Victor Moscoso – Poster from the Past

Poster, The Miller Blues Band, 1967; Designed by Victor Moscoso (Spanish, active USA, b.1936); offset lithograph on white wove paper; 50.3 x 35.8 cm (19 13/16 x 14 1/8 in.); Gift of Mr. and Mrs. Leslie J. Schreyer; 1979-34-38; Cooper Hewitt, Smithsonian Design Museum. Photo: Matt Flynn © Smithsonian Institution
Poster, The Miller Blues Band, 1967; Designed by Victor Moscoso (Spanish, active USA, b.1936); offset lithograph on white wove paper; 50.3 x 35.8 cm (19 13/16 x 14 1/8 in.); Gift of Mr. and Mrs. Leslie J. Schreyer; 1979-34-38; Cooper Hewitt, Smithsonian Design Museum.
Photo: Matt Flynn © Smithsonian Institution

‘Poster From The Past’ – #2 in the Neon Rose series by the legendary Victor Moscoso  – plus original artwork below. 55 years ago today.

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A Million Volt Light & Sound Rave

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The Million Volt Light & Sound Rave was put on at The Roundhouse over two separate days in early 1967 by the Binder Edwards Vaughan / BEV design partnership of Douglas Binder, Dudley Edwards and David Vaughan.

Sometimes also known as the Carnival of Light Rave, it most famously featured the airing of ‘Carnival of Light’, Paul McCartney’s mythical 14 minute musique concrete piece, specially made for the occasion with the participation of the other three Beatles. Vaughan had painted a piano for McCartney the year before and asked if he would be up for contributing something whilst delivering it. It was played a number of times during the two events and hasn’t been officially released since. Less heralded was a performance of tape music by Unit Delta Plus, the trio of Delia Derbyshire, Brian Hodgson and Peter Zinovieff although it’s unknown if they were there in person to play it or if it was just playback. Also on the bill, Tonics, Soft Machine and Electric Poets which consisted of Soft Machine‘s Daevid Allen and Robert Wyatt with Gilli Smyth and Early Fuggle on welding kit (according to a clipping from International Times). Allen and Smyth of course went on to form Gong. The poster and flyer above and below I’m presuming were done by BEV although I can’t find any confirmation of this anywhere, if anyone knows please leave a comment.

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Above, A Million Volt Rave flyer for the first event, these also exist on white, below, detail from BEV headed stationary that was found dumped in a skip outside a mill in Manchester, 1999. The collection of papers included sketches for McCartney’s piano and a list of BEV commissions was found by builder Andy Clynes, more info and photos here. This design has also been found printed on silver paper as a poster (see below) and may be an early draft (I’m speculating here).

BEV Collective (Binder, Edwards, Vaughan)Million Volt Light & Sound IT listing-studio-studio2Here’s Dudley Edwards talking about the event, he reveals that an unknown Jimi Hendrix was also on the bill.

Dave Little artwork at the Club Culture screening

Jibaro I was amazed to see the originals of Dave Little‘s covers for S’ExpressOriginal Soundtrack album and Jibraro ‘Electra’ 12″ at the screening of the 1988 documentary, Club Culture tonight at Arboretum. There was a small show of his work including Renegade Soundwave, Spectrum, Junior Boys Own and his Acid screen print. If you look closely at the Jibaro sleeve you can see the stuck on lettering peeling away. You can buy some of these as prints from Dave’s site.

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60s Psychedelic drug posters

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On my travels round the web I ran across these late 60s parody drug posters – the following info was cribbed from the Worthpoint website:
Vintage Psychedelic Poster ‘Cocaine Candy’ Limited Print
Published by The Esoteric Poster Company in 1967
Hand-Pulled Serigraph on Thick Stock Paper, Semi-Gloss Finish
Original Art by Robert Wendell, after Roland Crump
Printing by Gawdawful Graphics / Wendell & Klopp
20″ x 13″ Black Light Sensitive
The Esoteric Poster Company, founded by Howard Morseburg in California during the early 1960’s, had a brief run before folding for good in 1968. The beatnik satirical ‘drug’ parody posters achieved popularity from the community they sought to mock. Owner and founder Howard Morseburg hired artists Roland Crump (acclaimed Disney animator) and Robert Wendell to produce the designs. Very limited printing, less than 300 (as low as 100) printed.. among the most collectible and prized of all 1960’s psychedelic era posters.
Guaranteed original from very limited back stock, from Howard Morseburg’s gallery in Alhambra, California.

Fly HeroinSniff GlueGlue credit 2Glue creditTry Opium

A bit more history:
Howard Morseburg (1924-2012) began his career in the art business in the 1950s. He was a World War II veteran who had served in the Merchant Marine and later worked in the book and magazine business. As a young officer during the war, Morseburg was on the “Murmansk Run” to the Soviet Union and other perilous wartime voyages through the submarine-infested North Atlantic. It was one of Morseburg’s friends from this time, a young skipper named Jim Greenberg, who was to introduce him to the art business.
After the war, this friend became a ship’s captain on the Atlantic route, and began importing paintings by European artists to the United States. In Europe, which was still suffering from the economic after effects of the war, there was no appreciable market for these artists’ work. During the 1950s Greenberg began selling the paintings he imported to galleries, furniture stores and interior designers who were then developing a wider consumer market for art than had existed before the war. From his base in Seattle, where he and his young family were then living, Howard Morseburg followed suit, and he began selling paintings imported from Europe throughout the western United States.
In addition to the European paintings he received, Morseburg began representing young American artists. He also became involved in the West Coast printmaking movement. In the late 1950s and early 1960s he started to represent young artists like Wayne Thiebaud, Elton Bennett and Mel Ramos, who created their own hand-pulled prints. It was this interest in printmaking that helped lead to his next venture.

The Beatnik Posters: About 1960, Morseburg became interested in creating humorous and satirical posters. At this time, the “beatnik” movement was in full swing and coffee houses and jazz clubs were full of beatniks spouting free-form poetry to the beat of bongo drums. To Morseburg, the beatnik movement found in Greenwich Village, Seattle, San Francisco and the East Bay was ripe for satire. He met a talented young Disney artist and Imagineer named Roland Crump at a gift shop in the San Fernando Valley, just north of Los Angeles. Crump was a brilliant and eccentric young artist and designer who became one of the most important Disney “Imagineers.” Crump was already producing some hand-pulled beatnik posters before he met Morseburg, but once the association began, Morseburg had larger quantities of some of the posters published using the photo-offset process.

Crump designed a series of images that satirized the drug culture that was developing among the Beats, which Morseburg took on the road, travelling down the coast from Seattle to San Diego. In that era, drug use was not widespread and they were chiefly popular with musicians and beatnik hipsters. So, Esoteric Poster’s first releases were “Smoke Marijuana,” “Fly High, Fly Heroin Airlines” “Cocaine” and “Opium.”The next posters were which poked fun at a Beatnik club, and “Big Liz,” which was a colorful poster of a Beatnik princess. Those 30″ x 24″ posters were silk screened in three colours and for posterity’s sake they cost $0.50 to produce, were sold to book stores for only $1.00 and retailed for $1.95.

the Green GasserIn the course of his frequent sales trips to visit art galleries, Morseburg personally distributed Esoteric’s posters. His primary outlets for the posters were the book stores along the west coast that catered to college students in Berkeley, Stanford, Portland, Seattle, San Francisco and San Diego. These posters were produced as very early critical parody of the drug culture by the Esoteric Poster Company, but the message was so subtle that they were popular among the very community they sought to mock.

Below are a few more I’ve run across although details about dates and print houses are scarce but I’m reasonably sure they’re from the same era.

Drug guide for heads
Poster Prints credit

Original vintage black light ultra violet poster designed by Dominick Jago, 1969.
Depiction of the pharmacopeia of the era.
Publisher: Poster Prints, Plymouth Square Center-Conshohocken, PA.
Dimensions: full sheet: 21″ x 31.5″
Hake's National Institute of Mental Health
Printed by The US Department of Health, Education and Welfare; Public Health Services and Mental Health Administration, possibly 1969 although other sources say 70’s.

Trip Without DrugsTrip without drugs details

Oddities: Louis Armstrong tape box collages Pt.2

LA22Thanks to universalcollage for alerting me to these amazing tape reel boxes, once belonging to Louis Armstrong, now archived in an online museum on his website. There are hundreds of these plus even more pieces of ephemera to see, it looks like someone has gone through every piece of music-related item he ever owned and photographed it with notes for the site.

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Oddities: Louis Armstrong tape box collages Pt.1

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Thanks to universalcollage for alerting me to these amazing tape reel boxes, once belonging to Louis Armstrong, now archived in an online museum on his website. There are hundreds of these plus even more pieces of ephemera to see, it looks like someone has gone through every piece of music-related item he ever owned and photographed it with notes for the site. Any one of these could be a record cover, sometimes both sides of the boxes are collaged and the ageing sellotape just adds to their appeal for me.
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East Village Other covers pt.2 – Underground Comix edition

p15932coll8_56807_full More pages from the Wisconsin Historical Society G.I. Press Collection of The East Village Other papers I came across, all scanned in high res, (much higher than here). As the 60s heading to a close The Other started featuring a selection of the underground cartoonists of the day, namely Robert Crumb, Vaughn Bodé, Susan Morris, Spain Rodriguez, Kim Dietch and Charles Francis Winans. As well as striking covers, several artists did comic strip ads for Douglas Records and a lot of this art – save for some of the Crumb works – I’ve never seen reprinted elsewhere before.

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East Village Other covers pt.1

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Perusing the Wisconsin Historical Society G.I. Press Collection I came across a stash of East Village Other papers, all scanned in high res, (much higher than here) and started going through them. Here’s a selection of things that caught my eye from the covers and back pages.

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Possibly Susan Morris‘ work above?

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Is that an early Spain Rodriguez inking the figure above? The clouds don’t look like his work but the darker ink work doesp15932coll8_57300_full p15932coll8_57353_fullp15932coll8_18538_full

Middle Earth flyers part 2

ME July-Oct 68
In this second part of Middle Earth flyers collected from the International Times archive we get to the point where the club moved from their original Covent Garden home to The New Roundhouse in Chalk Farm after numerous raids by the police. At the top we see the Magical Mystery Tour event still advertised on Aug 24th/25th 1968 (see previous post) but by the next issue (two weeks later) it was replaced by a regular gig featuring Traffic, Family and Free but with a large ‘& then’ before announcing The Doors and Jefferson Airplane gig. There’s a uniformity to these ads previously unseen at the old venue, broken by the tall thin ad above right and the circular orange one below which advertises a programme of classical music by the Middle Earth Symphony Orchestra!

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Problems with The Roundhouse meant that the club was forced to move again by early 1969, the nearly blank advert above appearing mid February in IT. Following a message in the next issue stating they’d moved to the Royalty Cinema in Notting Hill Gate, a month’s worth of gigs were later listed through March into April. After that things appeared to dry up until a series of tiny ads appeared in September, one a week, stating, ‘Middle Earth is alive and well…’ ‘and coming soon’, ‘is The Power of The Picts’. Then in November, a full page ad announced the rebirth of the night as a record label with a management address in Soho Square. It lasted for two years, releasing five singles and five albums in that time, there’s a short history of it here.

IT_1969-09-26_B-IT-Volume-1_Iss-65_009IT_1969-11-06_B-IT-Volume-1_Iss-67_004Middle Earth record

Grunt Free Press

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I was sent a link to the Wisconsin Historical Society G.I. Press Collection online which is a treasure trove of alternative and free press publications surrounding the US military 1964-1977. One of the best finds was a monthly paper called the Grunt Free Press, full of counterculture news and graphics from the hippy years including colour double page spread posters in the psychedelic style. Here are some of my favourite details.

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Middle Earth flyers part 1.5 – The Magical Mystery Tour

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The full page back cover advert above appeared in the 9th Aug 1968 issue of International Times magazine, promises much and looks like some sort of insane bargain for the princely sum of £3. The idea of the event, as you can read from the text, was to take 3,000 paying punters on a Magical Mystery Tour via a fleet of blacked out buses. 90 minutes later attendees would disembark inside a ‘walled Pleasure Garden’ with deer roaming in the grounds  for 48 hrs of music, mischief and mayhem. Undoubtedly taking its name from The Beatles’ song of the same name released the previous year, there were reportedly the first showings of the film of the same name due to take place but I’ve not been able to confirm this.
The first sign of the impending gig was a small ad in the back of the 12th July 1968 issue of IT with just these words…
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This also seems to coincide with the moment when Middle Earth at the King St. address in Covent Garden moved to The (New) Roundhouse in Chalk Farm with some reports suggesting that this event even took place at that venue. Again this seems to be pure speculation and hardly fits the bill of the advertised ‘lawns and woods within the walls’ plus how would they do a six hour firework show indoors?

Magical Mystery Tour ad IT magicalmystery Haphash colour
Above is a full colour poster for the event by Hapshash & The Coloured Coat although it’s been credited solely to Michael English too. A version of this image also exists for the First International Pop Festival in Rome earlier the same year, and it appears that the poster may have been over-printed, adding new band names whilst obliterating the original festival name and date. According to Middle Earth club DJ, Jeff Dexter, this was, “put together by Giorgio Gomelsky with Dave Howson from Middle Earth.” I’d speculate that they wanted to add to the promotion for the event with an eye-catching poster at short notice, thinking that few would have seen the Italian festival poster? Hapshash had of course done many posters for both UFO and Middle Earth and were pretty much the premiere poster designers for that era in the UK along with Martin Sharp. If anyone has any further info on this I’d love to know more.

First International Pop Festival
Below are both sides of a poster (or possibly flyer) designed by Ozmosis – who had also assembled the ad at the top of this post plus the smaller flying baby one. I’ve not been able to dig up anything about who Ozmosis were from anywhere –  Jeff Dexter didn’t know, psychedelic poster collector, Peter Golding had heard the name but no more, antique book and magazine seller, Adrian Sclanders of Beatbooks drew a blank and artist and ex-IT arts editor Mike McInnerney hasn’t so far got back to me.Magical Mystery Tour posterMagical Mystery Tour poster back
So what happened? Any eye witness accounts, footage or reviews of the event are missing in action whereas there are plenty for the 14 Hour Technicolour Dream or The Million Volt Light & Sound Rave. You’d think something as ambitious as this would be up there as one of the events of the era? The answer seems to be in a small news piece in the 23rd August 1968 edition of IT.
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Jeff Dexter again, “The Mystery tour never happened due the weather and lack of sales, but there was a quickly put together event by coaches from Covent Garden to a very smart reception space the ‘Baronial Hall’ in the City of London.”
The Doors / Jefferson Airplane gig mentioned here two weeks later has of course passed into legend though…

Middle Earth flyers part 1

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Middle Earth was one of the original, late 60s psychedelic clubs in London, coming shortly after The UFO (pronounced You-Fo – Underground Freak Out) club on Tottenham Court Rd. and pitching itself up in King St, Covent Garden. It actually started out as The Electric Garden in May 1967 but, after a disastrous opening weekend with completely misjudged vibes, heavy security and bizarre VIP areas, it had a change of name as well as management and became Middle Earth in September.
Electric Garden
See below for eye witness details of the opening event – all these clippings taken from the International Times magazine online archive which is an invaluable resource of the times. Orange flyer above taken from Jill Drower’s excellent book on The Exploding Galaxy, ’99 Balls Pond Road’.

IT_1967-06-02_B-IT-Volume-1_Iss-14_012 Middle Earth raided

Middle Earth, an obvious Tolkien reference, John Peel was one of the resident DJs along with Jeff Dexter who would play to the crowd and the dance floor rather than Peel who would play more for the listeners out there. Jeff told me that they would be situated under the lighting rig for the light show until a small booth was built for them out with the stages for the bands to make them more part of the events. A regular track for him was The Lemon Pipers’ ‘Through With You’ apparently, the nearest thing to an anthem for the nights, he liked this because it was nearly 10 minutes long so he could go for a smoke.

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Above, the listing for the re-opening week, I like the way they were closed on the Friday that UFO was on rather than give the impression that they were competing.

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There was no consistent art direction with the adverts featured in IT and most were dictated over the phone and the magazine would come up with the designs for the issue.

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Below right: A benefit for Oz magazine with a ‘sexy Barney Bubbles Light Show’Barney Bubbles being the alias of Colin Fulcher who went on to design so many great sleeves for Hawkwind, Stiff Records and many more. Along with other pioneers like Liquid Len, he got his nickname from doing light shows where he would heat ink and oil under glass clock faces and project it across the club after witnessing this on the hippy scene in San Francisco on a trip to the States.

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One of the mysteries of the Apple Middle Earth 3 Day festival listed above was that it never officially happened, something I’ll cover in another post, but things were changing for the club around this time. Middle Earth was raided repeatedly by the police and was eventually forced to move to another venue, The Roundhouse in Chalk Farm, which I’ll cover in part 2.

Unofficial Zap comics

ZAP 0 UK issue
Above is an extremely rare UK version of Zap Comics no.0 that is currently on sale on eBay – there’s virtually no info on this anywhere on the web but there it is. There’s a version of Zap no.1 from the UK but this edition of #0 never comes up. Look at the 2/6 price too, that dates it, below is a retooled top half of an inside page that fits with the country of origin better than the original featured below. Below that is the original, full colour cover on all the American printings.

Zap 0 Brit inside
Zap 0 US ed Zap 0

Below is another bootleg, no publisher, possibly a German 2nd edition but of which issue I’ve no idea and no other info on this one. These versions may be a result of an agreement with publishers back in the 60s and 70s whereby all comic material printed by the underground press was allowed to be reprinted in different countries or states.
UPDATE: Here’s one with a colour cover too, same country of origin.
Knockabout ComicsTony Bennett talks a bit about this in the recent podcast I took part in, The Bureau of Lost Culture, where we talk about his adventures in alternative culture publishing from the 70s onwards.

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Zap 1 German colour cover

UPDATE: – this one doesn’t actually exist but I couldn’t resist adding it – by Marcatti (Brazil)

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And here’s Jim Rugg‘s variant cover for Ed Piskor‘s Red Room #5 Red Room Jim Rugg variant
UPDATE 2: The internet has a habit of throwing up all sorts of interesting things when searching and here’s a version of Zap no.1’s cover that Crumb drew before the issue was lost and later became Zap 0 (long story, look it up). The original artwork, with colour separations was up for auction some years back and I’ve comped them together to form a version of what the first issue would have looked like.

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Here’s also a blue print variant of the first issue of Zap that I’d never seen before and original art for an alternate take on Zap no.2 that was never used.

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The Bureau of Lost Culture: The Comix Underground with Tony Bennett

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I had the absolute pleasure to spend an afternoon recently at Soho Radio with Stephen Coates and special guest Tony Bennett, the founder of Knockabout Comics  – underground and alternative publisher since 1975. We chat to Tony about his history in the counter culture, publishing some of the greats of the genre from Robert Crumb, Gilbert Shelton, Alan Moore, Hunt Emerson and more including his run-ins with the law, customs officers and trials for obscenity.

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It’s hard to think of another publisher who has done more in the underground comics medium in the UK and Tony was a delight to chat to. He bought along a whole pile of books for Stephen and I including a copy of his very first self-published and very hard to find comic, Trip Strip from the early 70s. Pictured above are just a handful of the comics Knockabout have printed and distributed over the years – for more check their Facebook page https://www.facebook.com/knockaboutcomics/

Trip Strip

UFO Club adverts from International Times magazine

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Recently researching light shows in London around the mid 60s I was perusing the International Times archive online and noticed that the UFO Club had various ‘flyers’ present in each issue around its tenure at the Blarney Club and The Roundhouse during ’66-’67. It’s no surprise as UFO initially gave money to IT and you’ll notice the first event was called Night Tripper / UFO as they couldn’t decide on a name.
There was no format, some had to be decoded and the 27th October ’67 issue featured a piece stating that UFO is Dead! Reading between the lines you can detect some general annoyance that some promised cash flow had been cut off. The final image here maybe or may not be connected but it was on the same page as the club obituary and features lights in the sky.

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There was a posthumous analysis of what killed UFO in IT nearly a year after it closed, comparing the audience’s locations as the popularity grew.

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Oddities: Camberwell manhole covers

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A set of 9 decorative ‘manhole covers’ found in Camberwell, these are all set into the pavements around the lower part of Denmark Hill, SE5*. I think only one of them is an actual coal hole, the rest seem to be area-specific art installations. If anyone has any info please leave a comment

*Actually I think the Match Girls one is from around Brick Lane

#streetart #lookdown #manholecovers #SE5 #camberwell

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