Go HERE to buy the album and download this and another Julian House-designed poster for free.
Design
Very sad to hear that the great Swiss surrealist painter and designer HR Giger has passed away. Few people have a unique vision but I think it’s safe to say that he was one of those few and has influenced generations with his mechanic/organic images.
His work is not easily forgotten once seen and he created one of the great movie monsters of our time in the Alien. The album cover was also a natural canvas for his work with the public exposed to him via Emerson, Lake & Palmer‘s ‘Brain Salad Surgery’ LP well before Alien. His work for Debbie Harry and The Dead Kennedys saw much controversy with the latter being banned and famously brought to court with Jello Biafra defending the artist’s vision.
I remember seeing his large format Necronomicon and Biomechanics books in shops in the 80’s and wanting them so badly but they were way out of my price range at the time. I was lucky enough to visit the tiny town of Château St. Germain in Gruyères, Switzerland one time though to see many of his originals in the Giger Museum – highly recommended. Sadly missed but never forgotten. 
Kid Acne‘s ‘The Return’ solo exhibition just opened last weekend in Turin, Italy. Here are some photos from the opening and a film of him at work. The show runs until July 5th and is held at the Galo Art Gallery.
The entire exhibition focuses on his Stabby Women characters – adding new paintings, illustrations and prints to the ongoing body of work, which continues to explore the travels, rituals and mythology of these enigmatic female warriors.
Canadian Marco D’Alfonso drew this Akira / Kirby ‘What If?’ mash up cover for The Line Is Drawn blog. I’d buy that in a minute.
I can’t say too much about these because they’re not legit, but they are very good and make for an indepth journey into the back catalogue of the evergreen JAMMs / KLF etc. Collections of remasters and remixes, obscurities and hits mix with reworkings so sensitive to the originals that it’s hard to tell what’s ‘real’ and what’s not.
This is particularly excellent, extending Jimmy Cauty‘s ‘Space’ to over 72 minutes. If you do some research and a bit of digging around you can find out about and hear some of this material but you won’t find it in any shops.
Love this, see how he did it on his blog here.
Two views of Lisbon; inside my hotel and out on the street by the MusicBox club where I played on Thursday night.
Sun through the clouds in Switzerland, driving towards France on Friday afternoon.
Sound check in La Rodia, Besancon, France with our new banner featuring every artist sampled on the ‘Paul’s Boutique’ LP.
The not-quite-finished hotel in France the next morning – note the 2 stars – it was actually OK inside. Next, a fantastic view on the road back to Geneva.
Saturday night back in London – Adam & The (original) Antz do ‘Dirk Wears White Sox’ at the Hammersmith Apollo.
Beastie fans get ready for the 3-Way Mix at the Moon Club in Cardiff on Sunday night and we premiere our new picture disc controller records from 12InchSkinz during the set.
Found this online the other day, never heard of or seen the film but like the design and mood of it.
A recent edition of the Brick Journal (issue 28) has a feature on building the Police Spinner car from Blade Runner. It also has some new photos of the one-off version that Lego built for designer Syd Mead.
You can find physical copies of the magazine in Forbidden Planet sometimes or download it from their site here. The rest of the issue is heavy with insights into the Lego Movie and the various character, vehicle and set builds behind it.
This guy’s work is phenomenal, that perfect balance of 70’s and 80’s retro, vague sci-fi overtones, interesting lost fonts, saturated colours and a distinctly weathered texture all round. Check out his site, Signalstarr Portals for more.
A designer called Harvezt on Flickr has done some reverse views of classic albums with a ‘what if?’ look at ‘the dark side of the cover’. More are at the link above, I’ve just picked my favourites.
Those lovely people at Factory Road (purveyors of Solid Eggs, 45 adaptors, gallery spaces, Inkymole illustration etc) also run an occasional record label called Blunt Force Trauma.
Their latest release is in conjunction with Sage Francis, an artist they’ve enjoyed a long association with, providing artwork for several of his releases over the years. Co-released with his Strange Famous label this one consists of a mini Hip Hop supergroup, the Epic Beard Men aka Sage, B. Dolan and the UK’s very own Buddy Peace.
It’s a double A-sided 45 with an ode to black plastic on the A (“Viva La Vinyl‘) and a stomping funk party rap on the flip (‘You Can’t Win‘). As usual they’ve gone the extra mile on the packaging and artwork on this one and the 7″ comes in a 12″ fold out ‘sleeve’ with tear off double-sided art print and custom Factory Road 45 dink in the center.
You can also listen to it and buy direct from them right now, ahead of its April 14th release date HERE. Also, check Sarah (Inkymole) Coleman illustrating some of the work in these two shorts.
I love these examples of early Star Wars and Empire Strikes Back posters with alternate logos and artwork. Even the finished film poster above has a rare shot of the heroes with Leia in Chewbacca‘s arms and the uneven red ‘crawl’ logo which is quite badly rendered when you look at it.
Below is an even earlier version with Ralph McQuarrie paintings plus an invite to one of the first public screenings.
Below are what look like poster prelims for Empire… with a totally different logo design that I’d never seen before.
Then another, more finished version of the logo with original SW poster art adapted. Love the way Leia is riding side saddle on the version above.
Actually, for all I know, these could be fan art but all the images are sourced from the Star Wars Archives page on Facebook which lends some sort of credibility to them.
Below we get yet another logo with a Luke on Tauntaun image.
Lastly, a preview poster for Empire with a big “BEWARE!” warning across it, this certainly looks real.
I saw this is coming out for Record Store Day, the soundtrack to ‘A Field In England’ re-imagined by a band called Teeth of the Sea. No idea what it sounds like but I like the cover.
I’m featuring this again because I just got the special (Record Store Day 2013) edition and it’s one of the nicest packages I’ve seen in a while. A heavyweight slipcase to house the sumptuous book of drum machine photos which really aren’t done justice on a blog here as they are gorgeous up close in richly printed colour – see more of the inside in my previous post.
But this is all about what’s with the book – namely a cassette and 7″ record housed in the front of the slipcase. The 7″ features a version of the Beasties Boys‘ ‘Paul Revere’ remade on the 808 drum machine on side A and the same beat played the original way (ie not reversed) on the flip. In a nice touch, the B side plays from the label outwards towards the edge, backwards rather than forwards. The cassette has samples on it but I can’t listen to then right now as my tape deck broke about a year back. All are done out in the black and white schematic that adorns some of the book, adding to the fitting design aesthetic of the package.
Another nice touch is the inner sleeve for the 45 which opens to reveal a painting of an 808 on one side, and in a nod to the Beasties’ ‘Licensed To Ill’ LP, shows it crunching into a mountainside on the reverse. I’ve placed the two sides together here so you can see how the full image should look as the artist has nicely matched the original style.
You can still pick this version up from Rap & Soul Mail Order in the UK for £50 and it’s worth every penny.
Arts London Music Magazine asked me to name 10 influential tracks to kick off their Rewind series. These are specifically songs that took me through my three year BA degree course at Camberwell College of Art in London during the years 1990-93. I wrote a little piece about each including design inspirations as well as a couple of old pieces of college work that I did in response to music-related briefs whilst on the course, unseen for 21 years pieces. To cap it all off I gave them a mix I made for a college reunion in 2012 that features many of the songs plus plenty more and runs for nearly 2 hours. Full track list and info in the link above.
ALM Mix 01: DJ FOOD – Citrus ’12 by Arts_London_Music_Magazine on Mixcloud
Below are some more detailed shots of the ‘Little Fluffy Clouds’ piece I made. It takes the Ricki Lee Jones interview that’s heavily sampled on the track and twists it typographically using hot metal and wood block printing on tissue paper (in itself a very difficult thing to achieve without ripping the paper). That was then mounted on clear acetate and meant to be hung away from the wall so that light could pass through it to reflect the cloud-like nature of the piece (student thinking huh?).
Great sleeves and great music from the Antinote label out of Paris, France. Run by Gwen Jamois – ex of The Sycophants and now excavating old techno tapes he recorded in the 90’s as Iueke. The label is only just 2 years old and their latest release is a total beauty by Nico Motte, a synth-led future music soundtrack with a gorgeous sleeve.
There’s a whole host of new Finders Keepers material hitting their shop at the moment including this limited edition cassette mix from Andy Votel.
I found some time to add some more to my Art of ZTT blog, we’re on to Propaganda‘s ‘Dr Mabuse’ now with interviews with John Stoddart, Paul Morley, David Smart, Lo Cole and Garry Mouat to come this year… I’ve had to start watermarking some of the content as it’s been shared around on certain social networking sites without credit.
