One November Monday

Back in the winter of 2009, on a bleak, windy Monday, I died and went to heaven.

two-tribes-poster.jpgActually, I tell a lie, it was Slough.
When I think of Slough I see the opening credits to the UK comedy The Office which was supposedly based there. It’s all industrial buildings, dull office blocks and council estates, absolutely nothing to write home about (sorry any Slough dwellers reading this). I’d been invited by my friend Ian Peel to visit him at an address owned by the record label ZTT – home of Trevor Horn, his associated productions as well as the back catalogue of Stiff records, which they acquired in the mid 80’s. Arriving at the address revealed a nondescript ‘premises’ – it wasn’t a house or office in the conventional sense and – while searching for an entrance round the back – Ian popped his head out and beckoned me inside.

I’ve known Ian for a few years now, initially through a shared love for the Zang Tuum Tumb (ZTT) label and it’s golden period in the 80’s, but also for our fondness of the music of that decade. He regularly writes for the Guardian, Record Collector and the like as well as co-ordinating reissues and releases for ZTT, Stiff and occasionally his own label Karvavena. On occasion he picks my brains for something and disappears back into the ether although this time I’d provided him with much more than a soundbite for a magazine feature. An email arrived one day from Philip Marshall who was helping Ian with the reissue of a deluxe 2 CD edition of Frankie Goes To Hollywood‘s Welcome To The Pleasuredome album for ZTT. Could I help with sourcing images for the release?

For those unaware, (probably most of you) Frankie Goes To Hollywood, and more importantly the whole aesthetic of the ZTT label in the 80’s, had a huge effect on me in my formative years. Most people have one or two bands that they ‘grew up’ with, moments where a band’s rise to fame and the mania that surrounded them dovetailed with your own musical tastes becoming forever linked with your memories of the period. For most of ’84 and ’85 I bought little else than the bands on the ZTT roster, Frankie, Art of Noise, Propaganda, Grace Jones‘ incredible Slave To The Rhythm LP, even venturing into contemporary classical waters with Andrew Poppy, and of course, the Frankie Say… T-shirts.


Jumping 20 years forward in time I was perusing a ZTT fan forum when I chanced upon someone selling the original artwork for the ‘Welcome To The Pleasuredome’ album. To cut another digression short, I ended up buying the paintings of the front, inner gatefold and back from the original artist Lo Cole and they now hang proudly in my studio. Another jump, 5 years to the present, and Ian is trying to source unique images for the 28 page booklet that will accompany the reissue. The ZTT archive is incomplete, a lot of it having either been binned over time or destroyed in a fire at an Island records warehouse over a decade ago and this was where I fitted in.

Being a fan, over the years I’ve been trawling eBay and used magazine shops for copies of the music press from the 80’s and collecting the ads for all the releases – mini graphic masterpieces in themselves that had influenced my design tastes greatly. Ian had seen this collection and asked if I had any more including the scans of the Pleasuredome preliminary sketches and paintings Lo had sent me when I’d been discussing the purchase of his work. I did and photographed various promo and fly posters too big to include in the folders as well as details from the cover paintings. Then he dropped the bombshell. He was spending a couple of days a week in a property owned by ZTT, sorting out all the master tapes from their archive – the fabled ‘ZTT cupboard’ as it’s known to collectors. Because the artwork required from my collection was so valuable, we agreed I should should drop it off in person to Ian whilst he was working there.

original-pleasuredome-painting.jpg original-pleasuredome-inner-painting-detail.jpg original-pleasuredome-back-painting.jpg

The thought that I would be in a room with boxes of master tapes all connected directly to the label and music I loved was thrilling but nothing prepared me for the sight I saw upon stepping into the room. It was the whole downstairs floor of the building, the size of a small office or a very large living room. Boxes covered nearly every inch of floor space and were piled up to chest height, Ian had started to sort them into stacks relating to each artist and there was a small warren of footpaths between the piles. Half of the room was barely touched and the sheer volume of boxes was overwhelming.

GJ Slave master 2GJ Slave diskette GJ Slave master

I looked down and saw a stack marked ‘Grace Jones’, in it were various master tapes for the ‘Slave To The Rhythm’ LP and single, duplicates for different territories but no session tapes, yet. Several boxes of Art of Noise reels revealed 24 track tapes of various ‘Moments In Love’ versions, the ‘Beatbox’ and ‘Into Battle’ 12″s, an early, unreleased version of their first album entitled ‘Worship’, already split into an A and B side for the cutting house. Fairlight discs and studio session sheets where inside the boxes too, containing info on what was recorded when, by whom and, no doubt, the original samples used on the tracks. One had the words “I never want to hear this ever again – Anne Dudley” on it, another “Anne in tears” written on the metal reel itself.

AON Beatbox 12" master AON Beatbox diskette AON box 1 AON box 2 AON early tape AON Moments master AON Worship 1 AON Worship 2

“Here’s the Frankie pile”, offered Ian, pointing to about 50 boxes, each stuffed with reels of master tape, cans of film used for videos, VHS, Hi-8, DAT and cassettes. There were session tapes for the ‘Liverpool’ album, I think I saw at least 50+ reels, mixes upon mixes, vocal sessions from actors like Joanna Lumley, Pamela Stephenson and Geoffrey Palmer. A version of ‘Two Tribes’ finished on my birthday in 1984 marked ‘mix 115’. The reels of an unreleased 7 & 12 inch remix by Paul Morley of their last single, ‘Watching The Wildlife’, ready for the cutting house to master. A ‘Welcome To the Pleasuredome’ ‘continuous wacky jam’ between Trevor Horn Steve Lipson and JJ Jeczalik entitled ‘the shit mix’. This was like entering one of those lost temples in Raiders of the Lost Ark, the ultimate digging in the crates session with the added appeal of teenage nostalgia.

FGTH Pleasedome shit mix FGTH Pleasuredome Palmer vox FGTH Rage Hard Lumley vox FGTH Rage Hard Stephenson vox FGTH Relax 7" master FGTH Relax Sex mix master FGTH Two Tribes mix 115 FGTH Two Tribes Video destructo master FGTH Wildlife Morley 7 & 12" mixes FGTH Wildlife Orchestra mix FGTH Wildlife:Waves 12" mixes

After four hours my hands were black and I had to get back to London but I felt I’d barely scratched the surface. A couple of boxes were filled between the two of us, full of interesting or important tapes that needed to be baked and transferred to DAT for future compilations. Pleasuredomes indeed as an old Paul Morley-penned sleeve note read.

The deluxe reissue of Frankie’s ‘Welcome To The Pleasuredome’ is out April 12th from ZTT / Salvo / Union Square Music. It comes with a second CD of unheard works in progress, rare alternate 12″ and cassette only cuts including a completely unheard extended version of ‘Ballad of 32’ from the original album. Included is a 28 page booklet featuring text by Ian, design and layout in the style of the original releases from Philip and many picture contributions from myself. Ian even let me have a hand in the track selection and order on the bonus CD, running it past me and taking on board suggestions for inclusions and omissions. Last but not least, I get a nice credit inside :)

Buy it here

More design, visuals and tape shots in the gallery below, click to enlarge. I’ve been writing and researching a long piece entitled ‘Who’s Afraid of the Art of ZTT?’ for about 5 years now, it’s nearly finished and will make an appearance someday

25 thoughts on “One November Monday

  1. yes it is, the fruits from this will see daylight sooner or later, there’s a new Art of Noise compilation called ‘influence’ on the way that includes some of the tracks featured here.

  2. One question, is all this information being put into a database or something like that? Any chance it would be possible to open it up to the fans? Or maybe include that as some bonus on a future release? I think fans would get a kick out of browsing through pictures of all the tapes and stuff as well as being able to search the the tracks by date etc. Could also probably help with identifying mystery tracks or something. I do have some database skills that I could offer.

  3. No, no digital on this release. I didn’t see any W&L tapes but they might be there. I doubt they’ll ever see the light of day though as I think that ended a bit acrimoniously.

  4. will the remastered frankie album be available in 24 96 flac format as well as the remastered cdz

    Did you see any boxes there marked “Wendy and Lisa” containg the album they were working on in the 90’s? Now that is a raiders of the ark/pot of gold at the end of the rainbow

  5. Loved this and the introduction to your site. Love the site! Looking forward the Duck Rock stuff that is coming up. I wish and hope they will release and remaster Malcolm Mclaren’s back catalog soon. Hope they use your art you collected for them!

  6. Great article and great scans. Quite exciting! Definitely looking forward to hearing more about this in the future. Also looking forward to your Duck Rock/art of ZTT articles.

    One question, is all this information being put into a database or something like that? Any chance it would be possible to open it up to the fans? Or maybe include that as some bonus on a future release? I think fans would get a kick out of browsing through pictures of all the tapes and stuff as well as being able to search the the tracks by date etc. Could also probably help with identifying mystery tracks or something. I do have some database skills that I could offer.

    Sounds like Ian needs some assistance to finish this up in the next couple of years! :)

    P.S. looking forward to hearing the Shit mix someday ๐Ÿ˜€

  7. My mouth started watering when you said Master Tapes and then my jaw dropped when I read “boxes” of Art of Noise. This is so exciting to read. And I’ll join in with the other folks and say, oh man am I jealous too! Great post, keep ’em comin’

  8. Ah, Duck Rock. What a classic. Been on heavy rotation here these past few days since the passing of Malcy.

    I have you bookmarked (and now linked to on my blog) and looking forward to it :)

  9. If you liked this then keep an eye out for a forthcoming tribute to McLaren’s Duck Rock and, eventually, the most indepth article about the art of ZTT you’ll ever read.

  10. Seriously jealous also – one hell of a collection too! Looking forward to hearing the re-release – was coincidentally trying to rip my original WTTPD CD today, but it proved too scratched up, so this arrives just in time!

Leave a Reply

Your email address will not be published. Required fields are marked *