Mixcloud Select 185: Strictly Kev HMV in-store radio, London 18/09/2000

DJFoodMixcloudSelect 185
Jonathan More of Coldcut has been busily digitising CDr’s and mini discs from his collection and sent me this the other day. I don’t have a copy and had forgotten I’d even done it to be honest. Played as an in-store radio set at the flagship HMV shop in London’s West End around the time of the Ninja Tune 10th birthday compilation XEN Cuts release, hence the contents being solely made up of Ninja, Ntone and Big Dada releases. I used my set on the ensuing tour as a showcase for the new comp and recent favourites and keen-eared listeners will hear that there’s a whole middle chunk that mirrors an earlier upload – Xen Tour Pt.1 – posted 3 years back now. I was possibly still working out some kinks in this selection but also book-ending the set with some more laid back fair as it was playing out to shoppers at the time.

I’m not sure I need to do a track by track analysis of this lot, most of it dates from around 2000 with a few classics from the mid 90s thrown in too. There’s a ton of Solesides/Quannum material at the end which dates from the big retrospective box set that Ninja put out in 2000 and the final track is a remix PC and I did which never got a release when it was made because the band split up. I was a big fan of Sukia who had a single album on Nickelbag Records/MoWax before turning into DJ Me DJ You. Jeff Waye – head of the North American arm of Ninja at the time – had an in with the band and I asked if we could remix their hilarious track, ‘Feel’n Free’.

The two main components of the original, aside from the female vocal, were an intermittent buzzer that would sound before a voice breathlessly uttered ‘spank me!’ which would have Jeff and I rolling on the floor. They duly sent us the stems, can’t remember if we ever got paid or if it was a swap, and Patrick gamely got to work. The whole song was so stupid we decided to insert Butthead in instead of the buzzer a couple of times yet Patrick is incapable of making music which isn’t beautiful so we ended up with gorgeous strings and a ridiculous beat amongst the silliness, This was very much a part of the sessions that made Kaleidoscope but loosening things up and bringing that comic side of Ninja out again. Anyway, between us making this and the XEN compilation coming out, Sukia changed names and labels so there was nowhere for the track to go, but the deluxe version of the comp had a ‘Missed, Flipped & Skipped’ section of unreleased or overlooked tracks from the catalogue. We worked it out with the band so that we’d get a co-credit and retitled ‘Feel’n Free’ to ‘Feel’n You & Me’ as a nod to their new moniker.

Track list:
Steinski – The Xen To One Ratio
The Cinematic Orchestra – Ode To The Big Sea (Four Tet remix)
DJ Food – …You
Luke Vibert – I Hear The Drummer
Roots Manuva – Wisdom Fall
The Herbaliser – Mr Chombee Has The Flaw
The Cinematic Orchestra – Channel 1 Suite
Mr Scruff – Fish
Neotropic – 15 Levels
Dynamic Syncopation – Bahian B-Boy
Up, Bustle & Out – Revolutionary Woman of the Windmill
Cabbage Boy – Planet
Amon Tobin – Sordid
The Herbaliser – Mrs Chombee (DJ Food remix)
Funki Porcini – Let’s See What Carmen Can Do
Mr Scruff – Ug
DJ Vadim – The Terrorist (acappella)
DJ Food – Turtle Soup (Wagon Christ remix)
DJ Shadow & The Grooverobbers – Hardcore Instrumental Hip Hop
Quantum – Blue Flames
DJ Shadow & The Grooverobbers – Hardcore Instrumental Hip Hop
Latyrx – Say That
Amon Tobin – 4 Ton Mantis
Saul Williams – Elohim
Dynamic Syncopation feat. Mass Influence – 2 The Left
9 Lazy 9 – Electric Lazyland
Roots Manuva – Fever
Animals On Wheels – Build A Church With Your Fear
Sukia vs DJ Food – Feel’n You & Me

Buy Music Club recommends March 2024

Buy Music Mar 2024
Here’s my recommends for March via the Buy Music Club website that makes playlist from Bandcamp URLs.
A couple of notes: I’ve put this up a day early because the Iklectik fundraiser compilation will disappear once their crowdfunder end on March 1st so you only have a day to pick up this huge comp. Clay Pipe Music are now fully on Bandcamp after only a few select releases were available. The Future Sound of London ‘Pulse Five’ release is now available on CD from FSOLdigital with 6 extra tracks.

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Levitation ’24

Levitation flyer
Just announced – the Castles In Space Levitation event is moving down South to Bedford Esquires after three years in Whitby. Just look at that line up! I’m not sure how they’re going to fit all these in on the day (I think there are three rooms but don’t quote me) but I’m so pleased to be asked to reprise the modified turntable set I did with Graham Dunning at Fog Fest last year. Colin was manning the merch table that night at the back of Iklectik and saw the whole thing so knows what we’re capable of. Tickets are here, I know it’s months away but the early birds are already gone so be quick.
There are two other very special gigs on the horizon that will be announced shortly that I’m equally excited about too – stay tuned…

Mixcloud Select 184: Openmind vs The Black Bitch 10/06/1995

MS184 tape
The second half of a tape from a show shared with Julia aka the Black Bitch, an excellent techno and electronic DJ who featured on Solid Steel a few times during the 90s. This is just my set, a busy half hour that jumps all over the place stylistically and kicks off with Scotland’s DJ Krash Slaughta featuring II Tone Committee and Killa Instinct. A dynamite slice up uptempo hip hop at a time when the faster Britcore styles had largely faded from the scene. Turntablist Krash Slaughta was a DMC finalist and absolutely slays on the cuts before Brian Eno’s ‘Fractal Zoom’ attempts to enter the mix but I obviously thought better of it during the manic cut-fest and opted for the more minimal St. Germain with ‘Sentimental Mood’ from the Boulevard series of 12”s. These three singles on F Communications were huge at the time, combining jazz with a heavily swung minimal house groove and still hold up.

Kushti’s UR Allstars was the second release on the short-living Octopus label and brings back lots of happy memories, there’s also a snatch of a DJ Toolz track in there too which I can’t identify. Toolz was an alias of Jazzy Jason, also part of the legendary Blapps posse, London Funk Allstars and Mad Doctor X, the four volumes he released on Ninja Tune in the early 90s were akin to the DJ Food Jazz Brakes both in style and sleeve design. Alpha Proxima’s immense ‘459 – / z’ is sadly truncated in this recording because the tape ended and had to be turned over so some is missing. The track resumes just as Autechre’s excellent remix of Scorn’s ‘Falling’ enters – another one of their classic mid 90s remixes that’s worth tracking down.

Sounds of Life was a collaboration between Photek and Source Direct’s Jim Baker and we hear their ‘Release The Bells’ here mixed in on 33rpm rather than its intended 45, I used to like a lot of my DnB on the wrong speed back then. Some Christian Marclay plunderphonics interjects far too soon and we’re treated to turntablism from the avant garde side of the tracks long before the word had been invented, this live improvisation dating from the 80s. DJ Krush’s ‘A Whim’ plays us out, a single from his Strictly Turntablized album which also birthed an excellent Alex Reece remix on 12” and two mixes by Roni Size and DJ Krust on 10” as I recall.

Track list:
DJ Krash Slaughta – Broken Needles Blown Mics
St.Germain – Sentimental Mood
Kushti – UR Allstars
DJ Tools 4 – ?
Alpha Proxima – 459 – / z
Scorn – Falling (Autechre FR 13 mix)
Sounds of Life – Release The Bells
Christian Marclay – Pandora’s Box
DJ Krush – A Whim

DJ Food Balearic Burger playlist

Future music boxesLast week I made a playlist of some of my favourite / infuential records for the Balearic Burger group on Facebook – check it out, these are key tracks that genuinely changed the way I heard music or were gateways to new directions for me – thanks to John C Bawcombe for asking me, you’ll find many others have done playlists and the group is full of musical knowledge.

https://www.youtube.com/playlist?list=PLRzOvYwyrfTxGWHRSM7BfovBZWn9uke64

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Mixcloud Select 183: Strictly Session – Coldcut 30/01/98

MS183 tapeA dark but beautiful selection from a show I shared mix duty on with Riz Maslen aka Neotropic. My tape dates it as 30/01/98 but my online reference from Marcus Maack’s BTTB database says 04/01/1998. Whatever, it was sometime in January 1998 and this was recorded in the Ahead of Our Time studio in Clink St. most likely with engineer Ali Tod at the controls and my flanger pedal in the mix by the sounds of things.

Starting with the classic monologue about Cymatic frequencies that Coldcut used so often in shows we drift into an almost Steve Reich-ian minimalist piece from A Reminiscent Drive whose back catalogue contains a wealth of such treasures. Opiate’s ‘Small Talk Whirl’ is from his debut 12” on April Records which I can’t remember ever owning but that’s old age for you. Track 8 from the CD of Aphex Twin’s Analogue Bubblebath 3 is up next, a classic I was still dropping in my Selected Aphex Works mixes some years back.
Small Fish With Spine was/is an alias of Riz’s and she’d just released her Ultimate Sushi album on Oxygen Music Works (which I’d designed the cover for too). Not sure what I was thinking playing her new record before her, bad DJ etiquette but I was young and foolish back then. ‘Korona’ comes from the uber-rare MASK 100 12”, a very early Boards of Canada track from 1996, pre-Warp when they were still on Skam and largely unknown. Funny how you can just search for it now and it’s on YouTube, back then it was rare as hen’s teeth. There’s a snatch of Andy Partridge & Harold Budd’s ‘Mantle of Peacock Bones’ with some unidentified spoken word over the top and then Mike Paradinas finishes the first set with ‘Hi-q’ of which I can find hide nor hair of on Discogs.

The second half opens with some abstract ambience and another unknown spoken word piece, presumably from Coldcut’s might Word Treasure CD library. As One’s gorgeous ’Soliel Levant’ from his debut Reflection album slides in before the Ramsey Lewis’ Charles Stepney-produced cover of ‘Dear Prudence’ chugs through with its oddball electronic intro. Exquisite Corpse were connected to the Psychic Warriors Ov Gaia and produced what I’d call trance music in the most literal definition, the sort of tribal rhythms you could perform rituals to long into the night. ‘Cantadora’ bangs hard and comes from their 1993 album Inner Light and while I’m talking definitions; Water Melon and their comrades, Major Force are about as close to ‘trip hop’ in my mind as you could get. Their amazing Out Of Body Experience EP hosts two cuts that feature in this half hour. Harder to find outside of Japan but well worth tracking down. Another from Riz’s LP in the form of ‘Foul Play’ that more than liberally samples from Lalo Schifin’s Dirty Harry/Magnum Force soundtracks before the Prunes’ makeover of DJ Vadim’s ‘Conquest of the Irrational’ single on Ninja Tune. Finishing with another Water Melon track from the aforementioned O.O.B.E. EP and we’re out – I really enjoyed rediscovering this one, I’d probably not heard it since it was recorded over 26 years ago.

Track list:
Solid Steel jingle – The film you are about to see…
A Reminiscent Drive – Everything Is As I Am
Opiate – Small Talk Whirl
Aphex Twin – Analogue Bubblebath 3 track 8
Small Fish With Spine – In Your Own Bubble
Boards of Canada – Korona
Small Fish With Spine – Fung Koo
Andy Partridge / Harold Budd – Mantle of Peacock Bones
Mike Paradinas – Hi-q

Unknown – Unknown
As One – Soliel Levant
Ramsey Lewis – Dear Prudence
Exquisite Corpse – Cantadora
Water Melon – Moon Shaker
Small Fish With Spine – Foul Play
DJ Vadim – Conquest of the Irrational (Prunes mix)
Water Melon – Slow Boat to Mars

Mixcloud Select 182: OMMixxx – Solid Steel 06/05/1995

MS182 tape
Mid May of 1995 was another smorgasbord of eclecticism with drum n bass making in-roads onto the show playlists. After the show’s intro and a snatch from Negativland’s plunderphonic ‘The Perfect Cut’ LP we get what may be the first outing of the Wagon Christ remix of 2 Player’s ‘Extreme Possibilities’. It’s hard to convey how exciting it was to first hear this remix, possibly Luke’s premiere public foray into DnB and a now classic milestone in the Ninja Tune catalogue. That he put this much work into such a mix is incredible and for a relatively new band consisting of Jon Tye (aka MLO/Lo Recordings) and a little-known composer named Daniel Pemberton. Daniel is now a world famous soundtrack composer of course, working on films for Marvel and Ridley Scott among others, but back then he was still at school and would come to our Stealth nights at The Blue Note before going home to study for his exams. He didn’t waste any time making inroads into the studio either, hooking up with Jon on various Lo Recordings and Ntone releases, recording with the Future Sound of London and releasing his first album on Pete Namlook’s Fax label, for which I did the artwork.

More DnB clatters in next from Sounds of Life which was Rupert (Photek) Parkes and Jim from Source Direct collaborating and taking a big chunk of FSOL’s Lifeforms by the sound of it. Spacepimp’s only outing on Clear pits a 70s car chase synth bass line against a DnB rhythm too, everyone was having a go at this ‘new’ style around this time as it emerged from its jungle origins although Spacepimp was an Acen alias so it wasn’t too much of a stretch. After an ad break there’s a swirling ambience I can’t place before the legendary Jello Biafra monologue that we used on the Coldcut Journeys By DJ mix later that year which then led on to Matt and Jon hooking up with the ex-Dead Kennedy frontman to record ‘Every Home A Prison’. Alec Empire’s debut album, Generation Star Wars kicked off with the excellent ‘Lash the 90ties’, the elongated ambient intro suddenly crashing into Aphex-ish distorted beats. Mike Ink’s ‘Rosenkranz’ came from one of the early Sahko releases and this jaunty, marching track is in stark contrast to his then usual 150bpm driving acid techno.

G-Man was Gez Varley from LFO on his first solo outing via the Swim label and this absolutely banging piece of techno is such a joy to hear, despite my fumbled mix with Mike Ink at one point. I must have visited Vienna recently because Elin’s ‘Mondlandung’ is featured and I remember Pita aka Peter Rehberg (RIP) giving me copies of the first few Mego releases when we played there of which this was the second. Soon after comes the masterful Autechre remix of Beaumont Hannant’s Psi-Onyx – all 9 minutes + of it with Ae on peak form – ah the memories… Flanging in over the end beats is a track from Caustic Visions, a group who originally debuted on Industrial Strength with nosebleed acid techno before releasing steadily more experimental fair on their own label, influenced by Aphex Twin and beyond. ‘Corner of a Sphere’ comes from their fourth self-released EP and is well worth investigating if you see a copy and enjoy forward-thinking electronica. ‘Lunatic Jam’ by Germany’s Fauna Flash takes a large chunk of DJ Food’s ‘Dark Blood’ and builds a soulful track around it, from their debut 12” on Compost. We get a snatch of the Jedi Knights’ remix of ‘Antacid’ and then it appears the tape switches to Aphex’s ‘Ventolin’ except it may be from one of my own mixes that I’d taped over as the presence of my old flange pedal in the mix is a telling sign of the era.

Track list:
Solid Steel – intro jingle
Negativland – The Perfect Cut
2 Player – Extreme Possibilities (Wagon Christ mix)
Sounds of Life – Intellect
Spacepimp – Space Chase
Unknown – Unknown
Jello Biafra – A Message From Our Sponsor
Alec Empire – Lash the 90ties
Mike Ink – Rosenkranz
G-Man – Legion
Elin – Mondlandung
Beaumont Hannant – Psi-Onyx (Psix Million Dollar Myx Oscar Goldman’s Bonus)
Caustic Visions – Corner of a Sphere
Fauna Flash – Lunatic Jam
Link & E621 – Antacid (Jedi Knights remix)
Aphex Twin – Ventolin (Deep Gong mix)

Mixcloud Select 181: Openmind 26/02/1995

MS181 tape
What a time for music, early 1995 and not only did we have the hugely anticipated new single from DJ Shadow but also Aphex Twin’s Ventolin EP and Fatboy Slim’s debut single when he was still in downtempo mode with ‘The Weekend Starts Here’. After ‘In/Flux’ blew up, not only for Shadow but by putting MoWax into a higher orbit, everyone was waiting for new music from Josh Davis and he delivered big time with a four part 30 minute single called ’What Does Your Soul Look Like’. The first half of the show covers three of the parts, available on a set of three blue vinyl 10” promos inside sleeves that joined together. Interspersed between them is the Fatboy with the Weekend Bonus Beats version of his single and Death’s sole release (aka Thomas Heckmann) on Trope, a modular bleep-fest called ‘Electronic Realisations Chapter 4’. Following ‘What Does Your Soul Look Like Part 4’ come three ‘Ventolin’ mixes from Aphex, the second, the Deep Gong mix, is by Wagon Christ and a snatch of the London Funk Allstars’ ‘Listen To The Beat’ appears before the tape runs out.

Track list:
DJ Shadow – What Does Your Soul Look Like Part 1
Faboy Slim – The Weekend Starts Here
DJ Shadow – What Does Your Soul Look Like Part 3
Death – Electronic Realisations Chapter 4
DJ Shadow – What Does Your Soul Look Like Part 4
Aphex Twin – Ventolin (Crowsmengegus Mix)
Aphex Twin – Ventolin (Deep Gong Mix)
Aphex Twin – Ventolin (Marazanvose Mix)

Mixcloud Select 180: Discover Hip Hop 14/10/2002

MS180 CDR
We’re still in the early 00s here with a mid November 2002 set that includes a few boots/mash ups and a lot of great RnB / Hip Pop. A strong start to the show with the remix of DJ Shadow’s ’Six Days’ featuring Mos Def, this was undoubtedly the most hyped track of his second LP, The Private Press, and a no-brainer for a single makeover. Nice little cut up with the Solid Steel jingle and the ‘it’s only Monday’ lyric (our show used to got out on Monday nights on BBC London at this time). I don’t know which came first, this mix on the tour with Amon Tobin but I was dropping the Streets/Fine Young Cannibals/Gloria Jones combo in DJ sets around that time although it’s one of the only times I played anything by Mike Skinner as it wasn’t my bag at all, the baseline in the High Contrast remix was the catalyst. Adding Gloria Jones’ ’Tainted Love’ with the rhythm the FYC stole after was a no brainer.

I was deep into the mash up thing at this time and Dsico was an Australian producer whose productions I liked a lot, his extreme cut up/glitch styles going way further than most on the scene, riffing off that Kid 606 sound but with plenty of funk. He appears here twice, first dismembering Beyonce and later dicing with Puff Daddy, by this time, P Diddy. A sharp contrast is Joni Mitchell who I’d suddenly ‘got’ and hoovered up a load of albums on tour in the US, weird how tastes change and then one day an artist just makes sense, I’d had the same thing with the Beach Boys a couple of years before. ‘Dry Cleaner from Des Moines’ is from her Mingus album but I’m not sure what I was thinking adding it in here with way too much ‘jazz scratching’ to boot.

RJD2’s excellent ‘Final Frontier’ from his debut, Deadringer begins a trio of rap tracks followed by the ‘Halfway Home’ interlude from Blacklicious’ Blazing Arrow album. This was produced by DJ Shadow and is hard as nails, search for an amazing remix of this by UK producer Awkward which really bangs. N.O.R.E.’s ‘Nothin’ is such a simple tune, a straight loop of basic drum, bumping bass and that haunting flute top line, loose as anything and reliant on the vocals to provide a chorus. The genius of the Neptunes right there although having Noreaga on the mic helps too and I think his ‘SuperThug’ track from four years before was the first time I ever heard a Neptunes production. They had virtually taken over at this point, issuing track after track with different vocalists that were classics as soon as they hit the dance floor. I let the instrumental run out of Blacklicious, add the Discover Hip Hop advert that gives the mix its name and then off into the radio edit of the vocal.

MS180 PRS
Randy Maverick’s ‘Pure Love’ is funk 45 heaven and still gets spun – I just looked him up and this is his sole release on Discogs, I’d presumed it was some sort of reissue/re-edit at the time but it seems it was a remix of Al Reed’s ’99 444/100 Pure Love’ by the Nextmen and the Maverick name was a cover. I’ve just heard the original for the first time and they did a great job, the definition of a remix breathing new life into an old song. You can find the Randy Maverick for £6 on Discogs which is a lot cheaper than the Al Reed. DJ First Rate (or just First Rate later on) put out a 3 track sampler in 2002 with a demo mix of ‘One Day’ on it which would later surface on his first album proper in 2005 and it’s doing my head in as to where that bass comes from. Reminds me a bit of Air with those little synths flourishes.

Into some crazy versions next with the second Dsico cut up of P Diddy’s ‘Diddy’ then a mash of Tweet’s ‘Oops (Oh My)’, The Gap Band’s ‘Oops Upside Your Head (see what they did there?) and Bob Marley(!). It sort of works in places but is mercifully short. Lightning Head is Glyn ‘Bigga’ Bush with his dub hat on, here versioning Jean Jacques-Perry’s ‘E.V.A.’ which, of course, then leads onto Gang Starr who chopped up the original many years before. Skanking along in the mix for a good while is The Cinematic Orchestra’s ‘Horizon’, a stand alone single that followed the ‘Every Day’ album and should have been a huge hit in a just world. This whole section really rocks along nicely and I’m layering up extra FX over the top, I might try and re-work this into the DJ set. Next we head to Brighton for a Limp Twins cut and DJ Format remixed by Pablo of the Psychonauts who whips ‘B-Boy Code’ up into a chugging break-fest that was a set staple for a good while. I can’t remember where the ‘Discover Hip Hop’ spoken word came from but it’s not on the original record. There’s some genius sampling on this, pairing old school rap bars from different records to make a new verse.

John Kennedy’s ‘Chocolate & Cheese’ has something I can’t put my finger on but I like it. Tony Touch’s ‘The Diaz Brothers’ I can only take in instrumental form though as it samples David Shire’s ‘Salsation’ from the Saturday Night Fever soundtrack, the same tune that Lightning Head covers on ‘Mudman Skank’ so it was a no-brainer to put them together. I have to apologise for what comes next but you can always switch off as it’s the last track, a mash up of Eminem and Phil Collins that I thought was a good idea at the time. By matching the former’s ‘Cleanin’ Out My Closet’ and the latter’s ‘Mama’ I thought there was some fun to be had. To be fair, it does work in the verses with a nice tension building but the choruses are a painful mess – sorry about that, bit of a duff ending to the hour.

Track list:
DJ SHADOW – SIX DAYS (REMIX feat. MOS DEF)
THE STREETS – HAS IT COME TO THIS (HIGH CONTRAST REMIX)
FINE YOUNG CANNIBALS – GOOD THING
GLORIA JONES – TAINTED LOVE
BEYONCE – WORK IT OUT (DSICO 160 MIX)
JONI MITCHELL – DRY CLEANER FROM DES MOINES
RJD2 – FINAL FRONTIER feat BLUEPRINT
BLACKALICOUS – HALFWAY HOME (INTERLUDE)
N.O.R.E. – NOTHIN’
RANDY MAVERICK – PURE LOVE
DJ FIRST RATE – ONE DAY (Demo Mix) feat. JOHN MACALLUM
P DIDDY – DIDDY (DSICO CUT UP)
MIXED BIZNESS – OOPS TO BE LOVED
LIGHTNING HEAD – E.V.A.
GANG STARR – JUST TO GET A REP
CINEMATIC ORCHESTRA – HORIZON
THE LIMP TWINS – MOVIN’ CLOSER TO THE SOFA
DJ FORMAT – B- BOY CODE (PSYCHOPAB REMIX)
JOHN KENNEDY – CHOCOLATE & CHEESE
TONY TOUCH – THE DIAZ BROS (INSTRUMENTAL)
LIGHTNING HEAD – MUDMAN SKANK
FLEXUS – I’M SORRY MAMA

Mixcloud Select 179: What To Call This One? 04/03/2003

MS179 CDR
A true mixed bag with this set from March 2003, opening with Dark Circle from their Jazz Fudge release bolstered by a double time Flytronix DnB tune with a fine filtered horn line. The original listing for McKay’s acappella that I float over the top was wrong, it’s actually ‘Rising Tide’ rather than ‘Bluesin’ It’ – check her stuff, she’s made some great music with the likes of Boca 45, DJ Spinna and Katalyst over the years. Spanish producers Camping Gaz and Digi Random drop a tune from their 3rd and final EP together before Nino Nardini stomps in with Afro-Beat. I’m not sure where this version comes from but I think it’s different from the one put out on a 45 by Jazzman which I still play out on occasion. I always like Def Tex’s approach to hip hop, never afraid to switch things up and ‘Dancehaul’ is no exception, tight beats and scratches and lyrics all over the rhythm. Pepe Deluxe’s ‘Salami Fever’ was the first time they caught my ear with the crazed cut up of beats, power chords and scratching and they’ve not deviated far from this path for the last 20 years despite various psychedelic adventures.

Nostalgia 77 aka Ben Lamdin put out many a great 45 on Tru Thoughts in the 00s and it’s great to see he’s still releasing material, the latest being an album on the aformentioned Jazzman. I must dig this out again as I’d forgotten it – HUGE Beatles sample! Taskforce get jiggy on ‘Rockstarz’ which comes from the Low Life Records’ compilation Main Courses -Food. Things take a turn with Plasikman’s ‘Kriket’ and Lisa Maffia’s ‘All Over’ acappella which is a pairing I used to do regularly in DJ sets around this time before we journey over to Montreal for Sixtoo and MattH and the first release on the Bully label. Mostly dealing in screen-printed, hand assembled 7”s, the label, run by the mysterious Marco, put out around 30 experimental beat-led releases from 2003 onwards including a Silver Apples album at one point! Loads of great stuff on the label and the records are beautiful objects.

MS179 PRS
Aah, it’s great to hear this Gray Market Goods track again, a release by my old friend Bundy K Brown for which I also supplied a meticulously drawn homage to Vaughn Bode for the sleeve. We’ve been chatting a bit online of late about various states of the music industry and I always respect his take on things. He has a unique way of putting together samples that never bores me and is rewarded by repeated listens, this Herbie Hancock-sampling groove being no exception. Herbie was a big love of Bundy’s and he hipped me to the Mwandishi Band era stuff when I first visited the US looking for records in the mid 90s. The killer wah wah groove of the Stark Reality is up next from the ‘Now’ compilation on Stones Row around this time, with ‘All You Need To Make Music’ which runs through the various differences between musical notes. I noticed that this version is just over 8 minutes but on the original Hoagy Carmichael’s Music Shop LP it’s over 12 minutes!

Back to the future next for Wagon Christ’s remix of Tipper’s ‘Donut’ – a match made in heaven I think. Dan Snaith’s Manitoba (before he had to change it to Caribou) up next with the lengthily-titled ‘If Assholes Could Fly,This Place Would Be An Airport’ which is all 2-Step beats and Amen breaks, overlaid with spoken word from Yoshinori Sunahara’s ‘Tokyo Underground Airport’ – a concept single about said airport. The record comes in a gatefold gold printed sleeve with picture disc, booklet and sticker sheet, all designed immaculately as only the Japanese can. Sunahara has made many airport or airline-themed records over the years. Da Boo’s lone release, the Herbie Hancock-sampling (again) ‘Spark This’ underpins the end of the show with a lengthy dialogue from Bell Telephone Labs which comes from a strange double album I found of spoken word entirely about computers from serious science to comedic skits.

Track list:
Dark Circle – That’s Cool
Flytronix – Zig Zag (Alternative DJ mix)
McKay – Rising Tide (acapella)
Camping Gaz & Digital Random – Gazoul (Camping Gaz Symphony 3)
Nino Nardini – Afro-Beat
Def Tex – Dancehaul
Pepe Deluxe – Salami Fever
Nostagia 77 – The Goat
Taskforce – Rockstarz (remix)
Plastikman – Kriket
Lisa Maffia – All Over (acapella)
Sixtoo & MattH – webeganhearingthings
Gray Market Goods – We Live In The Future
Stark Reality – All You Need To Make Music
Tipper – Donut (Wagon Christ remix)
Manitoba – If Assholes Could Fly…
Yoshinori Sunahara – Tokyo Underground Airport
Da Boo – Spark This
Bell Telephone Labs – Computer Speech

Raiding the 20th Century is 20 years old

Raiding tapes 2024
20 years ago today I premiered the first version of my Raiding The 20th Century guest mix on XFM‘s The Remix radio show. Originally commissioned by James Hyman as a 30 minute set for the evening show he and Eddie Temple-Morris chaired together, what emerged was a 39 minute mini history of the cut up. James had left the show by this time but I visited the studio and sat in live with Eddie as the show unfolded, chatting a little at the end about the mix and why I’d felt the need to undertake such an epic excercise. At the time the mix took down the home of online mash ups, the Boom Selection server for a bit when it was uploaded and I made a run of 100 copies of a CD version that I largely sold at our Solid Steel nights or through the Ninja Tune forum.

Fast forward about 18 years and I’m contacted by Yoshi from Delic Records in Japan who wanted to make a physical tape version of the mix as he thought it was an important work and wanted to have a physical item to save it from being just another digital file floating in the ether. At the time I was sceptical and not too interested – afterall, the mix is out there if you look, as is its bigger brother the Paul Morley-narrated Words & Music Expansion that clocks in at 59 minutes. Yoshi was persistant and, as the 20th anniversary approached, I could see his point and wanted to do something commemorate it.

Raiding inlay

So here we have a cassette version of the first edition of the mix, spread over both sides (I did the edit) and with rejigged artwork from the original CD release. Also available is a double-sided T-shirt or you can get both as a bundle. These are only being sold by Delic Records in Japan, I have none here aside from my own personal copies. I’m sure there will also be a companion release for the expanded mix this time next year…
Raiding t shirt

Mixcloud Select 178: Return To Oz 05/01/2004

MS178 CDR
This show aired just over 20 years ago and was the product of a tour to Australia and New Zealand the previous year, showcasing a lot of the music I’d been given or bought from groups largely indigenous to those shores. Opening with the Bamboo Shack version of the Limp Twins’ ‘Another Day In The Life of Mr. Jones’ on Tru Thoughts – a long time record box staple – played by The Bamboos, a remix/rework that no doubt saw to them releasing many records on the label. Whilst in Auckland, New Zealand, I hooked up with Stinky Jim aka UK ex-pat Jim Pinckney of Unitone HiFi, owner of the Round Trip Mars label who furnished me with much of the music in this mix. SJD was one of his artist and ‘The Lowdown Pt.2’ is one of a couple of tracks in the mix – following is the Daly Wilson Big Band, an ensemble of up to 18 musicians who played popular jazz and cover versions. Their version of the Theme from the Rockford Files is overlaid with a load of dialogue from the show courtesy of Megatrip’s Soundbank library that we took so liberally from in the 00s.

After the first of several intros from several mix CDs Jim gave me is another Australian funk combo, Cookin’ On 3 Burners with their debut release on the Bamboo Shack label – remember the funk 45 ‘craze’ was in full swing around this time after Shadow and Cut Chemist’s ‘Brainfreeze’ mix had opened the doors and all sorts of bands were creeping out the woodwork with credibly retro-sounding songs or covers in a 60s/70s style. Mood Unit’s ‘Games?’ reminds me of Tipsy’s first album, a psychedelic lounge style not far from trip hop and came from the sole12” released on the Froth Recordings label from New Zealand. I seem to remember it was around 9 minutes long so I’ve edited it a bit for this mix – the Unit’s only other release was on a Round Trip Mars compilation.

MS178 PRS
While I was in New Zealand I visited a promoter’s house who had Dave Tipper staying as he was on some sort of tour, I’ll never forget him making beats on his laptop on the sofa and then going into the next room and performing some incredibly tight scratch cuts, I had no idea he was such a good turntablist at the time. I think he gave me a Cdr of music he was either working on or had coming out as I don’t know the title of the next track which he produced. I got him to do a guest mix for the show when I was back in the UK and you can hear some of his scratching skills during the next ‘Cut The Jibber’ section which was inserted into my set. All the scratching spoken word inserts were put on by me later – sorry Dave! I think you’ll agree, the guy has skills. After running through Mark Pritchard, DJ Vadim, Mr. Oizo and Prefuse 73 instrumentals then it’s back to me for a couple of songs, the Mudie Allstars ’10 Steps To Soul’ being from a mix Jim gave me of Harry Mudie productions.

Downsyde are a rap group from Perth and ‘Did Not You know’ is from their Land of The Giants album before we’re plunged back into the second part of the Tipper cut-fest over a Mark B instrumental. The second track from SJD – ‘Guiding Light’ – is in stark contrast to the first, a big band jazz number with vocals and it seems that Sean James Donnelly is still putting out music to this day, I’m not surprised if he could come up with this on only his second album. More Mudie next, an unlikely reggae cover of Idris Muhammad’s classic, ‘Loren’s Dance’ before we drift into the last 11 minutes of Fat Freddy’s Drop’s ‘Bluey’ from their debut 10” single in 2003. At this point the band were well known in New Zealand and it didn’t take them long to make it out onto the international circuit where they’re now festival regulars.

Track list:
The Bamboos – Another Day In The Life of Mr Jones (Bamboo Shack version)
SJD – The Lowdown Pt 2
Daly Wilson Big Band – Theme from the Rockford Files
Stinky Jim – Intro 11
Cookin’ On 3 Burners – Gravel Rash
Mood Unit – Games? (edit)
Stinky Jim – intro 14
Tipper – unknown
Tipper guest mix insert: Cut The Jibber pt 1 intro
Mark Pritchard – unknown
Tipper – Tip Hop
DJ Vadim – Friction (Instrumental)
Mr Oizo – Electro Shit Non Stop
Prefuse 73 – Eve Of Destruction
Mudie All Stars – Ten Steps To Soul
Downsyde – Did Not You Know
Tipper guest mix insert: Cut The Jibber pt 2
Si Begg – Noodles 2
Mark B & Blade – Ya Don’t See The Signs (instrumental)
Stinky Jim – intro 1
SJD – Guiding Light
Stinky Jim – intro 3
Mudie All Stars – Loren’s Dance
Fat Freddy’s Drop – Bluey

Candlemas 2024

RFSK_CM_2024_Insta_02
Next gig – we’re reprising our Candlemas performance of last year on January 28th with a variety of liquid lights and slides plus music and food at the Royal Foundation of St. Katherine in east London. Curated by Heena Song, she’ll be joined by Julian Hand, Paul Naudin, Joe and Janie of Whyte Light Visuals and myself for an evening of psychedelic projection in and outside around the grounds of the Foundation. Nearest train station is Limehouse and then it’s just round the corner, you should be able to see the lights from the train. Tickets are available here or on the gate and the event runs from 6pm to 9pm.

Candlemas

Posted in DJ Food, Gigs, Light Shows. | No Comments |

Mixcloud Select 172: Strictly Kev Solid Steel 27/04/1997

MS172 tape

The missing #172 upload (no, I didn’t notice either until a couple of weeks later). This is one of the tapes my ex-wife had squirrelled away that she wanted digitised and it’s one I didn’t have a copy of, a short set drifting from jazz to hip hop to funk and pop. The set starts with a classic Solid Steel jingle, ‘The Ninth World’ read, I think, by Matt Black’s dad.

Around the mid-late 90s the Ninja crew were regularly DJing across Europe and thus had access to piles of ECM jazz at cheap prices and bassist Barre Philips was a particular favourite of mine along with Jon Abercrombie and Eberhard Weber. Stanley Clarke’s ‘Concerto for Jazz / Rock Orchestra’ was on my radar as I was so into the sample at the end of DJ Shadow’s In/Flux on the Headz 2 compilation that I had to track it down. I ran upon a copy of his Journey To Love LP in the now closed Discovel (sp?) record shop in Montreal – you’ll know the part when you hear it. Echoes was an alias of my old friend Bundy K. Brown, ex of Tortoise and a future collaborator at this point in time, ‘Continental Drift’ was new back when this was recorded and was apparently very influential on a young Kieran Hebden aka Four Tet. Bundy worked in the Chicago record store Dusty Groove and was a little more keyed into what was happening on the electronic music scene than the other members of the band and made several sample-heavy beats and jazz-infused tracks and remixes around this time which caught my ear.

There’s an identified track at the end of the Echoes single, a distorted drum thing for a minute or so but I can’t identify it. KRS-One’s ‘Step Into A World’ was also new around 1997, transposing ‘The Champ’ into a new form alongside Blondie’s ‘Rapture’ which is why the Mohawks original comes next. Part 2’s ‘Automatic’ and ‘Prelude To Cycle 6’ were both taken from his sole EP for Jazz Fudge which was also current and one of the series of sleeves I put together for the label. The Human League’s ‘Being Boiled’ slots between them and needs no introduction, not sure why I felt the need to feature it here though. Water Melon’s cover of Fleetwood Mac’s ‘Albatross’ is something you wouldn’t immediately equate with the Japanese group but it totally works and is just one of the treasures to be found of the Pussyfoot label’s ‘Fish Smell Like Cat’ compilation album.

Track list:
Barre Phillips – Mountain Scape
Stanley Clarke – Concerto For Jazz / Rock Orchestra
Echoes – Continental Drift
KRS One – Step Into A World (Rapture’s Delight)
The Mohawks – Champ
Part 2 – Automatic
The Human League – Being Boiled
Part 2 – Prelude To Cycle 6
Water Melon – Albatross

2023

Best LPs 2023Music:
Kosmischer Laufer – Volume 5 LP (UCR)
Soia, Julien Sénélas, Jérôme Vassereau – In C for 11 Oscillators and 53 Forms LP (unjenesaisquoi)
Cate Brooks – Tapeworks DL (Cafe Kaput)
Memorials – Music For Film: Tramps! LP (State 51 Conspiracy)
King Gizzard & The Lizard Wizard – PetroDragonic Apocalypse… LP (Album of the year)
Field Lines Cartographer – Moonbuilding Sessions LP (CiS Subscription Library)
Brian Eno – The Lighthouse radio station (Sonos) (most listened to)
Niholoxica – Source of Denial LP (Crammed Discs)
SareemOne – Olivine Window
Coast Contra – Breathe & Stop Freestyle/Never Freestyle/Scenario Freestyle
Move78 – Grains LP
Heiroglyphic Being – The Moon Dance LP (Apnea)
Raj Pannu – Past Crimes EP 12″ (To Pikap Records)
Gordon Chapman-Fox – The Nine Travellers LP (Castles In Space Subscription Library)

Podcasts:
Oh God What Now?
Cartoonist Kayfabe
Jonny Trunk’s Patreon Show
What Goes Around
The Bunker
The Bureau of Lost Culture
Not A Diving Podcast with Scuba

Best of Live events 2023-2
Gigs / Events:
Art of Noise @Jazz Café, London
The Light Surgeons – SuperEverything launch @iklectik, London
Quadraphon debut @Ramsgate Music Hall, Ramsgate
Beyond The Streets exhibition @Saatchi gallery, London
Pop Up Subculture festival, Stroud
Holotronica, @IMAX Bristol
Sunroof / Finlay Shakespeare @iklectik, London
0282 Club, the library, Burnley
Paul Cousins @iklectik, London
The Light Surgeons – The Consensual Hallucination @iklectik, London
Memorials at the State 51 Summer Psych party @State 51, London
Queens of the Stone Age @Glastonbury
FogFest2 @iklectik, London
JG Thirlwell & Emsemble @Bush Hall, London
The Book & Record Bar 10th anniversary party, London
Machina Bristronica, Bristol
Visiting Peel Acres with Eilon Paz of Dust & Grooves
Nihiloxia @the Jazz Cafe, London
NEXT Festival, Bratislava, Slovakia

Best design 2023
Design / Packaging:
Yves Malone – A Hello To A Goodbye LP (Castles In Space)
Drumetrics – Phuzzle (Drumetrics)
Waclaw Zimpel – Train Spotter LP (State 51)
David Boulter – Factory 3″ CD (Clay Pipe Music)
Fluctuosa – Wetware EP 12″ (Analogical Force)
Fluxus – Orbit & Shine LP (Castles In Space)
Floating Points – Birth4000 12″ (Ninja Tune)
Cate Brooks – Easel Studies LP + badge (Clay Pipe Music)
Brian Eno – Top Boy OST CD (Beatink)

Artists:
Kallamity
Soda
Nick Taylor (Spectral Studio)
Louise Mason
Francis Castle (Clay Pipe)
Tradd Moore
KO_Computer
Kishi Omori
Autone1
Mike Mignola
Geometric Love
Anna Readman
Zoe Thorogood
Colin & Maria @ Time Released Sound

Best books 2023
Books / Magazines / Comics:
Medical Grade Music – Steve Davis & Kavis Torabi (White Rabbit)
Doctor Strange – Fall Sunrise – Tradd & Heather Moore (Marvel)
Tales To Enlighten – The New Testament – Matt King and James Edward Clark
Beyond The Streets exhibition book
Pop – Milton Glaser (Phaidon)
Kevin O’Neill Apex Edition (2000AD)
Mark Stafford – Salmonella Smorgasbord (Soaring Penguin Press)
Savage Impressions – Bruce Lichen (Independent Project Records)
Hexagon Bridge – Richard Blake (Image)
Monica – Daniel Clowes (Fantagraphics)
Acid Valley – Luke Insect
Petrol Head – Rob Williams & Pye Parr (Image)
Lawless – Dan Abnett & Phil Winslade (Rebellion)
Giant Robot Hellboy – Mignola/Fegredo (Dark Horse)
Facelss & The Family – Matt Lesniewski (Oni Press)

Film:
Barbie
Squaring The Circle : The Story of Hipgnosis

What Have I done 2023
Another year over and what have I done?
Designed a retro jungle cover for District 1727 release Rinse Out The Raw Steel
Opened for The Art of Noise two nights running at the Jazz Cafe
Designed The Home Current & Peter Wix and UNE CDs for Spun Out Of Control
Performed at Candlemas with Julian Hand, Heena Song, Paul Naudin and Whyte Light Visuals
Started working with visual artist PuttyRubber with my Quadraphon turntable at live gigs
Designed the Stasis 12″‘Quondam Sequences’ for De:tuned
Edited a short video for Holotronica after their Bristol event (not sure this ever got broadcast/finished actually)
Restarted my Infinite Illectrik label with 7 monthly releases from May
Mixed two new volumes of The Funky Eno with selections provided by Nohbodhi
Gave talks about Wheels of Light in Stroud and Brighton
Collaborated with Graham Dunning live with visuals by PuttyRubber and Chromatech for FogFest2
Appeared on the 45 Live and What Goes Around podcasts
Wrote the theme for the new Why? podcast
Remade and remixed Amon Tobin’s Permutation LP artwork for the 25th reissue
Continued the weekly Mixcloud Select series of archive mix uploads
Designed and illustrated Wonders of the Undersea World LP for Trunk Records including a sheet of stickers to make your own cover design.
Designed zoetropes for T Rex, Donna Summer, Dr Who, Lily Allen and Steps(!)
Designed the Pulse Five EP, poster and postcards for FSOL, working with Jonas Ranson again on the screenprint
Designed the De:tuned 15 logo and T-shirt for the label’s fifteenth year in 2024
Designed the Clerkenwell Kid Junkyard Melodies album + ephemera and 3″ Xmas Winter Warmers companion CD for Stephen Coates/The Real Tuesday Weld
Designed the A’bear album sleeve for Castles In Space
Contributed vintage graffiti photos to the second Old So Kool book about the UK graf scene in the 80s
Ongoing research into at least three other book projects…

RIP:
Alan Rankin, Jeff Beck, David Crosby, Burt Bacharach, Raquel Welch, Alain Goraguer, Lee Purkis aka In Sync, Paul O’Grady, Al Jaffee, Jah Shaka, Mary Quant, Mark Stewart, Frank Kozik, Andy Rourke, Peter Jones (Colourscape designer), Martin Amis, Kenneth Anger, Tina Turner, Astrud Gilberto, John Romita Snr, Glenda Jackson, Jane Birkin, Paul Rubens, Jamie Reid, Michael Parkinson, David McCallum, Mark the 45 King, Benjamin Zephaniah, Ian Gibson,

Looking forward 2024
Looking forward to:
Candlemas II
Gary Hustwit’s Eno film
The Time Released Sound Book – A Decade of Handmade Music Packaging
Furiosa – A Mad Max Saga
The Hoppy documentary
Richard Norris’ autobiography, Strange Things Are Happening
Sophia Satchell-Baeza’s ‘Sensuous Laboratories’ book
The The’s new tour
Doug Shipton’s new Fundamental Frequencies label
More collaborations

Mixcloud Select 177: Xmas Knees Up 23/12/2002

MS177 CDr
A mix of two halves, broadcast 21 years ago with a rap-heavy first half and a Xmas-themed second. LCD’s second single was a short, sharp shock of a 7” after the extended epics of their debut 12” and proved they weren’t a one-hit wonder. I saw them play it that year at the Supersonic festival in Birmingham and met James and Nancy backstage, before they went stratospheric. I remember dropping Un-cut’s ‘Midnight’ at the appropriate hour on New Year’s Eve in Newcastle that year, paired with the Gift of Gab monologue during his mix of DJ Shadow’s ‘Midnight In A Perfect World’ and the place going off. The Christina Aguilera Drum n Bass mix was so rough and ready it would pummel any naysayers into submission (same with Beyoncé and Britney mixes of the same era). Any decent pop song of the age would get a white label DnB makeover by someone for a few years in the early 00’s, it may well be the same now but I don’t check for them. Most were sold in specialist shops around London with no info other than a title and I’ve still no idea who made this one. Into the hip hop now with Notts’ finest The P Brothers from their Heavy Bronx Experience series #4 featuring Eddie Cheeba and Sadat X from over the pond – hard as nails golden era styles made in the UK.

Perverted Monks were a collective associated with Afu-Ra and Jeru The Damaga but never quite hit their heights. The imaginatively-titled ‘Freestyle’, from their third single uses the backing tracks from Nas’ ’Nothin’ and another I forget as a bed, one of a number of those Bollywood-sampling hip hop tracks from around this time, kicked off by Missy’s ‘Get UR Freak On’. Soulwax makeover DJ Shadow’s ‘6 Days’ with a blatant re-edit of the B-52’s ’52 Girls’ and it just works. This was during the height of the mash up craze and they were riding high on the success of their ‘As Heard on Radio Soulwax 2’ compilation. It only appeared on a promo 12” and I’d bet it was a European A&R decision to get them to remix Shadow as it doesn’t fit into anything he was doing at that stage. Punjabi MC’s tune was huge in the UK with it’s jingling hook and Knight Rider bass line, as ubiquitous as Missy’s the year before, getting reworks all over the place in a multitude of styles. The Old School mix was by a duo billed as Banks and Sullivan who seem to have a number of aliases with one release to their name on Discogs. A mystery white label using the a cappella from ‘OK’ by RnB pop band Big Brovaz over ‘Mundian To Bach Ke’ was something I used to play a lot in sets and may or may not have been legal. Dan The Automator revisits his own production again for a third rework of ‘Bear Witness’ from the Dr Octagon album with Q Bert back on cuts before Edan smokes the party with his own ‘MC’s Smoke Crack’ remix. Pitman lightens the mood with his Rob Base & DJ E-Z Rock pastiche and the Polyphonic Spree arrive to prepare us for the Christmas section of the mix.
MS177 PRS

It’s fair to say that my Xmas mixes maybe aren’t the kind of thing you’d want to put on in the background as you unwrap your presents or tuck into dinner, they swerve all over the place like a Santa who’s had too many brandy’s. Or indeed the manic Ella Fitzgerald version of ‘Jingle Bells’ I try to valiantly keep in time over Tino’s ‘Christmas Is Here’. I wanted to include ‘Coldcut’s Christmas Break’ but it’s generally so terrible I could only manage a few minutes (sorry Matt and Jon but we’ve had this conversation). But how easy is it to make a credible Xmas record? I’d say very difficult and the ones I can happily hear on any given day of the year let alone during the Yuletide period would fit in a very small stocking. The Treacherous 3’s effort occupies a special place because of its inclusion in the Beat Street film and their beat box gag with a young Doug E. Fresh at the end. Milly & Silly’s 1973 ‘Getting Down For Xmas’ is from the Christmas Groove compilation and the mix of Bubba Sparxx’s ‘Ugly’ and Wings’ ‘Wonderful Christmastime’ weirdly works somehow. This was no doubt downloaded from the web amid the whole mash up craze of the time, hence no credit and the inclusion of snippets of early Cassetteboy from their Festive Christmas CD around the mix. The mood takes a darker turn with Hell Interface (aka Boards of Canada) and their ‘Soylent Night’ from the V/Vm Whine & Missing Toe CD until Tino rides back in to save the day with an ethereal jingle groove. Sirconical is usually known for huge, crashing beats but his take on ‘Silent Night’ is genuinely beautiful and comes from the Twisted Nerve Christmas Stocking Filler 7”.

OK, that’s it for this year, have a good one, see you on the other side as I take a break for a week and come back with more 90’s cassette encodings in 2024. Thanks to all subscribers new and old, especially those who have hung in there for the whole hog, I think I can see the end in sight finally as the CDr folder is nearly done, the DAT box is dry and the cassette drawers are nearing completion – I reckon the mix archive could be completed next year. Although there is that USB from Paul Johnson still to go through…

Track list:
LCD Soundsystem – Give It Up
Un-cut – Midnight (MIST 2003 mix)
Christina Aguilera – Dirrty (D&B mix)
The P Brothers – Come On Down
Perverted Monks – Freestyle
DJ Shadow – 6 Days (Soulwax mix)
Punjabi MC – Mundian To Bach Ke (Oldskool mix)
Big Brovaz – OK (Punjabi Rmx)
Dan the Automator – Bear Witness III (Once Again)
Edan – MCs Smoke Crack (remix)
Pitman – It Takes Tea
The Polyphonic Spree – Soldier Girl (Orchestral)
Tino – Christmas Is Here
Ella Fitzgerald – Jingle Bells
Coldcut – Coldcuts’ Christmas Break (edit)
Treacherous 3 feat. Doug E. Fresh – Santas’ Rap
Milly & Silly – Getting Down For X-mas
Unknown – Ugly Xmas
Hell Interface – Soylent Night
Tino – Green Christmas
Sirconical – Silent Night

Graham Dunning & DJ Food at Fog Fest, Iklectik, 2023

Here’s the performance Graham Dunning and I gave at Robin The Fog’s Fog Fest II this summer at Iklectik.
Totally improvised, we’d had a couple of rehearsals, and with visuals from PuttyRubber and Leon Trimble, it was exhilarating and felt like spinning plates rather than discs. Probably my favourite gig of the year along with the 10th anniversary of The Book & Record bar lock in.

Mixcloud Select 176: Tour Mix 08/06/2007

MS176 CDr
Sorry this is a bit late, Mixcloud seemingly deleted the original upload that I made last week. I also just noticed that I missed MS172 – which is all ready to go but will have to wait until next year as I have a Xmas mix for next week.

I’m not sure why this is called a ‘Tour Mix’, it’s not a live set for sure but I could have conceivably made it on the laptop on tour – maybe I was out with DK promoting our ’Now, Listen Again’ mix CD, I’d have to check dates. Anyway – Zero db tackle Sun Ra for the opening and I think this only came out on their own Reconstruction compilation of remixes rather than on any official Sun Ra release. John Cale then trades places with James Murphy for his LCD Soundsystem cover, which sounds a bit strained and painful in hindsight now. Next up is the first of three Mr76ix tracks from his 3 (Minority of 1) album on Skam with a magnificent tempo switch down into Def Tex’s ‘Bomber’ – what a bassline! Def Tex were great, always inventive hip hop and this was from their second album on Son Records.

Battles seemed to explode out of nowhere but they’d already made three singles before signing to the label and ‘Race:In’ came from their debut LP, Mirrored. Kidkanevil’s ‘5th Gear’ features Latyrx’s Lateef The Truthspeaker in a horny flute ode to getting down to it with a subtlety rarely present in rap. But here’s another with Pharaoh Monch expertly remixed by Optima Espacio into some sort of slow build electro gospel banger. There’s a guitar solo over a breakdown FFS! Keeping on the love-tip; an overlooked DJ Shadow B side from his Outsider album era sees him mining a psych funk angle on ‘Love, Love’. This was only on the CD single and later download of the ‘This Time’ single, no idea why it didn’t make the album and the non-LP cuts and remixes were frequently better than some of the material on that record IMO.
MS176 PRS

Oh Pepe Deluxe, how I loved (and still do love) their Spare Time Machine album, two tracks here sum it up – tightly constructed, immaculately produced sunshine psychedelia. They really string out the intro to ‘Apple Thief’ but when it kicks in it’s well worth the wait. ‘Go For Blue’ also inspired a colour-based mix of songs shortly after this including ‘Purple Rain’, ‘Mellow Yellow’ and ‘Mr Blue Sky’ but that’s already on the web. I’m wondering where I heard Candie Payne’s track from as I don’t remember buying it, maybe a promo or a compilation – whatever, she’s got that 60s doom pop sound nailed. Mr76ix sounds like he’s been listening to the last track on Selected Ambient Works II and put some rave beats to it and Battles are back again with the epic ‘Atlas’ – remember that great video of them in the mirrored box? Mr76ix plays out over the breakdown of this with a beautiful beat-less piece called ‘Romanticism’ before we’re back into that drawn out guitar trade off that builds into the final section.

Track list:
Sun Ra – Satellites Are Spinning (Zero db remix)
LCD Soundsystem – All My Friends (John Cale version)
Mr76ix – H.A.A.R.P.
Def Tex – Bomber
Battles – Race:In
Kidkanevil – 5th Gear feat. Lateef The Truthspeaker
Pharoah Monch – Body Baby (Optimo Espacio mix)
DJ Shadow – Love, Love
Pepe Deluxe – Apple Thief
Pepe Deluxe – Go For Blue
Candie Payne – I Wish I Could Have Loved You More
Mr76ix – Spirit of Man
Battles – Atlas
Mr76ix – Romanticism