An illuminating look into the MC’s life and career as well as some educational insights into Hip Hop’s beginnings in New York from the perspective of someone growing up as it happened. Styler gives an alternate view of the originators, skewed from the usual triumvirate of Bambaataa, Flash and Kool Herc.
This disc was given away with Event magazine, now long deceased, which was a rival to Time Out in the early 80’s when it ceased publication for a bit. It was a promo for Mel Brooks‘ 1981 film, ‘History of the World Part 1’, from which the two songs on the disc came. As ever with Brooks, both were politically incorrect before the term even existed, being about Hitler and The (Spanish) Inquisition (he also later released ‘The Hitler Rap (To Be Or Not To Be)’).
This is probably one of the first flexi’s I ever got after the freebies with Flexipop magazine and was most likely rescued from the paper-recycling shed at school along with a pile of early copies of The Face that would periodically come in, unsold, from the local newsagent. I had so few records at this time that I’d grab anything and ‘The Inquisition Song’ even made it onto my first proper mixtape in 1987.
You can see the scene from the film here, it starts at about the 2 minute mark. (Warning: very inappropriate lyrics)
Update: More info on Event magazine can be seen on the website of Pearce Marchbank who was art director.
Keen-eyed listeners to the Solid Steel weekly radio show may have noticed a logo makeover last week. A new, slimline logo has taken place of the previous single ‘S’ one as we continue to streamline the show for online consumption. The logo comes in white on black circle but can be reversed and I designed it in three weights with the heaviest being for small usage where the centre circle is offset with the outer circle also in box form. Expect a new responsive website redesign in April too. 
Recommended!”Studio version” of an ever-expanding psych set based on one single principle – all the tunes used in it are written in the same key.
Always love a bit of The Go! Team and they have a new album out on March 23rd, here’s the trailer and you can pre-order and find out more HERE.
Found on a tumblr site via another tumblr site which, predictably, didn’t have any info on where it came from or who drew it because of the re-titling that goes on when you post on these sites. I despair at an information age in which the information is stripped from half the content. Google image search reveals it’s by a guy called Stormjang and comes from Deviant Art.
It’s been a bad week for deaths in the music world, first it was Tangerine Dream-founder Edgar Froese, then Demis Roussos and now Rod McKuen, the spoken word poet dubbed ‘the King of Kitsch’. He wrote over a thousand songs, several books and released hundreds of records in his lifetime and there’s sample gold in that silky voice.
Listen to one of my favouties by Rod, ‘The Mud Kids’ from ‘The Earth’ LP and tell me it’s not genius, transports me back to a time I never knew but can imagine existed. Keen-earned listeners might also recognise the opening strings from a certain mix I did with PC and DK way back.
Guilty pleasure, ‘Seasons In The Sun’, the 70’s hit by Terry Jacks, was an adaptation of a McKuen piece which was itself taken from a Jacques Brel song that he translated. He jumped on many bandwagons, aligning himself with the Beat Poets on ‘Beatsville’ and the Hippies on ‘Rod McKuen Takes A San Franciso Hippie Trip’ but the results were never convincing.
The Rod McKuen disco LP? Sure, ‘Amor, Amor, Slide… Easy In’ has at least one decent break on it and was also as used by Christian Marclay in one of his album sleeve assemblages (the hot pants side).
I think Russia is rapidly becoming one of my favourite places to play, 3 gigs in the last 3 months, all memorable for different reasons and all the crowds have been so good. They seem way more into the music and not preoccupied with their mobiles, very vocal but in a positive way. Plus we got to play at the Museum of Contemporary Art in St. Petersburg with one of the biggest video screens yet.
One guy on Saturday night was stage-diving to the Beasties mix from the off, so much so that he got himself thrown out. Another kept shouting ‘more volume’ and led the crowd in his chant but we were already in the red. Afterwards we were informed that he’s a little bit deaf and always does this at every gig.
Two features I took part in recently went online: a 12 track playlist (although only 10 feature as 2 aren’t released yet) for the Inna Di Mood website and a short interview with some good questions for OutlineOnline ahead of my gig at the Norwich Arts Centre at the end of the month.
As flexis go neither of these are especially rare, certainly not the ‘Tiny Black Round Thing’ which I discovered I had several copies of when going through my collection. ‘Teach Yourself Heath’ is actually quite good though, being a piss take of the former PM Edward Heath by an uncredited Eric Idle and Michael Palin from the Pythons. It was originally given away inside copies of the 1972 ‘Monty Python’s Previous Record’ album, an issue of Zig Zag (#27) and possibly Format magazine.
‘Monty Python’s Tiny Black Round Thing’ was given away with a May 1975 copy of The NME to promote the group’s ‘Live at Drury Lane’ LP. Palin hams it up as a radio announcer talking about the flexi’s merits and Gumby makes an appearance as the NME’s editor. The B-side is ‘The Lumberjack Song’ which I’m sure you’ve all heard way too many times already.
Now that’s a poster!
There’s going to be lots of Star Wars activity this year isn’t there? These polaroids are from the collection of continuity expert Ann Skinner who was on set for Star Wars: A New Hope (as it’s now known). They are on display in London as part of BFI’s sci-fi season, Days of Fear and Wonder, in the Southbank’s atrium until Jan 4th, 2015. 
Another day, another legend gone, RIP Demis
a sped up Demis features on Vangelis‘ classic Blade Runner score too
So, say for instance, you’ve heard of Judge Dredd, maybe you saw the Dredd film on DVD a year or so ago, you’ve read the odd graphic novel or seen high praise for certain stories kicking around the internet? Maybe you’ve read a few from the Top Ten Essential Dredd epics lists that periodically do the rounds on the web but want more? Where do you start with 38 years worth of stories, characters and continuity? Here is where, The Mega Collection: a fortnightly series of hardback story collections of the essential must-read tales spanning 80+ volumes (I read somewhere but can’t find now).
Starting with the classic tale of ‘America’ written by Dredd co-creator John Wagner and painted by Colin MacNeil at the incentive-inducing price of £1.99 it’s a no-brainer of a purchase if you’ve never read it. I can confirm that it’s a bonafide classic all right, centering around the subject of ‘democracy’ in Dredd’s world although it’s an odd choice to start the collection with. Maybe it sets the tone more than anything else and is a hard-hitting jump into how the Judges meter out ‘justice’ in the future?.
After the first issue the price jumps up to £9.99 per issue but there are subscriptions available with all sorts of free gifts and a free issue as well. Another incentive is that the complete collection will display this scene across the spines once finished. If you’re still not convinced then here’s a review of the first issue from the Everything Comes Back To 2000AD blog. This post reads back a bit like an advert unfortunately but it’s a perfect jumping in point and, for the same price of a vinyl 12″, a hardback collection every two weeks is a very good deal indeed.
Just saw Stan Manoukian (of Stan & Vince fame) is having a show in Paris next month. Inspiring, I must start drawing again…
I’ll never forget hearing this track on a tape at school aged 13 or 14. Nick Canning played it to me, swearing blind that his uncle made it and that it was called ‘Flight Through Metamorphic Rocks’. I loved it and only later found out who really made it and the actual title (the track before is called ‘Cloudburst Flight’).
Funnily enough, the tape started the track at about the same place, the first half of the song is pretty average but then it breaks down and comes back with this pre-techno monster, not bad for 1979.
Of course, come the early 90’s and the resurgence of ambient music I was hoovering up LPs like the classic ‘Phaedra’, ‘Zeit’ and ‘Stratosfear’, even ‘Electronic Meditation’ but I lost track around the mid 80’s soundtrack period. And then there was this album where the truth was revealed… RIP Edgar
It’s been a while but here’s my first mix for 2015 and Solid Steel and it’s a second installment of ‘Magpie Music’, the name for mixes where I generally group the more psychedelic, fuzzed up, heavy beat productions I like. If it’s got a live band feel then it’ll probably be in one of these mixes for the moment but they can also include rawer, sample-led Hip Hop and Trip Hop cuts. My other series – Future Shock – is reserved for more electronic, sci-fi synth and soundtrack work although there’s always room for cross over.
I’ve decided to split music into there two camps for the foreseeable future as I find they focus the mixes more and make for a better overall listen rather than lumping the two together. There will of course be other themed mixes coming your way (I must get round to KKK9, The Lynch Party pt.2 and the Duck Rock audio documentary one day). Oh, and there’s the Alphabet Series too which comes and goes when it feels like it of which the mythical lost Sesame Street compilation is part of.
Anyway, this mix features some of my favourite songs from 2014, certainly from the second half of the year anyway. Plenty of The Heliocentrics, Jane Weaver, Temples and Ghost of a Sabre Tooth Tiger whose albums I adored and still do. I’m finishing up the second Future Shock mix right now so hopefully that should be along sometime next month too.
A decade ago this week (I think it was a Monday or Tuesday) I debuted the expanded ‘Words & Music’ version of ‘Raiding The 20th Century’, this time lengthened to an hour and featuring specially recorded voice overs from Paul Morley. It was an attempt to chronicle a fragmented history of sampling from the advent of music concrete through to tape cut ups, sampling and finally the Bastard Pop/Mash Up phenomenon at the turn of the century.
Paul’s inclusion was through his book, ‘Words & Music’ that I’d read shortly after completing the first 40 minute version of ‘Raiding…’ the year before. The two mirrored each other so closely in places that the opportunity to revisit and revise was too good to pass up. Also the fact that I’d cribbed the title from a piece of text Paul had written nearly 20 years before didn’t go unnoticed, sometimes there are too many coincidences to ignore.
Since then it’s had a cease and desist take down notice from EMI and an attempt made at a video version but still, through the miracle of the internet, it endures. Here’s a collage that I started back at the beginning of 2006 and finally finished this morning, based on the Sgt. Peppers cover, of Paul and I alongside Alvin Lucier and Kylie, surrounded by some of the cast of thousands that make up the recording.
You can still listen to the mix here via UbuWeb but it’s out there in all sorts of corners of the internet.
The first track from Matt Johnson‘s soundtrack to his brother Gerard’s film ‘Hyena’ has been previewed over on the Quietus. The score is out in March on CD in hardback book packaging via Matt’s Cineola label and vinyl via Death Waltz.
An expert in paper craft from Japan called (I think) uhu02 has made these incredibly detailed ships, droids and weapons from classic sci-fi and fantasy films. His/her uhu02 Paper Craft site “It is a production diary of precision Paper Craft (model) with a focus on items that appeared in the movie” has detailed photos and even downloadable plans to make them. Don’t think this is an easy few hours cutting, folding and gluing though, it’ll take you that long to get through his site.
There’s is so much to see, the detail on the Lunar Lander is just insane and what’s most impressive is the scale, most of the ships you can easily hold in one hand.
Original link from Sploid via the excellent Ian McQue
