I think this is just a short rather than a trailer for a movie but it’s pretty impressive nonetheless. I don’t read Japanese so can’t really find out more but there’s a site with making-of designs and more info here. UPDATE: The video got taken down so click the link to watch^^^^^^
Found on a tumblr site via another tumblr site which, predictably, didn’t have any info on where it came from or who drew it because of the re-titling that goes on when you post on these sites. I despair at an information age in which the information is stripped from half the content. Google image search reveals it’s by a guy called Stormjang and comes from Deviant Art.
An expert in paper craft from Japan called (I think) uhu02 has made these incredibly detailed ships, droids and weapons from classic sci-fi and fantasy films. His/her uhu02 Paper Craft site “It is a production diary of precision Paper Craft (model) with a focus on items that appeared in the movie” has detailed photos and even downloadable plans to make them. Don’t think this is an easy few hours cutting, folding and gluing though, it’ll take you that long to get through his site.
There’s is so much to see, the detail on the Lunar Lander is just insane and what’s most impressive is the scale, most of the ships you can easily hold in one hand.
Original link from Sploid via the excellent Ian McQue
These paintings are by Jakub Rozalski, a Polish artist living in Germany. They’re from his 1920+ Project which introduces future tech into historic scenes from over a century ago.
Absolutely love these images by Simon Stalenhag – his use of light and everyday rural locations with futuristic contraptions and machines remind me of a simpler, less hi-tech Syd Mead. His vision of the future is one that I think could be a reality within the next 50 years (maybe minus the dinosaurs that occasionally pop up in some of the paintings). His site has lots more plus close up details and you can now buy a book of them too if you follow the easy to read pdf to navigate the online shop.
There’s also a lovely LookBook (hate that word) on Issu for a more detailed look at the bots.
Kid Koala‘s latest show is so multifaceted that it almost defies description, it certainly isn’t easy to sum up in one sentence anyway. In 2003 he released a 300 page silent graphic novel called ‘Nufonia Must Fall’ about a robot who falls in love with a girl (no spoilers there). He’s now translated it into a hour long stage performance that sees the story performed with puppets whilst being filmed live as Kid plays the soundtrack alongside The Afiara Quartet.
The puppets, or more accurately models / macquettes, came in different sizes and there must have been at least 10 different stage sets on pedestals which would be filmed before the camera moved on to the next on a tracking dolly. The puppeteers all wore black so as to be more inconspicuous and would change stage sets between filming as each scene was projected and edited live above the stage on a huge screen. All the while Kid Koala was soundtracking the performance alongside a string quartet, one minute playing keyboards then scratching, playing mandolin or affecting voices into a vocoder. At one point he was playing a keyboard figure with one hand and then needle dropping tones from the Spiritualized drone record ‘Pure Phase’ to form melodies.
The whole piece was incredible, funny and moving and the sit down setting of the Roundhouse on a rainy Monday night made it even more fantastic. It was also the antithesis of his previous ‘Short Attention Span Theatre’ shows of a few years ago, often moving as a glacial pace because of the limitations placed on the crew moving between scenes which took time to set up and assemble. Prerecorded inserts of the robot’s chest-mounted tape recorder or cut-away scenes involving hands performing acts that the models couldn’t were included where needed and bought time for the puppeteers and variety to the camera angles.
The music was an integral part of the piece and bought scenes to life, the themes repeating to form a fully realised score that built on the original soundtrack included with the book. I was close to tears at one point and realised that it was the music that had bought me there but it was also used as a sound effect with a particularly effective cello bow sound used to make the sound of the robot’s head turning in an elevator scene.
If you get the chance to see this then take it as it won’t be getting too many outings due to the size of the production. Sadly it was only on once in London before moving to a four night residency in Hamburg and then more in the Netherlands. Watching it on the web would only give you a portion of the experience, you really have to see it in all its multi-layered glory. We joked afterwards that a DVD of the performance would have more behind the scenes features than the actual main feature.
Another unexpected aspect of the show was that there was a near stage invasion as the end as people wanted to inspect the props, sets and characters that had been used, take photos and try to deduce how what they’d just seen had been done. It’s a rare show that can achieve such an effect on a crowd in this day and age, also, I forgot to mention – the whole night started out with a gain on bingo on specially drawn Kid Koala cards.
Fantastic work here by Alexandre ‘Zedig’ diboine – tons more over on his tumblr too.
I’ve featured Ian McQue‘s work before on here, his glorious colour work mostly, and now he’s produced an A4-sized book of B&W sketchbook drawings subtitled ‘Robot, Space Dudes, Flying Ships etc’.
His work is populated by flying barge-type ships, usually moored to buildings or futuristic dockyards, small insect-like craft and boxy rough-terrain vehicles. His human characters come in all shapes and sizes and his robots are of the thin, lanky variety or sometimes like spider mechs.
There are even a few deviations in the book to more fantasy countryside scenes, a page of Hellboy studies and a certain Judge costume that features here a fair bit.
The book – and several colour prints – are available from his bigcartel shop and some come with a personal sketch in the front.
Those of you with a good memory might recall that I posted a short film nearly 2 years ago called ‘Keloid’ by the BLR_VFX studio – some of whom worked on District 9 and Elysium. BLR stands for Big Lazy Robot – check the out here. In the last 3 days they’ve updated it and all I can say is ‘wow!’ No one does mecha better, make a full length feature like this and I’m there.
I’ve been following
Scottish concept artist Ian McQue on Twitter for some time now (he’s English you know, he just lives in Scotland). He has a thing for flying tug boats, future tech and the odd robot now and then.
He posts the most incredible images and calls them ‘doodles’, ‘sketches’ or ‘speed-paints’. It’s good that people with this much talent are also humble. Check out more of his work on CGHub or his blogspot (but he posts a lot more on Twitter).