DJ Food – Welcome To The Dark Ages – Invisible Wind Factory 25.08.17

WTTDA DJ Food

Finally, my 3 hr set at the Welcome To The Dark Ages Graduation BallInvisible Wind Factory, Liverpool, 26.08.17

Originally thought lost after only a recording of the final 11 minutes could be found on my laptop after the gig, the remainder of the set was hidden as an untitled file, found months later during the Christmas TOTP special of 2017. Re-edited back together with the odd touch up, I present the full set played after Badger Kull‘s debut/final performance.

Contains JAMs/Timelords/KLF samples and sources tribute / acid house classics club set / winding down to 3am with occasional attempts to clear the dance floor (didn’t work, the diehard stayed until the end).

For my fully illustrated ‘diary’ of the events of ‘Welcome To The Dark Ages’ check here
Part 1. / Part 2. / Part 3. / Part 4. and my post-happening comedown Chill Out tribute mix at Emotion Wave the day after.

UPDATE: I recently also found my notes for this mix with a rough outline and potential other sections that I could have played including a ‘Liverpool bands’ medley and ‘money’ section that never made it. Bill Drummond had sent me a scan of the page from 2023 that lists the performers at the Xmas Top Of The Pops so I could cram a lot of things into the set list that would later be relevant. Of course, all this stuff is well and good in theory and in the safety of your studio but in the heat of the moment you have to judge what will work and what might not with a crowd in front of you. I was passed a USB stick by Phil Blake on the day of the gig with two fan-made tracks featuring badger samples (Little Fluffy Badgers…) that I threw into the line up at the 11th hour too.

DJ Food JAMs set list

2 thoughts on “DJ Food – Welcome To The Dark Ages – Invisible Wind Factory 25.08.17

  1. The numbers refer to the bpm (beats per minute) of the tracks, this is something I work out and then use to quickly piece together a running order that will mix as smoothly as possible by placing like-numbered songs together in clusters. Of course it doesn’t always work that well with a mix like this where there are themes and certain tracks need to be next to others but then this was always going to be a wild ride of a selection.

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