Mixcloud Select 54: Solid Steel DJ Food Part 2 18/01/1998

MS53 DAT

This mix was the third part of a show where I tag-teamed with Riz Maslen aka Neotropic, each doing two half hour mixes. Recorded up at Ninja Tune HQ in Clink St before it moved and engineered by Ali Tod who added samples and effects whilst watching the levels.
A more restrained intro with Fridge’s Steve Reich-esque ’Astrozero’ from their Anglepoised release on Output Recordings blending into ‘Orgien IV’ which was a really odd LP by Khan I found in New York on tour. Khan is the brother of Cem Oral, part of Air Liquide, and they would often feature on the same compilations so I’d always look out for his work which could range from acid techno to ambient. Around the time he was living in NYC and owned a record shop in Manhattan called Temple Records (quite possibly where I found this) and a label of the same name. The album came wrapped in a huge A1 sized poster printed on newsprint that was folded around the disc.

We pick up the pace with the excellent ‘Ape Shall Never Kill Ape’ from UNKLE, possibly the last everyone-pile-into-the-studio-and-see-what-comes-out track from James Lavelle and co. before Shadow stepped in a took the reigns. It’s an excellent breaks and Planet of the Apes soundtrack cut up with scratching by Tony and Joel from The Scratch Perverts and production by Jadell but we can now see that James had his eyes on something a bit bigger in scope. This was later retitled as ‘March of the General’ and released on Nigo’s album in 2000, this would have been from a Japanese 12” release at the time I played it. A really rather ropey mix of Stasis‘Samba de Fat Bloke’ lurches into the fray and shows that just because two things are in time, they don’t necessarily go together smoothly.

I’d completely forgotten this A Reminiscent Drive track, aptly named ‘The King & The Elephant’ because it sounds like a large mammal lumbering along, from his debut album, Mercy Street on F Comm. ‘Iced Cooly’ by Boards of Canada is from their debut 12”, Twoism and yes, this was played from an original copy which I still own – proof I had one back in ’98. The Fifty Foot Hose track isn’t from an original sadly, from another one of those dodgy Italian compilations that were so prevalent in the late 90s (The Might Mellow – A Folk – Funk Psychedelic Experience) and we close with the beautiful ‘Lillian Lust’ by Dudley Moore from the Bedazzled soundtrack.

Fridge – Astrozero
Khan – Orgien IV
UNKLE feat. Nigo & Scratch Perverts – Ape Shall Never Kill Ape
Stasis – Samba de Fat Bloke
A Reminiscent Drive – The King & The Elephant
Boards of Canada – Iced Cooly
Fifty Foot Hose – Rose
Dudley Moore – Lillian Lust

Mixcloud Select 53: Solid Steel DJ Food Part 1 18/01/1998

MS53Box

This mix was part of a show where I tag-teamed with Riz Maslen aka Neotropic, each doing two half hour mixes. Recorded up at Ninja Tune HQ in Clink St. before it moved and engineered by Ali Tod who added samples and effects whilst watching the levels. Ali was the resident engineer around this time and also helped mix tracks on Kaleidoscope and loads of club and live events.

The Psychedelic Beach Trip Part 3 remix of The Lightning Seeds was by Ashley Beedle, from a promo 12” of the time that includes Psychedelic Beach Funk Part 1 & 2 mixes on the flip and can be had for less than £1 on Discogs. The bizarre but brilliant version of Melle Mel and the Furious Five’s ‘White Lines’ was by UK hip hop DJ’s Pogo and Cutmaster Swift. This was from some reissue around this time and their slowing down of the song to make a jazz version using the same bassline that The Herbaliser had half-inched for ‘Scratchy Noise’ a few years earlier was pure genius. ‘King Wasp’ was Add N To X’s second single on Satellite Records before then signing to Mute and old flatmate Chantal Passamonte’s debut on Warp as Mira Calix, ‘Sandsings’, features briefly. Two takes on Lalo Schifrin’s ‘Bullit’ theme tune appear in the form of The Midnight Funk Association (a Mark Broom project) and The Black Dog’s late 90’s remix version.

The Giancarlo Gazzani ‘Under Drama’ track was alas not from an original but from the excellent set of Easy Tempo compilations out of Italy that were around at the end of the 90s. At this point there were so many comps of soundtracks, easy listening and library around, some legal, most bootlegs, that it was hard to keep up but these were definitely good ones and ran to ten volumes by 2003. Tadashi Takatsuka’s ‘Odd Job’ was from a great little 4 track 7” EP titled Man From Electone that I must have picked up in Tokyo on tour.

The Lightning Seeds – Psychedelic Beach Trip Part 3
Grandmaster Melle Mel & The Furious Five – White Lines (Swift & Pogo mix)
Kid Loco – Relaxin’ With Cherry
Add N To X – King Wasp
Mira CalIx – Sandsings
Midnight Funk Organisation – Byte The Bullet
Lalo Schifrin – Bullit (Black Dog mix)
Giancarlo Gazzani – Under Drama
Tadashi Takatsuka – Odd Job
Rhys Chatham – Domestik Life

The KLF – White Room 1989 Director’s Cut

Sample City 4 White Room
The latest addition to The KLF‘s Sample City Through Trancentral series is a 1989 Director’s Cut of The White Room album which is very different for those familiar to the original from 1991. It’s not the original original 1989 version of the album which kicked off with Kylie Said To Jason, featured a Pure Trance version of 3AM Eternal and has been passed round collector circles for years containing even earlier versions of the songs either. This is more of a bridge between Chill Out and the final White Room that was released in the midst of their pop pomp heyday in 1991 but excludes What Time Is Love and 3AM Eternal, presumably because they had already been posted as part of the Solid State Logik sets. A lot of the versions feel a little more restrained and polite than the originally released version, yet to be fully fleshed out and pumped up in places for radio play.
This must be the ‘lost chapter’ they have alluded to before as there’s lots more to look forward to with the Pure Trance Series, Moody Boys Selection and Kick Out D’Jamz chapters yet to come.

Listen on YouTube now

White Room flyposters

UPDATE: Confirming my suspicions – from The KLF themselves:

“THE WHITE ROOM – Director’s Cut by The KLF is not The White Room album that was released globally by The KLF in various formats with various track listings in 1991. Nor was it a version of the same album not completed or released in 1989.

THE WHITE ROOM – Director’s Cut by The KLF is a version of The White Room that was completed but not released in 1990.

THE WHITE ROOM – Director’s Cut by The KLF was constructed in various recording studios by The Justified Ancients of Mu Mu, between early 1989 and sometime in 1990.”

More info here about all the chapters so far

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The Real Tuesday Weld ‘Blood’ and ‘Tape Dust Memories’ albums

Blood front cover red vThis has been a long time coming but… ‘There will be Blood!’. More specifically The Real Tuesday Weld‘s ‘Blood’, the first in a trilogy of albums under the umbrella of ‘Swan Songs’, the final bow of Stephen Coates‘ 20 year+ recording career under this name. ‘Blood’ is the first, to be followed by ‘Dreams’ and ‘Bone’ over the next 18 months and each will be supplemented by cassette versions with completely different tracks in sympathetic packaging to each main title.Blood back cover poster DLBlood red contents

The whole design concept was started over a year ago, pre-lockdown, but stalled like everything for months mid year until we picked it back up in the summer, reworked the concepts and mapped out the whole set. With the benefit of hindsight it was worth the rest and the design is better for it as we went through various stages and ideas, coming back to it with fresh eyes. There’s a small books-worth of unused elements and ideas that never made it for this series, a huge folder of work that was slowly honed into shape over months as the artwork formed.
Blood red contents back Blood splatter contents Blood splatter v light TRTW

The ‘Blood’ vinyl comes in red or red & black splatter vinyl versions, has an inner sleeve with a short story (a feature of all the albums), die-cut back and inner covers and download card. Depending on how you insert the record / inner sleeve or poster you can have different back covers.

Blood back poster Blood back Stephen Blood back Blood

If you pre-order direct from the Real Tuesday Weld Bandcamp page you get an exclusive target print and beermat with the 10 track album plus there you can also find a bundle with the 11 track cassette companion, ‘Tape Dust Memories’ which is housed in a blood bag with medical-style lyric sheet and download card. This is a completely different album of extra tracks from the same sessions and possibly not available anywhere else. I’m extremely pleased with how these have both turned out and we’re forging ahead with the follow up, ‘Dreams’ for the end of 2021.
TDM blood bag TDM Blood bag 2TDM tape ATDM contentsTDM contents 2

For those wanting a CD version, there may be something at the end of the trilogy that collects them all, we’ll see…

Blood red v stamp

Songs To Enlighten mix for the Tales To Enlighten Kickstarter

TTE cover 4
Earlier this year I put together this mix for Megatrip as a sweetener to accompany the ‘Tales To Enlighten’ Kickstarter that began on April 1st. It’s the second of three sets made to add some more online content to push the fundraiser along during the month. We didn’t need it as the book was funded in 6 hours and continues to gain ground, currently at four times its target! Regardless, not wanting to let a good mix go to waste Matt is pushing ahead with them anyway with Bobby Corridor’s Trip Hop Faster mix debuting last week and mine this.

TTE SYNOPSIS SQUARE
Given the heavy religious content of the book I decided to do a second mix of religious rock and spiritual spoken word. Following on from the first one, Songs Of Praise – which featured on Shane Quentin‘s Garden of Earthly Delights radio show last year – here’s Songs To Enlighten, more of the same with spoken sample contributions from Megatrip’s Soundbank library. It’s an hour long romp through rock operas and church run label releases by obscure bands spreading the good word and has been a joy to put together. Go here for the full lowdown including a download of the mix.

TTE DIE SATAN
If you’re not familiar with the Kickstarter and enjoy blasphemous anarchy, psychedelic mayhem and a load of great art then take a look as there’s still two weeks left to go even though the project is funded. This won’t be sold in book shops, it’s ready to print and a second volume is also at an advanced stage.

COUNTDOWN 001 youGet-v2

Big Mouth podcast – 10th April

I was asked back as a guest reviewer on Andrew Harrison and Sian Pattenden‘s excellent Big Mouth podcast this week. If you want to hear me getting tongue-tied and being largely less eloquent then Andrew, Sian and other guest Michael Hann, then hit the link. The film, Nomadland, TV series, Wellington Paranormal and new albums from Raf Rundell and Matthew E. White all get reviewed.

Mixcloud Select 50: Coldcut Solid Steel 13/05/1995 JDJ warm up

MS50 Coldcut Solid Steel 13:05:1995 JDJ

If there’s one mix that I’ve found that’s the genesis of my main contributions to the Coldcut Journey’s By DJ mix then it’s this one. This was my set from a Solid Steel show, recorded at the Ahead Of Our Time studios inside Ninja Tune HQ at Clink St, London and fans of the JDJ mix will recognise many of the tracks here. There’s no finesse of the finished mix and several inclusions that didn’t make the final version (I seem to remember Public Enemy was refused) but here are some of the building blocks. Apologies for the quality, this was recorded from the radio broadcast so it’s a little ‘fluffy’ around the top end, just on the edge of distortion.

The Sabres of Paradise mix of Red Snapper was a huge tune at the time, here not yet embellished with the Dr Who theme by PC’s hand – always a supremely melodic mixer, listening for musicality over the adrenalin rush of a heavy drop. I first heard The Octagon Man being played by Rob Hall of Gescom in The Sound Shaft at Heaven for one of the Thursday night Megatripolis sessions we would sometimes play at. I knew J Saul Kane’s Depth Charge moniker but this weird electro/techno hybrid full of crazy machine gun drum programming. I found a copy as soon as I could.

The Jedi Knights were kicking off the Clear label’s mission to reinstate electro into clubland with their superb ‘Noddy Holder’ and covered several musical bases in the process. When in doubt, pull out Bam Bam’s ‘Where’s Your Child?’, I seem to have played this a lot more than I remember across sets over the years but then it is one of the greatest acid tracks of all time. Keeping with acid of a (then) modern nature is Ritchie Hawtin’s Plastikman with Coldcut’s ‘More Beats’ on 45 mixed over the top.

Depth Charge proper comes after, we really wanted this to kick off the mix but it was refused so we cheekily took the beginning spoken word only, figuring it was a sample anyway. The PE mix into it is pretty shoddy and also the 2 Player remix out of that – still learning about the different swing of beats in the mix, just because they’re the same tempo doesn’t mean they’ll slot together cleanly. The Wagon Christ remix was a no-brainer because we were all so excited about it and being on Ninja it was a dead cert, obviously it turned up elsewhere in the final mix.

Vapour Space was/is a great tune but was used as a bridge here for a tempo change to Autechre and friends under their Gescom guise. ‘Mag’ (sampling Ultra Magnetic MC’s) is still such a killer tune with that huge breakdown. I’m glad we didn’t go into the Chemical Brothers in the final mix as it changes the tone quite a lot, it would sound great in a club though. You can hear the sample, ‘This Is just the beginning, we’re just getting started’ at one point which was later used to finish the ‘Now, Listen’ Solid Steel mix, flown in from one of Coldcut’s ‘Word Treasure’ compilations of spoken word made for the radio shows. After a word from Lord Buckley from the same CD it’s PC’s turn to step up and he performs his Junior Reid/Truper mix before the tape ends, sadly I don’t have the rest of the show.

Coldcut’s brief for the mix was always that we just do what we do on the radio show but the best we’ve ever done it. To those who tuned in every week the released mix wasn’t maybe anything new but to many it seemed to be a revelation that this many different styles could be so easily mixed together on one disc.

Red Snapper – Hot Flush (Sabres of Paradise remix)
The Octagon Man – The Demented Spirit (Okugai Eigakan)
Jedi Knights – Noddy Holder
Bam Bam – Where’s Your Child?
Plastikman – Fuk
Coldcut – More Beats
Depth Charge – Depth Charge (Han Do Jin)
Public Enemy – Mi Uzi Weighs A Ton
2 Player – Extreme Possibilities (Wagon Christ remix)
Vapour Space – Gravitational Arch of 10
Gescom – Mag
Chemical Brothers – Leave Home
Lord Buckley – The Bugbird (The Raven)
Junior Reid – One Blood
The Truper – Street BeatsVol.2

Mixcloud Select 49: Openmind mix 21/05/1995 + 23/06/1995

MS49 Openmind mix 21:01:1995 + 23:06:1995

If there’s one mix that I’ve dug up so far that encapsulates the moment and excitement of the Ninja Tune label finally coming into its own and starting to release what are now considered classics of the era then it’s this mix. From early 1995 this Solid Steel set showcases track after track from the label that bring the memories flooding back, lots of these would have been played from white labels and I would have been designing the artwork for them at the same time, playing our first gigs and tours around the UK and Europe. There was also the work on the DJ Food ‘A Recipe For Disaster’ album and Coldcut’s Journeys By DJ mix (more of that next week), the first Ninja Cuts compilation and, later on, the first Stealth nights at the Blue Note.

1995 was a vintage year, I’d quit my day job at a book shop on Oxford St, was still working some weekends in the record shop Ambient Soho on Berwick St. in between gigs away with Coldcut, PC and The Herbaliser and was designing whatever Ninja Tune could throw at me. Solid Steel shows were usually pre-recorded Friday evenings at KISS FM on the Holloway Road or in Coldcut’s newly constructed Ahead of our Time studio in Clink St. This mix was the former and you can hear Matt on the mic at one point saying ‘Ninja Tune blowing up in ’95’ as there was a sense of excitement and direction at the label with lots of new signings and singles from The Herbs, Funki Porcini, London Funk Allstars, Up, Bustle & Out, Neotropic and Food of course.

Coupled with the label’s new visual identity, lexicon (see the Ninja Skinz inside notes) and the sense of purpose around the groups all working on debut albums, it made for a friendly but competitive environment. A small trickle of press interest had happened following Mo Wax’s emergence as the forerunner of the trip hop sound plus new labels like Wall of Sound and Skint were starting. The mix kicks off with a truncated beginning unfortunately as we’re into the latter half of The Herbaliser’s original version of ‘Repetitive Loop’ before plunging into the Autechre mix of DJ Food’s ‘Sexy Bits’ (basically the samples at the end of the Jazz Brakes albums).

The electronic side of things was also in fine form with three mixes from Autechre in this set alone, Disjecta (Seefeel’s Mark Clifford) and more than I can’t identify from ailing memory or Shazam, if anyone can fill in the gaps please let me know. I’m surprised to hear a snatch of Terry Riley’s ‘In C’ at the end here as I didn’t think I bought a copy until later than this but it was probably from a compilation from around this time.

I have three dates for mixes on this tape and it’s likely that this mix is actually two sets from different dates, as the other side of the tape is definitely one set. At around the 14 minute mark, after the Beastie Boys, there was definitely an advert break because I remember it. After this, the mix may well be from another session, possibly at the AOOT studio. The dates I have are 13/05/1995 + 21/01/95 + 23/06/1995 but my good friend, Solid Steel collector and historian Anton Kibeshev tells me that I’ve mistakenly labelled one part and it should be 21/05/95. I’m going to peg the first half of this mix as 21/05/95, then 23/06/1995 as the second. Next week – for the 50th upload – will be 13/05/1995 which is where the JDJ mix comes in…

Track list:
The Herbaliser – Repetitive Loop
DJ Food – Sexy Bits (Ae9V mix)
Heights of Abraham – 700 Channels
DJ Vadim – Live From Paris
Beastie Boys – Something’s Got To Give (live)
The Herbaliser – Scratchy Noise
Simon Harris – 95 bpm breakbeat
Akasha – Mescalin
Up, Bustle & Out – Revolutionary Woman of the Windmill (La Bandolera Del Molino)
Depth Charge – Five Deadly Venoms
Unknown – unknown
Scorn – Falling (Autechre FR 13 mix)
Disjecta – Vistic
Autechre – VLetr mx
Unknown – unknown
Terry Riley – In C

Posted in DJ Food, Mixcloud Select, Mixes/Solid Steel, Music, Radio. | Comments Off on Mixcloud Select 49: Openmind mix 21/05/1995 + 23/06/1995 | Tags:

The KLF – Solid State Logic 2

The third upload by The KLF / JAMs / Timelords debuted on March 23rd with Solid State Logic 2 – extended 12″ mixes, B sides, obscurities and also a new ‘trailer’ for Jarvis Joins The JAMs – the version of Justified & Ancient that was performed during the festivities in Liverpool a few years back. An added bonus was also the ‘Rites of Mu’ film in stunning quality which didn’t initially seem to be part of SSL2 but appeared as well.

KLF SSL2

KLF posters 2

Posted in Film, Music. | No Comments | Tags: , ,

Mixcloud Select 48: DJ Food – Warp 100 mix 05/07/1998

MS48 Warp DAT

During the summer of 1998 Warp Records put out their 100th release, a compilation of new tracks from all artists entitled ‘We Are Reasonable People’, which also celebrated their 9th anniversary. I put together a mix of all the tracks on Solid Steel although don’t be expecting a Blech pt.3 as this definitely isn’t as involved as that. I think I had to do it as the vinyl sides let me over the 3 discs, pairing up tracks from different sides plus a copy of the 4 track promo 12”. (I may have had double copies actually listening to the N.O.W. section)

As it says on the DAT cover, it’s pretty pedestrian in the way it’s put together although (my mix that is, not the contents). There’s a very odd mix of the Mark Bell track out of Jimi Tenor – how to get a banging techno tune into a slow lounge number? Put it on 45 so it’s double time, mix together then turn down to 33. Sometimes you’re better off leaving a gap but I was young and determined to find a way to mix EVERYTHING together. If you just want to listen to the comp without too much interference then this is one way to do it. Just look at that line up! All tracks were exclusive to this comp at the time and several still aren’t available anywhere else.MS48 Warp Box

Part 1
Plaid – Ilasas
Squarepusher / AFX – Freeman Hardy & Willis
Red Snapper – 4 Dead Monks
Broadcast – Hammer Without A Master
Plone – Plaything
Nightmares On Wax – Fishtail Parker
Part 2
Boards Of Canada – Orange Romeda
Jimi Tenor – Wear My Bikini
Mark Bell – A Salute To Those People Who Say Fuck You
Mira Calx – Umchunga Locks
Two Lone Swordsman – Circulation
Autechre – Stop Look Listen

 

King Gizzard Fuzz Club Bootleg series

KGLW Asheville
Like many others last year King Gizzard raided their tape archives and pumped out live sets via their Bandcamp page to fill the void of cancelled gigs. Of course these were digital only releases and they later offered the recordings to anyone who wanted to press them up on the condition that they sent them a portion of the stock to sell. Fuzz Club have stepped up and taken eight shows plus a demos set and a teenage pre-Gizzard collection and made some of the best looking releases I’ve seen in a while. Grab these quick if you want them, they’re selling out fast, some independent shops have them on pre-order like Norman Records, and Resident Music. King Gizzard have form on this, giving away their ‘Polygondwanaland’ album to everyone to do their own versions in 2017, there are nearly 300 versions on Discogs as I write.
KGLW Auckland KGLW Brussels KGLW London KGLW Paris KGLW Rats Live KGLW TeensKGLW Demos 1 KingGizzardDemo_24

The New Obsolescents LP repress

TNO comp 4
It was a surprise to see The New Obsolescents‘ album sell out in 25 minutes a few weeks back when it went up for pre-order and it’s been even more heartening to see people posting photos online once they received them. Inevitably though there’s a small downside in the people who missed out and the buyers who immediately put copies on Discogs for anywhere between £130 to £300. You can’t stop people doing this but Castles In Space are very good at tracking who these buyers are and striking them from any future sales from the label.
The good news for those who missed out is that a repress is on the way although it won’t be a foil version like the first run because those stocks are now depleted. It’s taken a while to source something that could measure up to the Dufex covers and I’ve gone a different route. The good news is that the new sleeve will be back and front rather than just a panel that I have to stick by hand on 300 copies! Prints tests were done in the last week from various samples and now stocks are being readied, vinyl pressed (in a different colourway too) and the 2nd edition will be with us as soon as the pressing plant can press it up. There may also be a number of badges to accompany it too. Here I’ve collected the various photos posted online and at the bottom is a sneak peek of the repress tests results.

TNO comp 3 TNO comp 2 TNO comp 1 TNO Comp 5 TNO comp 7 TNO comp 8 TNO comp 9 TNO comp 6TNO 2nd Ed test

Mixcloud Select 47: Hip Hop ABCs/ TV is the new religion 01/04/2002

MS47 disc Going back almost 19 years to April Fool’s Day 2002 and a thing titled ‘Hip Hop ABC / TV is the new religion’ this week although the date on the CD and tracklist here is most likely when it was recorded rather than transmitted. Opening with DJ Shadow’s excellent ‘Mashin’ On The Motorway’ (with edited swearing for the radio) from ‘The Private Press’ LP, an album that suffered from far too many comparisons to ‘Endtroducing’ at the time despite being amazing. Given that the album came out in June 2002, it’s early to be playing this track but I do remember versions leaked online around this time.

There’s a lot of Sesame Street spoken word throughout this mix as I was in the middle of a big Children’s Television Workshop collecting phase, compiling material for the later ‘D Is For Dig’ mix – I have to say the segue from Grover into KRS-1 is quite inspired. The first half of this mix is heavy on current hip hop of the time erring towards the independent side of things with both UK and US talent featured. I always wondered if Black Twang were hoping for some kind of football TV syndication with ‘Kik Off’ but maybe not with those lyrics. How good is that Zeb Roc Ski track featuring Blade? Big Two Hundred was an alias of Andrew Meecham aka The Emperor Machine, Bizarre Inc. Chicken Lips and more who made one album for DC Recordings, very much in the Liquid Liquid post punk style.

MS47 PRS

Halfway we switch to a mixture of funky rock and religious spoken word from Jonny Trunk & Martin Green’s excellent ‘Resurrection’ compilation, a record that sparked an interest in religious records that I’m still exploring today. The end breakdown of Mountain’s ‘Nantucket Sleighride’ was of course the theme to LWT’s ‘Weekend World’ news programme during the 70s and 80s and brings us into the TV themes, covers and library cues section with a heavy bias on old BBC shows. The secret of library music had been out since the late 90s and many labels were reissuing fantastic comps of all the big hitters, there was a nostalgia for our 70s youth being stirred up that would eventually manifest itself into the hauntology genre with labels like Trunk helping fuel the fire.

Another thing fanning those flames were sections of the mash up community fusing old TV themes to new pop acappellas for laughs, hence the ‘Dad n Bass’ extract featured here which I must have found on the web somewhere. This scene was just starting to get into gear and I always thought the best mash ups were the ones that made you laugh at the ridiculousness of their pairing. This one is just that, if anyone knows who did it then please let me know. The daddies, Coldcut, close the show with an example from the late 80s of just this, showing they were, as ever, ahead of their time. This recording seems to be from a Capital Radio broadcast with Mick Brown and the mix was later featured on the July ’88 DMC mix album which was the only place you could find it until the Cold-Cut-Outs compilation.

DJ Shadow – Mashin’ On The Motorway
Kela – Crop Circles
Antipop Consortium – Tuff Gong
Cannibal Ox – The F Word (RJD2 remix)
KRS-1 – Get Yourself Up
Edan – Mic Manipulator
Blak Twang – Kik Off
Sir Beans OBE – How Would You Put This
Zeb Roc Ski feat Blade – On The Run (Junk’s UK remix)
Big Two Hundred – Replaceable Head
unknown – The Sun Worshippers Speak
Roger Limb – Alien in the Family
Ted Taylor Organisation – He Who Would Valiant Be
Neil Merryweather – Eight Miles High
Mountain – Nuntucket Sleighride
Ronnie Hazelhurst – The Two Ronnies Theme
Heavy Action – Superstars
Martin Cook & Richard Denton – Tomorrow’s World
Dudley Simpson – The Tomorrow People
unknown – Dad ‘n’ Bass
Coldcut – Off To Work

Mixcloud Select 45: Strictly Solid Steel Pt.2 19/10/97

MS46 tapeHere’s the second of two parts from late 1997. I don’t think I’ve heard this since it was broadcast, pretty sure this is taped from the radio broadcast as it has that lovely KISS FM compression across it and part of an ad at the end. This was my second set from the first hour of the show with PC providing the second hour.

A Reminiscent Drive made some lovely ambient / classical records on F Comm, more Plaid, Stereolab from career high ‘Dots & Loops’, oh how spoilt were we back then. No idea why I thought MC Shan would work after them but it just about does, crazy to think there’s now a documentary about this song. Wonderful Quincy Jones from his ‘Guala Matari’ LP into a way more funky, out there Hot Butter album cut than I remember, must dig that out again, it’s not all about ‘Popcorn’. Ending with Billy Cobham and ‘Storm’, part of a 4 section ‘sound portrait’ called ’Spanish Moss’ from ‘Crosswinds’, one of his increasingly electronic 70s LPs.

Track list:
A Reminiscent Drive – Footprints
Plaid – Rakimou
Stereolab – Refractions in the Plastic Pulse
MC Shan – The Bridge
Quincy Jones – Hummin’
Hot Butter – Space Walk
Billy Cobham – Storm

Mixcloud Select 45: Strictly Solid Steel Pt.1 19/10/97

MS45 tape
*The date on the post is correct going by other sources, the date on the tape above is wrong, no idea why.

A shorter mix this week after last week’s hour+ special. Here’s the first of two parts from late 1997. I don’t think I’ve heard this since it was broadcast, pretty sure this is taped from the radio broadcast as it has that lovely KISS FM compression across it and part of an ad was at the end. This was my first set from the first hour of the show with PC providing the second hour.

Kicking off with Skylab, the great Mat Ducasse / Major Force West collaboration from a clear 7” on Eye Q Records – I loved everything Mat did with his Skylab project and told him so when we met later in life. He said he was inspired by listening to Solid Steel so the circle was complete, everything is getting a reissue now so no excuse if you missed it first time round. The #1 LP and ‘Oh! Skylab’ EP are essential and this track comes from the #2 LP era https://skylab.bandcamp.com/

Brandi Ifgray made the ‘Le Mutant’ LP on Puu, an offshoot of Finnish label Sahko Recordings, home of Jimi Tenor, Metri, Pansonic and more. The next three tracks I barely remember but Plaid’s ‘Not For Threes’ LP was obviously new around this time. I always felt Laika could have gone the same way as Broadcast as this is from a pretty experimental 12” with Cabbage Boy (Si Begg) and Luke Vibert among the featured remixers.

Juryman (Ian Simmonds) and Spacer (Luke Gordon) were always excellent both recording together or apart and this comes from the one collaborative LP they made. That V/Vm track? I think it may have been from the Skam Records ‘0161′ compilation? New Flesh on Big Dada, early on when Part 2 still rapped and they hadn’t dropped the ‘4 Old’ from their name, really bold UK hip hop, full of ideas.

Part 2 next week!

Track list:
Skylab – Bite This!
Brandi Ifgray – Bumble Bee
Plaid – Extork
Laika – Shut Off/Curl Up (Cabbage Boy remix)
Juryman vs Spacer – Personnel Wanted
V/Vm – Asymetric
New Flesh 4 Old – Electronic Bombardment

Resonance FM fundraiser 2021

TNO StarburstIt’s that time of year again for the Resonance FM fundraiser, this independent radio station relies on donations to keep the lights on and having just had to relocate after what seems like years of waiting, they need it more than ever. They’re not doing the usual eBay auctions this year so Robin the Fog has taken it upon himself to put three special records up there with a little help from the Castles in Space label.
I’d like to bring your attention to a ‘Starburst’ edition of our The New Obsolescents LP, officially released today but totally sold out, this one was held back for just this occasion. Bid on this here

If you want to hear what it sounds like and maybe buy a digital copy then head to Bandcamp

HWLRD cover

Also a secret 31st edition of Robin’s last Bandcamp Friday Howlround lathe cut 7″ EP ‘Rec & Ruin’ – again, made specially. Go here to bid
HWLRND labelHWLRND back

Also available is a full package of CiS goodies in the form of Field Lines Cartographer‘s recent ‘Leaving In Storms’ 7″ test pressing with all the trimmings. Bids away!  All proceeds go towards Resonance FM

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And if you have these already or they’re just not your bag but you want to help the station out then you can donate here  https://resonancefm.com/donate

 

The Making of Christmas Rappin’

Kurtis Blow cover

Noah Uman‘s Music Archives Ltd Instagram is a treasure trove of hip hop memorabilia and he’s expanded into the real world with a small A5 sized booklet, written by Bill Adler, about the making of Kurtis Blow‘s rap classic, ‘Christmas Rappin’. The story of what was essentially seen as a novelty record is fascinating and you realise what a groundbreaking record it was. The booklet is full of flyers, live photos and more and breaks down the circumstances behind how it was recorded, signed and promoted. You can find copies here and it comes with two badges.

Kurtis Blow 1 Kurtis Blow 2 Kurtis Blow 3 Kurtis Blow 4 Kurtis Blow 5 Kurtis Blow 6 Kurtis Blow 7

Mixcloud Select Exclusive 01: Lynch Party Mix 2

DJFood MSX-01In my first exclusive new mix for subscribers I’ve chosen to make something that’s been on the ‘to-do’ list for an astonishing 10 years (!) Back in June of 2011 I made an hour long mix for Solid Steel entitled Lynch Party Mix from some of the remixes of Brendan Lynch and Martin ‘Max’ Heyes aka the Lynchmob. Working together and sometimes going by Lynch Mob (but never to be confused with the rap group of the same name) they made some of the most psychedelic, dubbed out remixes and productions of the 90s. You can find that here in the second hour.

Working primarily with Paul Weller after stints around the Acid Jazz/Talkin’ Loud camps in the late 80’s/early 90s, Lynch oversaw Weller’s return to the limelight as a solo artist, working with him on the final Style Council LP, ‘Modernism’, which initially didn’t see the light of day due to record label indifference.

With Lynch as producer and Heyes as engineer they worked on Weller’s 90’s run of albums, the self-titled debut, ‘Wild Wood’, ‘Stanley Road’, ‘Heavy Soul’ and ‘Heliocentric’ plus all points in between, Lynch even co-writing on songs like The Changingman, Sunflower and Wild Wood. Where they really excelled though was in deconstructing the songs for B sides, stretching them out and using all manner of sonic tricks to twist them inside out.

The Lynch Mob Bonus Beats mix of ‘Kosmos’ is an early example and was perfectly in tune with the then current trip hop movement. Taking that style and using it on Primal Scream’s trilogy of albums, ‘XTRMNTR’, ‘Vanishing Point’ and ‘Evil Heat’ was the next step and they also worked on several of the remixes under the band’s name for the likes of Asian Dub Foundation and Massive Attack. Remixes as the Lynchmob followed for Air, ADF, Dr John, Oasis and Ocean Colour Scene with Heyes also working on a couple of tracks with Weller drummer Steve White and ex-Councillor Mick Talbot.

If the Lynch Party Mix covered the more downtempo, dubby side of their output then part 2 picks up where that left off and slowly builds in tempo to a galloping blues rock crescendo. It includes a 6 minute megamix of various versions of the aforementioned ‘Mathur’ as well as two remixes of Weller’s ‘Brushed’ only issued as a promo. The ‘Lynch Mob Bonus Beats’ and ‘Acid Dub’ mixes came from an acetate obtained from someone who worked in the industry at the time. I love the freeform nature of all these mixes, they’re full of backwards guitars, reverb-heavy drop outs and copious amounts of delay, even if it can get a bit full on at points. I can only imagine they achieved this by doing live mixes on the desk and then editing down the results to get a modern psychedelic sound without resorting to cliché. Also it’s HEAVY, they get a big, chunky sound that recalls some sort of acid trip where the music warps and moves in and out of your headspace.

*A word about the mix – there’s some extreme panning, feedback and distortion going on throughout, this is part of the original recordings and intentional, just be careful on the volume.

I’ve used dialogue from a drug information film called The Mindbenders throughout the mix to give it a running theme, it seemed appropriate and this concludes the Lynchmob mixes. I always intended to do two as I had plenty of material for them and it feels good to finally get this one down. There will periodically be more exclusives as I go through my list of themed mix ideas and tick them off, I can’t say when but this gives me a good excuse to finally get round to doing them.

Track list:
Paul Weller – Sunflower (Lynch Mob Dub)
Primal Scream – If They Move, Kill ‘Em (12” Disco Mix edit)
Asian Dub Foundation – Free Satpal Ram (Primal Scream & Brendan Lynch Mix – DJ Food Edit)
Ocean Colour Scene – Falling To The Floor / 100 Mile City
Ocean Colour Scene – July (Forza Moderna Mix)
Indian Vibes – Mathur (Discovery of India mix / Adbhuta / Extended mix / Lynch Mob beats DJ Food re-edit)
Paul Weller – So You Want to Be A Dancer
Talbot / White – Off the Beaten Track (4-1 Dub mix)
Paul Weller – Brushed (Lynch Mob Acid Dub / Lynch Mob Bonus Beats DJ Food edit) (acetate)
Primal Scream – Burning Wheel (DJ Food edit)
Ocean Colour Scene – Flood Tide Rising
Deus – Sun Ra (Lynchmob Dub)
Paul Weller – From The Floorboards Up (Lynch Mob Instrumental Remix)

Mixcloud Select Exclusive Mixes

DJFood MSX-01I’ve decided to start doing occasional exclusive mixes this year for subscribers to my Mixcloud Select channel, ticking off that to-do list of themed mixes I’ve been meaning to do forever but never got round to. We’re currently at 99 subscribers and once we hit 100 I’ll post the first of these – a follow up to the 2011 Lynch Party Mix that featured various remixes and productions by Brendan Lynch & Max Heyes aka the Lynchmob.
That means a lot of tripped out 90’s era Paul Weller, Primal Scream, Asian Dub Foundation, Ocean Colour Scene.. no, wait! come back! – these guys made them sound so good and it includes a couple of unreleased Weller remixes too.
For £3 a month you get a weekly archive Solid Steel mix or similar from my archives dating back to the early 90s, full track list, detailed notes and stories from the era. Future exclusives will include an Eno remix collection, the infamous unreleased Sesame Street ‘D Is For Dig’ compilation remastered and at least 2 more Kraftwerk Kover Kollections.
All brand new mixes will be exclusive for at least a year before being made public. Hit the purple button to subscribe, Friday 10.30am GMT is usually the drop time so, if one more person subscribes by then, the first exclusive goes up.

New King Gizzard ‘LW’ LP and single

I really don’t know how these guys do it – new video, shot and edited in 24 hrs and a new LP,  ‘LW’ out in 7 days! The single sounds like a return to ‘Polygondwandland’ mixed with a bit of the microtonality of ‘Flying Microtonal Banana’ of which the previous album, ‘KW‘, was also a part 2 of. Looking at the new title and sleeve, this seems to be volume 3.

LW

I Photoshopped the two LP covers side by side (because I’m that kind of nerd)  and they match exactly.

KGLW

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