s Stephen Morris and the right honourable Paul Weller were guests for the encore and Stephen looked like he was having trouble approximating Klaus Dinger‘s motorik beat. Weller seemed to either be having trouble with his guitar or looking to Rother for cues whilst the latter was head down, deep in his immaculate guitar playing, only looking up in the final bar to signal that this was the end. My judgement may have been clouded by the cold currently consuming my head though. The postman has just delivered an odd package of vintage light show wheel ephemera from my friend John at Funky Parrot (see above). Since publishing the book all sorts of people have been coming out of the woodwork with related facts and pieces connected with the light show world. If you’re such a person or know someone in that field, please get in touch, there’s still more work to do in that area.
MS125 Tape 2
On to this week’s show…
A really old one here, from an original show with PC and I on the decks and Jon More on the mic. I’ve snipped PC’s part out and sent it to him so here are the two of mine joined at around the 25 min mark. The first section makes me want to up my game, there are so many bits and pieces weaving in and out of the mix in places it’s a nightmare to track mark them (yes I try and track mark all my uploads in Mixcloud so that you can find out what’s playing more easily – you did know that, right?). This is still so early that I’m referred to as Kevin from Openmind but the Strictly Kev moniker wasn’t far round the corner and I’m still in chill out mode for the most part.

Kicking off with two Solid Steel jingles we’re into a short Mika Vainio track from his debut album ‘Metri’ on Sahko with those gorgeous pure high frequency notes before drifting into a Woodentops B side. Rolo McGinty intones, bathed in much reverb for the Late Night version of ‘You Make Me Feel’. I swear there’s a bit of Cocteau’s creeping into the mix before Beautyon’s mesmeric ‘To Swing Pil’ enters with a ton of extra electronic sounds of whose origins I’ve no clue. ‘Moist Moss’ is the choir-like piece that originates from Mark Van-Hoen’s Weathered Well album under his Locust moniker, why isn’t he remembered more in the IDM halls of fame? The recall is patchy on the next one and Shazam is no help when things are this layered up. There might be some Air Liquide in there, or something from the Reflective label, it’s so hard to tell and this was nearly 30 years ago. This must have been done on multiple CDs and vinyl at the KISS FM studio as well as Coldcut adding occasional jingles.

An uncharacteristic electronic beat track from Scanner’s Mass Observation release enters before a gorgeous Andrew Poppy track from his second album for ZTT, Alphabed (A Mystery Dance). I found Andrew through my love of ZTT back in the 80s and when ambient and chill out came around his music seemed perfect to slip in (the stuff that wasn’t based around Reich’s minimalism that is). I played ‘Goodbye Mr G.’ to my mum once and it seemed to intensely annoy her as she had no handle on its structure or when it began or ended. I know Andrew a little now which is very weird and he’s still making music, releasing an album, ‘Jelly’ recently.

An old faithful, ‘Plight’ from David Sylvian and Holger Czkay’s ‘Plight & Premonition’, slides in and was a staple of my ambient sets for years. It’s a dark but beautiful piece of world building with found sound and snatches of instruments and radio interference that serves as a bridge or overlay to anything. Path were one of the first bands I ever designed a label or sleeve for and their debut single, ‘Pleasant’ rounds out the mix. There is an odd edit right near the end that slices us into a snatch of Sheila Chandra with Jon reading out something about a fund-raising event but I’m not sure what happened there as it came from a batch of digitisations I made years ago.

The second half of the mix is mostly based on the entirety of The Irresistible Force’s 20 minute ’Mountain High (live)’ track, the final side of his debut LP, Flying High. Woven into this ambient masterpiece are a quick blast of ‘Bhaja Mana Hure’ from the Radha Krsna Temple and a couple of beat tracks including Up, Bustle & Out’s ‘Nightwalk’ and La Funk Mob’s ‘Motor Bass Gets Phunked Up’ which slips and slides in and out of time for a few moments here and there. It sounds like I’m constantly chasing it in the mix. Slivers of Tony ‘Moody Boys’ Thorpe’s Voyager track ‘Arrival’ rise and fall as La Funk Mob take their exit – this was a CD only track, 20 minutes long, beatless, twinkling ambience, also never far away when making ambient mixes back in the day.

Mixmaster Morris’s track takes a left turn before the 38 minute mark and either my vinyl was knackered or the one he took the sample from was as there’s crackling all over it. Into this section creep no less than indie pop darlings then turned experimental mavericks, James. Post-‘Sit Down’ they were indulged by their record company and ended up making a couple of albums with Eno, one called ‘Laid’ with an offshoot album of less poppy tracks called ‘Wah Wah’. Out of the sessions from the latter came an amazing 33 minute 12” of Sabres of Paradise mixes called ‘Jam J’ where Weatherall, Kooner and Burns dubbed them to infinity and back again in one of their then epic reconstructions. This huge, loping fuzz bass-ed monster slouches into the mix in half time before taking centre stage, only to be ousted at the very end by the final moments of Mountain High.
Phew, bit of a heavy trip that one.

Tracklist:
Coldcut jingle intro
Mika Vainio – Sisaan
The Woodentops – You Make Me Feel (Late Night version)
Beautyon – To Swing Pil
Locust – Moist Moss
Unknown – Gated ambience
Scanner – Mass Observation
Andrew Poppy – Goodbye Mr. G
David Sylvian & Holger Czukay – Plight (The Spiralling of Winter Ghosts)
Path – Pleasant
Sheila Chandra – unknown
Coldcut Russian jingle
The Radha Krsna Temple – Bhaja Mana Hure
The Irresistible Force – Mountain High (live)
Up, Bustle & Out – Nightwalk
La Funk Mob – Motor Bass Gets Phunked Up
Voyager – Arrival
James vs Sabres of Paradise – Jam J (Phase 1: Arena Dub)

The Groovy Record Fayre 2

GRF Jonny Trunk
The second Groovy Record Fayre, hosted by Jonny Trunk and Ian Shirley, took place on Saturday at the Mildmay Club on Newington Green, N16 and again, it was a blast. Pete Williams and I had a stall again and many friends and faces passed by. It was celeb central at points, from superstar DJs to stand up comedians and supermodel it girls. I missed a chance to chat to Stewart Lee who was looking through the Krautrock box because I was explaining what Go-Go and cut up mixes were to a younger buyer but Lee wasn’t buying anyway.

GRF Pete stall
Pete with our stall, notice my Wheels of Light book placed in prime position bottom left.

GRF Alan Gubby
Pete sleevefaces with Buried Treasure’s Alan Gubby

GRF Andy Higgs
Andy Higgs digs

GRF Mr Thing
Marc Mr Thing journeyed up from Hastings for the day

GRF Paul Putner
Paul Putner bought my book shock!

GRF Pete Karminskys
A right pair of tits, and Martin & James of The Karminsky Experience Inc.

GRF Richard Norris
Richard Norris also picked up my book and Children of the Stones (like everyone else)

GRF Ronan Philippe
Rat Records mini reunion with Ronan and Philippe

GRF SavX
Comix legend Edwin Savage Pencil Pouncey bought six of my underground comix, a true seal of approval.

GRF Simon Tony
Pop quiz winner (later on) Simon Gitter with smooth dancer and pop quiz secret weapon 2 Tone Tony.

GRF Martin Jarvis
Everyone was packed up and out of the hall by 6pm and people disappeared for dinner. Around 7.30 the pop quiz kicked off and 90 minutes later the team Jonny Trunk happened to be on claimed victory to cries of ‘fix!, fix!’. The fact that there was a 10 point Trunk section might have helped. Martin Green and Jarvis took to the stage as tables and chairs were cleared in record time, the glitter ball ignited and the bar besieged. Much drink was drunk and dancing had until 1am with a packed dancefloor and singalongs to Plastic Bertrand, Bowie, The Beatles, Adam & The Ants, The Sweet, Prince, Double Dee & Steinski, Beastie Boys, Sparks, B-52s and so many more.

GRF Party crowd

Meanwhile in the toilets, Alex Chung had other things on her mind…

Alexa whats my best side

Retinal Circus gig posters 1966-68

Retinal Circus July 17-19
A selection of gig posters for the Retinal Circus. The Circus nights, promoted by Roger Schiffer, ran from summer 1967 to the end of 1968 in a basement venue in Vancouver, Canada and would play host to many of the top bands of the day in the late 60s. The main poster artist was Steve Seymour who managed to weave all sorts of intricate typography into each image including dates, bands, start and end times and even a dot-to-dot puzzle which spelt out ‘surprise’ when filled in. The main exception I can see being the Velvet Underground one by Frank Lewis who also did other posters around Vancouver, early Afterthought ones being an example, Vancouver’s psychedelic venue before the Retinal Circus.
There was also a light show called The Retina Circus in Seattle at the same time but they weren’t connected, the main two house lighting crews were called Addled Chromish and Ecto Plasmic Assault.
*Thanks to Greg Evans from the Acid Rain light show in Victoria, Canada for additional info.
Retinal Circus Aug 13-18 1968

Retinal Circus Aug 20-24 1968

Retinal Circus Aug 27-Sept 1 1968

Retinal Circus April 11-13

Retinal Circus July 25-27

Retinal Circus Mar 8-9

Retinal Circus May 23-25

Retinal Circus May 30-Jun1

Retinal Circus Oct 4-6

Retinal Circus Sept 27-29

Retinal Circus Oct 31 - Nov 3

MS124 Tour of Duty 27/11/2002

MS124 CDr
This was one of those shows where I put together a mix largely from the contents of my record buying trips whilst abroad in North America plus some current new releases. I can’t quite believe I used to go a couple of times a year at one point, each time coming back laden with music new and old. I don’t think I’ve been back for over a decade now and I really miss it, one day I’ll get back out there.

We kick off with Ramsey Lewis (RIP) and the break-tastic ‘Do Whatever Sets You Free’, chopped up nicely by Natural Self once I seem to remember… Eddie Harris slinks in with a nasty beat and a fuzzed up horn, plenty of sample action here and I think this is the source for a bit of Shadow’s ‘In/flux’. I’m not sure if the DJ Zinc track quite works out of old Eddie, sure it’s in time but not quite in tune or swing, that’s quite a change of pace. I had a white label at the time but now know that the track is called ‘Tonka’. Then into The Human League (!) mixing by bpm, not feel, I like the way Phil Oakey calls everyone ‘big heads’ at the start. This was from the Richard X released ‘Golden Hour of the Future’ album of early Human League recordings.

I like what Push Button does with the Anti-Pop vocal of ‘Ghostlawns’, putting it on a different beat of the bar and slowing the tempo to half time. But into The Banana Splits? What was I thinking? This the most uneven mix of all time, just because it’s IN time kids, doesn’t mean it should go next to that similarly tempo-ed tune. Doesn’t sound quite like Fleegle, Bingo, Drooper and Snorky though does it? The Incredible Shrinking Man was an alias of Shawn Lee who apparently is also singing on this cover of ‘Wichita Lineman’ as well as playing almost everything else too. Killer version on a 7” on Ape City who only put out three releases.

MS124 PRS

Sixtoo I hooked up with on tour and ‘Duration’ was his long-digesting masterpiece, featured here in an excerpt, maybe he was living in Montreal by this time or maybe that was after he signed to Ninja Tune, it was around this time anyway. The ‘stop scratching’ vocal sample is actually from a 7” comedy record about a dog, the cover folds out three times into a dog shape, I think it’s a Fred Basset tie-in maybe. Stan Kenton covers ‘Hair’ with his take on ‘Coloured Spade’, I’d go on to collect many versions of the musical over the years and have lost count how many I have now. The New Seekers’ ‘It’s The Real Thing’ – do the Coke advert from a promo 7”. Pugh’s ‘Love Love Love’ I’m sure we all recognise the opening bars of? This was the opening track of Cherrystones’ then current ‘Rocks’ compilation and also the opener of Pugh Rogefeldt’s debut LP.

From Swedish psych rock to Brit hip hop and out into Yo La Tengo covering Sun Ra – edited for radio. This should be called the dis-jointed mix, veering all over the place, it made sense to me at the time. The Free Association were a psychedelic outfit led by David Holmes who made one great album and a clutch of singles and seemed to be the point after which he jumped into soundtrack work. Plenty of sampling going on and all the better for it. Still veering all over the place the Dsico rework of Nelly’s ‘It’s Getting Hot In Herre’ was further twisted out by my occasional Flexus guise for a particularly sweaty party on the hottest day of the year in the old basement under the newsagent that used to house the Bastard night. I think it was a Kinky Voodoo event hosted by my friend John Power and during this song I threw out tons of ice poles for the audience from a cooler I’d bought with me.

I don’t remember the track after this featuring a female rap over ‘Superbad’, but Dsico was putting out loads of mash ups at this time. Another switch, down into dub with Tino, a Ben Stokes and friends alias, from the Hallowe’en Dub album which seems relevant this week. We finish with ‘Acetate Prophets’, the DJ track from the end of Jurassic 5’s third LP. After ‘Lesson 6’ on the first and ‘Swing Set’ on the second we get a complex eastern-themed set of breaks and samples which I wish Cut and Nu-mark would do more of.

Track list:
Ramsey Lewis – Do Whatever Sets You free
Eddie Harris – Carry On Brother
DJ Zinc – Tonka
The Human League – Dance Like A Star
Ant-Pop Consortium – Ghostlawns (Push Button Objects mix)
The Banana Splits – Doin’ The Banana Split
The Incredible Shrinking Man – Wichita Lineman
Sixtoo – Duration (excerpt)
Stan Kenton – Coloured Spade
The New Seekers – It’s The Real Thing
Pugh – Love Love Love
Die & Skitz feat Rodney P/Ms Dynamite/Tali/Mixologists – It’s On
Yo La Tengo – Nuclear War
The Free Association – Don’t Rhyme No Mo
Nelly/Dsico vs FLEXUS – It’s Getting Hot Hot Hot In Herre
Dsico – Super Hiding
Tino – Living Dead Dub
Jurassic 5 – Acetate Prophets

Moonbuilding issue 2 out today

Moonbuilding vol.2

The new edition of Moonbuilding, the quarterly magazine by ex-Electronic Sound writer Neil Mason, published by Castles In Space, is out today. It features a 2 page interview with me about my new book, Wheels of Light, and the mag also comes with a free CD of CiS artists appearing at the label’s Levitation festival next month.

You can order it here and there is also an option to get issue 1 or a bundle of both issues.

Moonbundle

The Groovy Record Fayre is this weekend

Trump Box 21mm
The Trunk Groovy Record Fayre is this Saturday! My Further partner Pete Williams and I are having a stall again at the Mildmay Club, Newington Green. I’ll have lots of dance 45s if that’s your thing, part of a huge collection recently bought by Michael from The Book & Record Bar, doubles from my personal collection including Ninja stuff and copies of my new book, Wheels of Light, among other things. Do stop by, the last one was excellent as was the pop quiz and party afterwards.
And it’s FREE!
October 29th, 11am until late, the Mildmay Club, Newington Green, London, N16 9PR.

Mixcloud Select 123: Months of Debris vol.2 (DK loves the Worlds Famous) 26/08/2004

MS123 CDR

A follow up to last week’s upload with a set full of bits and pieces floating around at this point in time, most of it contemporary with some oldies to finish. The recording at the start is DK from my answerphone, he’s a huge World’s Famous Supreme Team and I’d peppered the set with bits of a recording of an old WHBI show I’d found. A full length version of 2 Tall’s entry into the Solid Steel intro competition kicks things off before Diplo’s premiere release, the amazing ‘Epistomology Suite’ enters. I remember how exciting this was to hear at the time, we felt Big Dada had discovered the new DJ Shadow and this was his ‘Entropy’. It didn’t quite work out like that but his debut LP, ‘Florida’, is still a classic debut. Smoove switches things up with a swinging double time soul banger featuring Jess Roberts, I used to play this out for years. Firstborn’s Northern Soul-esque stomper, ‘The Mood Club (Part 2)’ is taken from the 7” and features a great tempo switch down.

Señor Coconut remixes Stephen Coates’ The Real Tuesday Weld and Madlib tackles The Free Design with a Nostalgia 77 track sandwiched in-between. Earl Zinger cuts up the Pink Elephants on Parade theme tune before Black Lodge (RIP) puts his twist on it and then Sun Ra and his Arkestra cover it from the Disney compilation, Stay Awake. Def Tex’s slamming, bleeping ‘Freaks’ ruins the mood somewhat as does the frantic mix into Awkward’s excellent break-fest ‘Plug Me In’, must dig that out again. Ivory blazes a trail all over the shop before Steinski gets old school with the cuts from his split 12” on Stones Throw with J.Rocc. Dr Rubberfunk gets the treatment from Fort Knox Five before Four Tet gets made over by Icarus – I seemed to like the remixes over the originals half the time. This latter remix starts like some lost Terry Riley piece before the drums steam in, must revisit!.

MS123 PRS
This end section was sonically themed: I thought the vocal harmonies of Air’s ‘Run’ were a clear reference to 10cc’s ‘I’m Not In Love’ so found the original and a Godley & Creme version. I’ve always thought there was an obvious sonic fingerprint shared with 10cc’s I’m Not In Love’ and the Art of Noise’s ‘Moments in Love’, a theory strengthened by the fact that AON’s JJ Jeczalik collaged the 10cc/Godley & Creme History Mix Vol.1 LP together and then Lol Creme joined the AON in the 00’s. You could further add G&C’s Trevor Horn-produced ‘Cry’ to the equation, forgive the tuning, it’s way out. A further link to the AON/Trevor Horn axis comes in the form of Hibs’ excellent fan mix of Frankie’s ‘Two Tribes’ which could have been a lost mix from the 80’s. Hibs – aka Jeff Knowler to his friends – engineered my recording of Paul Morley for the Raiding The 20th Century mix and then went on to mix most of my work since.

2 Tall – Solid Steel intro (full version)
Diplo – Epistomology Suite
Smoove feat. Jess Roberts – Coming Back
Firstborn – The Mood Club (Part 2)
(The Real) Tuesday Weld – Ugly & The Beautiful (Senor Coconut remix)
Nostalgia 77 – Sad Thing
The Free Design – Where Do I Go (Madlib remix)
Earl Zinger – Heavy Hitter
Black Lodge – untitled
Sun Ra & His Arkestra – Pink Elephants On Parade
Def Tex – Freaks
Awkward – Plug Me In
Ivory – Blaze A Trail
Steinski – Ain’t No Thing
Dr Rubberfunk – The Owner (Fort Knox Five remix)
Four Tet – My Angel Rocks Back and Forth (Icarus remix)
Air – Run
Godley & Crème – I’m Not In Love
10cc – I’m Not In Love
Art of Noise – Moments In Love
Frankie Goes To Hollywood – Two Tribes (Hibs’ Reagan Says No More mix)
World’s Famous Supreme Team – outro

At Home With The Boyle Family film launch

311228766_3307724896164464_4825635573249180874_n
Another London-based light show event, the Boyle Family were some of the first artists to work with fluids and projection on the avant garde art scene in the sixties. Staged on Sunday Nov 13th at the now-endangered Iklectik venue in Waterloo with talks, music, film and projection performances. Go and support both the film and the venue.
More info here

Mixcloud Select 122: Months of Debris vol.1 15/07/2004

MS122 CDR

A random delve into the archive this week from a year we’ve not covered too often recently, 2004. Kicking off with a rather tranced up version of the Solid Steel theme by Redroof we start the show proper with Waxfactor’s (aka Pete Sasqwax) ’Reggaenomics’ from his lost classic LP ‘Sci-Fu’ which has just been re-released by coincidence. I’d forgotten about BJ Cole and Luke Vibert’s ‘Surf Acid Hoedown’, what an acid monster, crazy 303 patterns and time changes. One of the first (that I heard) versions of The White Stripes’ classic ‘Seven Nation Army’ was by Brighton’s finest, Nostalgia 77 (Ben Lamdin) and Alice Russell, then starting to make a name for herself as a premier soul vocalist. Dynamite MC’s ‘Bubble’ sounds exactly like that, with early grime licks meeting the sort of production coming out of DJ Zinc’s Bingo Beats label around that time.

The Council Flats of Kingsbury is some kind of dirty fuzzed out beats before that kind of thing was the fashion over on the West Coast, this was from a split white vinyl 7” with LJ Kruzer on the flip on Uncharted Audio. Prince Po featuring MF Doom – ‘Special Distortion’ was from the Danger Mouse-produced, Lex-released LP The Slickness, Lex were really on a role at this point. Bristol’s Boca 45 steams in with ‘Air Drums’ from his second release on High Noon Music. Blend Crafters was a one-off thing Jurassic 5’s DJ Nu-mark did with Pomo which saw one LP and a handful of singles around in 2004 which is followed by the aptly-named ‘Genuine’ by Sharon Jones (RIP) and the Dap Kings. Has a new funk tune ever sounded so authentically 60’s? At that point it was one of the first that hit that sweet spot.

MS122 PRS

J Star’s take on Erick Sermon’s ‘Music’ was one of his first reggae make overs and it’s another Luke Vibert tune, under his Wagon Christ nom de plume with a track from his second Ninja Tune LP, ‘Sorry I Make You Lush’. Rhymefest’s ‘Jackin’ (it got ugly)’ single, chock full of classic rock samples, was something of a breath of fresh air at this point, stealing indiscriminately from all over the map. Diplo’s Hollertronix had come late to the mash up party but were putting out some (mad) decent examples in the states with this Clash meets Missy Elliot example being one of the best. Deisler’s first six track release for Tru Thoughts yielded the latin-infused ‘Xibaba’. I Monster come on like the mutant cousin of a glam-stomping ELO with Hey Mrs’ before an ill-advised segue into my favourite Supergrass track, the Talking Heads-aping ‘Kiss of Life’. If they didn’t go into the studio with the exact intention to ape the Eno-produced era of the Heads then I won’t believe it, they even got Tom Tom Club to do a remix for god’s sake. Interesting that Gaza’s brother, Rob Coombes in credited as primary writer on it. Party Ben’s hip house take on the Beastie’s ‘Ch-Ch-Check it Out’ is fun but hasn’t aged well, would probably work on the dance floor but in the mix here it’s a bit full on as a final track.

Track list:
Redroof – Solid Steel intro
Waxfactor – Reggaenomics
BJ Cole & Luke Vibert – Surf Acid Hoedown
Nostalgia 77 feat Alice Russell – Seven Nation Army
Dynamite MC – Bubble
Heiroglyphics – Love Flowin’
The Council Flats of Kingsbury – Dirty Floor
Prince Po feat MF Doom – Special Distortion
Boca 45 – Air Drums
Blend Crafters – Lola
Sharon Jones & the Dap Kings – Genuine
Jstar – Music
Wagon Christ – The Funnies
Rhymefest – Jackin’ (it got ugly)
Hollertronix – Untitled
Deisler – Xibaba
I Monster – Hey Mrs (Glamour Puss remix)
Supergrass – Kiss of Life (Tom Tom Club mix)
Party Ben – Ch Ch Check it Out Old Skool

In The Court of the Crimson King documentary

309671762_657684982639618_6843224409684348045_n
Saw this doc on King Crimson by Toby Amies last night and boy, it’s excellent – highly recommended. Funny, insightful and touching, far better than the Bowie doc doing the rounds – various streaming events and showings are scheduled in the next month before it gets a release before Xmas. More info on the various contents and formats to be released here
ITCOTCK