Pure Evil Gallery artwork photos

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Yesterday I finally had time to go back to the Pure Evil Gallery to take some photos of the work in situ, I didn’t have time on the night as there were too many people and we didn’t finish setting up until the last minute. There are a few reviews online of the show by Contemporary Talks, Scraffer and Inkymole with one promised by Art Review too.

Jean-Paul Goude Retrospective, Paris

I found an hour to visit the Jean-Paul Goude retrospective at Les Arts Decoratifs whilst in Paris over the weekend (two gigs in France and I managed to forget my Serato controller discs!) after a tip off from Steve Cook. You will probably know Goude’s work from the iconic images of Grace Jones he produced in the 80’s but he has photographed and mutated everyone from Bjork to Naomi Campbell to Vanessa Paradis. The retrospective features original photos, models, clothes and a huge steam train in the main hall (that looks like it was made for a parade of some sort if I understand correctly).

His cut up images are simply stunning, where he slices people up and repeats parts of their body, turning them into graphic works of angular abstraction. My biggest thrill was seeing the original cover photo for Grace’s ‘Slave To The Rhythm’ album, a record that I adore and have held the master tape of, all I need now is to see her perform it live and my life will be complete (or something).

Anyway, I’ll let some of the images do the talking and just recommend you try and catch it before it ends on March 18th.

Steve even found time to shoot a short film on his phone while he was there:

Goudemalion from Temporal An0maly on Vimeo.

DJ Food & Henry Flint exhibition opening – Thurs

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The day had finally arrived and the first problem to be solved was the audio/video one, re-exporting wasn’t an option as there wasn’t the time so I decided to copy both parts to an external hard drive and just hope Charley (Pure Evil gallery owner) had enough kit to play both back separately. Next was the name cards, they were printed but had to be mounted on foam board and then cut out, also there was the matter of framing one of the postcard records I’d made specially for the show. They’d arrived the week before but, with the planetarium gig and others, I’d not had time to put them in for a mount to be cut so that they could be framed. I tried several different backgrounds but decided in the end to just screw the card to the wall and hang a frame around it sans anything else.

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Anyway, time ran out and I left for the gallery, when I got there it was looking fantastic as Charley and Molly had done a great job with the painting and hanging, just the AV thing to sort now and, with the help of Aneek and Mark, who I’d met through Matt Black, we set about trying to find the best combination with the laptop we had. Downstairs was a little stark so the guys hired in oil projectors and it was nearly time to open when we finally got the audio and video projection to synch. The Ninja staff had arrived to set up banners, beer and merch tables but no sign of Henry yet as he’d said he’d be there around 6pm with a box of forty ‘Broadcast’ books.

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Just time to frame one final piece that I’d found and give the pictures a wipe before people started coming in and a queue quickly formed to buy the postcard records. As with every event like this, the rest is a blur of beer, catching up with friends and people asking questions, all the while keeping an eye on the artwork, straightening the odd picture or resetting the audio. Matt Johnson popped by with his girlfriend, Nathaniel aka Natural Self turned up, Matt Black from Coldcut and Pete Quicke, Ninja Tune label manager, with his boys in tow. Tons of friends I’d not seen for a while and a few I knew but had never met in person too. Steve Cook, Rian Hughes and David Hine turned up to represent the comic contingent and soon Steve was tapping me on the shoulder to tell me Henry had arrived. It was great to finally meet him in person as we’d only ever emailed before and he is the nicest, most unassuming guy you’ll ever meet, so good to meet your heroes and not be disappointed.

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The whole thing went on way past 9pm and, right at the end, Mat Ducasse from Skylab, an old friend of Charley’s, dropped in having jut played a 6 minute gig round the corner. Drunk and on cloud 9 with relief that it had all come together, I staggered home and watched the new Noel Fielding luxury comedy which was just what my addled brain needed after the previous four days. I crashed out, only to be woken by a steaming hangover at 6am before getting ready to go to France for two more gigs.

Thanks to everyone who helped out to make it happen and came down to have a look and wonder what it was all about. Most of all I’ve got to thank Charley and Molly at Pure Evil, Will Cooper-Mitchell for his outstanding photos of me in the astronaut suit and of course, Henry Flint, for his amazing artwork which kicked all this off and his continued help and support (donating personal work for the event). Also thanks to the various people who let me use their photos here: Matt Black, Steve Cook & David Hine but if anyone else has shots I’d love to see them.

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It’s on for three more weeks, the last day is Feb 12th and you can pre-order the gicleé prints there, including two which are exclusively available from Pure Evil during the exhibition – ‘Octopus’ (from the ‘Magpies, Maps & Moons’ cover) and ‘Beats Per Second’ (from the ‘Shape Of Things That Hum’ – below). These are both editions of 33, come signed by the two of us and anyone can order via the web or phone too, you don’t have to go to the gallery personally. The previously released prints are on sale too, including the new ‘Cosmonaut’ one featured on the album cover that made its debut last week, plus limited copies of Henry’s book, ‘Broadcast’, which features the original drawings and tons more – on sale for £12.99 which is a bit cheaper than retail price.

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Secret Oranges blog ping pong

I have to big up my friend Steve Cook who took this amazing picture of me at home with (some of) my records. The picture has already been printed full page in a couple of mags and we set it up to make just such an impact (had to use a pretty extreme lens to get it all in). The reason I’m highlighting it again is that it gets printed but magazines rarely credit the photographer so I’m just showing off his work as a thank you. Steve is another one of those annoyingly talented people who can do everything from graphic design, photography, retouching, colouring, teaching and whip up a mean blog piece every once in a while (well every day actually).

He also runs several self-designed web sites of his work, my favourite being his latest one, Secret Oranges, that focuses on his collection of comic or comic-related ephemera. From the first time I featured it though, shortly after it had debuted online only 2 odd months ago, the hits have gone haywire on the site and it’s quickly built an avid fanbase, keen to see what’s in Steve’s cupboards. I thought I had a collection but his is ridiculous, not only obscure fanzines, magazine cuttings and original stats used to colour B&W artwork but also personal scribbles from the artists he’s worked with and amazing items rescued from the bins that would fetch hundreds on eBay these days.

He has several different regular features running as well like ‘Largin’ it’ where he blows up a comic panel so you can see all the fine detail and print process, ‘Mint.Fine.Good.Fair.Poor.Well Loved’ where he scans some of his oldest, most well-read comics with all the trademarks of time intact, and ‘Other People’s Cupboards’ where he highlights fellow collectors’ storage spaces, of which I’m no.3.

He’s also preparing a book of his photos from the 70’s, 80’s and 90’s clubbing and comic days and runs a section of his main site called Alternity where he blurs the boundaries of the present and the past with altered photographs. Also, also, also, he has the best ghost stories ever…

DJ Food in Record Collector magazine

After months of ‘will it be in this issue?’, I’m finally in the Christmas issue of Record Collector magazine (with Led Zeppelin on the cover), in ‘The Collector’ article and it was worth the wait. For the first time I can remember they’ve gone from the usual two pages to three to accommodate the ‘Wall of Sound’ photograph Steve Cook took specially (full image above).

I’m so pleased with this and I get a chance to show off some prize pieces from my collection. Several items mentioned aren’t shown because of space but I’ll be posting some of them in the ‘Originals’ posts on this site all week.

iPhone image dump October

Last month’s best of, the Studio One picture is in the Bitte Club in Milan, Italy, the figures are made entirely out of screws, the collage images are from the same club. The ripped faces and figures are inside the Case á Chocs club, Neuchatel, Switzerland where I played with Neneh Cherry as is the ceiling typography. The Tiny World photo of South East London is taken from the top of Greenwich Park.


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iPhone image dump September

I’m always messing around with photography apps on my phone, whether on boring car, train or plane journeys or just capturing artwork I see on my travels. Here’s the best of last months snaps in the order they were taken. Top to bottom, left to right: Kid Koala at Music To Draw To – London, Eurostar window shot, Judge Dredd –  Shoreditch, Cept – Village Underground – London, Zombies vs Robots vs Amazons x 2 – Hoxton flyover – London, The Shard – London Bridge, on the way to Gatwick, aircraft window – Gatwick, street scene – Montpelier, spiral staircase – Rockstore backstage – Montpelier, Off World T-shirt – mine, train interior double exposure – Luton, tower block – Elephant & Castle, London.

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