The Pink Floyd – The Comic Tourbook

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I ran across this recently, a Pink Floyd tour program in the form of a comic. It was sold on their 1975 Dark Side Of The Moon tour and consists of 16 pages with colour cover and back where each band member gets their own story in a classic 70s boys comic kind of way. Roger Waters is a football hero, Nick Mason, the captain of a ship, Rick Wright, a rich playboy and Dave Gilmore, a daredevil biker.
There’s also the famous Ralph Steadman centre spread of the band (was this the first time it was used?), a personality file (where Wright and Waters quickly get bored and start giving joke answers), a quiz and song lyrics. It’s very much in the spirit of the 60s and 70s undergrounds and the alt. press of Oz, Ink or International Times including some un-PC depictions of women. It was put together by Hipgnosis and Nick Mason and featured cartoonists Paul Stubbs, Joe Patagno, Colin Elgie, Richard Evans and Dave Gale – none of which I think I’m familiar with. You can download a full set of scanned pages from here.

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Metal Made Flesh 2 kickstarter


Readers might remember me featuring the first Metal Made Flesh kickstarter a couple of years back. Now the team is back for book 2, expanded with a second artist and bigger goals, two of which they’ve smashed, and they’re approaching the third with 12 days left. Taking liberally from all manner of sci-fi from the last three decades and managing to find new angles on it the book tells three different tales of a trio of characters and their place in the future cityscape of Tuaoni. You can get both books, T-shirts, original artwork or even appear as a character in the book in the new Kickstarter.
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The Art of Curation at ADE in Amsterdam with Mixcloud

RecordPalaceOpArt A couple of weeks ago I was in Amsterdam, taking part in discussions about ‘The Art of Curation’ with Mixcloud co-founder Nikhil Shah. The chat was hosted by the electronics company Sonos as part of the annual ADE music conference that takes place there, the biggest in Europe. I chose five tracks that linked with the subjects of Music, Art, Sci-Fi, Comics & Design which largely tie into the things I collect and post about on this site. This is the part where the blog eats itself as I blog about myself talking about blogging and readers will hear some familiar names and sounds during the interview.

Raze7frontThe trip was a fruitful one in terms of digging for new things in my time off and I went with a mission for 45s, underground comics and sci-fi paperbacks. Things got off to a poor start with my first stop at Record Palace (Op Art -themed wall display at the top) which is on the outer rim of the centre of the city. I’ve shopped there a few times and it’s always yielded treasures but this time it wasn’t to be. Of the two 7″s I bought (a substandard late 80s Dickie Goodman break-in record and Raze‘s ‘Break 4 Love’) when I returned home to play them I discovered that the disc inside the Raze cover was in fact a Thompson Twins single. My fault for not checking the disc but they were only 50c and there was a strict ‘no playing’ rule on records from the cheap bins. The only good thing about it was the Trevor Jackson-designed cover which, when you look at the ‘dancing’ figures, is actually quite dirty.

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From here I visited Lambiek a few roads away, the oldest comic shop in the world if their website is to be believed and, on the strength of their stock, I can believe it. The shop is about to move to a new premises and their usual gallery space was now a large dumping ground for what looks like all manner of random stock. Very little of it was priced apart from the odd penciled number on an inside cover and many of the piles can contain anything, very little order exists as you can see below.

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But there was some gold there and I soon had a little pile building, the owner unable to direct me to the undergrounds as everything was mixed up due to the impending move. They closed at 5pm and at approximately 4.45 I glanced under a shelf and saw a box that looked like it was exactly what I was looking for. Going through it my suspicions were confirmed and I started pulling out handfuls of British and American underground and independent press comix as fast as I could, some in not-so-good condition but still a lot that you only find on eBay these days.Oz39
This copy of Oz magazine was nestling in the box, looking like a Robert Crumb comic, copies usually go for £10-20 and up.ImagineFoss SubvertComicsx3
These three Subvert comics by Spain were a bit water-damaged but I’d never seen copies before aside from being reprinted in other mags.Skull_TwoFistedZombies MotherOats1&3
No.s 1 and 3 of Mother Oats Comix by the late, great Dave Sheridan.
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They had five copies of this Radical Rock comic, all badly water-damaged but readable. You can easily find these for about $5 on eBay, but the postage triples the price as they’re always from the States.
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I wasn’t going to leave a comic behind with a cover like the Bizarre Sex one, the issue of Tasty has some really nice abstract acid trip visuals inside although the cover isn’t up to much.
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That Dutch NIMFKE comic on the right is probably one of the filthiest things I’ve ever seen in comic form.
CrackedMadStarWars SickThere was more but here’s a lot of it. I’d been tempering my choices, thinking that this was adding up to quite a bundle but some of this stuff just doesn’t come around in Europe that often, even in this condition. Upon taking them to the counter I couldn’t quite believe my luck when the assistant proceeded to charge me one Euro for each comic with only two for some slightly over-sized books like Imagine and Heavy Metal. Digs like that don’t happen every day.

On then, with a spring in my step, to a couple more comic shops further north near Centraal station. On my way I passed a shop with a big sign outside, ‘Used Books, English Language’, and took a quick peek to see what it was like. Once inside I inquired if they had any vintage sci-fi paperbacks and the guy at the counter pointed to eight large apple boxes stacked in the aisle. “Four for ten Euros“, he quipped, “How long until you close?”, “20 minutes!”. I probably got through about two thirds of them, given that they were two rows deep inside but it was worth it.
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Laugh-In magazine’s Moonlighting Monsters from Sept ’69

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Laugh-In magazine was one of a host of humour publications that sprang up in the wake of Mad magazine’s success. It was a spin-off from Rowan & Martin’s TV show of the same name, cheaply produced and only lasted a year before folding. Going by the copy that I picked up in a basement over the summer, it’s not hard to see why, it wasn’t very funny at all, stuffed with filler to pad out the little of quality. I was drawn to some of the letter and graphic designs more than the humour content, for example the hand drawn headers and patterns you see here.

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There was however one other redeeming feature worth keeping, a Moonlightling Monsters series of pin ups by John Strejan (who I’m presuming is the paper engineer of the same name), complete with period psychedelic lettering, that I’ve scanned and posted for Halloween.

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Marc Bell – ‘Boof’ and ‘Hep’ comics

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Back at some point in the early 90s I found an odd comic called Hep in the old Gosh! comic shop when it was across the road from the British Museum. I had no idea what it was about and had never heard of the artist but the artwork was cool and it was a bizarre mix of weird and crazed nonsense so I bought it. It’s an oddity alright, full of strange turns of phrase and stream of conscious madness and I always looked for a second issue but never found one.
Now that we have the power of the internet at our fingertips I found myself googling it the other week and finding out more about the artist and author, Marc Bell, and seeing if a #2 did ever materialise. Seems it didn’t as Hep was the second of two different titles he made for Calibre Press that flopped before he moved on to doing weekly strips for Canadian free mag Exclaim. I used to pick up copies of this on tours of Canada in the mid 90s and I’m pretty sure I have some of his strips somewhere, extracted from various issues because I liked the look of them. While reading this Comics Journal interview with Bell I chanced upon this flyer for an exhibition opening featuring my good friend DJ Wig (now Ghostbeard – head of Ninja Tune North America) on the bill.
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Anyway, all this to say that, during a weekend trip to Amsterdam where I had the good fortune to strike it lucky at Lambiek (post forthcoming), I happened upon a comic called Boof which looked interesting. It wasn’t until I got it home that I realised it was by the same artist and a quick internet search revealed that these two were his first ‘proper’ comics and hard to find now. No Hep #2 but something as good as.

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Artifacts #19 – Copying Robert Williams

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Back in early 1989 – aged 18 – I was going out with a girl who loved Guns n’ Roses‘ debut album with a passion. Wanting to make something personal for her as a present before her birthday I decided to paint a version of Robert Williams’ cover image from the original album cover (it was later replaced when the group blew up commercially). What I was thinking I don’t know what with the very dodgy subject matter it contained but that’s the fog of love for you.

I’d discovered Williams’ work a few years before via Zap Comix and loved this painting, despite the sexually assaulted woman (lord knows what she’d have thought of it, had it been finished). I set about copying it as accurately as possible in acrylics on a large piece of thick card, primed and gridded out to get the proportions correct. Below are a couple of in-progress shots I found from ’89 and you can see that I was enjoying painting the orange monster to start with. The chrome elements were incredibly difficult (and boring) to paint given the small reproduction I was working from (an LP cover borrowed from a friend, that I still have, sorry whoever has a sleeveless copy from back then).

Appetite_copy_progress1 March89 Appetite_copy_progress2 March89I’d covered up the lower part of the image, partly to stop it getting dirty as I was generally leaning on the bottom half but mostly because I was still living with my parents and I was embarrassed about the subject matter of the assaulted woman. I wasn’t looking forward to painting that part at all if truth be told but it was integral to the original. As it turned out I never got to because she dumped me about a month before her birthday, any impetus to finish it vanished instantly and it was filed away in an old portfolio.

Appetite_copy_detail6 Appetite_copy_detail2 Appetite_copy_detail3 Appetite_copy_detail4Appetite_copy_detail5Appetite_copy_detail7Over the years I’ve spotted it whilst rifling through the folder, pulled it out a few times and admired the level of dedication I must have had to go to such lengths. I recently shot details of some of the more finished bits to share here, you can see the layers of acrylic paint in parts and I was working with totally inadequate brushes, some with only a few hairs for tiny details.

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One day I’ll have to finish it, just so all that work doesn’t go to waste but I’ve no desire to include the stricken woman so maybe I’ll paint something else in her place. As much as I admire Williams’ work – and copying this gave me a next level appreciation of the techniques he used – his depiction of the woman in this piece is the only thing I’m not a fan of.

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DJ Food featured in the PHONO+GRAPHIC exhibition, Kendal

Food_Flintx4My last album cover (The Search Engine, 4-panel vinyl edition) that I collaborated on with Henry Flint is the first cover you see in an exhibition of record sleeves by comic artists entitled PHONO+GRAPHIC, curated by artist Sean Phillips.

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This is a bit of a dream come true for me, to be one of 60 sleeves displayed alongside artists like Brian Bolland, Dave Gibbons, Brett Ewins, Hunt Emerson and Moebius!

IMG_2004 It opens next week at the Kendal Museum and will be on until the 20th October, including the weekend of the Lakes International Comic Art Festival. Many thanks to Sean for selecting the cover completely unbeknownst to me until he’d announced the exhibit and framing it so nicely.

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Photos taken from Sean’s blog and here’s more info

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Island

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I can’t say enough good things about the new anthology comic Island. Put together by Brandon Graham and Emma Rios it’s a collection of stories by all manner of artists working in the field from the well known, the lesser known to first timers. There’s no over-arching themes although visions of future societies do feature largely but these aren’t super hero, big brawl shoot ’em up comics, they’re about ideas, relationships and a bigger picture. Some strips are self-contained and some continue in the next issue, some even continue several issues later and the hit rate per issue is high.

Issue 3 just came out – worth it for the Faryl Dalrymple cover alone (above) – you can see previews over on the comic’s tumblr and order digital versions from Image if print copies are hard to find. What’s also refreshing is that it contains no ads whatsoever and all the usual publisher guff is kept to the smallest possible point size in the most inconspicuous place so you get the maximum amount of comics and the minimum amount of distraction. There’s no standard Island logo either so each issue looks different but you can tell it from other standard comics as it’s larger and has a perfect bound spine rather than staples.

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New comics for September

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I’ve not done a comics round-up in a while and I don’t think I’ve bought an issue of Heavy Metal (well, not a current one) for over 20 years either. But the Jack Kirby cover on this months issue made me pick it up and plenty of the other content inside was a pleasant surprise. What with Grant Morrison promised as editor in future issues then it might be time to return to it.
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Brandon Graham and co. continue to redefine what comics can be with the anthology title, Island and issue 3 of 8House with some of the most fantastic art by Penalta, part Moebius, part Geof Darrow.
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These three titles from Mike Mignola‘s Hellboy universe are always on the pull list. B.P.R.D. is a fully functioning title of its own now with most of the main characters absent from its pages but enough slow-burn story line to keep me hooked. The Ape Sapien spin-off is still good and finally going somewhere, there’s going to be one almighty pay-off soon, I can feel it. And here’s the annual issue of Hellboy (in Hell) from Mike although we are promised another before the year is out. It’s great to have him back on the art with this and no doubt it will run and run as Hellboy wanders the different levels of the Underworld.
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I dithered on Low when it first came out but recently read the first 6 issues in the trade and it’s excellent, so now I’m catching up with the monthlies. The world has been irradiated and mankind has gone underwater to survive with various warring factions, cities and more, the art is gorgeous and it’s a fresh take on a dystopian scenario.
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This Damned Band is a fun re-imagining of a 70s rock band (Led Zeppelin basically) told in a Spinal Tap-esque documentary style with the feigned Devil worship more real than a fashion pose and East of West is always on the list along with Black Science, Saga and Ody-C. Other series’ in various stages of completion not featured: The Surface, Nameless, Empty Zone, Lady Mechanika, Kaptara, Space Riders and Sandman Overture. Roll on Xmas for the beginning of the end of Brandon Graham’s Prophet epic too after a wait of a year.
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Cliff Robinson

JD MegaColAlienNationsCliff Robinson has been knocking out some stunning Judge Dredd pieces for 2000ad over the years and the cover of The Mega Collection #15 (on sale now) is another – a similar riff to a Mike McMahon cover for 2000ad back in the late 70s. He’s also recreated another McMahon, complete with surrounding graphics, below for a commission some years back. Keeping with the homages he referenced the poster for Clint Eastwood vehicle ‘The Gauntlet’ for the Lille Comic Con poster recently too.
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Look-In magazine covers

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Painted covers for the UK weekly magazine/comic Look-In from a huge online collection over at Comic Vine.
I used to get this in the late 70s and early 80s although I’m not sure I had many of these issues. The mag was full of tie-ins with TV, film and music with features, comic strips, interviews and posters. They sure had favourites as well, Steve Austin – The Six Million Dollar Man was on so many covers and DJ Ed ‘Stewpot’ Stewart seemed to rule for a period in the 70s (check for two of him inside the gallery below).

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Brian Bolland Forbidden Planet illustrations

BollandFPgang(Above) A rare Brian Bolland image for Forbidden Planet sans the “People Like Us Shop At…” line. (Below) An even older advert when FP was in Denmark St.
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UPDATE: Martin Ward just sent me several snaps of original bags he still has. The one of the old man in the circle is one of my favourites, would love to have that on a T-shirt. That bottom one of Zirk for Eternal Comics may well be Garry Leach actually, not Bolland.

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Further Update: I found this in an old sketchbook and in an effort to keep these things together, have include it below Brian Bolland FP flyer

The Mercy Giants ‘We Think So Loud’

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Here’s a late 80s oddity that I was turned onto recently by Steve Cook – he of Secret Oranges fame. A 1988 Acid House 12″ made by the late, great Brett Ewins among others that comes with an 8pg B&W ‘lyric sheet’ featuring the art of Brendan McCarthy, Steve Dillon, Jamie Hewlett, Shaky Kane, Philip Bond, Jamie Hewlett and more.
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The tracks themselves are primitive attempts to make Acid House (without the aid of the all-important Roland 303 by the sound of it) but have a period charm to them. Brett intones creepily over the top of the A side sounding like a riled up Timothy Leary on speed. The B side houses two instrumental cuts with ‘The Church of Acid’ coming on like Bam Bam with a sledgehammer and there IS a snatch of 303 but it sounds sampled and slightly out of time.

‘Dr. Microdot’ is a shorter version of same with the addition of an unidentified voice asking you to relax (we’ve all been there) and both tracks suffer from a lack of a decent arrangement, stumbling along with samples and effects being randomly thrown in and out of the mix. I’m being unkind but it’s fair to say they haven’t aged well although the fact that they were made in the middle of the second summer of love gives them a certain kudos. I’m wondering if the Ken Thomas credited with producing this fascinating artifact is the same one who has worked with everyone from Queen to the Cocteau‘s?

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There’s even a video for a shorter version of the A side featuring Brett spouting his gobbledegook lyrics.


The artwork is the gold here and the free comic is basically of lot of the early gang of artists responsible for Deadline taking a page each and letting rip with whatever they feel is appropriate. Brendan, Philip and Shaky come up with some crackers but I’m not sure where Jamie’s contribution is exactly unless he collaborated with someone and isn’t credited. Ron Merlin, an early Deadline character, makes an appearance but it’s not clear if he is supposed to be the voice on the A side. There’s very little about it on the web but I love these musical comic crossovers (the Madness off-shoot ‘Mutants of Mega City One’ is another) even if the sounds often play second fiddle to the artwork.

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MercyGiantsbookfrontMercyGiantsbookShakyBrettMercyGiantsbookBrendanMercyGiantsbookPhilip    MercyGiantsbackdetail