Further is getting closer

Not long now until the final Further of the year on Nov 18th at the Portico Gallery, West Norwood, London – here’s a trailer and some little excerpts from shorts we’ve made for Simon James‘ Buchla performance.

Come down from 7.30-midnight for food, drink, a record stall and lots of leftfield music and visuals – Tickets here

You should definitely check out Sculpture‘s amazing site too as it’s full of stuff like this

and this

Further at the Portico Gallery – Nov 18th

Further Portico 2.5 Poster A3 portraitThe next Further at The Portico Gallery is on Sat Nov 18th. Pete Williams and I are very excited to be joined by Sculpture for one of their incredible live AV sets and Simon James (Simonsound / Black Channels /Akiha Den Den) will be performing a live set from his Buchla easel system. Early bird tickets on sale now

We’ll also have the Book & Record Bar stall with releases from both acts and a hand-picked selection to compliment plus delicious food and plenty of seating. See below for what to expect on the night.

Simon James

The last Further at the Portico Gallery

Further & The Heliocentrics at the SYNthesis festival

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Pete Williams and myself set up our Further environment in support of The Heliocentrics at the Synthesis festival at Stanley Halls in South Norwood at the end of September. The group were utterly spellbinding with their vocalist tying everything together with an incredible vocal range somewhere between Roisin Murphy and Shirley Bassey. They played for two hours with visuals by Innerstrings and for a Thursday evening in deepest South London (nearly Croydon if we’re honest) it was pretty mind blowing.

Following dates featured DJ Krush, Andrea Parker, Juice Aleem, Beak and more in a hugely ambitious three day event – all the brainchild of Rob Swain, owner of the Gamma Proforma label and the local Sector 25 bar/gallery. If you check out the streets of South Norwood now you’ll see all sorts of new murals and paintings adorning walls and hoardings by international artists like Mode 2, Delta, Kofie 1, SheOne, O-Two, Will Barras and more.

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Further goes to Spiritland

With great pride and a lot of effort Pete Williams and I played one of our Further sets last Sunday evening at Spiritland, complete with multiple projections. Thanks to everyone who came by despite the bad weather. We had a great time and are in talks to bring it back there. You can hear our 4 hour set below and sample some of the projections we discreetly added to the sumptuous surroundings.

The next Further excursion is in 9 days at the SYNthesis festival in South Norwood, we’ll be playing either side of The Heliocentrics at Stanley Halls preceded by an afternoon of street art painting, food stalls and a talk by designer, Swifty at 6pm.
Tickets here

(Video nicked from Spiritland’s Instagram, photos © Martin LeSanto-Smith)

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Further at the Synthesis Festival and Spiritland


Myself and Pete Williams have two Further gigs this month – firstly at Spiritland to celebrate their first birthday this week. On Sunday 10th we’ll be taking over in the evening – it’s a very limited ticketed affair but will be a perfect setting for what we want to do.

On Thursday Sept 28th we head to Stanley Halls in Norwood Junction to be a part of the Synthesis festival, a three-day happening of music, street art and food. We’ll be sharing the bill with the Heliocentrics so it should be a suitably lysergic evening.
The festival is run by Rob Swain, head guy at the Gamma Proforma label and just look at the line up. DJ Krush, Beak>, Delta, Mode2, Swifty, sheOne, O.Two, Will Barras, Mr Jago, Augustine Kofie, Howie B, Andrea Parker, Heliocentrics, Juice Aleem, DJ Food, Ofeliadorme and more TBA!

Tickets available here

Further at Spiritland

DJ Food & Pete Williams at Further, May 6th


Pete Williams and I opened and closed our first Further at the Portico Gallery on Saturday. We’d spent the past six months or more preparing for this, creating over 350 hand painted slides, video loops, chaining projectors together to automate them remotely and working out the best way to transform the gallery into a canvas for our work. During my set I looked around and finally relaxed, feeling dwarfed by the encompassing visuals, most of which I’d been painting under a microscope only a few weeks earlier. This is just the beginning, we have plenty more to show and do…

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I’ve been posting photos of each of the acts every day here and we’ve set up a new Facebook page for the venture where you can get a peek at all the photos right now, please ‘like’ our page if you do that sort of thing whilst you’re there. Martin LeSanto-Smith took the photos and without him we wouldn’t have been able to physically set the thing up. John Price from the Portico Gallery let us make it happen and was supportive all the way – massive thanks to both of them and also for Hannah Saunders from Big Fish Little Fish who gave advice, loaned projectors, helped on the door and bar and was generally a hero on the night.

Howlround at Further, May 6th

Local tape loop heroes Howlround aka Robin The Fog and Chris Weaver performed the score to Steven McInerney’s film, ‘A Creak in Time’ for the first time at Further on May 6th. Tapes were tangled, tweaked and stretched with an audience member even acting as a loop holder at one point. I’ll be posting photos of each of the acts each day here and we’ve set up a new Facebook page for the venture where you can get an early peek at the photos right now, please ‘like’ our page if you do that sort of thing whilst you’re there.
Martin LeSanto-Smith took the photos.

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Ghost Box at Further, May 6th

Jim Jupp (Belbury Poly) and Julian House (The Focus Group) from Ghost Box graced us with a 90 minute AV set for the first Further on May 6th. With Julian DJing off vinyl and CD and Jim playing with a small suitcase of tricks it was a rare treat to host them and project their visuals around the hall. Martin LeSanto-Smith took the photos. I’ll be posting photos of each of the acts each day here and we’ve set up a new Facebook page for the venture where you can get an early peek at the photos right now, please ‘like’ our page if you do that sort of thing whilst you’re there.

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Further at the Portico Gallery

Further Neil Mason
The reason it’s been a bit quiet on here recently is because of a little (big!) thing called Further that’s been occupying my time for the last few months. Myself and Pete Williams hatched this idea last summer, started talking about it seriously in the autumn and stockpiling equipment over the winter. A studio space was found early in January and we started planning an event that brings together lots of the things we love into one space. Music, visuals, records, food & drink, analogue techniques and leftfield artists. After a test run a couple of weeks ago, at the behest of Alex from The Orb, at the Royal Festival Hall we unveiled the first evening at the Portico Gallery in West Norwood on Saurday May 6th.

Featuring guests Jim Jupp & Julian House from Ghost Box records playing an AV set and Howlround presenting the premiere of their live rescore to Steven McInerney‘s film ‘A Creak In Time’, we opened and closed the night with our own multi-projection slide / oil / video sets. Local café/deli Pintadera came over to provide delicious Italian food and Michael Johnson from the Book & Record Bar down the road set up a record stall selling records by the artists and music sympathetic to the event. The whole thing wouldn’t have been possible without the support of John Price at the Gallery who let us use the building as our own for the night and Martin LeSanto-Smith who helped set up on the day and managed to take amazing photos all night whilst simultaneously being on a date!

Further @ Portico 2web Nathan AdamsI’ll be posting photos of each of the acts each day here and we’ve set up a new Facebook page for the venture where you can get an early peek at the photos right now, please ‘like’ our page if you do that sort of thing whilst you’re there. There should be a video by the end of the week too but there’s a lot of footage to go through. To give you a taste, here are just a few of the photos harvested from social media, Tuesday I’ll post Ghost Box images, then Howlround, then us on Thursday with the video to follow by the end of the week.

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Photo credits: Top: Neil Mason (Electronic Sound), 2x panoramas: Nathan Adams, slide stills: Spectrascopic, Howlround silhouette: Zoe Plumb, video: Tony Coleman (London Electricity)

Further at the Portico Gallery trailer

Here’s a trailer for what to expect at Further on May 6th at the Portico Gallery

DJ Food & Pete Williams present a new, irregular evening by creating an audio visual space to enjoy. Films, slides, oil projections, food, drink and plenty of seating form the environment to soak up the sights and sounds.

7.30 – 8.30: Doors, there will be a record stall with stock picked to compliment the evening by Micheal from the nearby Book & Record Bar and delicious food from local café Pinterdera served alongside the fully licensed Portico bar with beers & ales

8.30 – 10.00: Ghost Box Records in the form of Jim Jupp (Belbury Poly) and Julian House (The Focus Group) will be playing an audio visual DJ set.

10.00 – 10.3: Howlround will perform a live score to ‘A Creak in Time’, a film by Steve McInerney (Psyche´-Tropes), via tape loops and reel to reel machines.

10.30 – 12.00: DJ Food & Pete Williams will open and close the evening with their multi-projection Light & Sound Designs.

Location: Portico Gallery, 23B Knight’s Hill, London, SE27 0HS, UK

Tickets here: (limited cheaper early bird price nearly gone)

Train: West Norwood overground station (1 min walk)
Buses: 2, 68, 196, 315, 322, 432, 468, 690

Announcing Further at the Portico Gallery

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Announcing a new venture put together by myself and old friend Pete Williams (Eikon / Out Of The Wood) – a collision of Light, Sound and Design… Further.

An irregular event held in different places, it’s not a club night, it’s not monthly, there’s no dance floor. It has got all the things we love in it though: experimental music and film, food and drink, socialising and a bit of record hunting.
The first event is on May 6th at The Portico Gallery, a hidden treasure in the heart of West Norwood and a venue very dear to us that offers an extremely adaptable space to project, perform and present our guests in.

We have Jim Jupp (Belbury Poly) and Julian House (The Focus Group) from Ghost Box Records playing an audio visual set and Howlround sound tracking Steven McInerney’s short film, ‘A Creak In Time’.
Pete and I will be pulling all manner of projections, films, slides and FX out to illuminate the gallery at the beginning and end of the evening to compliment our DJ sets.

There will be food on sale from local café Pintadera, a fully licensed bar and plenty of seating. Michael from the nearby Book & Record Bar will also have a stall selling hand-picked stock for the event.

Venue: The Portico Gallery, 23 Knights Hill, West Norwood, London, SE27 0HS
Doors: 7.30 and we’re all done by midnight. Let’s go Further…

V. limited early bird tickets are on sale now through Eventbrite

Facebook event page here

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The further adventures of Dan Lish’s Egostrip

DLish_JazzyJYes, it’s that time again, more from Mr Prolific, Dan Lish, in his on-going quest to document the musical heroes and influences that orbit the Hip Hop world for his Egostrip project. (Above) Jazzy Jay, (below) AhmadJamal, Ultramagnetic MCs, Beastie Boys (colour and inks), Robert Glasper’s Dillalude, Gang Starr and a 4Hero / Reinforced label piece for a compilation. As ever, he has prints for sale here or you can see more from the project plus a whole lot more on his website.


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A Year In The Country – Wandering Through Spectral Fields book

01-AYITC book-front coverA Year In The Country, Stephen Prince‘s website dedicated to cataloguing, compiling and unearthing all things Hauntological, Radiophonic, Wyrd and uniquely British, is releasing a book of writings from the first three years of it’s output. Collected, revised and revisited, alongside some new writing, ‘Wandering Through Spectral Fields’ – subtitled ‘Journeys in Otherly Pastoralism, The Further Reaches of Folk and the Parallel World of Hauntology’ is now available to read as an e-Book via Am*z*n (if you must) or for pre-order for a print release on April 10th.

Contents include: (deep breath) Hauntology, Acid Folk, Folk Horror, Ghost Box Records, The Wicker Man, Peter Strickland, Finders Keepers, Vashti Bunyan, Broadcast, Children Of The Stones, psychedelic cinema, The Owl Service, Kate Bush, The Stone Tape Theory, The Folklore Tapes, Jane Weaver, Howlround, the BBC Radiophonic Workshop and lots, lots more. I’d say that’s more than enough reasons to order a copy right there and that it’s the first book of it’s kind to catalogue all these disparate strands, many of which cross over time and space to influence one another.


It’s also available via their Bandcamp and you can peruse the, now extensive, release catalogue that’s sprung from the site, even if the monochrome nature of all their releases makes it increasingly harder to discern one from the other. The label is a completist’s joy/nightmare being that they make night/day or dawn/dusk editions of each release but as a singular vision it’s a beautiful set of objects when seen en mass.

A full list of the contents and order links is available here – definitely on my reading list


Elzo Durt

couv-livre-elzoThrough an odd set of web links I chanced upon the work of Elzo Durt today, his modern take on collage and psychedelia catching my eye and making me investigate further. This Brussels-based artist works with the Recyclart people (I’ve played for them a couple of times and maybe, unknowingly, seen his work) and runs a record label too. Find out and see more of his work at www.elzodurt.com

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William Stout bootleg covers


A second reading of Clinton Heylin‘s excellent ‘Bootleg: The Secret History of the Other Recording Industry book led me to these covers and I remember seeing a few at record fairs over the years so decided to investigate and post a collection of the best here. As I dug even further into their history it became apparent that one artist was responsible for almost all of them – William Stout – and mostly for one label too.

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I was aware of his work from several different underground comix in my collection but didn’t realise how versatile he was as an artist, able to switch styles to suit different subject matter, hence why I thought the covers were works by different artists. For instance, who would associate the Rolling Stones style above with the Spicy Beatles one below? But they’re from the same hand. One of Stout’s visual calling cards on the bootlegs was to turn some of the artists he was illustrating into pigs, to tie them to the pig logo of the label (which he later redesigned as a smoking, bespectacled pig which became the logo for a breakaway label).

Beatles SpicySongs bob-dylanmelbourne-australia-1966-jethroTull JeffBeckFast LedZepCalifornia LennonOnoVirginThreeBack McCartneyWingsGreatDane R_SAllMeatMusic R-S-BrightLights R-S-CopsnRobbers

Originally working almost exclusively for the Trademark of Quality company originated by ‘Dub’ and ‘Ken’ out of LA in the early 70s, he gained a wide audience through his sleeve art and went on to illustrate many more, sometimes for legitimate releases by the very artists his images were covering the first time round. Later he moved into film posters and concept art and still works today.


His website has a fascinating three-part interview about these times, extensively illustrated and peppered with personal photos of many great musicians from back in the day, taken backstage at numerous gigs. His comments about the reality of pre-stadium rock gigs back then are especially illuminating.


And on my trawl I found a few, later examples that aren’t by William but are worthy of inclusion …

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7Up – the UnCola posters


Browsing eBay over the Xmas holiday, a friend came across a psychedelic Submarine poster not a million miles away from Heinz Edlemann’s classic Yellow variant, created for The Beatles‘ film of the same name. In the same brightly-coloured, cartoonish style of the late 60s and early 70s – much popularised by artists like Edelmann, Milton Glaser, Nicole Claveloux and Peter Max – this sub was in fact green and advertising the drink, 7Up – billing itself as ‘The UnCola’. What was remarkable about this eBay listing though was that it was for an original 60″x36″ poster, not the sort of thing that turns up every day.


Indeed, further investigation revealed that the seller, Dallas resident, Robert Trent, is the foremost collector of this era of 7Up advertising and was selling off duplicates from his collection. Even crazier was that he was also selling huge billboard versions of some of the designs, some as an un-pasted set of 12 panels over 12 meters in length. Over the course of many entries he had compiled a huge resource of information, links and imagery, all expertly checked and presented without fuss and in meticulous detail. These kind of posters don’t come up every day and he has the whole history up there to give context to the images. After seeking his permission I hereby reproduce some of the imagery and details before it’s lost.

From Robert’s listing: “‘Wet Un Wild (green submarine, aka yellow submarine) 60” x 36” horizontal poster by Ed George

Note:  This is made of thick quality poster paper, not dimpled yellow plastic tablecloth material (modern-day Tyvek construction wrap vapor barrier or “paper dress” nylon material) like the other “Wet Un Wild” posters occasionally offered on eBay. 

This one is in excellent, but not perfect condition. This illustration is highly sought after and may be the holy grail of all 7Up UnCola poster images. Ed George illustrated this in 1969, (he) held multiple posts in-house at the J. Walter Thompson [advertising] Co. in Chicago (JWT) over many years.”

Below: 28 of the billboards in Robert’s collection as of writing…7Up UnCola Virtual Billboard Museum (28) 3x10_011518_2

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From Robert’s listing: “Most of these images actually graced highway billboards and dorm rooms. They were so popular that the Seven Up Company offered them for sale – few survived. The first batch of billboard sized images were up nationwide when colorful VW vans full of hippies drove to the Woodstock Festival in August of 1969. A “Fallpaper Poster Offer” on the bottom of page 8 of the October 5, 1969 Chicago Tribune Sunday Comics offered a set of (4) 34″x21″ reproductions of their famous billboards seen earlier in the year for, read it and weep – ONE DOLLAR TOTAL (plus 6 bottle cap liners). That offer expired on 12/31/69. The sizes also ranged from small Size “D” posters to giant Size “A” 21’x10′ billboards. These are all ORIGINAL vintage posters – NOT modern giclee photo reproductions.”

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From Robert’s listing: ‘The Light Shining Over The Dark’  This is a vintage 33″ x 20″ horizontal poster that is in excellent condition and VERY RARE.  I’m only aware of 2 or 3 other copies, some of which have passed through my hands. The artist’s signature can be seen at the right center in the bottom of the girl’s white dress. 

The artist was Pat Dypold who illustrated this by 1973 as a free-lance artist.  She did the bulk of the other outdoor ads (billboards) for the J. Walter Thompson [advertising] Company of Chicago (JWT) that orchestrated the famous UnCola ad campaign from about 1968 through 1975.”



From Robert’s listing: “‘See The Light’ (psychedelic bicycle) 60″ x 36″ horizontal poster by the late Tom Kamifuji (1922-2015) (original concept by Bill Bosworth)

“Hiroyuki “Tom” Kamifuji ran a design studio in San Francisco. He was an illustrator, poster designer, typographer, art director and designer. Yet, for all his legacy of brightly-colored works, there is very little biographical information available. Perhaps his most universal success was the inspiration for the rainbow swath of color within the Apple Computers apple. The concept for this image came from Bill Bosworth who worked in-house at the J. Walter Thompson [advertising] Co. in Chicago (JWT) over many years.  However, the actual finished artwork was done by California artist Tom Kamifuji. There is no signature on this “Size B” poster, but the larger “Size A” 21’x10′ “See The light” billboard in my possession has Tom Kamifui’s signature.”


From Robert’s listing:‘UnCannny In Cans’ This is a vintage 33 3/4″ x 20 3/4″ poster that is in excellent, near mint condition. This is an authentic, traceable representation of late ’60s, early 1970’s pop art advertising. The artist was John Alcorn who illustrated this in 1969 as a free-lance artist. His signature is in the bottom middle brown band. At the age of 24 Alcorn was the 4th person to join Push Pin Studios which was the place to be in the graphics community at the time.

The Seven Up Co. sold 4 different sizes of most images to the general public. BTW – My collection also includes one of the “UnCanny In Cans” Size “A” billboards plus a 60″ x 36″ Size B” version. The poster for sale here is a 34″x21″ Size “C”.

John did a number of well known illustration advertisements in the prior years for Pepsi and Campbell’s Soup and his career flourished for many more years. These outdoor ads (billboards) were commissioned by the J. Walter Thompson [advertising] Company of Chicago (JWT) that orchestrated the famous UnCola ad campaign from about 1968 through 1975. Most of the 53+ extremely colorful billboard & poster images were illustrated by invited outside freelance artists who were allowed to sign their names on the originals if desired – not all did. Only a few images were produced in-house, and never with the artist’s name on them. JWT wisely chose to invite only up and coming artists and not well known graphic stars so as not to let the notoriety overshadow the product itself.

Many of the artists have gone on to great fame in the graphics community Milton Glaser (I [heart] NY logo) (Mad Men final Season 7 poster; co-founder of Push Pin Studios), Seymour Chwast (co-founder of Push Pin Studios) with Isadore Seltzer, John Alcorn (Push Pin Studios), Kim Whitesides, Barry Zaid, Jacqui Morgan, Simms Taback (1st Happy Meal Box in Smithsonian & Caldecott Honor for children’s books), Skip Williamson, Robert Abel (Tron movie), Charlie White III (permanent collection at MOMA), John Craig, Ray Lyle, Heather Cooper, Nancy Martell, Roger Chouinard, Pat Dypold, Bob Taylor, Tom Kamifuj, Bill Bosworth, Ed George, Joanne _ and probably several others.

The Seven Up Company executives chose rough “comps” without the artist’s names attached to the submissions. If 1 or more sketches were chosen, the artist would eventually earn up to $2,000 per completed piece. I’ve spoken with some of the retired ad execs from JWT and they reported that this was a fantastic assignment with a dream client that encouraged bold moves. These Midwest Mad Men boosted sales by anywhere from 30-60% under their highly creative reign from 1968 until the mid-seventies.”

7UP The YouthFare 7UPAirship

From Robert’s listing: Bob Taylor was an art director at the famed J Walter Thompson [advertising] Company based in Chicago – the Midwest Mad Men.  An American Contemporary Graphics Exhibit booklet from about 1972 featured Bob and a different “cartoony” billboard image of his on pages 9-10.  Bob was one of the driving forces behind “The UnCola” ad campaign from the beginning in 1968 until the end in the middle 1970’s. Bob also illustrated “The Youth Fare” in a similar “cartoony” style depicting a green bottle of 7Up as a bi-plane.

This is the 21’x10′ Size “A” billboard version of this blimp image by Bob Taylor available as Design #10 for $7.00 in the billboard and poster offer that expired on 5/31/72.  A small 21″x11″ poster was available for FREE if you responded to the poster offer that expired on 12/31/70.  Another folding billboard and poster offer that expired on 5/31/72 offered this billboard as Design #12 for $8.50.

As of today, I only know of one other copy besides the 2 billboards in my possession. This piece of advertising history is in NEAR MINT condition and ready for display. To get a sense of scale, a standard sized vehicle would not cover up the blimp itself if laid out flat on a driveway.”

7UP free poster offer

The American Contemporary Graphics Exhibit book laid out profiles of some of the artists along with their contributions and the aim of the campaign.
7UP3xposters7UP2xposters 7UPbookBobTaylor 7UPbookCharlesWhiteIII 7UPbookJohnAlcorn 7UPbookKimWhitesides 7UPbookMiltonGlaser

From Robert’s listing: Milton Glaser (b. 6/26/29) This image was created during his Push Pin Studios era which is the firm he co-founded with Seymour Chwast.  It would be another 6 years before he created the most copied “I [heart] NY” logo on the planet in 1977. Scans from 2 different booklets from about 1971 independently attribute this work to Milton Glaser.  Here are his own words about the concept for the image: 

“Well, basically the idea of being ‘turned on’ by 7Up was buried somewhere in my consciousness, and I transferred that feeling into a visual pun.  The word ‘can’ was my focal point.  To make something extraordinary happen out of this particular can seemed like the right attitude to have at the time.  Graphically, it’s an interphasing of two phenomena – electricity and 7Up”. 

My extensive collection includes the ONLY 2 KNOWN COPIES IN ANY SIZE of this particular image. The originals are 21’x10′ Size “A” billboards acquired from someone in the Out Of Home (OOH) [billboard] business that set these aside in the early 1970’s thinking that they might be something special.  They are.  Even world famous graphics guru Milton Glaser doesn’t have any copies in his vast collection per his archivist.  I’ve never seen ANY other copies in ANY other size.  I also collect 7Up UnCola “poster offers” but I’ve also never found any offering this image to the general public.  Most of my other billboards were offered to the general public for prices between $3.50 and $8.50.  For some reason, this one and a few others were not made available although a few like this one were squirreled away. “



Pat Dypold seems to be the unsung heroine of the piece, contributing many illustrations in various styles but she’s not a name I’m familiar with. Robert had a class reunion and hung several of the billboards from the balcony at the venue they held it at, you get a sense of scale with these photos plus some close up details.

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From Robert’s listing: “Giant 21′ x 10′ 7Up UnCola original unused vintage paper billboard illustrated in 1971 by Kim Whitesides. An American Contemporary Graphics Exhibit booklet from about 1972 featured Kim Whitesides and this image on pages 11-12.  He did at least 3 other billboard images for The UnCola ad campaign, 2 of which were issued in billboard and/or poster formats.

The billboard itself consists of 12 thick paper panels, each 43″ wide x 59″ tall.  There’s about a 1″ white margin on the top and right edges of each panel so it can be installed in an overlapping “rainlap” pattern designed to shed water like shingles on a roof (see last image). These were only meant to last outdoors for 30-60 days, and then the next billboard would be pasted over the top – destroying the paper underneath.  The only way any of these survived for nearly 5 decades was for them to be set aside and not used as intended.  This is one of the rare examples of that being done.  Although rare, I have 3 copies of this billboard image in my collection.  All 210 square feet of my copy has been painstakingly reinforced with acid-free scrapbooking tape on the rear side, but only as needed to stabilize small rips, week fold lines and other minor imperfections.  Any small holes have been patched with matching paper from donor panels from the same era and are barely noticeable up close.  In places, colored pencils or markers have been used to refresh missing ink.”

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There are examples of many order forms including this fold up mail out, such great thinking going into something so ordinary.
7UPOffer47UPorder form27UPButterflypasteupinstructions 7UPfallpaper7UPorder form7UPposter selection
There are two very good articles / interviews with Robert on the web: one with Collector’s Weekly
and one with the ever-reliable Dangerous Minds so head there if you want more info. You can follow Robert on Instagram, view his whole collection on Flickr or peruse his eBay entries for yourself. Masny thanks to Robert for letting me repost these pictures and info.

2017: WTF was going on?

DJ Food Bill brief

The above photo was my brief from Bill Drummond for the set I was to play at the JAM‘s Welcome To The Dark Ages event in Liverpool. I stuck it above my mixer as I was preparing the set, it’s something to keep in mind as we go forward into 2018. I spent most of the year in limbo, waiting in a chain for a property to come through. When it finally did in mid September, I pretty much ate, drank and slept it in between jobs as it needed a lot of work doing, hence no posts for the past two odd months. I’m in now and can see the wood for the trees but it did mean I largely dipped out of social media for the latter quarter of the year (probably not a bad thing).

Seeing as 2016 was such a shitter, in 2017 I wrote down all the good things that happened as the year progressed:

Events 2017

Got implicated in the KLF/JAMMs/K2 comeback media scrum because of an innocent quote in my 2016 round up
Started Further with Pete Williams – a multimedia music & projection night playing non-dancefloor sounds with analogue-based visuals plus food and a record stall – and founded a studio/ HQ in S. London
Pete Isaac (45 Live) found me a perfect copy of a long time wants list staple, Bam Bam’s ‘Where’s Your Child’ on 7″ for free
Got asked to play as Further at The Orb‘s ambient evening at the Royal Festival Hall in April and lit up the 5th floor balcony with 20 projectors
Mixed a Death Waltz Originals CD which was given away free at Halloween with Mondo/DW orders
Appeared on the Big Mouth podcast and played at the opening of Orbital Comics‘ exhibition, both celebrating 40 years of 2000AD
Found a set of Thomas ‘Eclipse’ plates, cups and saucers for a bargain price from an eBay seller
Pete managed to find a broken 6k projector for free and fixed it for £50
My kids got into the secondary school we wanted them to go to and aced it in their first term
The first Further event at the Portico Gallery was sold out and a great success with Ghost Box and Howlround as guests
Played the first Big Fish Little Fish in Athens which promptly sold out
Played three different street food festivals in the summer, love those sort of gigs, more please
Found a huge Barbara Brown dinner service in the charity for £15 – find of the year
Played at The Delaware Road performance in July inside a nuclear bunker with a host of electronic artists – a very special night

Further 2017

Asked to play the Justified Ancients of Mu Mu happening in Liverpool, which turned out to be one of the events of the year – who’d have thought it? A career highlight that saw me playing many of the tracks they’d sampled in their career alongside acid house classics and ending at 3am with a version of ‘In The Ghetto’.
Further went to Spiritland and we supported The Heliocentrics as part of the SYNthesis festival, both very special occasions even though we worked our balls off to set them up
The return of The The in musical, film and live capacity
Scoring a long time wants list LP – Yves Hayat‘s ‘Conversations Between The East & The West’ – direct from the archive of the composer himself and meeting him in London to receive the record.
Blade Runner 2049 was actually amazing and a worthy follow up to the original
The second major Further gig at the Portico Gallery featured Simon James playing a Buchla set to bespoke visuals we made and Sculpture slaying the place with their AV act.
Asked to support the Art of Noise at the British Library next March
Further featured twice in Electronic Sound magazine and I had an opening spread printed of my end of night image of the funeral pyre from the JAMs event in Liverpool
Taking my boys to the Colourscape on Clapham Common
Finally moved in and moved on
Asked to play a very special run of shows in 2018 that I’ll reveal soon…

Music 2017

OK, so 2017 was the year of the Lizard for me, I listened to more hours of King Gizzard & The Lizard Wizard’s music than any other band, but considering they released 5 albums this year alone it ‘s not surprising. Each album was different and they steadily got better with each release as the year progressed (disclaimer: I can’t speak for album no. 5 ‘Gumboot Soup’ as it came out today but ‘Polygondwanaland is probably my album of the year)
Brian Eno – Reflection (Warp)
Cavern of Anti-Matter – Blood Drums (reissue) (Duophonic)
Clocolan – Nothing Left To Abandon (Enpeg)
Run The Jewels – RTJ3 (Mass Appeal)
Revbjelde – Revbjelde (Buried Treasure)
Thundercat – Them Changes (Brainfeeder)
Jamiroquai – Automaton (the single)
The Dandelion Set – A Thousand Strands (Buried Treasure) (technically 2016 but copies got held up by distribution and it was more widely available in 2017)
The Heliocentrics – A World Of Masks (Soundway)
The Heliocentrics – The Sunshine Makers (Soundway)
King Gizzard & The Lizard Wizard – Flying Microtonal Banana (and still playing the hell out of Nonagon Infinity and It’s In My Mind Fuzz)
Klaus Weiss – Time Signals (reissue) (Trunk)
Vanishing Twin – Dream By Numbers EP (Soundway)
The Allergies – Entitled To That (Jalapeno)
Jane Weaver – Modern Kosmology (Fire Records)
Ulrich Schnauss & Jonas Munk – Passage (Azure Vista Records)
Ilia Gorovitz – Turmoil/Simmering With No End (Rassh Records)
John Brooks – Un Autre Directions (Clay Pipe Music)
King Gizzard & The Wizard Lizard – Murder of the Universe (Flightless)
Markey Funk – Witch Doctor / The Brew (Delights)
Nevermen – Mr Minute (Boards of Canada remix) (Lex)
The The – Radio Cineola Trilogy (Lazarus)
Hans Zimmer & Benjamin Wallfisch – Blade Runner 2049 OST
King Gizzard & The Wizard Lizard – Sketches of Brunswick East (Flightless)
King Gizzard & The Wizard Lizard – Polygondwanaland (Flightless)

Exhibitions 2017

Future Shock – 40 Years of 2000AD – Cartoon Museum (London) / Paolozzi at the Whitechapel Gallery (London), Will Barras at Sector 25 (London) / Barbara Brown and Lucienne Day at the Whitworth Gallery (Manchester) / Franco Grignani at Estorick Collection of Italian Art (London), We Are Watching: Oz Magazine – Chelsea Art Space (London) / Delta – Mima Museums (Brussels) / Pink Floyd: Their Mortal Remains at the V&A (London), British Underground Press of the 60s at the A22 Gallery (London) / Can Graphic Design Save Your Life? – Wellcome Collection (London) / Snub 23 at the Boz Boz Gallery (Brighton)

Books / Comics:
Out Of Time – Miranda Sawyer / Ian Helliwell – Tape Leaders (Sound On Sound) Book + CD / British Underground Press of the 60s (Rocket 88) / The Process Is The Inspiration – House Industries / B.P.R.D.: Hell On Earth (Dark Horse) / Barbarella (Dynamite) / Swifty – FunkyTypo Graphix (Gamma Proforma) / Boris Tellegen – 86/97 – a black book (A Paper Book) / Batman: White Knight (DC)

RIP: Jaki Liebezeit, David Axelrod, Alan Aldridge, Dick Bruna, Clyde Stubblefield, Larry Coryell, Toshio Nakanishi, Chuck Berry, Skip Williamson, Jay Lynch, Mika Vainio, Adam West, Brian Cant, Pierre Henry, Anne-Marie Bergeron, Glen Campbell, Bruce Forsyth, Holger Czukay, Virgil Howe, Sean Hughes, Christine Keeler, Keith Chegwin, Dennis Dragon, Jim Baikie