Steve Cook has now posted fourth and fifth installments of his trip to see the Jack Kirby retrospective currently showing in LA – but it’s ending in March so be quick! Check his Secret Oranges substack for much more in high resolution.
Art
A Jack Kirby retrospective entitled Heroes & Humanity was been open since September at LA’s The Skirball Cultural Center and my good friend Steve Cook has been posting beautiful shots from it over three different entries on his Secret Oranges Substack.
Jack Kirby post 1. Jack Kirby post 2. Jack Kirby post 3
Being that he’s a skilled photographer, he’s managed to capture the original artwork perfectly in all its gritty, pasted up, whited-out, dog-eared glory. Below are just a selection that he graciously allowed me to repost but you should check out his original posts as well as his excellent Substack too. Even better, if you’re in the LA area you should get along to view the real thing before it closes at the end of March.
As is the custom on this blog, Dec 31st heralds my personal favourites of the year in various categories, leaving it until the last moment to make sure as much gets caught in the net before we flip to 2026. Despite the horrors we experience through the media daily, 2025 was a bit of a vintage year for me personally with new work and family milestones reached despite the hardships all around us. This year has been hugely productive and I’ve released a few things, designed a lot and contributed to several big projects that I’m super proud of. The Autumn was dominated by the Telepathic Fish compilation, something that out-performed our expectations by some way and rumbled into the winter months, making several end of year lists to our delight.
This is not the last word on the Fish…
Music:
Snapped Ankles – Hard Times Furious Dancing LP (the Leaf Label)
clipping. – Dead Channel Sky LP (Sub Pop)
Paten Locke – Dance On My Grave LP (Full Plate)
Hieroglyphic Being – Dance Music 4 Bad People LP (Smalltown Supersound)
Hieroglyphic Being – RE-SELECTED PSYBIENT JAZZ SOUNDSCAPES VOL. 1+2 (Mathematics)
Move 78 – Game Four LP (self-released)
Marshall Jefferson – Yellow Meditation For The Dance Generation (Joakim’s Horizontal Remix Instrumental) (Utter)
Stereolab – Instant Holograms On Metal Film LP (Warp/Duophonic)
Telefax Productions – Break This House Down 12″ (Classic Music Company)
Coastal County – II LP (Lomas Productions)
Kif Productions – Still Out LP (Sound Records)
Move 78 – In The Age of Data (self-released)
Group Modular – The Tunnel / Lonely Pylon 7″ (Delights)
Jo Johnson – Alterations vol.1 LP (Silver Threads)
Podcasts:
What Went Wrong?
Some Assembly Required
Tales From A Disappearing City
The Bureau of Lost Culture
What Did You Do Yesterday?
Oh God What Now?
Rule of Three
The Adam Buxton Podcast
We Buy Records
The Fanzine Podcast
Gigs / Events / Exhibitions:
Eno and Anne B @ the British Library, London
Mick Jones’ RRPL @ The Farsight Gallery, London
Visiting Neil Rice’s home with friends for a personal light show display
Linder Sterling @ The Hayward, London
Leigh Bowery @ The Tate Modern, London
Strangely Familiar – Photographer’s Gallery, London
The Dream House, East Dulwich, London
Future Language of the Ikonoklast book launch @ Greyhound Pub, Peckham
My 2hr gig turning into 3 hours @ Cabron Bar, Folkestone
The Epic Story of Graffiti, Birmingham
Telepathic Fish launch party @ Arch555, London
The Jonny Halifax Invocation play Ravi Shankar, Mildmay Club, London
Beautify Junkyards @ Waiting Rooms, London
The closing of the Penge street art gallery, London
Barry Kamen @ Graces Mews, London
Obey/Hirst/Invader – Newport Street Gallery, London
Welcome To The Pleasuredome LP Atmos playback @ L-Acoustic studios, London then pub visit with the Universal team + Holly and Ped!
Furrowed residency @ Rose Hill Tavern, Brighton
Factory Floor and Sculpture @ Simple Things festival, Bristol
The Audiovisual Assembly, @ Bath House, Hackney Wick, London
Packaging / Design:
Got to say, I’ve been a bit underwhelmed by a lot of the design I’ve seen this year, not a lot stood out. The fashion seems to be either surrealist photography in an attempt to ape Hypngosis or terrible painting. Typography on front covers is the exception rather than the rule. I thought maybe I’d just not been paying attention but googling a bunch of ‘best covers of 2025’ lists only reinforced my opinion. It’s all subjective though isn’t it? I didn’t see much if any AI in the lists which is good.
Various Artists – Rave Wars: The Acid Awakens 7″ + Star Wars figure (Rave Wars)
Field Lines Cartographer – Apeiron Anxiety LP (Castles In Space)
Drumetrics – DRB 001 4×5″ records in etched box
Kid Koala – Carpal Tunnel Syndrome reissue LP + flexi disc (Ninja Tune)
Krash Slaughta – B-Boy Mastamind 7″ (Krash Slaughta Records)
Sully – Model Collapse etched 12″ (Fabric Live)
Drumetrics – Drumetronome tablet
ES – Planet Beyond – Selected Cuts Vol.1 LP (Ruiger)
Artists:
Kurt Jackson (above)
Ray Tijssen aka 0010×0010
Odeith
Chris Bigg
Oritoor
Toor Pentel
Books / Magazines / Comics:
The Loneliness of the Long Distance Cartoonist – Adrian Tomine (Faber)
UltraMega – James Harren (Image)
Bowling With Corpses – Mike Mignola (Dark Horse)
Robot Tod – Farel Dal (Floating World Comics)
Absolute Martian Manhunter – Camp/Rodriguez (DC)
OK Okapi – Martin Andersen & Chris Bigg
Future Language of the Ikonoklast (Velocity Press)
The Editor’s Cut – David McDonald (Hibernia Books)
Absolute Batman – Snyder/Dragotta/Martin (DC)
Heatwave – John L. Williams (Monoray)
The Absence – Rian Hughes (Unpublished)
A Humument – Tom Phillips (Thames & Hudson) (A late but important discovery)
Granny Takes A Trip – Paul Gorman (White Rabbit)
Bedetruite – Samplerman (LDC)
The Absence – Budgie (White Rabbit)
Face The Music – Paul Stanley
Stephen Stapleton – The Formless Irregular (Timeless)
The Vaughan Oliver Archive (Unit Editions)
Instant Public Art – Ulrich Blanché (Arthistoricum.net) Read here:
Plunderphonics – Matthew Blackwell (Bloomsbury Academic)
Film / TV:
I just have to admit it, I really don’t watch much film or TV and what I see doesn’t do much for me evidently. I did see the Beautiful Losers documentary from 2008 and like it though.
Another year over and what have I done?
Designed the Cobalt 60 LP release for Ollie Teeba & Jonny Cuba
Played at the closing of When Spaceships Appear record shop
Co-compiled and designed the Telepathic Fish compilation, booklet, Float III mixtape and Mindfood 5 fanzine for Fundamental Frequencies
Released the 20th anniversary cassette Raiding the 20th Century Expanded version on Delic Records
Continued my Electrik Collage radio show until April then paused to rethink
Designed the Dan Curtin ‘The 4 Lights’ album for De:tuned
Released the Locked Loop Group 8″ lathe cut zoetrope with Acid Lathe
Designed The Herbaliser Band’s ‘Rehearsal Session’ album
Contributed heavily to the 40th anniversary boxset for Frankie Goes To Hollywood’s ‘Welcome To The Pleasuredome’.
Collaborated with Al White on the Terrace ‘Branches’ LP design for De:tuned
Logo design and branding for OTA Recordings
Provided guest mixes for Oonops Drops on Brooklyn Radio and the 45 Live show on Dublab
Appeared on the Cheap Digs podcast with Moz, the Tales From A Disappearing City podcast with Controlled Weirdness, the Skinny E Media show with Mark, the Do!!You!!! Breakfast show with Charlie Bones and The Bureau of Lost Culture podcast.
Supported the Orb on a few dates of their UK tour
Held an exhibition of Openmind artwork at the Cabron Bar in Folkestone, then also Upside Down Records, Deptford
Contributed a track on the Rave Wars: The Acid Awakens 7″
Held a release party for the Telepathic Fish album at Arch555 in Brixton with Mixmaster Morris, Matt Black and KiF Productions
Taken charge of both the Orion and Pluto lighting archives Larry Wooden (RIP) and Micky Thompson (RIP) from respectively
Revived & updated my O Is For Orange video mix and provided a new version to Bleep for their September guest mix
Created two hour-long Float IV and V mixes for the guest spots on Dublab and Ransom Note respectively.
Finally finished and printed my collage comic, the All Colour, High Fidelity, Radio Cartoon, after 5 years
Designed two zoetropes for Disclosure’s ‘Caracal’ 10th anniversary reissue
Attended the Bound Art Book Fair in Manchester as a seller and speaker then DJed at YES in the evening
Played the Simple Things festival with Graham Dunning and Puttyrubber at the IMAX in Bristol at the behest of Steve Davis
Appeared at the first AudioVisual Assembly gig, performing O Is For Orange alongside The Light Surgeons, Bitvert, Pat Grimm and David Leister
Designed The Real Tuesday Weld’s Crow at Christmas 3″CD Xmas card
Designed Nate Krafft’s Crimson Arsenal/Man Machine reissue for Musique Pour La Danse
The Telepathic Fish LP earns Juno Daily’s and Rough Trade Compilation of the Year (with an exclusive blue vinyl edition for the latter) as well as mentions in the end of year polls by Bleep (with an exclusive T-shirt), Phonica, Resident, Brooklyn Vegan, HHV, Moonbuilding and the New York Times.
Frankie Goes To Hollywood’s Welcome To The Pleasuredome receives Reissue of the Year in Classic Pop magazine as well as compliments from the band.
Recorded an album’s worth of extended turntablism material with Furrowed for a future release
Designed the first cassette for my Infinite Illectrik label, Extended Turntablism vol.1 by Graham Dunning and myself. More to come in 2026…
RIP:
David Lynch, Micky Thompson (Pluto Electronics), Bill Ham (light show pioneer), Marianne Faithfull, Mike Ratledge, Rutherford Chang, Rick Buckler, Roberta Flack, Gwen McCrea, Gene Hackman, David Johansen, Mark Pawson (UK counterculture legend), Roy Ayers, Doug Lear, free speech in America and the UK, John Peck aka The Mad Peck, WH Smiths, Robert McGinnis, Alan Yentob, Sylvester ‘Sly Stone’ Stewart, Brian Wilson, Lalo Schifrin, Luis Jardim, Peter Shapiro, Ozzy Osbourne, Terence Stamp, JD Twitch (Optimo), Larry Wooden (Orion Lighting), Drew Struzan, Ace Frehley, Diane Keaton, Bunny Bread aka State of Art (Non Stop Artists), Dave Ball, Gary ‘Mani’ Mounfield, Pam Hogg, Frank Gehry, Martin Parr, Rob Reiner, Ken Downie (The Black Dog), Brigitte Bardot, Martin Jones (UK Hip Hop historian and early champion).
Currently there are several projects lining up for 2026, I could do with some more DJ gigs and I want to find time to revive the Electrik Collage radio show and make it better than the version that was on ROVR radio. There will be more cassettes from Infinite Illectrik too including a long-projected compilation and an album from Duplokit. Thanks to everyone who read this old-fashioned blog over the year, it may finally get an upgrade in 2026, I hope you all had a great Xmas if you celebrated and wish you all a prosperous New Year. See you on the other side.
Looking forward to:
Foetus’ final LP, ‘Halt’
An Openmind exhibition in Krakow?
More Infinite Illectrik cassettes
Sophia Satchell-Baeza’s The Sensual Laboratories book, finally?
Cineolascape…?
Andrew Humphreys’ ‘I’d Love To Turn You On’ book
The Rogue Trooper film
Various bits of comic-related ephemera kicking around the desktop: above, the original art to the Fantastic Four cover below, classic Jack Kirby but they just don’t seem to be able to translate this property into a decent film do they?
Above, an early Brian Bolland ad for the shop, Dark They Were And Golden Eyed, sent to me by the writer David Hine from a magazine in his collection, possibly posted before but not in this quality. Below, a couple of super rare badges for the same shop that came up for auction. By Bryan Talbot maybe? Would love to have won these.
Above, another rare piece; this time by Hunt Emerson, a poster for a Right To Read Benefit in 1988. Below, original art by Dan Clowes for a 1986 comic front and back cover that I spotted on Heritage Auctions.
It’s not all vintage on here, James Harren‘s Ultra Mega comic was one of my favourites of 2025 and here he does a Transformers variant cover in the same style. Below are two variant covers for different comics relating to Ian Bertram. Top is Bertram’s cover for Spectregraph #4 and below that is Tradd Moore‘s variant for Ian’s Precious Materials, one of this year’s best books. Both artists vie for the title of ‘best psychedelic visualisations in comics’ in this house.
Lastly, this image really confounds in this day and age, the first appearance of Catwoman in a Batman comic back in 1940. In the strip she poses as an old lady in makeup to draw attention away from the fact she’s a jewel thief but Batman sees through it and delivers this line as he wipes away her disguise. Back to the present day, who else is reading Absolute Batman and loving this fresh take on the Dark Knight’s world?
Posted earlier this year on his Instagram which, I believe, is maintained by his daughter, Stella Keen, you can see the full magnificence of Keen’s collage work for his Amazing Rayday Secret Comics. These date from between 1962-1967, measure 42 x 32 cm and were a definite influence on my own recent collage comic.
Also seen here are two precursors to the above, ‘Atomic Rayday’ and ‘Amazing Rayday’ that date from 1962.
Various psychedelic covers for Time magazine from the 60s. Above, The Beatles by Gerald Scarfe and below, the intro to the same issue detailing his process.
Above, the ubiquitous Peter Max tackles UK royalty and below a photo composite by Robert S. Crandall.
Milton Glaser above, Geoffrey Dickinson‘s famous Swinging London cover below.
The Flower Scene and the Love Generation Issue No. 1, October 1967. Super rare, four issues are known to exist, cashing in on the 60s pop counter culture. Printed and published by R. Milward & Sons in Nottingham and edited by Martin Graham. Here is an early ‘The Pink Floyd’ article and a very odd cover of Ringo and baby. Elsewhere in the mag; The Doors, Jefferson Airplane, The Mothers of Invention, Scott McKenzie, John Peel, Pink Floyd, Janis Ian, The Move, and Hippie Of The Month: Eric Burdon.
Seeing as this is an online scrapbook, here are some bits and pieces that have been clogging up the desktop for some time. Yardbirds poster directed to me by Neil Rice who spotted the Holy See Lights credited.
Can’t remember where I saw the above and below but I love them. Above is actually a Rolling Stones 1972, music concert programme.
A Peter Max poster from 1967 and detail, maybe for a show at The Contemporaries gallery in New York?
Membership card for the Guildford Arts Lab, date unknown and two sides of an invite to appear in the audience for Jukebox Jury at the BBC.
and finally a very groovy ad for an Irish cassette, tape and 8-track shop, Pat Egan‘s.
Ran across these yesterday in Instagram, hip hop artists rendered in comic cover form by Torre Pentel aka Alejandro Torrecilla. Although his work mostly covers the current generation of MCs, stretching back over the last couple of decades (names I know more from my kids’ liking them than their music) he does also dip back pre-2000 and occasionally outside the rap genre for artists like Herbie Hancock and Sun Ra. Comics aficionados will spot take offs of certain comic covers or logos of yesteryear, he’s pulling not just from the superhero genre but from the undergrounds too. See his work here and buy prints here.
He’s certainly got that Jack Kirby style down pat, even his pencils on the Miles Davis cover look like The King’s.
The irony of the removal of Banksy‘s latest piece on the Royal Courts of Justice in London is that it’s only strengthened his message. Instead of rushing to protect the image as has been the case with many of his public works in recent years, the ghost image that remains only serves to further illustrate our fading right to free speech and protest. A reminder also that placement and context can enhance a message. Although Banksy rarely repeats a work like this I hope more of these start appearing and are preserved by whoever owns the buildings they’re on.
Found online last night whilst looking for something else (as usual) were these four underground comix from 1966-1969 by a group called Hairy Who from Chicago. The Hairy Who? I hear you ask? A group of graduates from the Art Institute of Chicago practicing together during the late sixties who formed their own movement for a few short years. Not only are they wonderfully surreal, colourful and original, they also look nothing like the prevelant psychedelic styles of the time save for the odd Heinz Edlemann-esque touches here and there from Gladys Nilsson. They also veer far from the underground comic scene on the West Coast and actually look more like something from Art Speigleman‘s RAW magazine although that wouldn’t appear until 15 years later. You wouldn’t be able to afford them even if you found a copy from what I’ve seen of past sales but some kind soul has scanned each of the four extremely rare issues and put them on Internet Archive for all to enjoy.
Portable Hairy Who (1966)
Hairy Who Sideshow (1967)
Hairy Who (1968)
Hairy Who Cat-o-Log (1969)
More images saved from various trawls around the web, above: Images for Learning (Science Research Associates Inc.) 1971, found on eBay.
From Andrew Sclanders’ Beat Books list: A large postcard with designs by Gompers Saijo publicising the benefit held for the Zen Mountain Center at the Fillmore, San Francisco, March 15, 1967.
22.5×14.7cm.
Apple Boutique ‘Upon Our Way’ poster by The Fool, 39.5cm x 57cm, 1967/68.
Upscaled repro Pink Floyd poster, 1967.
International Times graphic, 1968. Thanks to Neil Rice for pointing this out. From Hoppyx.com
Very sad to hear of the passing of Mark Pawson today. A unique figure on the counter cultural art and publishing scene who I would regularly see at zine fairs and the like. His was always the most interesting stall with the most bizarre underground books and comics from all over the world. I’d end up buying some beautifully screen printed French comics from him, the likes of which you’d never see anywhere else and would never see again if you didn’t buy them there and then.
I first got to know Mark in the early 90s when he was around on the scene when I worked at Ambient Soho, he was the badge man who would make all sorts of badges for the shop, and our Telepathic Fish parties. I still have a load of badges he made using my Openmind logo and was going to get him to make more this summer for the release of a record. He’d sell artbooks and badges he made of his own work using photocopiers and also made badges featuring Negativland and Bob Dobbs.
His classic ‘Mark’s Little Book of Kinder Eggs’ and book of plug wirings were always in print and I think the ‘Assume This Phone Is Tapped’ sticker was also one of his. There are phrases I’ll always associate with his work like ‘Aggressive School of Cultural Workers’, ‘Demolish Serious Culture’, ‘Book Shops Not Bombs’ and ‘N©’. He belonged to the anti-establishment DIY scene who used whatever they could to make art, was involved in The Exploding Cinema early on as well as the international mail art scene. It’s shocking to know he’s gone, a truly one of a kind figure. I’m sad I won’t bump into him at the fairs any more. RIP Mark
I visited Mick Jones‘ RRPL exhibition at the Farsight Gallery on Friday courtesy of Stephen Coates (seen above at the magazine kiosk inside the venue). For anyone who doesn’t know, Mick is a collector, an understatement when you realise that the amount of ephemera, memorabilia and esoteria on display is possibly only 5% of his archive. Although I can’t claim to be a huge Clash or B.A.D. fan there’s no denying that the collection on display is impressive and wide-ranging. From toys, games, comics, magazines, records, tapes, clothes to art, posters, projection equipment, videos, music gear and pop culture artifacts, it seems there is very little that Mick doesn’t collect.
Primarily of interest to me were his pieces of hip hop ephemera including several by Futura from the early 80s when he and Mick wrote ‘The Escapes of Futura 2000’ with The Clash as backing band. Inside one of the glass cabinets I noticed Futura’s handwritten lyrics to the song, beautifully enscribed in his recognisable style. In another was a customised boombox with drawings by Dondi and Zephyr, a Rammellzee flyer and Beastie Boys tour pass – what a time to be in New York!
Of course there is loads of Clash-related memorabilia too, from equipment to tapes, toys to merchandise, press coverage to what appears to be a Futura-sprayed canvas.
Fanzines were a huge part of the punk movement and there are plenty here although most have been photocopied and pasted up as wallpaper at various points to aid ease of display.
There are also a number of huge colour-themed collages of all manner of ephemera, an ingenious way to display many of the items that were found without an obvious home.
And it goes on and on… there’s even the first in a projected series of magazines devoted to highlights from the collection on sale inside. I highly recommend you try and visit if you’re in the centre of London with an hour or two to spare. It’s free, open daily from midday – 7pm and the gallery is at the end of Denmark St. tucked round the corner by St. Giles church, nearest tube, Tottenham Court Road. Be quick though as it’s only on until March 16th – more info here www.rocknrollpl.com and on Instagram @rocknrollpl
This post was started back in 2022, during lockdown when we had more time on our hands, and it sat unfinished for various reasons until now.
I’ve become a bit obsessed by Alan Moore and Bill Sienkiewicz‘s unfinished Big Numbers of late – the projected twelve issue comic stalled at issue 2 when Sienkiewicz left the project due to the workload he’d imposed on himself. Young understudy Al Columbia was asked to continue for issue 4 and, depending on which version of events you believe, he either didn’t finish it, had a nervous breakdown or destroyed the work he did do. One of the only things to officially emerge was the print above, published by Mad Love/Tundra before his scheduled debut on the book.
Issue 3 did actually get finished and surfaced some years back in the form of a photocopy of the lettered pages that was found on eBay and then uploaded to the web. The line work is devoid of most of the texture you’d associate with Sienkiewicz’s work but ten unlettered pages were also printed in a fanzine, presumably taken from the original art. Over the years original pages have surfaced on places like Comic Art Fans where you can see the painterly tones he was going for far better – see above and below.
As with so many things on the web, a lot of the images are low quality and small in size but now we can rectify this. I’ve recently been playing with Topaz’s Gigapixel AI app which gives incredible results when upscaling digital images. Using this on low res scans gives the work a whole new clarity and fuzzy details come into focus like never before. I’ve managed to put together a readable cbz edition of issue 3, including the 40 pg photocopy version, 17 painted or toned pages, only minus the back cover and end papers. Back cover artwork exists for issues 4 and 6 and the cover for issue 6 was sold at Heritage Auctions some years back. I doubt we’ll ever see the finished book sadly as Moore isn’t interested.
The nearest we may come is in the form of a website by James Harvey. This appeared in June 2020, outlining each of the 12 issues, each character and what happened to them in each issue, based on original plot notes and interview transcriptions with Alan Moore. A projected TV series that never happened also fills in some of the gaps as an extract of a 280 page interview transcript that the producers had with Moore is published in the side bar. It’s a mind-boggling collection and gives a glimpse at what could have been, put aside an afternoon to go through it. Also check out James’ own comic work as he’s an excellent artist, recently completing Pete Townsend‘s legendary Lifehouse project in comic form with David Hine.
A rare set of four “Crunchie Bomb” posters commissioned in 1969 by Frys Chocolate, measuring 20×15 inches. Two designed by graphic artist and Professor of Illustration at the RCA, Dan Fern, two by renowned designer Chris McEwan. They were available in exchange for 3 Crunchie wrappers – see the last photo of the original advert.
Seems like Crunchie were really trying to tap into the youth market in the late sixties, check out this reworking of the Beach Boys‘ ‘Good Vibrations’ TV ad, complete with zany visual effects.
The other day I ran across an eBay seller offering a whole load of Steve Harradine posters and originals. The name was new to me but this UK ex-pat now living in America has shades of Martin Sharp‘s poster genius in some of his work and appears to only have a sparse website. His subject matter seems to mainly be rock music from the 60s through to the 80s but with some contemporary bands too, drawn in pencil or biro and very much in the maximalist psychedelic style of old. All images here are cleaned up from the ebay account linked above.
Below: The original for a Dylan poster from 2001 and an unfinished version from 2002
Above: A reimaging of a 60s Pink Floyd poster from 2005 and
Below: a Paul McCartney print from 2015, Harradine has done the other three Beatles too.
Below: A Sky Saxon poster from 2005 with art resued from a withdrawn Widespread Panic poster design from 2002 by Harradine.
This fabulous Bowie poster is upscaled from the only tiny image on the web I can find.
This superb pop up book was a Xmas present and had been on the list since I first saw it, it seems that it’s only available from one place in the UK, Counterprint. Unfortunately it looks like they’re out of stock at the moment but they’re the people to go to if you want a copy in the UK.
I curated this month’s Dust & Grooves You Dig? newsletter – tons of record-related links in there for your Sunday
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More killer examples of Jason Galea‘s poster work for King Gizzard & The Lizard Wizard who seem to eternally be on tour this year. Through the magic of apps like Procreate we can see one minute timelapses of how these posters were created, films of which Jason posted on his Instagram the day after I started on this entry.
His poster art book just arrived too – ten years of flyer and poster work!
Newly discovered ads featuring Zappa and The Mothers of Invention from the LA Free Press. Some, if not all of these, were designed by Zappa in his spindly lettered, collage style. I’ve featured some of these before but they are generally better quality and some crazy person has gone through all the magazines at the link above, scanning the Zappa/Mothers appearances.
