Further at the Portico Gallery trailer

Here’s a trailer for what to expect at Further on May 6th at the Portico Gallery

DJ Food & Pete Williams present a new, irregular evening by creating an audio visual space to enjoy. Films, slides, oil projections, food, drink and plenty of seating form the environment to soak up the sights and sounds.

Programme:
7.30 – 8.30: Doors, there will be a record stall with stock picked to compliment the evening by Micheal from the nearby Book & Record Bar and delicious food from local café Pinterdera served alongside the fully licensed Portico bar with beers & ales

8.30 – 10.00: Ghost Box Records in the form of Jim Jupp (Belbury Poly) and Julian House (The Focus Group) will be playing an audio visual DJ set.

10.00 – 10.3: Howlround will perform a live score to ‘A Creak in Time’, a film by Steve McInerney (Psyche´-Tropes), via tape loops and reel to reel machines.

10.30 – 12.00: DJ Food & Pete Williams will open and close the evening with their multi-projection Light & Sound Designs.

Location: Portico Gallery, 23B Knight’s Hill, London, SE27 0HS, UK

Tickets here: (limited cheaper early bird price nearly gone)
https://www.eventbrite.co.uk/e/further-at-the-portico-gallery-tickets-32880361045

Travel:
Train: West Norwood overground station (1 min walk)
Buses: 2, 68, 196, 315, 322, 432, 468, 690

Pierre Henry’s Liverpool Mass completed after 50 years


Liverpool’s Metropolitan Cathedral is to host ‘The Liverpool Mass’ (Messe de Liverpool) by Pierre Henry on May 13th.

Developed by one of the godfather’s of musique concréte for the Cathedral’s inaugural mass in 1967, it wasn’t completed it in time and another work was substituted. Now, 50 years on, in a unique collaboration between Henry and Bluecoat, the piece will be staged in full at the Cathedral, in an immersive experience. With a sound design created especially for the space using 40 speakers arranged around its circumference, The Liverpool Mass will be presented as a live mix by Henry’s collaborator Thierry Balasse.

Consisting of six movements – Kyrie, Gloria, Credo, Sanctus, Agnus Dei and Communion – the work interprets the traditional mass through recitation of its texts, accompanied by musical instruments ‘treated’ by Henry to produce a composition fitting for the ceremonial and celebratory occasion of the Cathedral’s inauguration.

This will be the first time The Liverpool Mass has been presented with Henry’s cooperation and a new sound design in the setting for which it was originally intended: a mid-20th century modernist structure with distinctive ‘brutalist’ architecture of concrete and stained glass. Henry’s electronic score was intended to complement this daring new building, as the sound would resonate in the magnificent, cavernous, light-filled circular interior. Watch this fascinating short film about how the stained glass was made for the top tower.

The evening programme will begin at 7.30pm with a set by Vincent Epplay and Samon Takahashi, made in response to Henry’s music in the Cathederal setting. Tickets cost £10 or groups of ten or more get a discount of £7 per head – on sale here.

The The new documentary – The Inertia Variations

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I think a projected record of this title (based around John Tottenhams writing) was in the works when I first met Matt Johnson back in 2003, but finally, he and director Johanna St. Michaels have put together a documentary of ‘The Inertia Variations’. In the intervening years it has morphed into a film about Matt, not a musician with a copious output during the last 15 years (although by no means dormant, he just quietly ‘left’ the music business without telling anyone) and his struggle to write new songs. It follows him in the run up to his 12 hr Radio Cineola broadcast from his ‘War Room’ that culminated in a set of reinterpreted classics and the debut of a new song.

The premiere is happening next week in Copenhagen at the CPH:DOX festival with Matt and Johanna attending a Q&A on the 23rd at Cinemateket and on the 25th at Kunsthal Charlottenborg. Hopefully there will be a UK showing soon

Posted in Film, Music. | 1 Comment | Tags: ,

Announcing Further at the Portico Gallery

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Announcing a new venture put together by myself and old friend Pete Williams (Eikon / Out Of The Wood) – a collision of Light, Sound and Design… Further.

An irregular event held in different places, it’s not a club night, it’s not monthly, there’s no dance floor. It has got all the things we love in it though: experimental music and film, food and drink, socialising and a bit of record hunting.
The first event is on May 6th at The Portico Gallery, a hidden treasure in the heart of West Norwood and a venue very dear to us that offers an extremely adaptable space to project, perform and present our guests in.

We have Jim Jupp (Belbury Poly) and Julian House (The Focus Group) from Ghost Box Records playing an audio visual set and Howlround sound tracking Steven McInerney’s short film, ‘A Creak In Time’.
Pete and I will be pulling all manner of projections, films, slides and FX out to illuminate the gallery at the beginning and end of the evening to compliment our DJ sets.

There will be food on sale from local café Pintadera, a fully licensed bar and plenty of seating. Michael from the nearby Book & Record Bar will also have a stall selling hand-picked stock for the event.

Venue: The Portico Gallery, 23 Knights Hill, West Norwood, London, SE27 0HS
Doors: 7.30 and we’re all done by midnight. Let’s go Further…

V. limited early bird tickets are on sale now through Eventbrite

Facebook event page here

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Third Man Record pressing plant

Jack White‘s Third Man Records just opened a brand new record pressing plant in Detroit, featuring eight completely new record presses, the first new ones to be built in decades. The attention to detail is stunning from the label branding on the employees’ uniform to the work space mural created by a local artist Robert Sestock (that’s him by his mural below). That someone as successful as White visibly invests so much into such a business (both his and the music industry) and the city, which desperately needs such investment, to the benefit of so many is admirable. The plant is a work of art and Third Man will go down as one of the great labels when the history books are written. Loads more info at Third Man Records‘ site.

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Ghost In The Shell posters

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Some really nice Ghost In The Shell posters appearing recently. Still don’t know what to make of it from the trailer, it looks great but it seems to have all the hallmarks of any number of Hollywood blockbusters. That could just be the way the trailer was cut though. At least they don’t have one of those classic 80s pop songs reinterpreted in an emo style in it.

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An Ambient Evening with the Orb and friends

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I’m very pleased to announce that I’ll be part of The Orb‘s ‘An Ambient Evening…’ at the Royal Festival Hall on April 21st alongside The Orb (of course) Youth, Roger Eno, Metamono, Gaudi, George Holt (Cakelab), Micheal Johnson (The Book & Record Bar) and more. As part of the ever-growing local South London crew that have gravitated to the West Norwood Broadcasting Company (WNBC) operating out of The Book & Record Bar, Alex Paterson invited us to be a part of the evening to showcase some of the people within this community. Tickets are on sale now .

Not only that, Pete W (Out Of The Wood radio/WNBC) and myself will be unveiling the first outing of our new venture into sight and sound: Further.

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We’ve been kicking this idea around since last summer, wanting to create a space where music and visuals come together in different social settings to form an environment with as much emphasis on the visual as the musical. We’ve gathered an arsenal of analogue kit to make this happen, multiple slide and oil projectors, 3″ cassette effects and all manner of antique controllers to trigger them, with the aim of going back to some of the pre-digital practices that are being lost as we advance into a virtual world. It’s also a chance to showcase the kind of music we’ve been playing in the record shop, on the radio show and in venues like Spiritland over the past year or more – a willfully obscure blend of anything goes from the deepest, unexplored corners of our record collections.
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The idea is to install Further into different places, working with different layouts to make each one different and fresh. Musical and visuals guests will be invited and given space to do their thing and and we’ll provide the environment for them to fit into. Think the 60s UFO club meets a 70s Arts Lab meets the 90s Land of Oz nights with a leftfield audio/visual agenda. We’re currently talking to various different people about the possibilities of staging one of these events in their venue so if you think this could work for you then please get in touch: [email protected]

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Ali Wade & Ambigraph video

Ali Wade – ‘Breccia’ (fd004) from Frequency Domain on Vimeo.

Fantastic video by my friend Ameet Hindocha aka Ambigraph and Ali Wade for the track ‘Breccia’ from his album ‘Geomorphology’ – released late last year of Frequency Domain. Also check this beautiful piece of work by Ali for Anthony Child on the same label.

Anthony Child – ‘Caught Dreaming In A Perfect Past’ (fd003) from Frequency Domain on Vimeo.

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What is The Delaware Road?

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The Delaware Road currently exists in several forms; an actual road in London where the BBC’s Radiophonic Workshop was originally situated, a compilation released in 2015 by the Buried Treasure label and a multi-faceted performance piece based around a story created by the label’s founder, Alan Gubby and David Yates aka Dolly Dolly. The Radiophonic connection is no coincidence, being that the piece that ties the music contained on the album and play together is loosely based on two key figures working at the BBC Workshop at the height of its powers. Gubby describes it as, “…a work of fiction based on actual events & some unusual anecdotes gathered whilst researching for archived electronic tape music albums released in recent years”.

The story is situated in London, the possibilities of technology and tape are being stretched by inquiring minds and the swinging sixties are upon us. “Two pioneering musicians compose electronic themes for television & radio. They discover a recording that leads to a startling revelation about their employer. Fascinated by the occult nature of the tape they conduct a studio ritual that will alter their lives forever.” Add in dashes of psychedelics, orgies, spirits summoned via stone tape theories and the relentless march of progress and you have the ingredients for a wild ride through the middle of 20th century London, from analogue to digital as the 80s approach and new ways replace old.

The live staged version of the concept album is narrated by the incredible Dolly Dolly, sitting stage right at his desk throughout the performance, suit and tie in place, illuminated by a single anglepoise lamp. His earnest delivery ties the acts together that sonically illustrate the different chapters in the piece, his speeches becoming more animated as the story progresses, enhanced by oil and video projections. The first performance was held at the South Street Arts Centre in Reading and featured a host of acts using tape manipulation, analogue synths, ancient percussion and home-made electronic devices, each in roughly chronological order as the years played out. There was even some jazz on the menu and the whole thing was book-ended by Jonny Trunk and Pete Wiggs playing suitably-themed tunes for the occasion, I covered the night for Shindig! magazine at the time and you can read my review here.

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The album suffered distribution problems upon initial release, as did other Buried Treasure output, but a new deal should mean greater availability and a re-release is planned, there’s even talk of some kind of illustrated version too with various artists being commissioned to bring scenes to life. I can’t recommend the record enough as it perfectly soundtracks the piece put together to showcase it and there’s nary a bad tune in its 20 tracks. Listen to it and buy via Bandcamp.

Which brings me to the reason I’m writing this now as a second performance will be taking place on July 28th, this time at the Kelvedon Hatch Nuclear Bunker site in Essex. Tickets are on sale now but places are limited, there’s even a chance to book a place on a double-decker bus that will take you to the venue from the nearby Brentwood station and discounts for groups of four people. I’m also delighted to reveal that I will be opening and closing the event in a DJ capacity too! I’ll be bringing visuals and delving into my collection for a suitable selection to mark the occasion.
Follow the event and the bands playing it on Facebook, this is going to be a very special evening.
The line up so far is: DOLLY DOLLY, HOWLROUND, TELEPLASMISTE (Mark O Pilkington & Michael J York), RADIONICS RADIO, IAN HELLIWELL, GLITCH, SAUNDERS & HILL, CONCRETISM, SIMON JAMES (The Simonsound), THE TWELVE HOUR FOUNDATION, LOOSE CAPACITOR, DJ FOOD.

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Daydreaming with UNKLE exhibition at the Lazarides Gallery

F2T5The James Lavelle-curated Daydreaming with UNKLE show opened last night at the Lazarides Gallery in London. Full of original Futura 2000 and 3D canvases, prints, toys and record sleeves, video rooms and virtual reality headsets. The last was heavily oversubscribed so I didn’t get a look but Doug Foster’s arched videos accompanying new UNKLE material were beautiful, enhanced by a mirrored floor which gave the work another dimension. Favourite exhibit was the robotic Pointman figure from the 2010 video to ‘Runaway’. The show is on until February 23rd, worth it just to see the many iconic Futura pieces that have graced so many MoWax sleeves.

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