Gamma Proforma – Rammellzee, Futura, She One and more…

Ramm Brainstorm:Girlfriends
OK, so – Gamma Proforma – UK label dealing in music, art, books and apparel (T-shirts to you and me). I’ve mentioned them before, most notably with the recent Divine Styler album that blew my socks off in January but also with the ReWire kickstarter of last year and the Futurism 2.0 exhibition they put on a couple of years back. Their ‘roster’ – if you can call it that as they seem to deal in a project by project way – is full of names familiar to this blog both new and old: She One, Augustine Kofie, Divine Styler, Futura 2000, Will Barras, Remi/Rough, Delta, Rammellzee, Syd Mead and Ian ‘Swifty’ Swift among many more. If that isn’t enough to get your interest then you may as well stop reading now. I just want to highlight some of the currents releases coming out of this great label who seem to have tapped into my mind at times and assembled items that tick multiple boxes to an extent where it’s just getting silly now.
Ramm1&2backRamm BrainstormRamm #1&2
Their current big project is a multi-part release of The Rammellzee‘s final album, ‘Cosmic Flush’, incomplete at the time of his death but now finished by producer Jonah Mociun whom he worked on it with. Each track is being released on a single 12″ backed with a remix + instrumentals with a different artist chosen to provide the cover which is also included as a signed print.
Above and below are the first two singles, ‘Brainstorm’ and How’s My Girlfriends’ with art by Futura 2000 and Ramm acolyte Ian Kuali’i and remixes by Divine Styler and Mr Len (ex-Co. Flow). The third 12″ – released next month – will be ‘Crazay’ with art by Delta and Mike Ladd on remix duties. Each 12″ is a pressing of 500 with half of these adding the print, these versions aren’t cheap and the Futura one is already sold out but the quality is top notch. Eventually all the releases will form the album proper although I’m not sure whether that will be collected into a box of some sort or issued on CD.
Ramm Girlfriends
Ramm Futura sig
As you can see, there’s a heavy emphasis on the more leftfield, abstract side of graffiti on these releases and that’s carried over into the books and T-shirts too. The She One book with 7″ picure disc below is a heavy slab of goodness chock full of James Choules’ flaming brushstroke camouflage styles from close ups to sketch book scraps and a beautiful collection presented without all the usual clichés of the genre.

Shebook & disc2 She Book&disc1 PhilAshcroft&printSimilarly Phil Ashcrofts angular spikes take on a more ‘futuristic’ tone in his book of dystopian visions and sci-fi seems the be at the heart of what Gamma produce with Syd Mead T-shirts being an early release. There’s also a shirt series underway too with Kofie supplying the first example on a white shirt below and Will Barras depicting a menacing Rammellzee in his signature style for the second.

Gamma shirts Kofieshirt

swifty-book.fw.154439
All the pieces mentioned here are immaculately laid out and design forms the subject of another forthcoming book – a retrospective of Ian ‘Swifty’ Swift‘s career titled ‘Full Circle’, due in the autumn but you can pre-order it now. I daren’t even mention the Will Barras book arriving shortly, the prints, magazines, original art or the digital freebies available if you peruse the Gamma site at length…

PS: in a weird act of synchronicity the Has It Leaked site just put up a look at the label too with quotes from me included – read it here and find out even more…

Renegades of Rhythm – The Movie (VHS edition)

Just uploaded to the Pillage Roadshow YouTube account – the film of DJ Shadow & Cut Chemist‘s recent ‘Renegades of Rhythm’ tour where they played Afrika Bamabaataa’s records and formed a history of Hip Hop from some of the vinyl it was created from. Not sure if this will ever get a legit release due to all the licensing that would be needed to make it legal so this may be the only way to see it if you weren’t there. It was definitely gig of the year so far when I saw it in January. Thanks to Suki Majhail-McLean for the heads up.

Sephora ad campaign

Sephora1Sephora2

I came across these at the weekend in a window of a shop in Lyon, they were so striking I had to take a photo. A quick google reveals they’re for a campaign for Sephora makeup from a few years back and there are more in the series. A great example of how a simple visual idea can attract the attention & subvert the usual clichés.

llllitl-sephora-sublimitude-glamourisme-fascinance-attractionisme-rayonescence-bombassitude-publicité-marketing-print-4x3-agence-BETC-paris-luxe-beauté-maquillage-5 image-à-mettre-dans-larticle-1-610x456 image-à-mettre-dans-larticle-3-610x458

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Flexibition #29: Living Music No.1

Flex29_Living Music coverAnother 8″ x 8.5″ magazine with discs inside for this week’s Flexibition, only this time they aren’t strictly flexi’s as the grooves are pressed into a thin layer that is fixed to the card pages similar to some of the playable post cards I’ve featured (and will feature) already. Living Music takes the same format as the previous Echo and Sonorama publications in that there’s a spindle hole through the centre of each page and they fold back with the ring binding so that the whole mag is placed on the turntable to play. There are only actually two records inside, with narration by Milton Cross about 10 sampled albums and the fidelity is suprisingly good but nothing to get excited about unfortunately.

It’s primarily a music magazine, highlighting releases and news of an audiophile nature, ‘converting your hi-fi to stereo’ is one such article, and there are ads for Garrard turntables inside among others. A coupon offers $2.50 off the annual subscription of 12 issues to Charter subscribers and suggests that it was available on newsstands. The editorial also promises more to come with focus on contemporary Russian music, Gypsy, Classical Jazz and technical info in future issues. This is issue one, an American publication from 1959, and I can find nothing else about it on the web so have no idea if they made it to issue two, any info is appreciated.Flex29_Living Music disc

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Black Channels video collages


Loving these daily video collages by Black Channels – snippets and studio experiments from their new 10″ on Death Waltz Originals. Order it at Bleep, or Rough Trade (and get a free mix CD).


See more on their Instagram account.

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5 Psychedlic Sushi logos

PsychSushi logos x5Here are 5 prospective logos I knocked up for the Psychedelic Sushi night I’m doing with Matty Skylab. The top two were deemed too obvious, my favourite was the mouth although it wouldn’t translate easily into a black and white logo. Matty liked the coloured eye but thought it was too cartoon-y so I swapped it for a photographic one instead. The night is on July 24th, 8pm -1.30am at Brilliant Corners and is free – turn up, tuck in and freak out as we play anything we deem psychedelic enough whilst they serve from their lovely Japanese menu. More info here

Flexibition #28: Sonorama magazine

Sonorama cover Sonorama was a monthly French audio magazine that debuted in 1958. Following the format of Echo magazine as featured last week, it folded back so that the pages could be placed on the turntable and the discs played from there. The design may not have been up to the standard of Echo but it ran for considerably longer, reaching over 40 issues with usually with between 5 and 8 flexi discs in each publication. Sonorama contentsSonorama flexi2

The plain white, extremely thin discs in my copy of No.6 (they should be floppy discs, rather than flexi) contained nothing but a number on each. There’s a short film at the bottom of an issue being played, not the one featured here though, where you can see the construction of the mag and hear an example of the disc (he has a job to get it on the turntable at one point). There seem to be many of these available through Discogs for between €4-10 each.

Sonorama inside

Sonorama flexi

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The The ‘Hyena’ soundtrack on Death Waltz

TheTheHyena_cover
A new The The record is always cause for celebration and the first on vinyl for over 15 years (not counting reissues) is an even bigger one. That this beauty appears on Death Waltz in a leather effect gatefold sleeve with 12×12″ booklet, obi strip, lobby card, coloured and etched vinyl is more than anyone could have hoped for. The icing on the cake for me here is that I introduced Matt Johnson to Spencer from Death Waltz, suggesting that he would be the best man to put his music on vinyl and release it to the world. He’s more than outdone himself and the soundtrack is a perfect fit for DW’s style and ethos. You can order it now from Mondo and listen below.

TheTheHyena_coverdetailTheTheHyena_Back+obiTheTheHyena_etchingTheTheHyena_package
Preview the whole soundtrack here:

Psychedelic Sushi at Brilliant Corners – FREE!

PsycheSushiflyerAbove is the flyer for Psychedelic Sushi the first of what I hope will become regular nights at Brilliant Corners in Kingsland Road, London. Myself and Matty from Skylab will be playing Psychedelic music in all its myriad forms on vinyl whilst diners scoff from the excellent japanese menu. After 11 the tables get pushed back and we go until 1.30am – entry is free so Turn up, Tuck in and Freq out! PsychSushiEyeLogo

The NME goes free

ABC NME cover '81

After the news that the NME was going to be free as of September yesterday I dug out these old covers from over 30 years ago. I never read it until the late 80s and 90s but have since gone back and waded through years of issues for various research purposes and the breath of subjects covered, the writing, the photography and even the design sometimes, was taken for granted on a weekly basis. Barney Bubbles designed the logo seen on these covers too. Check the Sly & Robbie feature below for the skewed design and the Frank Sinatra wraparound cover which seems apt after the news.
Along with the Melody Maker, Sounds and Record Mirror (four weekly music mags!) it was the only one to survive, having weathered the storm since 1952. This latest move – this ‘last throw of the dice’ as someone called it – seems to indicate that we’re another step down the road, another nail in the coffin, where the worth of others’ creativity is reduced to practically zero. Rockin’ in the Free World.

BEF NME cover '82

Sly & Robbie NME feature '81 Girlschool NME cover '81 Sinatra, NME Jan '85

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Simon Reynolds on Ambient from 1993

img_0419Music Journalist Simon Reynolds – author of Rip it Up & Start Again, Retromania, Energy Flash and more – has put some articles up that he wrote about the Ambient scene in the UK for Melody Maker in 1993 on his blog. The reason I’m including them here is because this was the first proper interview I ever did for a music publication and I love Reynolds’ writing in general (despite his need to define and compartmentalise micro scenes before they’ve fully evolved all the time). An interesting look back but I think he was shoe-horning what we were doing into his collection of interviewees and possibly using us as a link the other bands to the Ambient/Chill Out scene at the time.

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Flexibition #27: Echo magazine #3

DSC00022Echo‘the magazine you play on your phonograph’ – was first published in 1959 and came with 5 or 6 flexi discs fixed inside each issue, mostly containing music and interviews with the subjects profiled within. The ring-binder design let each page fold back under the last and a spindle hole through the centre meant that you could place the whole magazine on the turntable to play each disc.
An 8″ x 8″ quarterly publication that ran for at least 4 issues as far as I can tell (of which this is #3), it had beautiful page layouts courtesy of Designers’ Collaborative from New York and United Artists served as the agent supplying the entertainment talent. This one features music and interviews with The Trapp Family / Mary Martin / Brigitte Bardot / France Nuyen / Eva Gabor / Siobahn McKenna / Brendan Behan / a Shelley Berman monologue / an interview with The Kingston Trio / Fiorello La Guardia reads the comics and an advert for Springmaid Fabrics.
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There are some extracts from the discs over on WFMU’s excellent 365 Days Project entry by Katya Oddie for the same issue. Here’s the cover for #2 – pretty advanced design for 1959 – if anyone has any of the other issues that they’d like to sell then I’m interested.Echo mag #2

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Found In Sounds #7 (Old School Hip Hop special)

Electro Funk cover Sounds 14.04.84

An Old School special this time round with vintage cuttings from early 80s copies of the weekly UK music paper, Sounds. Traditionally a Rock and Heavy Metal-biased magazine, they still found time to cover some of the bigger stars from the emerging New York scene. They went all out in 1984 with an Electro Funk special issue (above).
Below is an early Bambaataa chart – check #10. An early UK rap gig at the Comedy Store is reviewed and Kurtis Blow, Grandmaster Flash, Bam, the Sugarhill Gang and more are interviewed.

I like looking back on images and articles like this from a time when I was too young to know that this was even happening, you see a less revisionist history as the movement and artists are in the midst or even before their peak years. Details that have been lost in time are revealed and a few oddities pop up that make you re-evaluate accepted norms. Click on each image for the full size.

Rap chart Sounds 1984 Rap review Comedy Store Kurtis Blow Sounds 15.08.81 GMFlash Sounds 18.09.82 GMFlash Sounds 11.12.82 Afrika Bam SOUNDS_19.02.83 Rapping 2 Sounds 13.03.82 Rapping 3 Sounds 13.03.82

Longplayer


I only just discovered this – there was a launch for a iOS app to go with it last night – Longplayer is a one thousand year long musical composition. It began playing at midnight on the 31st of December 1999, and will continue to play without repetition until the last moment of 2999, at which point it will complete its cycle and begin again. Conceived and composed by Jem Finer, it was originally produced as an Artangel commission, and is now in the care of the Longplayer Trust.”

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