Mixcloud Select 197: DJ Food Live In NZ Edit (Dec 2003) 29/04/2004

MS197 DJ Food Live In NZ Edit (Dec 2003) 29:04:2004 CDr
A typical club set from around the early ’00s with a mash up of DnB, acappellas, hip hop and other beats, recorded live whilst on tour in New Zealand at the end of 2003. The recording is fairly compressed as it must be a feed from the desk and we drop in probably for the latter half of the set as it’s in full flow and I’ve reached the drum and bass section. I probably had two decks and a Numark CDJ for this and several classic mixes are in there including PC’s ‘Mirror In The Bathroom/Square Off’ combination from Now, Listen, DJ Zinc/Rodney P, Nas/DJ Shadow and Beastie Boys/Lisa Maffia which were all staples of the set around this time. There’s a live take on the Obie Trice beat cut up featured on a previous mix upload and I float a bit of Shirley Bassey’s ‘Light My Fire’ over Un-Cut’s ‘Midnight’ track who sample the strings from her version. Anyway, I won’t pontificate on the contents but there’s lot of obvious stuff in here including 3 DJ Food tracks which is a rarity for me.

MS197 DJ Food Live In NZ Edit (Dec 2003) 29:04:2004 PRS
We’re heading towards upload 200 and I’ve still decided what I’m going to do for it but thanks to everyone who’s stuck with this for the last four years. We’re nearly there, virtually everything worth hearing is encoded and uploaded now and it’s going to be good to move on from this and concentrate on my new monthly show on ROVR radio where I’m trying to concentrate on new music if possible (or new to me). The next show is June 7th but you can listen back to the first two episodes via the phone app which gives you access to the archive.

Tracklist:
2 Tall – Luminous Thongs Solid Steel intro
Krust & Die present – Movin’ Fast
Nextmen vs Cyantific feat. Dynamite MC – High Score
Un-Cut – Midnight (Mist 2003 remix)
Pharoah Monch – Got You (DnB remix)
DJ Zinc – Reach Out (remix)
Rodney P – Riddim Killa
The Beat – Mirror In the Bathroom
Mask – Square Off
DJ Food – Scratch Yer Hed (Squarepusher remix)
DJ Food – Mr Scruff Megamix
DJ Shadow – Right Thing (Z Trip Party mix)
Nas – I Can (acappella)
DJ Food – Dark Lady
Quantic Soul Orchestra – Pushin’ On (acapella)
Diverse, RJD2, Lyrics Born – Explosive
Prince – Sign O The Times (Rootz n Workz remix)
Return of the Returner – Throwdown No.1
Obie Trice – Got Some Teeth (acappella)
Phill Most Chill – On Tempo Jack
Beastie Boys – 33% God
Lisa Maffia – All Over (acapella)
Dsico – Bille Jean Dub
Derrick Largo & Trinity – Don’t Stop ’til You Get Enough

Mixcloud Select 196: Openmind – That’s My Boy! Pt.2 side B – Live Mixxx 26/05/1994

MS196 Openmind - That's My Boy! Pt.2 (side B) - Live Mixxx 26:05:1994
That’s My Boy! was a trilogy of tapes I made when I lived in a house share in East Dulwich that were given out to friends and neighbours at the time around 30 years ago as my DJ career was just starting with Coldcut and Ninja Tune. There were three volumes of which this is the second and I was showcasing the tracks of the day whilst trying to find my style as the times shifted out of the ambient scene I had been playing in for the last few years. The first strands of what would become known as trip hop were mutating out of the hip hop, indie dance and acid jazz scenes and it was a fertile time for electronic music with Warp leading the pack with their Artificial Intelligence series. You can still hear the tendrils of the German kosmischer scene overlaid in places as well as the collaged soundscapes of the Orb and others of their ilk but this volume definitely ups the funk factor with cuts from the Beastie Boys’ then current Ill Communication album, the Ballistic Brothers vs the Eccentric Afros EPs and early Mo Wax and Ninja Tune releases.

I can still remember the excitement of these times, the rush to find the early MoWax 12″s, the Beasties playing in London and doing the instore at Rough Trade in Covent Garden. Ninja signing new artists like The Herbaliser and doing my first artwork for them including redesigning the logo and 9 Lazy 9’s second album cover. Warp and R&S putting out great records every month and doing Telepathic Fish parties around London and even abroad in Amsterdam with Matt Black, Mixmaster Morris and electronic acts of the day like Autechre, Higher Intelligence Agency and Pentatonik. Working at Ambient Soho at the weekends with Rockit and helping out with the graphic design on my first Apple Mac (shared with David Vallade), an LC475. First DJ gigs around the UK with Coldcut, seeing new cities for the first time like Bristol, Leeds and Manchester. Clubs like Megatripolis on a Thursday and squat parties like Tribal Energy at the weekends plus festivals in parks around London. In my mind it’s always sunny although that’s technically impossible in the UK. There was definitely something in the air, the music was shifting and my hip hop knowledge from my first 80s forays into DJing was informing my tastes. Despite the late 80s tip into gangsterism which had soured some of the genre for me, I was still listening to hip hop via Max & Dave’s show on KISS FM alongside Coldcut, Colin Dale and Colin Faver’s more electronic-based shows and finding more interesting material coming out of the west coast.

This mix was probably done live on three decks and a basic CD player – the two Technics were used to mix beats and another old Panasonic belt drive deck for adding ambience with the CD reserved for more ambience of the occasional spoken word segment. The 4-channel mixer had a basic at best ‘echo’ function but this is mostly kept at bay as it was awful. You’ll hear bits of Sheila Chandra, Orbital, The Woodentops, Pulsation, Blue Pearl and more over these tracks as I was always layering and keeping to the chilled end of the beats. This was also the first time I’d used a Ken Nordine track, having been turned on to him by Mixmaster Morris the year before and then hunted down the Rhino Records compilation of Word Jazz they’d issued. There’s not too much you could call dance floor here, more of a head nodder for the smokers, something that would change on vol. 3 I seem to recall.

Side B Track list:
Beastie Boys – Shambala
Ballistic Brothers vs the Eccentric Afros – Save The Children
Beastie Boys – Bodhisattva Vow
DJ Toolz – Rusty Goes Ga Ga
DJ Toolz – Readybrek
La Funk Mob – La Doctoresse
R.P.M. – 2000
Ballistic Brothers vs the Eccentric Afros – Anti-Gun Movement
Paul Weller – Kosmos (Lynch Mob Bonus Beats)
DJ Toolz – Electric Junk
The Radha Krona Temple – Baja Hure Mana
Beastie Boys – Transitions

Mixcloud Select 195: Openmind – That’s My Boy! Pt.2 (What Time Is It?) side A – Live Mixxx 26/05/1994

MS195 Openmind - That's My Boy! Pt.2 (What Time Is It?) side A - Live Mixxx 26:05:1994 tapeThat’s My Boy! was a trilogy of tapes I made whilst living in a house share in East Dulwich, they were given out to friends and neighbours around 30 years ago as my DJ career was just starting with Coldcut and Ninja Tune. Weirdly my old friend Jem Panufnik sent me a photo of his copy of this tape he’d found just a week after I’d digitised it (see below). There were three volumes of which this is the second and I was showcasing the tracks of the day whilst trying to find my style as the times shifted out of the ambient scene I had been playing in for the last few years. The first strands of what would become known as trip hop were mutating out of the hip hop, indie dance and acid jazz scenes and it was a fertile time for electronic music with Warp leading the pack with their Artificial Intelligence series. You can still hear the tendrils of the German kosmischer scene overlaid in places as well as the collaged soundscapes of the Orb and others of their ilk but this volume definitely ups the funk factor with cuts from the Beastie Boys’ then current Ill Communication album, the Ballistic Brothers vs the Eccentric Afros EPs and early Mo Wax and Ninja Tune releases.

There was definitely something in the air, the music was shifting and my hip hop knowledge from my first 80s forays into DJing was informing my tastes. Despite the late 80s tip into gangsterism which had soured some of the genre for me, I was still listening to hip hop via Max & Dave’s show on KISS FM alongside Coldcut, Colin Dale and Colin Faver’s more electronic-based shows and finding more interesting material coming out of the west coast. Even recently I’ve been finding hidden gems from the early 90s that never got past the promo stage or had limited releases but slipped between the cracks as they maybe didn’t hit the flavour of the day. The Prince Paul-produced Resident Alien album, Justin Warfield’s unreleased ‘Return To Planet 9’ and the recent reissue of Hard 2 Obtain’s ‘Ism & Blues’ all fit the early 90s overlooked rap bracket and are well worth tracking down.

Thats My Boy 2 Jem what time
This mix was probably done live on three decks and a basic CD player – the two Technics were used to mix beats and another old Panasonic belt drive deck for adding ambience with the CD reserved for more ambience of the occasional spoken word segment. The 4-channel mixer had a basic at best ‘echo’ function but this is mostly kept at bay as it was awful. You’ll hear bits of Sheila Chandra, Orbital, The Woodentops, Pulsation, Blue Pearl and more over these tracks as I was always layering and keeping to the chilled end of the beats. This was also the first time I’d used a Ken Nordine track, having been turned on to him by Mixmaster Morris the year before and then hunted down the Rhino Records compilation of Word Jazz they’d issued. There’s not too much you could call dance floor here, more of a head nodder for the smokers, something that would change on vol. 3 I seem to recall. Side B next week…

Side A Track list:
Material – Mantra (Praying Mantra mix)
La Funk Mob – Motor Bass Get Phunked Up
Saint Etienne – Like A Motorway (The Dust Brothers remix)
Unknown – unknown
DJ Toolz – Intercontinental
Beastie Boys – B-Boys Makin’ With The Freak Freak
Cypress Hill – Scooby Doo
Sheila Chandra – One
Unknown – unknown
Saint Etienne – Your Head My Voice (Voix Revirement)
The Woodentops – You Make Me Feel (Late Night Mix)
Ken Nordine – What Time Is It?

My second monthly Electrik Collage radio show debuts this afternoon: May 10th at 2pm wherever you are in the world on ROVR radio, download the app to get archive access. APPLE or ANDROID

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Mixcloud Select 194: Solid Steel Birthday Beats 05/05/2003

MS194 Solid Steel Birthday Beats 05:05:2003 CDr
As it’s my birthday weekend this week I thought I’d save this one until (nearly) last. Either recorded or broadcast on my birthday 21 years ago (it’s not unusual for me to work on a birthday) it’s one of the bumper crop of mixes I recorded for Solid Steel in 2003, probably my most prolific year on the show. The Glitter Band stomp of The Timelords’ ‘Doctorin’ The Tardis’ was a no-brainer to put with Goldfrapp’s ‘Train’ so I started off with a mash up of the two by Lionel Vinyl before progressing into the original and then Ewan Pearson’s straighter 6/8 and 4/4 mixes which still manage to be funky. RSL’s ‘Wesley Music’ was such a jam, huge tune back in the day, I once played it at a party some years later and a woman started screaming when she heard the opening bars, we thought she was in trouble but she actually just loved it so much! Linda Lewis’ ‘I Keep A Wish’ came out on Riz Maslen Council Folk label, was an acoustic ballad which serves as a near acappella here and I’m doing something with it with the Numark CDJ FX I used at the time by the sounds of it.

The Nextmen make over Reno’s ‘Rock n Roll’ and do a nice pitch up trick from downtempo to UK Garage beats before The Baker Brothers who had a nice run of funk 45s on their own ARSE label around this time of which this was the third I think. This slides smoothly into The Cinematic Orchestra’s ‘Man With The Music Camera’ which was possibly preceding the album at this point. The script flips quickly into the Geezers of Nazareth, a weird little 7” which is listed as a mini-album on Discogs, containing seven tracks and apparently soundtracking the short film, ‘Pole’. I was never much of a Blur fan but their track ‘Out Of Time’ really resonated and later named Miranda Sawyer’s book about middle age which I can recommend once you get there. The spoken word about Marrakech I overlaid was because they used the Marrakech String Orchestra or something for the backing.
MS194 Solid Steel Birthday Beats 05:05:2003 PRS
Quite a change of mood and pace next with Kid 606’s remix of Amon Tobin’s ‘Verbal’ and then a sequence I would use often in my DJ sets around this time with Z-Trip’s mix of DJ Shadow / The D.O.C. / Nas all blended into a party-rocking mess. Actually a lot of this second half is something I would work into DJ sets in a myriad of variations over the 00’s, that Z-Trip mix was so useful as a mix tool. I think the Quantic Soul Orchestra mix of Sunshine Anderson’s ‘Heard It All Before’ was from one of the Tru Thoughts Rebtuz 12”s that were possibly not exactly legit but would arrive in the promo post of the day, this was from the first apparently. Frenchbloke & Son’s ‘Sound of da S-Club’ is one of THE best mash ups of the day – wrong-foots everyone when they first hear it but is so stupidly obvious you have to give it to them. For some reason I decided to add a bit of Neil Sedaka into the middle as the band were possibly breaking up at the time, pop showbiz gossip in the middle of a Solid Steel mix!

I used to do the Lisa Maffia/Lil Kim mix all the time, it required a pretty swift change of the record to get the acappella in on time and then switch from the instrumental to vocal version. Mr Guder was a funk combo with Dr Rubberfunk on drums who released a couple of 45s with breaks medleys – vol.1 and 3 but no vol.2. I recently asked the good Dr what happened to vol.2, did it come out and I miss it? Apparently not, they never finished it but he still has the tapes as well as sessions for vol.4 and 5! They sound pretty good too and he’s getting to finishing them soon… The Roots’ ‘Thought @ Work’ is one of those great pieces that can legitimately be filed under ‘old school hip hop’ despite being made in 2002 without violating the trades descriptions act. The band perfectly reimagine the old Bronx park breakbeat jams and I get busy with a copy of ‘Apache’ over the top, doubling up snares before running into Grandmaster Flash’s ‘rock steady’ cut up of the same for his Strut compilation. Another dose of the Quantic Soul Orchestra comes in the form of a vocal retake of their classic ’Super 8’ track and an Ochre edit-heavy mix of Justin Timberlake’s ‘Like I Love You’ plays us out. I’m constantly surprised at how much work I put into some of these mixes, lacing much of it with relevant spoken word clips sourced from Megatrip’s Soundbank CDs – that’s what happens before you have kids!

Track list:
Lionel Vinyl – Doctorin’ The Train
Goldfrapp – Train (original)
Goldfrapp – Train (Ewan Pearson 6/8 & 4/4 mixes)
RSL – Wesley Music
Linda Lewis – I Keep A Wish (Re-edit)
Reno – Rock ‘n’ Roll (The Nextmen – The Mines mix)
Baker Brothers – Aargh, Aargh, Aargh
The Cinematic Orchestra – Man With The Movie Camera
Geezers of Nazareth – Introducing the Pole
Blur – Out of Time
Amon Tobin – Verbal (Kid 606 remix)
DJ Shadow – Right Thing (Z-Trip Get The Party Off mix pts 1 & 2)
The D.O.C. – Portrait of a Masterpiece
DJ Shadow – Right Thing (Z-Trip Get The Party Off mix pt 3+bonus beats)
Nas – I Can (acappella)
Sunshine Anderson – Heard It All Before (Quantic Soul Orchestra mix)
Frenchbloke and Son – Sound of da S Club
Neil Sedaka – Breaking Up is Hard to Do
Lisa Maffia – All Over (acappella)
Lil’ Kim – The Jump Off (instrumental/Vocal)
Mr Guder – Mr Guder Breaks 3
The Roots – Thought @ Work
Incredible Bongo Band – Apache (Grandmaster Flash Rock Steady mix)
Quantic Soul Orchestra – Walking Through Tomorrow (Super 8 Pt 3)
Justin Timberlake – Like I Love You (Ochre mix)

Mixcloud Select 193: Acappella’s Anonymous 24/11/2003

MS193 Acapellas Anonymous 24:11:2003 CDr
A classic smorgasbord of then-current releases and retro oddities laced with spoken word in the best Solid Steel style, opening with Dani Siciliano’s ‘Walk The Line’, co-produced with Matthew Herbert (we had her take on Nirvana’s ‘Come As You Are’ from the same EP a few uploads ago). I can’t remember where the dialogue about drum machines and drummers was from or which band was doing the talking but it’s verging on Spinal Tap territory. Ricci Rucker was definitely one of the leading abstract turntablists around this time as his disjointed ‘Dirt’ shows, not one for the party rocking crowd. Unlike Yasuharu Konishi’s Lesson-like breaks cut up, ‘A Tribute to Simon Harris’ which came from a flexi disc – possibly from Relax magazine in Japan.

The tempo is all over the place and that was the common thread behind DJ Zinc’s album, Faster, the title track of which follows, steadily gaining speed as did each subsequent track on his LP. Zinc was always one of the most forward-thinking of the drum n bass producers, able to turn his hand to a myriad of styles. Again, I’m not sure the origin of the spoken word I’ve garnished the beats with but it sounds pretty cosmic. Mordant Music’s ‘Dark Side of the Autobahn’ mash up slips into the mix and I always wondered how he’d done this as he appears to have stems to a number of the elements, either that or there’s some very canny EQ-ing going on. Digital Midgets’ debut EP also heralded the Lost Idol remix of the title track by label-mate James Dean who is still going from strength to strength under the moniker.

MS193 Acapellas Anonymous 24:11:2003 PRS
‘Shining Pain’ is a fine bit of 90’s trip hop from 2003 ‘presented’ by St. Germain on the Warner Jazz label, Soel was a frequent collaborator with him and a trumpeter to boot. A slight change of pace from smooth jazz to electronic hip hop via Prefuse 73’s remix of Beans’ ‘Mutescreamer’ next before a slightly out of tune mix into Quantic’s excellent ‘Compartiment Tueurs’ remix from the incredible Cinemix album which saw a raft of producers remixing rare French soundtrack cuts by Morricone, Roubaix and Vannier/Gainsbourg. Compiled by old friend Fred Elalouf aka DJ Oof, this was rich with more hits than misses, something these projects can sometimes suffer from and it can still be had very cheaply for a triple vinyl LP. A super-rare John Rydgren flexi disc follows – possibly grabbed from the online 365 Days project curated by Otis Fodder on WFMU as I definitely don’t have a copy.

Moving on we get a Prop track remixed by Mice Parade that comes on like a Steve Reich piece before the Diverse/RJD2/Lyric Born rap banger that is ‘Explosive’ – on Chocolate Industries who were definitely putting out some of the most interested rap of the era. Some ropey scratching from me of Sly & Robbie’s ‘Boops’ instrumental provided the intro to the CJ Scratch version so I could float the a cappella of FYA’s cover – which works for the most part but it’s a bit busy with all the samples underneath. Then it’s rap throwdown time again as I cut up two copies of The Returner’s ‘Throwdown No.1’ under Obie Trice’s ‘Got Some Teeth’ a cappella. Immediately this trio is over Missy’s ‘Pass That Dutch’ a cappella is in with Keno 1 (aka Natural Self) and The Hermit’s ‘Heavy Heavy’ – must dig that 45 out again, so tough. The second half morphs into Luke Vibert’s ‘Yoseph’ for a bit of light acid and an odd tempo change into Diplo’s Big Dada debut ‘Epistimology Suite’ and the drum machine evangelists are back. Forss’ micro-edited ‘Flickermood’ from his Soulhack debut LP plays us out with a moment of calm, like a jazzier Akufen and with that, we’re done – phew!

Tracklist:
Dani Siciliano – Walk The Line (Dani’s original mix)
Ricci Rucker – Dirt
Yasuharu Konishi – A Tribute To Simon Harris
Zinc – Faster
Dark Side of The Autobahn – Dark Side of The Autobahn
Digital Midgets – We Always Have Been (Lost Idol mix)
Soel – Shining Pain
Beans – Mutescreamer (Prefuse 73 remix)
Quantic – Compartiment Tueurs
John Rydgren – Unknown
Mice Parade/Prop – Remora (Free From The Shark remix)
Diverse feat. RJD2 & Lyrics Born – Explosive
Sly & Robbie – Boops (instrumental – CJ Scratch)
FYA – Boops (Acappella)
Return of the Returner – Throwdown No.1
Obie Trice – Got Some Teeth (Acappella)
Keno 1 & The Hermit – Heavy Heavy
Missy Elliot – Pass That Dutch (Acappella)
Luke Vibert – Yoseph
Diplodocus – Epistimology Suite (Don’t Fall/Like Cats)
Forss – Flickermood

Mixcloud Select 192: Coldcut Alien Sphinx – Strictly Kev section 16/09/1994

MS192 Coldcut Alien Sphinx on Solid Steel 16:09:1994 tape
*Apologies – I’ve been away on holiday and thought I’d posted this on Thursday night last week

An Alien Sphinx or sometimes Solid Sphinx was a 2 hour, ad-free show where we dispensed with any chat and just went heads down into the mix. I’m not sure why there were no ads (maybe advertising was lacking that week and you’d get less coverage at 1am in the morning?) but this seemed to happen a couple of times a year at KISS FM. Here’s my section from a 2 hour ‘rub’ as Matt would call it, where the four of us were present in the studio; Matt going first, then me, PC and Jon last I think – I can usually tell by the song selections or playing style. While one of us was playing the others would be slurping spoken word or ambient sounds over the top to pad out the mix, hence the busy nature of the sound field.

Kraftwerk spring out of the end of Air Liquide from Matt’s set to being mine and then into Coldcut’s own ‘Beats & Pieces’ B-side, ‘More Beats’ which gets a speed switch half way to up the tempo. Motorbass’ Ritchie Hawtin/Plastikman slow-burn remix slides in before the second Kraftwerk outing of ‘Home Computer’ which then has its own tempo switch in the second half. Drome’s ‘Hoax! What Did You Got?’ from the slept on Ninja album is riding that early drum and bass sound but with classical Indian overtones. Actually this was released on Ninja TONE, but confusion made the label retitle it Ntone – a sub-label for more electronic fair. Bedouin Ascent’s astonishing ‘Manganese In Deep Violet III’ from the Pavillion of the New Spirit EP is somehow mixed in by the skin of its teeth, one of the hardest tracks to mix ever. There’s a snatch of an unknown ambient dub cut, some War of the Worlds dialogue and then we finish with Mantonix’ ‘Get Stupid Pt.3’ which samples Art of Noise and Billy Cobham’s ‘Spectrum’ three years before Massive Attack would make it their own on ‘Safe From Harm’.

Track list:
Kraftwerk – Boing Boom Tschak
Coldcut – More Beats
La Funk Mob -Motor Bass Get Phunked Up (Electrofunk remix)
Kraftwerk – Home Computer
Drone – Hoax! What Did You Got?
Bedouin Ascent – Manganese In Deep Violet III
Unknown – unknown
Mantronix – Get Stupid (Pt.III)

My first monthly Electrik Collage radio show from April 12th is also now archived on ROVR radio, download the app to get archive access. APPLE or ANDROID

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Show #1 April 2024 track list:

Coast Contra – Breathe + Stop Freestyle (DJ Food Edit)
Valentine Unlimited Orchestra – Take You Back
Resident Alien – It’s The Resident Alien
Your Old Droog & MF DOOM – Dropout Boogie
Resident Alien – Are You Ready
Tuff Crew – Soul Food
Charlotte Adigéry & Bolis Pupul – Ceci n’est pas un cliché
Edan – Real Bad Promo
Itsu Uno – Noise of the B-Boy
DJ Format – Beyond Disco
Edrix Puzzle – Lapetus
Jlin – Nyakinyua Rise
Rei Mitsui – Rekodoten Disuko
ScanOne – Serious Rhythm
Rei Mitsui – Kotozuke/Owaru
Clesse – Gehm
Raj Pannu – Elements
Beans – Pendulum
The Stone Roses – Begging You (Lakota Mix DJ Food Edit)
Emperors New Clothes – Boogie Electric
Planet Battagon – Endeavour Tugg Luke
Raj Pannu – The Heat
Prefuse 73 – Forever Chase (Scene One)
Patrick Carpenter – 27 Degrees of Sagittarius
Markey Funk – Five Minutes
Nevermen – Treat ‘Em Right (Boards Of Canada Remix – Instrumental + chorus re-edit)
The Luvmenauts – ’71 Shuttle
DJ Fingers – Pelham

Mixcloud Select 191: Disc Covered 15/04/2003

MS191 Disc Covered 15:04:2003 CDR
A short half hour this week consisting of cover versions or mash ups. Opening with two versions of ‘Smells Like Teen Spirit’ by The Bad Plus and Tori Amos – superimposed over each other with a splash of the original at the end. The Evolution Control Committee take a brief walk on the moon with a cluster of pitch-shifted Beach Boys’ harmonies before we get another Nirvana take, this time from Dani Siciliano in a jazz style, it seems the Seattle trio’s music lends itself to the genre nicely. I’ve always thought Pendulum’s ‘Another Planet’ could be done in a firey jazz style with a Coltrane sax blast replacing the synths but that’s one for another time.

Vicki Bennet aka People Like Us stretches and splices The Carpenters into oblivion on ‘When I Was Young’ while the Roy Merriweather Trio take on the tune which most Brits will know as the theme to Film (insert year here) with Barry Norman. It’s actually ‘I Wish I Knew How It Would Feel To Be Free’ from the Jesus Christ Superstar Goes Jazz album which annoyingly doesn’t have a version of ‘Heaven On Their Minds’ but does include ‘McArthur Park’ (!?). The Quantic Soul Orchestra’s ‘Hold It Down’ (featuring an early vocal from Alice Russell) is an original and then we’re into the home stretch with Max Tundra’s take on Wings’ ‘Coming Up’ and Frenchbloke & Son’s mash up of the same with Destiny’s Child’s ‘Say My Name’ which both up the electro quota and bounce to the finish line. The final skit comes from one of Si Begg’s Noodles comps where a phone prankster plays Arnold Schwarzenegger samples down the line to a hapless employee. A short and slightly silly half an hour that I enjoyed revisiting even if it’s not a classic.
MS191 Disc Covered 15:04:2003 PRS

My first monthly Electrik Collage radio show drops today April 12th on ROVR radio at 2-4pm wherever you are in the world. Tune in live here https://rovr.live/#/ or download the phone app to get archive access.

ROVR schedule

Track list:
The Bad Plus – Smells Like Teen Spirit
Tori Amos – Smells Like Teen Spirit
Evolution Control Committee – Walk on the Moon
Dani Siciliano – Come As You Are
People Like Us – When I Was Young
Roy Meriwether Trio – I Wish I Knew How It Would Feel To Be Free
The Quantic Soul Orchestra – Hold It Down
Max Tundra – Coming Up
Frenchbloke & Son – My Name Keeps On Coming Up

Mixcloud Select 190: DJ Food & DK – Solid Steel Summer Special 07/09/2005

MS190 CDr
As we approach the 200th upload from the archive I’ve decided that I’m going to finish on that round number and end what has become four years of weekly posts as the collection is nearly complete. The DATs were done long ago, there are only three CDrs left in the book and after about 2007 things started appearing online on Soundcloud, servers and such as internet streaming got better so should prove easy to find. There are still a few tapes left to be done but I’m down to a handful now and I think it’s time to move on, stop looking back and start looking forward.

One thing I realised when I started encoding all these mixes during the first lockdown was how evocative of their time they were and how many memories flooded back listening to them – good memories, often great memories. But as time passed I also found that I wasn’t making the equivalent for today so that in 20 or hopefully 30 years time I could be doing the same thing. I’ve not had a regular radio show for sometime now, my contributions to Solid Steel fluctuating after about 2014 until my final one as the show closed in 2019. I’ve done an annual 45 Live mix since 2015 and I featured a bit here and there on the Out Of The Wood radio show, run by Pete Williams from the Book & Record Bar in West Norwood since 2016 up until the pandemic with the odd show occasionally since but nothing regular.

ROVR STICKERS ARTWORK copy

That’s about to change in 2024 as I’m ready for a new venture and concentrating on more new music than old. I don’t want to get stuck in a nostalgia loop so from Friday April 12th I will be starting a monthly 2 hour show called Electric Collage on the new online ROVR radio station. Each show will be a collection of what I’m listening to and playing out in my DJ sets, including exclusive edits I make for sets or my own amusement. ROVR has assembled a huge roster of DJs who will have 2 hour shows rolling 24 hrs a day, 7 days a week at the same time internationally. My show will be Friday 2pm-4pm no matter where you are in the world. The station can be listened to on a desktop or streamed from their phone app, it’s free, there are no ads, no presenters and no algorithms, just music. Each show will be track listed and archives will be accessible via the phone app. Download it here. (MAC) or (ANDROID)

ROVR STICKERS ARTWORK copy
This is something new, both as a station and for me and I’m excited to be among so many great names and to have a platform for a monthly dig and a chunk of music to signpost the times. I’m also looking forward to seeing how the station develops and what I can bring to it each month. Trevor Jackson has designed the look and the app is easy to use and navigate. The first show drops next week but I’ll continue this Mixcloud Select for another 10 weeks until we hit 200 and then leave it open for subscribers to access. I expect a few will stop their subscription and that’s fine, the work is done, the main mission was to digitise my archive and put it online, everything will still be accessible to those paying. Maybe a way down the road I’ll start making some available to all, right now I’m looking forward, not back. Which inevitably brings us to this week’s upload…

MS190 PRS
This is a set that I think DK and I did on 4 decks for some sort of Solid Steel summer special gig but I forget where it was – it wasn’t the boat party as that was the year before. You can hear sections that would later appear in our Now, Listen Again and the later Now, Look & Listen AV mixes and I have to say, we’re on fire in places. This is a pure dance set, packed with classics and acappellas all over the place, we did some great sets together in the decade we were DJ partners touring the world and saw some great things. This is a dry desk recording with no crowd noise but I can assure you they were making noise during this set – a proper festival set.

The rave era classics in the middle were DK’s idea and I credit him with reuniting my love of that era with this set as not too many of our crowd were looking back to that time in the mid 00’s. That three way mix of ‘Pacific State’ / ‘Din Daa Daa’ / ‘Devil Inside’ is quite the slow burn build with a drop to pay off. I love all the little musical connections – NERD into Jungle Bros into Todd Terry and the way the Stetsasonic acapella makes a reappearance only to be staggered into the Max Sedgley tune. The ‘Organ Donor’ slow down part sounds like it was done using a CDJ but the rest of this should be vinyl as I didn’t go over to Serato until early 2006. The Danny Tenaglia mix of The Orb’s ‘Little Fluffy Clouds’ was a big tune at the time and the end extension here with the Ambient mix and parts of ‘Earth’ is possibly an edit for radio as I can’t imagine us ending the set like this.

Tracklist:
Unknown – Solid Steel intro
Bob Dorough – Three Is the Magic Number
Double Dee & Steinski – Lesson 3
De La Soul – The Magic Number
Cozy Powell – Dance With the Devil
Stetsasonic – Talking All That jazz (clapappella)
DJ Format – You Hear That?
Ram Jam – Black Betty
Jonny Jones and the King Casuals – Purple Haze
Jungle Brothers – Beyond This World (accapella)
DJ Shadow – Right Thing (Z Trip Bonus Beat)
Primal Scream – Revenge of the Hammond Connection
Jimmy Bo Horne – Spank
Apathy – It Takes A Seven Nation Army…
NERD – She Wants To Move (Native Tongues remix)
Jungles Brothers – I’ll House You
Doug Lazy – Let It Roll (a cappella)
Royal House – Can You Party?
The Jacksons – Can You Feel It (Opening)
Nitro Deluxe – This Brutal House
Missy Elliot – Lose Control
Luke Vibert – Homewerk
808 State – Pacific State
George Kranz – Din Daa Daa (Dub version)
Max Sedgley – Devil inside
Stetsasonic – Talking All That jazz (clapappella)
DJ Shadow – Right Thing (Z Trip Get The Party Off mix)
DJ Shadow – Organ Donor (Extended Overhaul)
Area Code 615 – Stone Fox Chase
Cut Chemist – A Peek In Time
The Chemical Brothers – The Boxer
Jay Z – I Just Wanna Love U
Pierre Henry & Michel Colombier – Psyche Rock
Coldcut – More Beats
The Orb – Little Fluffy Clouds (Danny Tenaglia mix)
The Orb – Earth (Gaia) (intro)
The Orb – Little Fluffy Clouds (Ambient mix mk 1)

Mixcloud Select 189: Strictly Session A/B – Bundy/Stanley 27/04/1998

MS189 TapeA Solid Steel set from nearly 26 years ago – wow, haven’t heard this one in ages. I think this was recorded in Coldcut’s Ahead Of Our Time studio at Clink St with PC on the desk at points adding FX and samples. Kicking off with the Ninth World jingle (read by Matt Black’s dad no less) and straight into jazz abstraction via Barre Philips on ECM. We were touring Europe a lot around the late 90s and finding cheap jazz record on labels like ECM was easy, they were everywhere and you could buy them virtually blind and guarantee that a record within a certain timeframe made by certain players would contain something good to sample or play out. Barre Philips, Eberhard Weber and John Abercrombie were names I would always look for. Stanley Clarke’s ‘Concerto for Jazz/Rock Orchestra’ came on my radar from the sample Shadow used at the end of the Headz version of ‘In/Flux’ – took a while to figure out who it was and what album (only just getting the internet) but found a copy in Montreal finally. Directions’ ‘Echoes’ gets another airing, that’s three so far I think, I was truly enamoured with Bundy K Brown’s approach to music (still am) and we would soon collaborate on what became the opening track of the Kaleidoscope album.

Part 2 aka Keith Hopewell’s first solo release was on DJ Vadim’s Jazz Fudge label and I put the sleeve together from drawings he sent me. This short track bridges into KRS 1’s mega anthem ‘Step Into A World’ which references Blondie’s ‘Rapture’ and The Mowhawks’ ‘The Champ’ so it would be rude not to slip that in after, right? Part 2’s back again with New Flesh 4 Old bandmate Toastie Taylor on vocals and then into another old favourite, the Human League’s ‘Being Boiled’ although I think I took my eye off the mix there. Water Melon end the first side with their take on Fleetwood Mac’s ‘Albatross’ from the Pussyfoot Fish Smells Like Cat compilation – I really loved Water Melon but so many of their records are only available in Japan and now cost loads to ship over. Weirdly there’s a Radio One jingle at the end of this set and then John Peel comes in, sounding like he’s starting his show – I’ve no idea of we did a mix for Radio 1 around this time but it’s possible and this was a short half hour-ish set so maybe. Anyone in the UK remember such a thing?

On to side 2 of the tape and Neotropic’s Taking of Pelham 123 and Dirty Harry-sampling ‘Apple Sauce’ blasts in, from her Mr Brubaker’s Strawberry Alarm Clock album – you wouldn’t get away with samples like that these days! Then it’s a couple of unknown DnB tracks (anyone?) and the brutal drums of Tom Jenkinson’s ‘Vogon & I’ from the Alt. Frequencies single on Worm Interface. This had a colour in cover and was designed by my good friend David Vallade who worked at Ambient Soho (which housed the Worm Interface label), some copies also came with colouring crayons glued to the sleeve. The madcap Sukia are here with a mix of ‘The Dream Machine’ from the original Nicklebag records release before it got licensed to MoWax. Keeping on the (ch)easy listening tip the ‘Independent Introduction’ to Fink’s first album sounds nothing like the acoustic singer/songwriter we know today, his first album being a full on trip hop mixed bag for Ntone before he changed tack and became the superstar he is today.

A quick blast of DJ Vadim’s vocal looping ‘The 5 Conquistadors’ and I can hear Kid Koala and A-Cyde in there for sure amongst the voices and I may even be in there myself as Vadim would record us constantly on tour and then pitch stuff up and down. A track I most definitely am on though is Squarepusher’s ‘Fat Controller’; listen to the bass solo breakdown in the middle with a blast from ‘Feelin’ James’ before it gets scratched into Trouble Funk’s ‘Pump Me Up’, that whole middle section is sampled from the jam Tom and I did on Solid Steel when he came in for his guest session. After a rocky attempt to mix in DJ Vadim’s ‘The Pimp Theme 126’ with Tom’s clattering beats I wisely pull it back and wait before finishing with this uncharacteristically uptempo breaks cut up which used to get plenty of play back in the day. And with that, we’re out in a swirl of vinyl dirt and delay.

Tracklist:
Coldcut – The Ninth World jingle
Barre Philips – Mountainscape 6
Stanley Clarke – Part II (Concerto for Jazz/Rock Orchestra)
Directions – Echoes (Continental Drift Version)
Part 2 – Rectangular Depression
KRS One – Step Into A World (Rapture’s Delight)
The Mohawks – The Champ
Part 2 – Automatic (feat. Toast Taylor)
Human League – Being Boiled
Water Melon – Albatross
Neotropic – Apple Sauce
Unknown – unknown
Unknown – unknown
Tom Jenkinson – Vogon & I
Sukia – The Dream Machine (Westside Freeride)
Fink – Independent Introduction
DJ Vadim – The 5 Conquistadors
Squarepusher – Fat Controller
DJ Vadim – The Pimp Theme 126

Mixcloud Select 188: Stuff & Nonsense 15/03/2004

MS188 CDr
This hour is a bit of an unruly mess in places, a real hodge hodge of styles that, while mixing in tempo, certainly don’t all mix in key – Stuff & Nonsense indeed. I have to apologise for the mash up of ‘Hey Ya’ and ‘Pinball Number Count’ that kicks this off because, whilst it does kind of work with the odd time signature, it’s annoyingly out of tune, something I couldn’t hear at the time I made it. Much better is the Columbus remix of Alicia Key’s ‘You Don’t Know My Name’ using the Burning Spear track of the same name as a backing track. No idea who made it but it appeared on a 45 around this time and stayed in my record box for years. Zinc’s ‘Casa De La Musica’ is from his Faster album, love the way the off-beat pops over Alicia, and Toolshed’s take on Morricone’s theme from the Exorcist 3 was the B side of their only release on Toolshed Recordings. Loo & Placido were a drummer and bassist from different French bands (allegedly) who appeared for a couple of years in the mid-00s but amazingly still have an online presence at https://www.loo-placido.com/ – they were always a cut above a lot of the people doing mash ups I thought. ‘Work In Progress’ is from their first album – Mash Up The Tops – and adds a reggae skank to Beyonce’s hit from the Austin Powers film.

Zinga’s ‘Evil Eye’ seems to be their only release and the third and final one for OffDaWallMusic, I thought it had a catchy pop hook at the time and found some spoken word about ‘the evil eye’ and hypnotism to add to it. Skalpel’s ’1958’ got licensed to a yoghurt commercial back in the day I seem to remember and, whereas even 5 years before this would have been heresy, any notion of ‘selling out’ had long since evaporated within most of the electronic community by the mid 00’s. As the music industry started to go down the pan due to illegal downloads, any means of attracting extra revenue to shore up plummeting physical sales was a blessing. Skalpel, to me, were the last of the Ninja artists mining the older sounds of the original 90s version of the label, this couldn’t last as samples would become too problematic as the label grew. The original players on the ‘Are You Being Served?’ theme are still a mystery to me but DK and I were obsessed with it and ended up licensing the film version heard here for our Now, Listen Again mix a few years later. I’d forgotten I’d actually played the whole thing over the middle of Skalpel, thus giving it a kind of DnB makeover.

MS188 PRS
Squarepusher’s ’50 Cycles’ sees him exploring his own vocals, largely unprocessed and I think the Peter Cook dialogue in the middle comes from a promo for Godley & Creme’s ‘Consequences’ album but don’t quote me. Def Harmonic made four albums but never seemed to hit, not sure why as their brand of hip hop was melodic and intelligent. The Tiki Two mix an Ella Fitzgerald version of the old classic with some downtempo Latin breaks and I remember being given this 45 by one of the two guys responsible when he was in London from his homeland of Australia. Four Tet’s remix of Jef Gilson is taken from the Tribute To… 12” he shared with MATO that spearheaded a rediscovery of the French pianist and arranger. More French jazz from Troublemakers – spun from a one-sided 10” on Blue Note. And now more Four Tet, this time remixed by Jay Dee aka Dilla for his ‘Serious’ single and Jazi P3z’s ‘Petaco 2004’ slides in perfectly after it – at last a mix in tune at least. 8-bit video game FX mix with Latin rhythms as if they were made for each other. G Form’s ‘From The Block’ rather ruins the mood with a Northern acoustic take on Jennifer Lopez’s hit. It was taken from Cassette Boy vs DJ Rubbish’s mix album ‘Inside A Whale’s Cock Vol.1’ (I don’t think there was a follow up) and bizarrely I finally met one of the Cassette Boy duo last week as we were both giving a talk at Industry Week in Nottingham. Their talk turned into part stage invasion, part gig with a cut up of Alan Sugar which never made it to the internet that had me crying with laughter. Funny how things work out 20 years down the line.

Tracklist:
Flexus – Pinball Ya Ya
Alicia Keys – You Don’t Know My Name (Columbus remix)
Zinc – Casa De la Musica
Toolshed – Pazuzu
Loo & Placido – Work In Progress
Zinga – Evil Eye (Capp-O D mix)
Skalpel – 1958 (Skalpel remix)
Unknown – Are You Being Served (film version)
Squarepusher – 50 Cycles
Def Harmonic – Villain
Tiki Two – Caravan
Jef Gilson – Fable of Gutemberg (Four Tet remix)
Troublemakers – Every Day is an Extension of Yesterday
Four Tet – Serious (Jay Dee remix)
Javi P3z – Petaco 2004
G Form – From The Block

Mixcloud Select 187: May Bank Holiday mix 20/06/2005

MS187 CDr
Banging in with Doubleclick’s entry to the Solid Steel intro competition – we had so many entries – he went on to work with Amon Tobin later on in the early incarnation of Two Fingers. San Diego’s DJ Riko’s P Funked-Up remix of LCD Soundsystem’s ‘Daft Punk Is…’ is a brilliant execution of the idea with extra female vocals to push the point home. Riko was a late-comer to the mash up craze but definitely did some memorable entries, probably best known for his ‘Whistler’s Delight’ release. Phil N’ Dog’s ‘Phat Pants’, best known for their huge ‘Doctor Pressure’ mash up, they follow it up by taking Leftfield’s ‘Phat Planet’ and Orbital’s ‘Acid Pants’ where Sparks’ Russel Mael intones “when the love track starts then the fun starts” over and over. It’s a banger but I don’t know if it came out, Phil – who today still drives his replica American police car, painted to resemble the KLF’s Ford Timelord – probably gave me a CDr with this on it. *Phil remembers: “I think I gave you the CD at Cargo if I remember correctly. No it never really came out as such. Eddy used to play it on XFM and Annie Mac on Radio 1, both from CDR’s I gave them but no vinyl pressings or anything more official were made.” Freddy Fresh comes with the first of three tracks from his Accidentally Classic album, did you know Freddy has made 26 albums over a 32 years career so far?

Another LCD mash-up pits their ‘Disco Infiltrator’ against the Star Wars Cantina Band – I’d forgotten this one, should have dug it out when I did the SW Secret Cinema. DJ Godzilla was responsible but I can’t find any release so this was probably an online download during those Wild West years of file-sharing. More Freddy Fresh with the B12-ish electro of ‘Random’ and then something that rung no bells until I googled it – Mikrosopht ‘Here Today’. Originating from a British online mash-up compilation ‘Hippocamp Ruins Pet Sounds’ which appeared at Hippocamp.net, this ambient patchwork of Beach Boys vocals and voices floats through the ether as an extraordinary example of this kind of audio collage. A similar approach was taken years later by Atticus Ross on the soundtrack for the Brian Wilson biopic, Love & Mercy. It’s the perfect bed for the extremely long build for the next track which takes up the middle section of the mix.
MS187 PRS
Autechre’s remix of Seefeel’s ‘Spangle’ from the mid 90’s was a classic in my mind the minute I heard it, despite not being released at the time for reasons unknown. I’d tried to get it on our Blech mix in some shape or form but Warp wouldn’t let us have it so I was pleased when Mark Clifford later independently released all 12.15 mins of it on his Polyfusia Records. It’s the ultimate slow burn builder from Sean and Rob and Warp later digitally released it in 2021. The next track by Hood definitely had me scratching my head – no recollection at all – but apparently they were a UK-based post rock band from Leeds, signed to Domino for the first half of the 00’s before going on hiatus. ‘Over The Land Over The Sea’ appeared on one of their last singles and pre-empts the final Freddy Fresh track of the set, the sparse electro of ‘I Go Around the World’. I don’t remember him being this electronic but he’s been all over the map in his career so it should come as no surprise. The final track comes from Bola’s fourth LP, ‘Gnayse’ (Bola-Gnayse – geddit?), the sublimely laid back sounds of Darrell Fitton on Skam overlaid with a bit of Blade Runner dialogue.

Track list:
Doubleclick – Solid Steel intro
DJ Riko – P Funk is Playing In My House
Phil ‘n’ Dog – Phat Pants
Freddy Fresh – Do You Hear It?
DJ Godzilla – Cantina Inflitrator
Freddy Fresh – Random
Mikrosopht – Here Today
Seefeel – Spangle (Autechre remix)
Hood – Over The Land Over The Sea
Freddy Fresh – I Go Around The World
Bola – Effanajor

Mixcloud Select 186: The Ones That Got Away in 2002 05/01/2003

MS186 CDr
Opening with a phone message from DK asking me to whip up a mix as he was stuck in Mexico we have a round up of stragglers from 20002. DK always seemed to be jet-setting around the globe back in the day, he’d go off for a few weeks here and there on ‘business’ and then be back only to jet off on tour again. Anyway, opening with one of two comedy skits based on Ja Rule’s then ubiquitous features on pop or rap records by an unknown comedian, these were probably downloaded from the web in those heady early days when the entire world of music seemed to be up for grabs on the feeblest of internet connections. A web search reveals that they were made by someone named David Brody for radio station Z100 NY and apparently later turned up on a 50 Cent mixtape without permission. ‘White Love’ was probably my best mash up and one I regularly played out for years to general approval from the dance floor – a ‘White Lines’ / ‘Like I Love You’ combo that just works, here in an extended form. The Splinter Group was another appearance by DK alongside old Ninja mucker Dean Smith in a one-off single that was an off-shoot from another project (splinter-geddit?).

Freeform’s ‘The Hallaboink’ was the b-side of a 7” on Skam and another Mancunian connection, Andy Votel, follows with his ‘Komedahead’ single which still gets an airing sometimes. More mash-ups with Frenchbloke and Son’s Kraftwerk/Right Said Fred collision that really shouldn’t work but does something neither could do in isolation – hence it joining the ranks of the very best of the genre. I had to look up where Luke Vibert’s ‘Feel Real Mad’ came from because it doesn’t appear on any album from that time, debuting at it did on the first Law & Auder release; a 3-track 12” also featuring Muslimgauze and Bedouin Ascent called ‘High Density 01’. Law & Auder was an interesting label that kind of caught the fall out from the demise of Rising High records for a bit, continuing to put out interesting compilations of leftfield electronic music including what must be one of the first all-female comps in 2011 which in itself was compiled 10 years before.

A prime bit of electro breakbeat from Polar next on the Certificate 18 label, straying away from DnB into other territories and then the Kid Koala-esque cut-up of Jack Planck with a mix which was in time but shouldn’t have been attempted with the swing it had on it. This was another alias of Jackknife Lee that appeared on an odd 7” on Rodeo Meat who released all sorts of oddities before being picked up by One Little Indian for a full album later on. A left turn into screeching organ funk with the Apparat Organ Quartet on David Holmes’ short-lived 13 Amp label with a car crash end mix as the former track wigs out just in time for the beat from Chief Xcel to drop. Xcel’s track mixes ‘Dear Prudence’ strings with a political message and played out the ‘Constant Elevation’ compilation on Astralwerks and here slides simply into ‘Charlie’s Theme’ from Jimi Entley Sound – an Adrian Utley / Geoff Barrow collaboration with a cover of ‘Apache’ on the flip. This now goes for silly money, hope I still have my copy.

Ja Rule is back! The second skit of Ja Ruling the cover version market mixes over the uptempo section of the former track before morphing into the frantic Busdriver ‘Imaginary Places’ where I get very scratch-happy, sorry about that. Seriously though, this track (without my scratching) is amazing, although the origin of the flute sample is alluding me right now. If only more rap was as forward-thinking as this – I was very happy to see him signed to Big Dada for three albums later on. John Kennedy’s superb remix of Aim’s ‘The Girl Who Fell Through The Ice’ is a bit of a lost classic although it doesn’t help that I’m mixing out-of-tune horns over the end of it from Jadell’s ‘To Morning’. My ear for tuning definitely wasn’t what it is now back then, there’s some wince-making moments on some of these mixes, of course, a lot of it was on the fly so sometimes you didn’t know until it was too late. Proper good soundtrack business from Jadell here with a bit of Burroughs slung over the top, this was one of the last things he did it seems, not seen him for years now.

Apologies for the rough mix into the Roots Manuva remix of The Free Association, that really was wonky but I used to love these dubs Rodney did, loose as you like, nice tempo switch up in the middle there too. Mr. Guder (featuring Dr. Rubberfunk on drums) crash in with a raw version of Herbie’s ‘Chameleon’ from Super Guder Breaks vol.1. Otto Von Schirach released a lot of his early material on Schematic out of Miami but this little number comes from a pink 7” on Imputor? (yes the ? is part of the label name) from Seattle, check their label profile on Discogs for a mission statement https://www.discogs.com/label/3497-Imputor?sort=year&sort_order=asc
Mr Dan (aka Dan Carey) plays us out with the excellent ‘Together’ which shows off his pop credentials despite being a electronic beat-fest – he’d be co-writing and producing Kylie’s ‘Slow’ that same year – and we end with another phone message from DK.

Track list:
Unknown – Ja Rule Diss
Flexus – White Love
The Splinter Group – Meaning of Life
Freeform – The Hallaboink
Andy Votel – Komedahead
Frenchbloke & Son – I’m Too Sexy to Be a Model
Luke Vibert – Feel Real Mad
Polar – Lectric
Jack Planck – 1974 Square Dance Documentary In Sound
Apparat Organ Quartet – Romantika (Live)
Chief Xcel – Multitude
Jimi Entley Sound – Charlie’s Theme
Unknown – Ja Rule Diss 2
Busdriver – Imaginary Places
Aim – The Girl Who Fell Through The Ice (John Kennedy remix)
Jadell – To Morning
The Free Association – (I Wish I Had A) Wooden Heart (Roots Manuva remix/Dub)
Mr. Guder – Chameleon
Otto Von Schirach & Sindri – Sduisant Lollipop
Mr Dan – Together

Mixcloud Select 185: Strictly Kev HMV in-store radio, London 18/09/2000

DJFoodMixcloudSelect 185
Jonathan More of Coldcut has been busily digitising CDr’s and mini discs from his collection and sent me this the other day. I don’t have a copy and had forgotten I’d even done it to be honest. Played as an in-store radio set at the flagship HMV shop in London’s West End around the time of the Ninja Tune 10th birthday compilation XEN Cuts release, hence the contents being solely made up of Ninja, Ntone and Big Dada releases. I used my set on the ensuing tour as a showcase for the new comp and recent favourites and keen-eared listeners will hear that there’s a whole middle chunk that mirrors an earlier upload – Xen Tour Pt.1 – posted 3 years back now. I was possibly still working out some kinks in this selection but also book-ending the set with some more laid back fair as it was playing out to shoppers at the time.

I’m not sure I need to do a track by track analysis of this lot, most of it dates from around 2000 with a few classics from the mid 90s thrown in too. There’s a ton of Solesides/Quannum material at the end which dates from the big retrospective box set that Ninja put out in 2000 and the final track is a remix PC and I did which never got a release when it was made because the band split up. I was a big fan of Sukia who had a single album on Nickelbag Records/MoWax before turning into DJ Me DJ You. Jeff Waye – head of the North American arm of Ninja at the time – had an in with the band and I asked if we could remix their hilarious track, ‘Feel’n Free’.

The two main components of the original, aside from the female vocal, were an intermittent buzzer that would sound before a voice breathlessly uttered ‘spank me!’ which would have Jeff and I rolling on the floor. They duly sent us the stems, can’t remember if we ever got paid or if it was a swap, and Patrick gamely got to work. The whole song was so stupid we decided to insert Butthead in instead of the buzzer a couple of times yet Patrick is incapable of making music which isn’t beautiful so we ended up with gorgeous strings and a ridiculous beat amongst the silliness, This was very much a part of the sessions that made Kaleidoscope but loosening things up and bringing that comic side of Ninja out again. Anyway, between us making this and the XEN compilation coming out, Sukia changed names and labels so there was nowhere for the track to go, but the deluxe version of the comp had a ‘Missed, Flipped & Skipped’ section of unreleased or overlooked tracks from the catalogue. We worked it out with the band so that we’d get a co-credit and retitled ‘Feel’n Free’ to ‘Feel’n You & Me’ as a nod to their new moniker.

Track list:
Steinski – The Xen To One Ratio
The Cinematic Orchestra – Ode To The Big Sea (Four Tet remix)
DJ Food – …You
Luke Vibert – I Hear The Drummer
Roots Manuva – Wisdom Fall
The Herbaliser – Mr Chombee Has The Flaw
The Cinematic Orchestra – Channel 1 Suite
Mr Scruff – Fish
Neotropic – 15 Levels
Dynamic Syncopation – Bahian B-Boy
Up, Bustle & Out – Revolutionary Woman of the Windmill
Cabbage Boy – Planet
Amon Tobin – Sordid
The Herbaliser – Mrs Chombee (DJ Food remix)
Funki Porcini – Let’s See What Carmen Can Do
Mr Scruff – Ug
DJ Vadim – The Terrorist (acappella)
DJ Food – Turtle Soup (Wagon Christ remix)
DJ Shadow & The Grooverobbers – Hardcore Instrumental Hip Hop
Quantum – Blue Flames
DJ Shadow & The Grooverobbers – Hardcore Instrumental Hip Hop
Latyrx – Say That
Amon Tobin – 4 Ton Mantis
Saul Williams – Elohim
Dynamic Syncopation feat. Mass Influence – 2 The Left
9 Lazy 9 – Electric Lazyland
Roots Manuva – Fever
Animals On Wheels – Build A Church With Your Fear
Sukia vs DJ Food – Feel’n You & Me

Mixcloud Select 184: Openmind vs The Black Bitch 10/06/1995

MS184 tape
The second half of a tape from a show shared with Julia aka the Black Bitch, an excellent techno and electronic DJ who featured on Solid Steel a few times during the 90s. This is just my set, a busy half hour that jumps all over the place stylistically and kicks off with Scotland’s DJ Krash Slaughta featuring II Tone Committee and Killa Instinct. A dynamite slice up uptempo hip hop at a time when the faster Britcore styles had largely faded from the scene. Turntablist Krash Slaughta was a DMC finalist and absolutely slays on the cuts before Brian Eno’s ‘Fractal Zoom’ attempts to enter the mix but I obviously thought better of it during the manic cut-fest and opted for the more minimal St. Germain with ‘Sentimental Mood’ from the Boulevard series of 12”s. These three singles on F Communications were huge at the time, combining jazz with a heavily swung minimal house groove and still hold up.

Kushti’s UR Allstars was the second release on the short-living Octopus label and brings back lots of happy memories, there’s also a snatch of a DJ Toolz track in there too which I can’t identify. Toolz was an alias of Jazzy Jason, also part of the legendary Blapps posse, London Funk Allstars and Mad Doctor X, the four volumes he released on Ninja Tune in the early 90s were akin to the DJ Food Jazz Brakes both in style and sleeve design. Alpha Proxima’s immense ‘459 – / z’ is sadly truncated in this recording because the tape ended and had to be turned over so some is missing. The track resumes just as Autechre’s excellent remix of Scorn’s ‘Falling’ enters – another one of their classic mid 90s remixes that’s worth tracking down.

Sounds of Life was a collaboration between Photek and Source Direct’s Jim Baker and we hear their ‘Release The Bells’ here mixed in on 33rpm rather than its intended 45, I used to like a lot of my DnB on the wrong speed back then. Some Christian Marclay plunderphonics interjects far too soon and we’re treated to turntablism from the avant garde side of the tracks long before the word had been invented, this live improvisation dating from the 80s. DJ Krush’s ‘A Whim’ plays us out, a single from his Strictly Turntablized album which also birthed an excellent Alex Reece remix on 12” and two mixes by Roni Size and DJ Krust on 10” as I recall.

Track list:
DJ Krash Slaughta – Broken Needles Blown Mics
St.Germain – Sentimental Mood
Kushti – UR Allstars
DJ Tools 4 – ?
Alpha Proxima – 459 – / z
Scorn – Falling (Autechre FR 13 mix)
Sounds of Life – Release The Bells
Christian Marclay – Pandora’s Box
DJ Krush – A Whim

Mixcloud Select 183: Strictly Session – Coldcut 30/01/98

MS183 tapeA dark but beautiful selection from a show I shared mix duty on with Riz Maslen aka Neotropic. My tape dates it as 30/01/98 but my online reference from Marcus Maack’s BTTB database says 04/01/1998. Whatever, it was sometime in January 1998 and this was recorded in the Ahead of Our Time studio in Clink St. most likely with engineer Ali Tod at the controls and my flanger pedal in the mix by the sounds of things.

Starting with the classic monologue about Cymatic frequencies that Coldcut used so often in shows we drift into an almost Steve Reich-ian minimalist piece from A Reminiscent Drive whose back catalogue contains a wealth of such treasures. Opiate’s ‘Small Talk Whirl’ is from his debut 12” on April Records which I can’t remember ever owning but that’s old age for you. Track 8 from the CD of Aphex Twin’s Analogue Bubblebath 3 is up next, a classic I was still dropping in my Selected Aphex Works mixes some years back.
Small Fish With Spine was/is an alias of Riz’s and she’d just released her Ultimate Sushi album on Oxygen Music Works (which I’d designed the cover for too). Not sure what I was thinking playing her new record before her, bad DJ etiquette but I was young and foolish back then. ‘Korona’ comes from the uber-rare MASK 100 12”, a very early Boards of Canada track from 1996, pre-Warp when they were still on Skam and largely unknown. Funny how you can just search for it now and it’s on YouTube, back then it was rare as hen’s teeth. There’s a snatch of Andy Partridge & Harold Budd’s ‘Mantle of Peacock Bones’ with some unidentified spoken word over the top and then Mike Paradinas finishes the first set with ‘Hi-q’ of which I can find hide nor hair of on Discogs.

The second half opens with some abstract ambience and another unknown spoken word piece, presumably from Coldcut’s might Word Treasure CD library. As One’s gorgeous ’Soliel Levant’ from his debut Reflection album slides in before the Ramsey Lewis’ Charles Stepney-produced cover of ‘Dear Prudence’ chugs through with its oddball electronic intro. Exquisite Corpse were connected to the Psychic Warriors Ov Gaia and produced what I’d call trance music in the most literal definition, the sort of tribal rhythms you could perform rituals to long into the night. ‘Cantadora’ bangs hard and comes from their 1993 album Inner Light and while I’m talking definitions; Water Melon and their comrades, Major Force are about as close to ‘trip hop’ in my mind as you could get. Their amazing Out Of Body Experience EP hosts two cuts that feature in this half hour. Harder to find outside of Japan but well worth tracking down. Another from Riz’s LP in the form of ‘Foul Play’ that more than liberally samples from Lalo Schifin’s Dirty Harry/Magnum Force soundtracks before the Prunes’ makeover of DJ Vadim’s ‘Conquest of the Irrational’ single on Ninja Tune. Finishing with another Water Melon track from the aforementioned O.O.B.E. EP and we’re out – I really enjoyed rediscovering this one, I’d probably not heard it since it was recorded over 26 years ago.

Track list:
Solid Steel jingle – The film you are about to see…
A Reminiscent Drive – Everything Is As I Am
Opiate – Small Talk Whirl
Aphex Twin – Analogue Bubblebath 3 track 8
Small Fish With Spine – In Your Own Bubble
Boards of Canada – Korona
Small Fish With Spine – Fung Koo
Andy Partridge / Harold Budd – Mantle of Peacock Bones
Mike Paradinas – Hi-q

Unknown – Unknown
As One – Soliel Levant
Ramsey Lewis – Dear Prudence
Exquisite Corpse – Cantadora
Water Melon – Moon Shaker
Small Fish With Spine – Foul Play
DJ Vadim – Conquest of the Irrational (Prunes mix)
Water Melon – Slow Boat to Mars

Mixcloud Select 182: OMMixxx – Solid Steel 06/05/1995

MS182 tape
Mid May of 1995 was another smorgasbord of eclecticism with drum n bass making in-roads onto the show playlists. After the show’s intro and a snatch from Negativland’s plunderphonic ‘The Perfect Cut’ LP we get what may be the first outing of the Wagon Christ remix of 2 Player’s ‘Extreme Possibilities’. It’s hard to convey how exciting it was to first hear this remix, possibly Luke’s premiere public foray into DnB and a now classic milestone in the Ninja Tune catalogue. That he put this much work into such a mix is incredible and for a relatively new band consisting of Jon Tye (aka MLO/Lo Recordings) and a little-known composer named Daniel Pemberton. Daniel is now a world famous soundtrack composer of course, working on films for Marvel and Ridley Scott among others, but back then he was still at school and would come to our Stealth nights at The Blue Note before going home to study for his exams. He didn’t waste any time making inroads into the studio either, hooking up with Jon on various Lo Recordings and Ntone releases, recording with the Future Sound of London and releasing his first album on Pete Namlook’s Fax label, for which I did the artwork.

More DnB clatters in next from Sounds of Life which was Rupert (Photek) Parkes and Jim from Source Direct collaborating and taking a big chunk of FSOL’s Lifeforms by the sound of it. Spacepimp’s only outing on Clear pits a 70s car chase synth bass line against a DnB rhythm too, everyone was having a go at this ‘new’ style around this time as it emerged from its jungle origins although Spacepimp was an Acen alias so it wasn’t too much of a stretch. After an ad break there’s a swirling ambience I can’t place before the legendary Jello Biafra monologue that we used on the Coldcut Journeys By DJ mix later that year which then led on to Matt and Jon hooking up with the ex-Dead Kennedy frontman to record ‘Every Home A Prison’. Alec Empire’s debut album, Generation Star Wars kicked off with the excellent ‘Lash the 90ties’, the elongated ambient intro suddenly crashing into Aphex-ish distorted beats. Mike Ink’s ‘Rosenkranz’ came from one of the early Sahko releases and this jaunty, marching track is in stark contrast to his then usual 150bpm driving acid techno.

G-Man was Gez Varley from LFO on his first solo outing via the Swim label and this absolutely banging piece of techno is such a joy to hear, despite my fumbled mix with Mike Ink at one point. I must have visited Vienna recently because Elin’s ‘Mondlandung’ is featured and I remember Pita aka Peter Rehberg (RIP) giving me copies of the first few Mego releases when we played there of which this was the second. Soon after comes the masterful Autechre remix of Beaumont Hannant’s Psi-Onyx – all 9 minutes + of it with Ae on peak form – ah the memories… Flanging in over the end beats is a track from Caustic Visions, a group who originally debuted on Industrial Strength with nosebleed acid techno before releasing steadily more experimental fair on their own label, influenced by Aphex Twin and beyond. ‘Corner of a Sphere’ comes from their fourth self-released EP and is well worth investigating if you see a copy and enjoy forward-thinking electronica. ‘Lunatic Jam’ by Germany’s Fauna Flash takes a large chunk of DJ Food’s ‘Dark Blood’ and builds a soulful track around it, from their debut 12” on Compost. We get a snatch of the Jedi Knights’ remix of ‘Antacid’ and then it appears the tape switches to Aphex’s ‘Ventolin’ except it may be from one of my own mixes that I’d taped over as the presence of my old flange pedal in the mix is a telling sign of the era.

Track list:
Solid Steel – intro jingle
Negativland – The Perfect Cut
2 Player – Extreme Possibilities (Wagon Christ mix)
Sounds of Life – Intellect
Spacepimp – Space Chase
Unknown – Unknown
Jello Biafra – A Message From Our Sponsor
Alec Empire – Lash the 90ties
Mike Ink – Rosenkranz
G-Man – Legion
Elin – Mondlandung
Beaumont Hannant – Psi-Onyx (Psix Million Dollar Myx Oscar Goldman’s Bonus)
Caustic Visions – Corner of a Sphere
Fauna Flash – Lunatic Jam
Link & E621 – Antacid (Jedi Knights remix)
Aphex Twin – Ventolin (Deep Gong mix)

Mixcloud Select 181: Openmind 26/02/1995

MS181 tape
What a time for music, early 1995 and not only did we have the hugely anticipated new single from DJ Shadow but also Aphex Twin’s Ventolin EP and Fatboy Slim’s debut single when he was still in downtempo mode with ‘The Weekend Starts Here’. After ‘In/Flux’ blew up, not only for Shadow but by putting MoWax into a higher orbit, everyone was waiting for new music from Josh Davis and he delivered big time with a four part 30 minute single called ’What Does Your Soul Look Like’. The first half of the show covers three of the parts, available on a set of three blue vinyl 10” promos inside sleeves that joined together. Interspersed between them is the Fatboy with the Weekend Bonus Beats version of his single and Death’s sole release (aka Thomas Heckmann) on Trope, a modular bleep-fest called ‘Electronic Realisations Chapter 4’. Following ‘What Does Your Soul Look Like Part 4’ come three ‘Ventolin’ mixes from Aphex, the second, the Deep Gong mix, is by Wagon Christ and a snatch of the London Funk Allstars’ ‘Listen To The Beat’ appears before the tape runs out.

Track list:
DJ Shadow – What Does Your Soul Look Like Part 1
Faboy Slim – The Weekend Starts Here
DJ Shadow – What Does Your Soul Look Like Part 3
Death – Electronic Realisations Chapter 4
DJ Shadow – What Does Your Soul Look Like Part 4
Aphex Twin – Ventolin (Crowsmengegus Mix)
Aphex Twin – Ventolin (Deep Gong Mix)
Aphex Twin – Ventolin (Marazanvose Mix)

Mixcloud Select 180: Discover Hip Hop 14/10/2002

MS180 CDR
We’re still in the early 00s here with a mid November 2002 set that includes a few boots/mash ups and a lot of great RnB / Hip Pop. A strong start to the show with the remix of DJ Shadow’s ’Six Days’ featuring Mos Def, this was undoubtedly the most hyped track of his second LP, The Private Press, and a no-brainer for a single makeover. Nice little cut up with the Solid Steel jingle and the ‘it’s only Monday’ lyric (our show used to got out on Monday nights on BBC London at this time). I don’t know which came first, this mix on the tour with Amon Tobin but I was dropping the Streets/Fine Young Cannibals/Gloria Jones combo in DJ sets around that time although it’s one of the only times I played anything by Mike Skinner as it wasn’t my bag at all, the baseline in the High Contrast remix was the catalyst. Adding Gloria Jones’ ’Tainted Love’ with the rhythm the FYC stole after was a no brainer.

I was deep into the mash up thing at this time and Dsico was an Australian producer whose productions I liked a lot, his extreme cut up/glitch styles going way further than most on the scene, riffing off that Kid 606 sound but with plenty of funk. He appears here twice, first dismembering Beyonce and later dicing with Puff Daddy, by this time, P Diddy. A sharp contrast is Joni Mitchell who I’d suddenly ‘got’ and hoovered up a load of albums on tour in the US, weird how tastes change and then one day an artist just makes sense, I’d had the same thing with the Beach Boys a couple of years before. ‘Dry Cleaner from Des Moines’ is from her Mingus album but I’m not sure what I was thinking adding it in here with way too much ‘jazz scratching’ to boot.

RJD2’s excellent ‘Final Frontier’ from his debut, Deadringer begins a trio of rap tracks followed by the ‘Halfway Home’ interlude from Blacklicious’ Blazing Arrow album. This was produced by DJ Shadow and is hard as nails, search for an amazing remix of this by UK producer Awkward which really bangs. N.O.R.E.’s ‘Nothin’ is such a simple tune, a straight loop of basic drum, bumping bass and that haunting flute top line, loose as anything and reliant on the vocals to provide a chorus. The genius of the Neptunes right there although having Noreaga on the mic helps too and I think his ‘SuperThug’ track from four years before was the first time I ever heard a Neptunes production. They had virtually taken over at this point, issuing track after track with different vocalists that were classics as soon as they hit the dance floor. I let the instrumental run out of Blacklicious, add the Discover Hip Hop advert that gives the mix its name and then off into the radio edit of the vocal.

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Randy Maverick’s ‘Pure Love’ is funk 45 heaven and still gets spun – I just looked him up and this is his sole release on Discogs, I’d presumed it was some sort of reissue/re-edit at the time but it seems it was a remix of Al Reed’s ’99 444/100 Pure Love’ by the Nextmen and the Maverick name was a cover. I’ve just heard the original for the first time and they did a great job, the definition of a remix breathing new life into an old song. You can find the Randy Maverick for £6 on Discogs which is a lot cheaper than the Al Reed. DJ First Rate (or just First Rate later on) put out a 3 track sampler in 2002 with a demo mix of ‘One Day’ on it which would later surface on his first album proper in 2005 and it’s doing my head in as to where that bass comes from. Reminds me a bit of Air with those little synths flourishes.

Into some crazy versions next with the second Dsico cut up of P Diddy’s ‘Diddy’ then a mash of Tweet’s ‘Oops (Oh My)’, The Gap Band’s ‘Oops Upside Your Head (see what they did there?) and Bob Marley(!). It sort of works in places but is mercifully short. Lightning Head is Glyn ‘Bigga’ Bush with his dub hat on, here versioning Jean Jacques-Perry’s ‘E.V.A.’ which, of course, then leads onto Gang Starr who chopped up the original many years before. Skanking along in the mix for a good while is The Cinematic Orchestra’s ‘Horizon’, a stand alone single that followed the ‘Every Day’ album and should have been a huge hit in a just world. This whole section really rocks along nicely and I’m layering up extra FX over the top, I might try and re-work this into the DJ set. Next we head to Brighton for a Limp Twins cut and DJ Format remixed by Pablo of the Psychonauts who whips ‘B-Boy Code’ up into a chugging break-fest that was a set staple for a good while. I can’t remember where the ‘Discover Hip Hop’ spoken word came from but it’s not on the original record. There’s some genius sampling on this, pairing old school rap bars from different records to make a new verse.

John Kennedy’s ‘Chocolate & Cheese’ has something I can’t put my finger on but I like it. Tony Touch’s ‘The Diaz Brothers’ I can only take in instrumental form though as it samples David Shire’s ‘Salsation’ from the Saturday Night Fever soundtrack, the same tune that Lightning Head covers on ‘Mudman Skank’ so it was a no-brainer to put them together. I have to apologise for what comes next but you can always switch off as it’s the last track, a mash up of Eminem and Phil Collins that I thought was a good idea at the time. By matching the former’s ‘Cleanin’ Out My Closet’ and the latter’s ‘Mama’ I thought there was some fun to be had. To be fair, it does work in the verses with a nice tension building but the choruses are a painful mess – sorry about that, bit of a duff ending to the hour.

Track list:
DJ SHADOW – SIX DAYS (REMIX feat. MOS DEF)
THE STREETS – HAS IT COME TO THIS (HIGH CONTRAST REMIX)
FINE YOUNG CANNIBALS – GOOD THING
GLORIA JONES – TAINTED LOVE
BEYONCE – WORK IT OUT (DSICO 160 MIX)
JONI MITCHELL – DRY CLEANER FROM DES MOINES
RJD2 – FINAL FRONTIER feat BLUEPRINT
BLACKALICOUS – HALFWAY HOME (INTERLUDE)
N.O.R.E. – NOTHIN’
RANDY MAVERICK – PURE LOVE
DJ FIRST RATE – ONE DAY (Demo Mix) feat. JOHN MACALLUM
P DIDDY – DIDDY (DSICO CUT UP)
MIXED BIZNESS – OOPS TO BE LOVED
LIGHTNING HEAD – E.V.A.
GANG STARR – JUST TO GET A REP
CINEMATIC ORCHESTRA – HORIZON
THE LIMP TWINS – MOVIN’ CLOSER TO THE SOFA
DJ FORMAT – B- BOY CODE (PSYCHOPAB REMIX)
JOHN KENNEDY – CHOCOLATE & CHEESE
TONY TOUCH – THE DIAZ BROS (INSTRUMENTAL)
LIGHTNING HEAD – MUDMAN SKANK
FLEXUS – I’M SORRY MAMA

Mixcloud Select 179: What To Call This One? 04/03/2003

MS179 CDR
A true mixed bag with this set from March 2003, opening with Dark Circle from their Jazz Fudge release bolstered by a double time Flytronix DnB tune with a fine filtered horn line. The original listing for McKay’s acappella that I float over the top was wrong, it’s actually ‘Rising Tide’ rather than ‘Bluesin’ It’ – check her stuff, she’s made some great music with the likes of Boca 45, DJ Spinna and Katalyst over the years. Spanish producers Camping Gaz and Digi Random drop a tune from their 3rd and final EP together before Nino Nardini stomps in with Afro-Beat. I’m not sure where this version comes from but I think it’s different from the one put out on a 45 by Jazzman which I still play out on occasion. I always like Def Tex’s approach to hip hop, never afraid to switch things up and ‘Dancehaul’ is no exception, tight beats and scratches and lyrics all over the rhythm. Pepe Deluxe’s ‘Salami Fever’ was the first time they caught my ear with the crazed cut up of beats, power chords and scratching and they’ve not deviated far from this path for the last 20 years despite various psychedelic adventures.

Nostalgia 77 aka Ben Lamdin put out many a great 45 on Tru Thoughts in the 00s and it’s great to see he’s still releasing material, the latest being an album on the aformentioned Jazzman. I must dig this out again as I’d forgotten it – HUGE Beatles sample! Taskforce get jiggy on ‘Rockstarz’ which comes from the Low Life Records’ compilation Main Courses -Food. Things take a turn with Plasikman’s ‘Kriket’ and Lisa Maffia’s ‘All Over’ acappella which is a pairing I used to do regularly in DJ sets around this time before we journey over to Montreal for Sixtoo and MattH and the first release on the Bully label. Mostly dealing in screen-printed, hand assembled 7”s, the label, run by the mysterious Marco, put out around 30 experimental beat-led releases from 2003 onwards including a Silver Apples album at one point! Loads of great stuff on the label and the records are beautiful objects.

MS179 PRS
Aah, it’s great to hear this Gray Market Goods track again, a release by my old friend Bundy K Brown for which I also supplied a meticulously drawn homage to Vaughn Bode for the sleeve. We’ve been chatting a bit online of late about various states of the music industry and I always respect his take on things. He has a unique way of putting together samples that never bores me and is rewarded by repeated listens, this Herbie Hancock-sampling groove being no exception. Herbie was a big love of Bundy’s and he hipped me to the Mwandishi Band era stuff when I first visited the US looking for records in the mid 90s. The killer wah wah groove of the Stark Reality is up next from the ‘Now’ compilation on Stones Row around this time, with ‘All You Need To Make Music’ which runs through the various differences between musical notes. I noticed that this version is just over 8 minutes but on the original Hoagy Carmichael’s Music Shop LP it’s over 12 minutes!

Back to the future next for Wagon Christ’s remix of Tipper’s ‘Donut’ – a match made in heaven I think. Dan Snaith’s Manitoba (before he had to change it to Caribou) up next with the lengthily-titled ‘If Assholes Could Fly,This Place Would Be An Airport’ which is all 2-Step beats and Amen breaks, overlaid with spoken word from Yoshinori Sunahara’s ‘Tokyo Underground Airport’ – a concept single about said airport. The record comes in a gatefold gold printed sleeve with picture disc, booklet and sticker sheet, all designed immaculately as only the Japanese can. Sunahara has made many airport or airline-themed records over the years. Da Boo’s lone release, the Herbie Hancock-sampling (again) ‘Spark This’ underpins the end of the show with a lengthy dialogue from Bell Telephone Labs which comes from a strange double album I found of spoken word entirely about computers from serious science to comedic skits.

Track list:
Dark Circle – That’s Cool
Flytronix – Zig Zag (Alternative DJ mix)
McKay – Rising Tide (acapella)
Camping Gaz & Digital Random – Gazoul (Camping Gaz Symphony 3)
Nino Nardini – Afro-Beat
Def Tex – Dancehaul
Pepe Deluxe – Salami Fever
Nostagia 77 – The Goat
Taskforce – Rockstarz (remix)
Plastikman – Kriket
Lisa Maffia – All Over (acapella)
Sixtoo & MattH – webeganhearingthings
Gray Market Goods – We Live In The Future
Stark Reality – All You Need To Make Music
Tipper – Donut (Wagon Christ remix)
Manitoba – If Assholes Could Fly…
Yoshinori Sunahara – Tokyo Underground Airport
Da Boo – Spark This
Bell Telephone Labs – Computer Speech

Mixcloud Select 178: Return To Oz 05/01/2004

MS178 CDR
This show aired just over 20 years ago and was the product of a tour to Australia and New Zealand the previous year, showcasing a lot of the music I’d been given or bought from groups largely indigenous to those shores. Opening with the Bamboo Shack version of the Limp Twins’ ‘Another Day In The Life of Mr. Jones’ on Tru Thoughts – a long time record box staple – played by The Bamboos, a remix/rework that no doubt saw to them releasing many records on the label. Whilst in Auckland, New Zealand, I hooked up with Stinky Jim aka UK ex-pat Jim Pinckney of Unitone HiFi, owner of the Round Trip Mars label who furnished me with much of the music in this mix. SJD was one of his artist and ‘The Lowdown Pt.2’ is one of a couple of tracks in the mix – following is the Daly Wilson Big Band, an ensemble of up to 18 musicians who played popular jazz and cover versions. Their version of the Theme from the Rockford Files is overlaid with a load of dialogue from the show courtesy of Megatrip’s Soundbank library that we took so liberally from in the 00s.

After the first of several intros from several mix CDs Jim gave me is another Australian funk combo, Cookin’ On 3 Burners with their debut release on the Bamboo Shack label – remember the funk 45 ‘craze’ was in full swing around this time after Shadow and Cut Chemist’s ‘Brainfreeze’ mix had opened the doors and all sorts of bands were creeping out the woodwork with credibly retro-sounding songs or covers in a 60s/70s style. Mood Unit’s ‘Games?’ reminds me of Tipsy’s first album, a psychedelic lounge style not far from trip hop and came from the sole12” released on the Froth Recordings label from New Zealand. I seem to remember it was around 9 minutes long so I’ve edited it a bit for this mix – the Unit’s only other release was on a Round Trip Mars compilation.

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While I was in New Zealand I visited a promoter’s house who had Dave Tipper staying as he was on some sort of tour, I’ll never forget him making beats on his laptop on the sofa and then going into the next room and performing some incredibly tight scratch cuts, I had no idea he was such a good turntablist at the time. I think he gave me a Cdr of music he was either working on or had coming out as I don’t know the title of the next track which he produced. I got him to do a guest mix for the show when I was back in the UK and you can hear some of his scratching skills during the next ‘Cut The Jibber’ section which was inserted into my set. All the scratching spoken word inserts were put on by me later – sorry Dave! I think you’ll agree, the guy has skills. After running through Mark Pritchard, DJ Vadim, Mr. Oizo and Prefuse 73 instrumentals then it’s back to me for a couple of songs, the Mudie Allstars ’10 Steps To Soul’ being from a mix Jim gave me of Harry Mudie productions.

Downsyde are a rap group from Perth and ‘Did Not You know’ is from their Land of The Giants album before we’re plunged back into the second part of the Tipper cut-fest over a Mark B instrumental. The second track from SJD – ‘Guiding Light’ – is in stark contrast to the first, a big band jazz number with vocals and it seems that Sean James Donnelly is still putting out music to this day, I’m not surprised if he could come up with this on only his second album. More Mudie next, an unlikely reggae cover of Idris Muhammad’s classic, ‘Loren’s Dance’ before we drift into the last 11 minutes of Fat Freddy’s Drop’s ‘Bluey’ from their debut 10” single in 2003. At this point the band were well known in New Zealand and it didn’t take them long to make it out onto the international circuit where they’re now festival regulars.

Track list:
The Bamboos – Another Day In The Life of Mr Jones (Bamboo Shack version)
SJD – The Lowdown Pt 2
Daly Wilson Big Band – Theme from the Rockford Files
Stinky Jim – Intro 11
Cookin’ On 3 Burners – Gravel Rash
Mood Unit – Games? (edit)
Stinky Jim – intro 14
Tipper – unknown
Tipper guest mix insert: Cut The Jibber pt 1 intro
Mark Pritchard – unknown
Tipper – Tip Hop
DJ Vadim – Friction (Instrumental)
Mr Oizo – Electro Shit Non Stop
Prefuse 73 – Eve Of Destruction
Mudie All Stars – Ten Steps To Soul
Downsyde – Did Not You Know
Tipper guest mix insert: Cut The Jibber pt 2
Si Begg – Noodles 2
Mark B & Blade – Ya Don’t See The Signs (instrumental)
Stinky Jim – intro 1
SJD – Guiding Light
Stinky Jim – intro 3
Mudie All Stars – Loren’s Dance
Fat Freddy’s Drop – Bluey