Mixcloud Select 96: Kinky Voodoo Hardcore Mix 27/03/2003

Spectrum flyer backWarning – this mix gets a bit full on in places!
Spectrum / Kinky Voodoo was a night put on by John Power as I recall, initially below the newsagent off Tottenham Court Road that originally hosted the mash up night, Bastard. This set was made for Graeme Ross’s 30th birthday party – a big excuse for a nostalgic rave up and this was 20 years ago so it was very early days for the rave revival. I was asked to play and pulled out a bunch of classics from the late 80s and early 90s – 20 years later I’m still playing some of these too!
I snuck Ministry in there just for the hell of it as it was a great crowd up for anything, the intro was put together specially for the night and refused in the mix for radio. The flyer was a knowing homage to the old Spectrum nights at Heaven which helped kick off the acid house craze in ’88. This is a studio recording of some of the mix I did for that night, complete with spoken word overdubs. As you can hear, it degenerated into utter silliness and during John’s set he was so drunk his trousers started falling down (see photo evidence below).

John p

Tracklist:
DJ Food/A Guy Called Gerald – Kinky intro/Voodoo Ray
KLF – What Time Is Love?
808 State – Cobra Bora
Bam Bam – Where’s Your Child?
Stakker – Stakker Humanoid
Ministry – Jesus Built My Hotrod
Orbital – Speed Freak (Moby remix)
The Scientist – The Bee (Honey Combed remix)
Hypnotist – House Is Mine
Smart Systems – The Tingler (remix)
Eygptian Empire – The Horn Track
The Prodigy – Out Of Space (remix)
Aphex twin – Digeridoo
Acen – Trip II The Moon pt 2
dsico – This is Missy Country

All change for tonight at BSMT Space

IMG_5560Dear friends, I hate to be the bringer of bad news but the Covid curse has finally struck – and at the worst time possible too.
After evading the bugger for 2 years I tested positive yesterday, the day before tonight’s opening BSMT Space for EPOD‘s first solo show of new work. I was supposed to be there and this has put months of work and prep out the window. Be vigilant, we’re not through this yet, no matter what our government tells us.

IMG_2195
But it’s not all bad news though as my man Ollie Teeba has gamely stepped up to bat at the 11th hour with his box of 45s and two turntables for your delectation tonight. I’m sure he needs little introduction but having hands in The Herbaliser, The Process and Soundsci as well as a solo artist and DJ in his own right is nothing to scoff at – he’ll do us all proud.
DOPE FLYER 2D copy
So – the show must go on, get down to BSMT tonight between 6-9pm, there will be excellent art, great music and free beers supplied by Vedett. Maybe even snag one of the limited slipmats or prints being sold on the night?

I’ll be there in spirit and hopefully we can do something once I’m out of isolation. 876353e8-581c-4be0-9236-d58fb30aaf65

EPOD solo show opening at BSMT Space this Thursday


This Thursday – March 10th – .EPOD‘s first solo show opens at BSMT Space in Dalston. EPOD has made a pair of slipmats in five different colourways which will be on sale on the night and exclusively through the gallery. There will also be prints and new canvases plus beers by the Vedett brewery.

QMk3 set upI’ll be providing the music on the opening night from 6pm-9pm via my Quadraphon turntable with the currently unreleased Omnitronic TRM-422 mixer and the Ninja Tune Zen Delay, creating music live with locked grooves and up to four tone arms.
RSVP to [email protected] for entry to the private view on Thursday.

DOPE FLYER 2D copy

Mixcloud Select: Starter For Ten 04/02/2002

MS95 PRS

Did you spot the opening bars of the first track at the end of last week’s mix?
Neil Richardson’s ‘Approaching Menace’, better known to most as the theme to Mastermind, opens a dark and strange set that I made for the 4th of February Solid Steel show in 2002. I always thought the Mastermind theme would make a good mix with the theme to Jaws. Anyway, Tom Waits (for no man) and is up next with the only track I ever liked by him, the amazing ‘What’s He Building In There?’. I’ve no idea where or how I heard this but love it, genuinely weird. The Aranos & Nurse With Wound fits right in with the mood too, taken from a Brainwashed Recordings compilation free with The Wire magazine.

A very odd mix of Roots Manuva’s ‘Dreamy Days’ follows by Super Furry Animals, I think this was only on the CD single. More hip hop from DSP aka Dynamic Syncopation Productions, a re-christened for the second album, In The Red. ‘No Regrets’ closes out the album featuring Dell Donahue who doesn’t appear on any other release according to Discogs. Telectu – ‘Data No.2’ kicks off the Exploratory Music From Portugal compilation – again from The Wire, they always yielded something good. A rare track from Boards of Canada mixes out of it, ‘Red Moss’ from one of the Boc Maxima tape that had surfaced around this time – oh to have this in high quality.
The finale is quite something, I don’t want to spoil it but it veers so often into laugh out loud over-the-top earnest-ness that I had to check to see if it was a parody. Wink Martindale was an American disc jockey, presenter and game show host with one of those ultra wholesome voices like Ken Nordine or Rod McKuen. He made many spoken word records and this particular track was a B side in the early 80s, a poem written by Robert. N. Test, a pioneer in promoting organ and tissue donations. Someone has made a very tongue in cheek video for it here

Track list:
Neil Richardson – Approaching Menace
Tom Waits – What’s He Building In There?
Aranos & Nurse With Wound – Mary Jane (Marbles mix)
Roots Manuva – Dreamy Days (Super Furry Animals mix)
DSP – No Regrets
Telectu – Data No.2
Boards Of Canada – Red Moss
Wink Martindale – To Remember Me (The Bed Of Life)

Mixcloud Select: Solid Steel – BoC megamix 11/02/2002

MS94:5 CDR

Seeing as it was 20 years since Boards of Canada’s Geogaddi was released last week I thought I’d pull out a show from back in early Feb 2002 where I mixed up a pre-release copy of the album that Warp had given me a few days before release. As far as I know there weren’t any CD promos sent out to journalists, there was a listening party at the Union Chapel which I went to, and there was the blue vinyl ‘Alpha & Omega’ 12” but the first most of us heard of the album was when we bought it. Having connections with Warp I persuaded them to give me a copy a couple of days early so I could absorb it and get a mix down in time for the show and the results you hear are from just a few complete listens.

But first! Osymyso’s genre-defining ‘Intro-Inspection’ kicks off the show and I believe that this is an early version of Part One that he played on Eddy Temple-Morris and James Hyman’s show, The Remix on XFM. The only place to get this at this point was via a rip of the show on the web, probably from the Boom Selection website that served as a place to find all the latest mash ups. By this point Osy (aka Mark Nicholson), The Freelance Hellraiser and Jonny and Mike from Cartel Communique had started a monthly night in the basement of a newsagent just off Tottenham Court Road in London’s west end. Originally known as King of the Boots it soon morphed into Bastard (named after Bastard Pop, the name given to mash ups by the press) and I can honestly say that it was some of the most fun I ever had clubbing. Osy’s mix does exactly what it says on the tin, a selection of over 100 intros to famous songs mashed up into one long mega mix, inspired by watching the reactions to clubbers on hearing the first bars of each new song at a party. Reasoning that one track consisting of multiple intros would elicit prolonged ecstatic reactions in the crowd he set about compiling his magnum opus (that is, until we hear his fabled second album).

Coldcut and Steinski’s remix of Boom Boom SatellitesChuck D-featuring ‘Your Reality’s A Fantasy’ is full of hard-panning excitement, a total banger with multiple breaks and breakdowns at a breakneck speed. It’s a full on start to the show and rarely lets up for the first 13 minutes, making the Quantic Soul Orchestra seem quaint in comparison. Ramping things down another notch, Koushik’s fuzzed out ’Only Dreaming’ wanders into view before drifting into the aforementioned Boards of Canada mini mix for the next 19 minutes. I’ve not listed all the tracks in this as it will give Mixcloud’s tracklister a hernia and mean some people might not be able to hear it due to multiple artists in one set. Suffice to say I got at least ten in there as well as snippets of others and a little reminder of the debut album for the intro. This was all done from vinyl with an FX pedal and then edited and overlaid in Cubase, probably took the best part of a day to do just this section alone.

MS94 PRS

BoC tracks are notorious for using weird tunings and nearly everything they do is out of tune with everything else so very hard to mix without it sounding a bit discordant. I picked up on several backwards passages on the record and reversed them again to add into the mix – the devil is in the details as they say. There’s some very weird off beat panning going on in ‘Alpha & Omega’ where I had two copies playing a beat apart with the delay feeding one side and returning on the other so you get odd ping-ponging in the left and right channels – complete accident but sounds great. I love this album so much, it’s one of the greats and, although the debut is a classic, I can never decide between this and Tomorrow’s Harvest – both dark, dystopian records. Finding ways to condense the tracks without seeming to edit too heavily and then transitioning to new tempos was a challenge but because I wasn’t so au fait with it maybe that helped.

We’re bought back into the real world by Edan with ‘Just Listen’ from the ‘Lexoleum-tile 2’ EP on Lex Records, a fun cut up instrumental as only he can do. A brief telephone message from Ollie Teeba about what I cannot fathom introduces one of my favourite mash ups of the era – Jonny Kawasaki’s ‘My Child Is Bootylicious’. This terrifying vision of Destiny’s Child as if rendered by Aphex Twin post-‘Windowlicker’ and then pitched down to a slow grind was just one of the kinds of avenues the mash up could have gone down if there had been a few more tech-savvy producers putting two and two together. This is more in the Kid 606, Flashbulb vein of cut up; noisy, full of machine gun edits and stretching the subject matter to its very limits – all the more exciting for it too. I thought it appropriate to follow with Squarepusher’s latest promo, untitled at the time it emerged on the subsequent album as ‘Do You Know Squarepusher?’. Switching from 45rpm to 33 near the end takes the tempo down to a less manic level whereby 4 Hero gingerly entires the fray with beats in time but not exactly in the same pocket as Tom Jenkinson’s frantic cut ups. There’s a little of Jammin’s ‘Hold On’ to pad out the ending (Hold It Down into Hold On-geddit?) and then a snatch of next week’s mix at the very end…

Part 2 next week!

Track list:
Osymyso – Intro-Inspection (early version)
Boom Boom Satellites – Your Reality’s A Fantasy (Coldcut vs Steinski Going Under mix)
Quantic Soul Orchestra – Assassin (Part one)
Koushik – Only Dreaming
Boards Of Canada – Sometime In The Future – Geogaddi minimix
Edan – Just Listen
Johnny Kawasaki – My Child Is Bootylicious
Squarepusher – Do You Know Squarepusher?
4 Hero – Hold It Down (Bugz in the Attic remix)
Jammin – Hold On

DOPE. a solo show by .EPOD at BSMT

March 10th – 27th .EPOD presents his first solo show – DOPE. – at BSMT

DOPE will feature .EPOD’s largest works to date, the new canvases will be threaded together within the gallery space in both concept and design. Limited edition prints and collectible slipmats will also be featured as part of the show.

Private view 6-9pm March 10th

I’ll be performing on the opening night using my customised Quadraphon turntable, a brand new, unreleased 4 channel Omnitronic TRM mixer and the Ninja Tune Zen Delay.

RSVP essential: [email protected] for entry to the private view
BSMT 529 Kingsland Rd, London, E8 4AR
Sponsored by Vedett beer.

Mixcloud Select 93: Strictly Session on Coldcut Solid Steel 03/02/1996

MS93 TapeSide B of an old tape from 1996, the A side of which was uploaded last week. Wishmountain aka Matthew Herbert‘s short ’Welcome’ crashes into the Coldcut jingle to start, opening his debut 12” on the Evolution label, ‘Radio’. The next track is from my old mate Mark Nicholson, Osymyso to some, from his second release, ‘Peter And The Wolf’. This is ‘Wolf’ and it was after I played this that we met at The Blue Note one night and a mutual appreciation society was formed. The stuttering track that follows it I have no idea of and Shazam doesn’t know either, anyone? I’d really like to know what this one is actually, the track back at the end identifies it as ‘The Outcast’ but I can’t find anything that fits that name. The Brotherhood’s ‘Mad Heads’ floats in with its refrain of The World’s Famous Supreme Team phone call – super tough UK hip hop with production by The Underdog.

Another mystery is the next track sampling Soul II Soul’s ‘Back To Life’ – the sounds American to me, going by the track run down near the end of the set it’s DJ Double S’s ‘Feel The Melody’ from the Hip Hop Madness EP, a cut and paste 12” of the time I vaguely remember having an oversized label. So many people think of the UK when they think of trip hop but it was happening over in the US too with labels like New Breed putting out all manner of blunted beats. Octagon Man ‘The Rimm’ is next, this is a bit of an aggro session, lots of distortion and heavy beats, I did like it hard and heavy back then, I think I scared Coldcut and PC a bit sometimes with my preference for the hard stuff.

I’m really not doing well on this track list, Mixcloud is going to be penalising me for having too many tracks by ‘unknown’ in this set. The slow burn acid track I’ve no idea, help me out people, Shazam has given me five different results for this generic roller. The fast breakbeat cut up that slides out of it is by Funky Monkey, ‘LA Riot’ and by a process of elimination I think this is the Channel Zero mix by Andy Bell of Ride / Oasis / GLOK fame no less, according to Discogs. Great stuff, so much has slid under the radar over the years.

There’s a very abrupt change of tempo as I slam into another track I actually know! Aubrey Pasternak’s only release for Clean Up Records, the Star Wars sampling ‘New Hope’ – a great cut up that can still be had for pennies. Primal Scream’s excellent, Weatherall-produced ‘Trainspotting’ from the film of the same name follows, what a delight to hear this again. Matt Black can’t believe it’s them but comes to the rescue with a vague run down of the tracks at the end which saved me from presenting you with a virtually blank sheet for a track list.

At the end of this tape was a section of an ambient mix that I’d taped over, I’d estimate it was probably done three years before as it contains a couple of tracks I recognise from the time that we played a lot at the Telepathic Fish ambient parties that came before I joined the Ninja crew.
The first track I don’t recall but the Twin Peaks-sampling tune was always a favourite of my DJ partner at the time, Mario Aguera. It was the final version of ‘Days In The Trees’ by No-Man from their third single – proper chills down the spine stuff and will set you back £20 at least these days owing to Steve Wilson’s popularity. The brief snatch of track after it is by Hypnotone, an act who have seemingly been forgotten but had a couple of albums at the cross section of bleep, techno and ambient which are well worth tracking down. ‘God C.P.U (Ambient)’ is from their second, ‘Ai’ which, along with The Orb’s Adventures Beyond the Ultraworld, The Shamen’s En-tact and 808 State’s 90, we played to death at the start of the 90s. I’ve left this in as it’s a nice reminder of those times but wasn’t part of the Solid Steel show .

Track list:
Wishmountain – Welcome
Osymyso – Wolf
The Outcast – Unknown
The Brotherhood – Mad Heads
DJ Double S – Unknown
Octagon Man – The Rimm
Unknown – Unknown
Funky Monkey – LA Riot (The Channel Zero edit)
Aubrey Pasternak – New Hope
Primal Scream’s – Trainspotting
– bonus ambient mix section
Unknown – unknown
No-Man – Days In The Trees (Reich)
Hypnotone – God C.P.U (Ambient)

EPOD solo show at BSMT Space, London

EPOD BSMT flyer
Very pleased to be a part of EPOD‘s first solo show after being a fan of his work for years.
Open @bsmtspace in Dalston on March 10th and running until the 27th.

I’ll be creating a live soundtrack during the private view 6-9pm on the 10th using my Quadraphon turntable, Ninja Tune Zen Delay and a brand new mixer I can’t reveal yet…
I’ve been making some further adjustments to the deck and hope to have them ready by March 10th

RSVP to [email protected] for entry on the 10th

Quadraphon set up Mk2

Posted in Art, DJ Food, Exhibition, Gigs, Music. | No Comments | Tags: ,

Mixcloud Select 92: Strictly Session on Coldcut Solid Steel 30/12/1995

MS92 TapeAt the request of Mr Armtone I’ve encoded an old tape from 1995/6 for the next two weeks that shows the breadth of music flowing out in this golden age. Kicking off with what is IMO one of Aphex Twin’s best remixes, Nobukazu Takemura’s (aka Child’s View) ‘Let Me Fish Loose’ – love those strings at the end. A snatch of something by LFO (We R Are? – might actually be Autechre?) comes in over the intro to Ollano‘s – La Couleur – a minor trip hop classic from French label, Artefact – I’d forgotten this but instantly remembered the Real Roxanne sample. The Wagon Christ remix of ‘Turtle Soup’ rather clumsily flops into the mix and this would have been when we got the first test pressings for the Refried Food album so it was hot on the box. What sounds like a posse cut scratch track follows which is actually the work of one DJ, ‘Ghetto On The Cut’ from the first Return of the DJ album.

The Shy FX mix of T-Power’s ‘Amber’ follows with what sounds like DJ Food’s ‘Dub Lion’ over the top at 45 or it could be a jungle tune sampling it, I’m not sure. More DJ Food – not sure I’ve ever played so much – in the form of what could have been the debut spin of Squarepusher’s mighty remix of ‘Scratch Yer Head’ from the forthcoming Refried Food remix album. There’s a bit of time-filling after Jon More’s track run down with Clatterbox’s ‘Sann Sann’ and I’ve left a bit of the news in with a couple of interesting items before the intro jingle for Manassah’s show for an extra bit of nostalgia.

Track list:
Nobukazu Takemura – Let My Fish Loose (Aphex Twin remix)
LFO – We R Are
Ollano – La Couleur
DJ Food – Turtle Soup (Wagon Christ mix)
DJ Ghetto – Ghetto On The Cut
T-Power – Amber (Shy FX remix)
DJ Food – Dub Lion (on 45?)
DJ Food – Scratch Yer Head (Squarepusher mix)
Clatterbox – Sann Sann

The The – Global Eyes DJ Food remix video by People Like Us


Last year I had the pleasure of being asked by Matt Johnson to remix The The‘s ‘Global Eyes’ for the Comeback Special box set. The remix features on an exclusive 10″ that comes with the deluxe book and CD/DVD set and isn’t featured anywhere else. Now you can hear it as well as see a special video made by Vicki Bennett aka People Like Us who did the visuals for the tour while I opened up in the support slot. Matt likes to keep things ‘in the family’ as he calls it and it’s great to see Vicki’s take on my take of the song that opened the concert.

Anyone unfamiliar with Vicki’s work should check out her many albums and watch for her surround screen & sound films like Gone, Gone Beyond if they’re playing near you. She’s one of the great cut and paste artists of our time with a career that spans three decades now.
For the full Comeback Special gig on vinyl, CD and DVD/Blu Ray plus sumptuous photo book with 10″, extra interview discs and much more merch, head to https://thethe.tmstor.es/

Still 1 Still 7 Still 2 Still 4 Still 6 Still 8

Work has also progressed on my Cineolascape mix too, a version of my opening sets for The The back in 2018. Matt and I were in his studio before Christmas going through it with a fine-tooth comb, editing, refining and adding parts. It’s awaiting a proper mixdown in which Matt wants to ‘spatialize’ elements for a proper headphone experience. Watch this space…

Mixcloud Select 91: Your CD Is Not Skipping 09/12/2002

MS90 CDRHere’s the mix that was on the same CDr as last week’s upload, something that had appeared two weeks earlier at the tail end of 2002. Around the beginning of the 00’s I was pretty heavily into the bootleg/mash up scene and for several years my Solid Steel mixes were full of them. I do cringe at some of them sometimes when listening back, not all have aged well but I like to think I would at least choose the more interesting ones that took the songs to different places. The opening of this set features two downtempo Beatles numbers (hence the title on the disc), Bad Production of which was actually pressed up on a 7” although I can’t find that on Discogs. You wouldn’t get away with that these days! Or you’d have to wait 8 months to do it.

The excellent Beatle-esque Future Sound of London remix of Robert Miles‘Paths’ sounds like a precursor to their Amorphous Androgynous workouts a few years later. I’ve got a feeling this is the single edit version, must get hold of the 7 min version which can be had on Discogs for around £1. More Sixtoo from the as then unreleased CDr he gave me, this turned up the next year on the Outremont Mainline Runs Across Sunset 12” on Vertical Form. There’s also a bit of Alvin Lucier’s ‘I Am Sitting In A Room’ mixed in there, not sure why or where from. The gorgeous Sutekh track, ‘Privacy’ comes from the album Fell which I don’t remember owning but glad I do/did.

JG Thirlwell makes two appearances in his Manorexia guise although I can only identify one, plus a snatch of Beatles near the end. The Japan-only bonus track from Boards of Canada’s Geogaddi LP mixes in using samples from Tony Schwartz Records The Sound of Children LP (Children And God). Food is/was a band front by Iain Ballamy who I found via their first couple of albums on Feral Records, the covers of which were designed by Dave McKean and came in beautifully illustrated card boxes. The skipping CD start is what gave this set its name, ‘Freebonky‘ is from their second album, Organic & GM Food. I think the Steinski track is the Burroughs vocal sampling although it’s hard to tell. 80’s Baby’s version of Gary Numan’s ‘Cars’ is where I start to cringe, these were gentle versions of known pop songs made for babies and there were a whole string of them. I added a subtle bit of the original now and again and a monologue about driving from George Carlin but the joke wears thin very fast after that.

Tracklist:
Bad Production – Bad Production
Avril Plays the Beatles – Becoz
Robert Miles – Paths (FSOL Cosmic Jukebox mix)
Sixtoo – Transfer Please, Perfect Wednesday
Suktekh – Privacy
Manorexia – Canaries in the Mineshaft
Manorexia – Edison Medicine
Boards of Canada – From One Source All things
Food – Freebonky
Steinski – Audio Collage 6
80’s Baby – Cars
Gary Numan – Cars

Mixcloud Select 90: Lysergic Strictly Designs. 20/01/2003

MS90 CDR

Given that the new Batman film is about to be released, the tenuous reason I picked this set out is the Snoop Dogg opener, ‘Batman & Robin’ which just bangs with DJ Premier production and offbeat fight sounds. A voiceover from an LSD documentary (I forget which but it may be a Negativland radio show) forms the glue that holds this mix together and accompanies Pedro’s excellent Steve Reich/Phillip Glass-esque remix of Cinema Record Music Library’s ‘Lost’. The RJD2 remix of N.O.W’s ’70’s 80’s’ I’d completely forgotten and it sounds super fresh to my ears 20 years later, perfect summer tune, this is why I love unearthing these old mixes.

During a visit to Canada on tour we passed through Halifax in Nova Scotia and hooked up with Sixtoo who furnished me with a CDR of untitled music, this became ‘Outremont Mainline Runs Across The Sunset’ on Vertical Form and the LSD doc is back over the top of this mellow instrumental. This period of his output is so underrated, definitely one of the more interesting producers from this era before he switched up his style. I don’t remember where the Brian Bennet & Alan Hawkshaw tune came from but it’s mostly likely an excellent French Jazz comp called The Urge compiled by Victor Kiswell with a track from different countries around the world.

I have no idea why Stephanie McKay didn’t make it bigger, her earthy, beautiful vocals sounded so much more appealing than others who came after her and forced a ‘soulful’ delivery. This track was listed as ‘Bluesin’ It’ but I think it’s actually ‘Rising Tide’, track her debut down on Go! Beat, produced by Geoff Barrow from Portishead and Tim Saul from Earthling. The Cliff Martinez tracks that play out are both from the Solaris soundtrack, hard to pick two favourites, the whole album is sublime, must revisit that too, love those pure tones. This set is a real mixed bag but it all makes sense to me and every track stands up two decades later.

MS90 PRS

Track list:
Snoop Dogg feat. Lady of Rage – Batman & Robin
Cinema Recorded Music Library – Lost (Pedro mix)
Nightmares On Wx – 70’s 80’s (RJD2 mix)
Sixtoo – untitled
Brian Bennett & Alan Hawkshaw – Name of the Game
McKay – Rising Tide
Cliff Martinez – First Sleep
Cliff Martinez – Wear Your Seat Belts

Mixcloud Select 89 – Let’s Have A Dinner Party For Six – 30/10/00 Pt.3

MS88 bush house sticker
This is the third part recorded for the show I put up last week. A very Mo Wax-centric mix this time round with five of the tracks being from the label or previously signed to it. Attica Blues had moved on by this time and were signed to Columbia which was sadly the last we’d hear of them with the Test. Don’t Test album that this is taken from. The first part of Nigo’s Japanese exclusive ’Symphony No. 250910 – Escape From Planet of the Apes’ is up next which was from the Ape Sounds LP and literally sampled huge chunks of the POTA soundtrack over heavy beats. Around the same time the album was released in the UK but without this track, possibly for legal reasons.

DJ Shadow’s ‘Dark Days’ soundtrack was out on 7” and his excellent David McCallum-sampling theme was exactly what was needed by an audience fiending for more after the uneven UNKLE album. The Cinematic Orchestra rearranged Krust’s erm… ‘Re-Arrange’ which was probably from their remix album collection as I can’t find it in his discography and contains the same spoken word sample that PC used on his ‘The Sky At Night’ on Kaleidoscope the same year. Nigo Pt.2 is next – this part was remixed and became known as ‘March of the General’ on copies of the album outside of Japan, a highlight in the late period MW catalogue. I seem to remember Jadell did production on this at some stage with the Scratch Perverts, top work.

We end with Shadow’s ‘Giving Up The Ghost’, at that point unreleased but taken here from a mix James Lavelle had done from an acetate. You can hear the quality isn’t great but also it’s very fast compared to the version on The Private Press, but what a track, the follow up to Endtroducing gets a bad rep but for me its every bit as good. The mix is interspersed with various snippets of food-related spoken word, one from the How To Have a Dinner Party album and two from a Warner Bros. comp with skits related to eating vinyl and the quality of the plastic.

Tracklist:
Attica Blues – The Man
Nigo – Symphony No. 250910 (pt 1)
DJ Shadow – Dark Days (Spoken For mix)
Krust – Re-Arrange (Cinematic Orchestra mix)
Nigo – Symphony No. 250910 (pt 2)
DJ Shadow – Giving Up The Ghost

Mixcloud Select 88 – Robots/Every Record Ever Recorded – 30/10/00 Pt.1/2

MS88 CD cover A two-in-one offering today as we kick off the year proper with a blend of robot-themed tracks from late 2000. This sowed the seed for my Remember The Future mix seven years later, constructed from records about robots. Jon More fave and Solid Steel spoken classic ‘Music For Robots’ kicks things off then into the Electro The Robot version of MBM’s ‘Original Control’ with samples from an actual robot built by the Westinghouse Electric Corp in the late 30’s.
Kraftwerk should need no introduction and then we have an oddity from a soundtrack by Milton & Anne DeLugg called Gulliver’s Travels Beyond The Moon. ‘Rise, Robots, Rise’ is a stomping brass affair that gives way to an always funky Rufus Thomas dance number, ‘The Funky Robot’.

After that mix of mechanics it’s back to business as usual with the reissued-on-7”-at-the-time ‘Brutus Drums’ by Eddie Warner and a precursor to the first Now, Listen mix in the form of Sabu Martinez’s ‘Hotel Alyssa’. I think this had been bootlegged at the time and the early 00’s were a ripe era for all sorts of ‘unofficial reissues’ popping up in shops no doubt making a few people a bit of cash in return. Much like the web at that point it was still the Wild West and huge shops like HMV regularly carried bootlegs with no questions asked. Freeform Arkestra was always a great tune to play out with that plucked bass sample and building tension. Some chancer called DJ Food follows and then into an evergreen classic from the box, Camping Gaz & Digi Random’s ‘Circus World’. Around this time I found five mint copies of this in the bargain box in Soul Jazz Records (now Sounds of the Universe) for a pound and proceeded to give them away to anyone who would take them. The combination of Circus clowns, ska, screaming children and theremin solo has never been bettered or even attempted by anyone else.

The covers above and below were from a (very short) period where I was going to make a custom cover for each mix, around the year 2000 when I think I got a decent inkjet printer for the first time and could print glossy colour images. This lasted for approximately three Solid Steel mixes but I did make others for one-off themed sets like the Kraftwerk Kovers and the interview shows.

MS88 CD Inlay

Into part 2 of the original show with Robert Klein’s hilarious ‘Record Offer’ of every record ever recorded, “we drive a truck to your house!”. Klein has several 70’s comedy records that are worth tracking down as he covers the usual topics of sex and drugs in a manic style. A Ninja classic from Up, Bustle & Out into Coke Escvedo’s ‘Runaway’ leads into ‘Funkyacidstuff’ from Luke Vibert via a 12” of archive material on Planet Mu, the same one where the track ‘Analord’ gave the Aphex series its name.
Photek’s name has been coming back up a lot recently it seems and ‘Terminus’ was possibly the last track he made that caught my attention before he fell off the radar. A B side on one of the Virgin releases, this huge downtempo monster just tramples over everything else in size and scope, proper widescreen break beats with bouncing bass, distorted drums and synth stabs. The Prodigy were occasionally mining this vein too and another B side, ‘Molotov Bitch’ follows with its ‘Ants Invasion’ sampling melody line. Klute plays us out with ‘Kahno’ from a 12” release on the Certificate 18 label. More spoken word crops up that would later be used on Now, Listen too, this was from an airline travel record about the Far East I think although the name escapes me.

There’s a part 3 saved for next week…

Part 1
Forrest J. Ackerman – Music For Robots
Meat Beat Manifesto – Original Control (Electro The Robot)
Kraftwerk – The Robots
Milton & Anne DeLugg – RIse, Robots, Rise
Rufus Thomas – The Funky Robot
Eddie Warner – Brutus Drums
Sabu Martinez – Hotel Alyssa
Freeform Arkestra – Freeform Theme (Raw Deal mix)
DJ Food – Rubber Samba
Camping Gaz & Digi Random – Circus World

Part 2
Robert Klein – Record Offer
Up, Bustle & Out – Aqui No Mas
Coke Escvedo – Runaway
Luke Vibert – Funkyacidstuff
Photek – Terminus
The Prodigy – Motolov Bitch
Klute – Kahno

Mixcloud Select 87: Xmas collection 22/12/2003

MS87 CDr Better late than never, Merry Xmas and Happy New Year to all my subscribers for tuning in each week for your vintage slice of archive Solid Steel! Here’s a short but sweet swinging selection from 2003 leaning heavily on the hip jazz end of things and includes my favourite festive song of all time, The Soulful Strings’ version of ‘Little Drummer Boy’.

As I recall, this set takes liberally from an excellent compilation put together by Martin Green called ‘Cool Yule, The Swinging Sounds of Christmas’. Stick it on whilst preparing the dinner and raise a glass to having made it through another year. Have a great one, see you on the other side…

MS87 PRS

Track list:
Tony Rodelle Larson – Cool Yule
Herbie Hancock – Deck The Halls
Bill Darnell & The Smith Bros – We Wanna See Santa Do The Mambo
Bill Cosby – Merry Xmas Mama
John Rydgren – A Christmas Reflection
Lalo Schrifrin – Joy To The World
Billy Taylor & David frost – Bright Star In The East
Soulful Strings – Little Drummer Boy
Dickie Goodman – Santa & The Satelitte Pt 1&2 (edit)
Phil Spector – Silent Night
Ed ‘Kookie’ Burns – Yulesville

Mixcloud Select 86: DJ Food at Stealth – The Blue Note, Dec 7th 1995 – Part 2

Stealth tape 2 Dec 7th 1 Here’s part 2, DJ Food – PC and myself – on 4 decks at The Blue Note, Dec 7th, 1995 – a more drum n bass led set coming out of some Ninja business from Up, Bustle & Out and The Herbaliser. It’s possible, listening back, that these first two tracks aren’t PC and I but the end of either The Herbaliser or Coldcut’s DJ set and we start with the breakdown sample of Dirty Harry from the end of The Real Killer Pt.2. There are also sudden stops or breaks in the recordings where tapes must have run out and by the time they’re changed the music has moved on so I’ve crossfaded a couple of bits so there are no sudden stops or jump edits. The levels on a lot of it were up and down so I’ve done my best to make volumes a bit more consistent across the mix.

This is available as part of my Mixcloud Select subscription – £3 a month gets you an archive mix a week every Friday morning with tracklist and notes – you can sign up here and leave any time

At a couple of points there’s what seems to be a theremin being played over the top of the set, I’d completely forgotten about this but it lit a dim recollection of someone doing something like this, not Patrick or I though I hasten to add. The mix is rough and ready, straight from the central mixer we were both plugged into with no crowd noise sadly so it’s a little dry. Every rough mix, distorted level and jumping record can be heard but you get the sense that this is very live, improvised on the spot with vinyl and the occasional spoken word overlaid from CD. For some context, this is very early days of this kind of music being played in a main room of a club, not the back room/chill out, on a four deck set up with DJs facing each other on a club stage in London. There are a lot of unknown tunes in these sets, some PC’s and some mine, lesser known break beats and DnB tunes that Spotify can’t recognise and the old braincells won’t remember, I’m hoping people can spot some and fill in the blanks.
Stealth tape 2 Dec 7th 2
There was an odd jump at the end of this tape, from DnB to a sudden 130 tempo, the DAT must have either stopped or ended and there was a sudden change at Bushflange. We probably did the 45-33rpm trick and turned the deck off for a second so the tempo ran down and landed at a more techno pace then mixed into that at the slower speed. Bushflange have come up numerous times during these mix excavations and their tracks were always solid, strange that they weren’t remembered in the scheme of things. Owners of the Sunday At Bundy’s mix tape will probably recognise a couple of sections from this set as they were featured on that tape back in 1996.
Below is the original print file layout for the flyer, this was printed on gold card so the purple came out more a burnt umber brown as you can see by the tape inlay above that I made from a flyer.
blue note flyer 7th - AI55 web

Stealth T shirt crop
Remember, if you want a 1 of 100 commemorative Stealth T shirt then I think there are some left, follow this link, choose you colour, size and T shirt number from the ones left and place an order, once the 100 are sold there won’t be any more.
https://weare1of100.co.uk/limited-edition/dj-food-openmind/
Stealth ecru 242 sqStealth black white2 sq

Track list:
Up, Bustle & Out – Revolutionary Woman Of The Windmill
The Herbaliser – The Real Killer Pt.2 (Rooftop Prowler)
Larceny – Who Are You? (Aquasky mix)
Unknown
Unknown
Unknown (acappella on 33rpm)
Alex Reece & Wax Doctor – Detroit
DJ Vadim – Call Me
Photek – The Rain
The Pharcyde – Passin’ Me By (acappella)
Unknown
The Shamen – Transamazonia (LTJ Bukem mix)
Unknown
Incognito – Still A Friend Of Mine
Squarepusher – Male Pill 5
Dream Warriors – My Definition Of A Boombastic Jazz Style (acappella)
Fatboy Slim – Weekend Bonus Beats
Rae – Free Rolling
KRS One – Uh Oh
Cypress Hill – Scooby Doo
Unknown
Unknown
Bushflange – Cloud Cover
Plastikman – Helikopter
DJ Shadow – In/Flux
Colourbox – Baby I Love You So

Mixcloud Select 85: DJ Food at Stealth – The Blue Note, Dec 7th 1995 – Part 1

Stealth tape 1 Dec 7th 1 As some may have seen, I recently did a collaboration with 1 of 100 shirts on a Stealth t-shirt as the date of the first Ninja Tune night called Stealth was on December 7th, coincidentally the same day as 1 of 100 formed four years ago. The anniversary for the Ninja night was 26 years ago and I managed to find tapes from that same night to encode for you all to hear. Unfortunately it all came at a time when I’ve been busier than any other part of the year so things got held up.

DJFood_bluenote_Web

The set presented here is DJ FoodPC and myself – on 4 decks at The Blue Note, Dec 7th, 1995 and the photo above was taken that same night by Martin LeSanto-Smith. The set is about two and a half hours in total, recorded from a DAT across two TDK tapes. I’ve no idea where the original DAT is, I don’t think I have it and PC doesn’t, maybe Coldcut do but where it would be is a mystery at the moment. It’s possible that we played twice on the night but I can’t be certain, there’s a point where Coldcut mix into us when Jive Samba is played at the end of part 1, this was a Jon More special at this point in time so I know it’s him, but there’s more music from us later. There are also sudden stops or breaks in the recordings where tapes must have run out and by the time they’re changed the music has moved on so I’ve crossfaded a couple of bits so there are no sudden stops or jump edits. The levels on a lot of it were up and down so I’ve done my best to make volumes a bit more consistent across the mix.

Stealth tape 1 Dec 7th 2

At a couple of points there’s what seems to be a theremin being played over the top of the set, I’d completely forgotten about this but it lit a dim recollection of someone doing something like this, not Patrick or I though I hasten to add. The mix is rough and ready, straight from the central mixer we were both plugged into with no crowd noise sadly so it’s a little dry. Every rough mix, distorted level and jumping record can be heard but you get the sense that this is very live, improvised on the spot with vinyl and the occasional spoken word overlaid from CD. For some context, this is very early days of this kind of music being played in a main room of a club, not the back room/chill out, on a four deck set up with DJs facing each other on a club stage in London.

PC and I were keen to have lots of tools to play with so there were also a delay and flanger pedal incorporated into the set up at different points as well as a sampler on the mixer used to capture little snatches of beats and trigger them over the mix too. Occasionally I would use a little tool I made from a film canister with a pencil stuck in the top, placing it over the centre spindle and balancing a record or top, using the pencil as a spindle. The tonearm would then be heavily weighted on the back end and the cartridge unscrewed and inserted upside down, placed under the elevated record which would then cause the sound to come out reversed as if the turntable was playing backwards. You can hear it around the 31 minute mark in part 1 and see me doing it in this photo, taken at the Sonar festival the next year. PC would use his delay pedal to loop up sections occasionally and then drop back into the records. Sometimes one of us would pick a snare sound and the person who was playing would find a kick on the one and we’d scratch improvised beat patterns for a few bars before dropping back into a track, hoping the records wouldn’t jump which they sometimes did if we got carried away.

DJ Food Sonar 1996.2 crop

Anyway, here’s part 1, a more downtempo, trip hop, hip hop set, with part 2, more drum n bass led, to follow. Subscribers to my Mixcloud Select can access it for £3 a month, for that you get an archive mix each Friday and notes, tracklists and photos.
If you want a commemorative Stealth T shirt then I think there are some left, follow this link, choose you colour, size and T shirt number from the ones left and place an order, once the 100 are sold there won’t be any more.
https://weare1of100.co.uk/limited-edition/dj-food-openmind/Stealth black white2 sqStealth ecru 242 sq

Track list:
Unknown
DJ Food – The Food Song
Unknown
Whistle – We’re Called Whistle
Unknown
LL Cool J – Rock The Bells
The Herbaliser – Up 4 The Get Downs
Unknown
III Most Wanted – Calm Down (a cappella)
DJ Food – Spiral Dub
Kid N Play – Gittin’ Funky
Coldcut – More Beats
Big Apple Productions vol.3 – Genius At Work
Depth Charge – Queen of the Scorpion
Trouble Funk – Live Percussion Solos
Unknown
Eric B & Rakim – Let The Rhythm Hit ‘Em (acapella)
Autechre – Rotar
Unknown
Unknown
Caveman – Victory
Def Jef – Droppin’ Rhymes on Drums
Hardhouse – 11:55 (Bee Boys Club)
4E – Temple Traxx
Dirty Beatniks – Getting Stupid (Live At The Blue Note)
Oh-Zone Layer – Dark Side Of The Shroom
The Last Minister – Tribute To J.B. Family
DJ Chuck Chillout & Kool Chip – Rhythm Is The Master
Unknown
Kraftwerk – The Model
Jack Constanzo & Gerry Woo – Jive Samba

What a crazy week…

TRTW Xmas 2021Monday: Photographed The Real Tuesday Weld‘s annual 3″ CD Xmas card I’d designed which then went on sale online. Buy here

1of100 websiteTuesday: 1 of 100 shirts / DJ Food/Openmind collab went on sale, 100 shirts with the Stealth club logo. 26 years to the day of the first Ninja Tune club night called Stealth, mini commemorative flyer swing ticket to round it off.
Recorded a ton of jams on my Quadrophon turntable and found the recording of PC and my set at The Blue Note from the same night all those years ago…

https _cdn.evbuc.com_images_193801549_20552277884_1_original.20211130-101750IMG_4282
Wednesday: Fine tuning a 7,500 word intro to a book about light show picture wheels I’m doing with Four Corners Books, for publication next year, months of research and interviews distilled into a huge piece.
DJed at the Let’s Stick Together night with Mira Calix at The Gun pub in Hackney, people came and made collages all evening while we played, the best will go into Mira’s next collage zine, out next year.
Got home at 11pm, started editing turntable jams for Saturday…

The The 10 remixThe The Comeback

Thursday: Working in Studio Cineola with Matt Johnson of The The, finishing off my CineolaScape mix for release on his label next year. This is a distillation of my opening sets for their live comeback tour, playing Matt’s music from across his 40 year career. We’re doing final mixdowns and edits. Also finally got a copy of the Comeback Special deluxe set with my exclusive remix on the bonus 10″ vinyl.

4. Cover-Flat TM000 - on body AW

Friday: More of the same and then off home to see the Touched Music‘s Project OO go live with a virtual release party online at 7.30pm and the release of a 58 track, 5xCD compilation in aid of 7 yr old Oona Dooks who needs special treatments to walk. Also available is a 74 min mix CD I made to promote the project featuring many tracks from it. Amazing response as both sold out in hours.
News that Electronic Sound magazine had both the DJ Food Kaleidoscope/Companion reissue and The New Obsolescents‘ album in their end of year list and a two page photo of us performing at the Levitation festival. Delightfully modelled here by fellow Obsolescent Robin The Fog at the Book & Record Bar in West Norwood.

IMG_4318

Saturday: Jamming with original Antz/Bow Wow Wow drummer Dave Barbarossa in a West London studio with tracks made on my four-armed Quadraphon turntable, making exploratory music for a possible collaboration.

Dave Barbe

Project OO by Touched Music

Project OO cover web
I’m incredibly proud to have been asked to contribute a promo mix of a selection of tracks from the next Touched Music charity compilation, ‘Project OO’. This compilation of 58 ambient and electronic tracks is in aid of a disabled seven year old named Oona with an undiagnosed condition similar to cerebral palsy. In her short life she has had emergency operations and requires specialist physio which costs thousands of pounds a year. Although she can barely walk she has learned to swim and this has been an epiphany.

Eudora Summer 1

Martin Boulton at Touched Music has pulled together 58 electronic artists to form ‘Project OO’, a compilation to raise funds for Oona’s treatments. The quality here is off the scale with some of the most beautiful tracks I’ve heard in ages, many interspersing samples of Oona and friends at play which tugs at the heartstrings even more. The compilation features many familiar names including 808 State, The Future Sound of London, Scanner, Plaid, Kaitlyn Aurelia Smith, Mouse On Mars, John Beltran, Mark Van Hoen, Paul Blackford and many more.

Front and Back Artwork3. Disc-Deck

The release comes as a 5 CD set with slipcase and download. I’ve selected 20 of my favourites for this preview mix which will also be getting a super limited release on CD too. The set is released on Dec 10th at 9pm via the Touched Music Bandcamp. Please give it a listen, the music is beautiful and by buying a set you could help make a difference to Oona’s life.

There will be a free virtual listening party tonight at 7.30pm UK time too
https://www.facebook.com/events/482528636516824

500px Photo ID: 1023328881

1 of 100 x DJ Food Stealth T-shirt out now

1 of 100 Top banner26 years ago today, the first Ninja Tune Stealth night happened at the Blue Note in London.
Here’s the flyer, reconstructed from the original 1995 file. blue note flyer 7th - AI55 web

It’s also 1 of 100s 4th birthday so I teamed up with them to make a T-shirt.
100 only, no reprints, choose your number, size and colour.
Stealth black white2 sq
Ready to buy now…  weare1of100.co.uk/limited-edition/dj-food-openmind/

Stealth ecru 242 sq