Christmas Collector Countdown 2023 
#23: Special Request – What Time Is Love Sessions 2×12”

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A daily post throughout December of records, CDs, books, comics or other ephemera that I’ve bought or been given recently from independent artists, labels or publishers who would welcome your support. 



#23. Special Request – What Time Is Love Sessions 2×12”
In at no. 23 – of course it would be – Special Request‘s loving tribute to the KLF’s finest single with nods to their classic ‘Chill Out’ album too – a superb homage. The physical release isn’t due to land until Feb 2024 but you can listen and pre-order now.
https://specialrequest187.bandcamp.com/album/what-time-is-love-sessions

SR clear
SR full

Posted in Event, Music, Records. | No Comments |

Mixcloud Select 177: Xmas Knees Up 23/12/2002

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A mix of two halves, broadcast 21 years ago with a rap-heavy first half and a Xmas-themed second. LCD’s second single was a short, sharp shock of a 7” after the extended epics of their debut 12” and proved they weren’t a one-hit wonder. I saw them play it that year at the Supersonic festival in Birmingham and met James and Nancy backstage, before they went stratospheric. I remember dropping Un-cut’s ‘Midnight’ at the appropriate hour on New Year’s Eve in Newcastle that year, paired with the Gift of Gab monologue during his mix of DJ Shadow’s ‘Midnight In A Perfect World’ and the place going off. The Christina Aguilera Drum n Bass mix was so rough and ready it would pummel any naysayers into submission (same with Beyoncé and Britney mixes of the same era). Any decent pop song of the age would get a white label DnB makeover by someone for a few years in the early 00’s, it may well be the same now but I don’t check for them. Most were sold in specialist shops around London with no info other than a title and I’ve still no idea who made this one. Into the hip hop now with Notts’ finest The P Brothers from their Heavy Bronx Experience series #4 featuring Eddie Cheeba and Sadat X from over the pond – hard as nails golden era styles made in the UK.

Perverted Monks were a collective associated with Afu-Ra and Jeru The Damaga but never quite hit their heights. The imaginatively-titled ‘Freestyle’, from their third single uses the backing tracks from Nas’ ’Nothin’ and another I forget as a bed, one of a number of those Bollywood-sampling hip hop tracks from around this time, kicked off by Missy’s ‘Get UR Freak On’. Soulwax makeover DJ Shadow’s ‘6 Days’ with a blatant re-edit of the B-52’s ’52 Girls’ and it just works. This was during the height of the mash up craze and they were riding high on the success of their ‘As Heard on Radio Soulwax 2’ compilation. It only appeared on a promo 12” and I’d bet it was a European A&R decision to get them to remix Shadow as it doesn’t fit into anything he was doing at that stage. Punjabi MC’s tune was huge in the UK with it’s jingling hook and Knight Rider bass line, as ubiquitous as Missy’s the year before, getting reworks all over the place in a multitude of styles. The Old School mix was by a duo billed as Banks and Sullivan who seem to have a number of aliases with one release to their name on Discogs. A mystery white label using the a cappella from ‘OK’ by RnB pop band Big Brovaz over ‘Mundian To Bach Ke’ was something I used to play a lot in sets and may or may not have been legal. Dan The Automator revisits his own production again for a third rework of ‘Bear Witness’ from the Dr Octagon album with Q Bert back on cuts before Edan smokes the party with his own ‘MC’s Smoke Crack’ remix. Pitman lightens the mood with his Rob Base & DJ E-Z Rock pastiche and the Polyphonic Spree arrive to prepare us for the Christmas section of the mix.
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It’s fair to say that my Xmas mixes maybe aren’t the kind of thing you’d want to put on in the background as you unwrap your presents or tuck into dinner, they swerve all over the place like a Santa who’s had too many brandy’s. Or indeed the manic Ella Fitzgerald version of ‘Jingle Bells’ I try to valiantly keep in time over Tino’s ‘Christmas Is Here’. I wanted to include ‘Coldcut’s Christmas Break’ but it’s generally so terrible I could only manage a few minutes (sorry Matt and Jon but we’ve had this conversation). But how easy is it to make a credible Xmas record? I’d say very difficult and the ones I can happily hear on any given day of the year let alone during the Yuletide period would fit in a very small stocking. The Treacherous 3’s effort occupies a special place because of its inclusion in the Beat Street film and their beat box gag with a young Doug E. Fresh at the end. Milly & Silly’s 1973 ‘Getting Down For Xmas’ is from the Christmas Groove compilation and the mix of Bubba Sparxx’s ‘Ugly’ and Wings’ ‘Wonderful Christmastime’ weirdly works somehow. This was no doubt downloaded from the web amid the whole mash up craze of the time, hence no credit and the inclusion of snippets of early Cassetteboy from their Festive Christmas CD around the mix. The mood takes a darker turn with Hell Interface (aka Boards of Canada) and their ‘Soylent Night’ from the V/Vm Whine & Missing Toe CD until Tino rides back in to save the day with an ethereal jingle groove. Sirconical is usually known for huge, crashing beats but his take on ‘Silent Night’ is genuinely beautiful and comes from the Twisted Nerve Christmas Stocking Filler 7”.

OK, that’s it for this year, have a good one, see you on the other side as I take a break for a week and come back with more 90’s cassette encodings in 2024. Thanks to all subscribers new and old, especially those who have hung in there for the whole hog, I think I can see the end in sight finally as the CDr folder is nearly done, the DAT box is dry and the cassette drawers are nearing completion – I reckon the mix archive could be completed next year. Although there is that USB from Paul Johnson still to go through…

Track list:
LCD Soundsystem – Give It Up
Un-cut – Midnight (MIST 2003 mix)
Christina Aguilera – Dirrty (D&B mix)
The P Brothers – Come On Down
Perverted Monks – Freestyle
DJ Shadow – 6 Days (Soulwax mix)
Punjabi MC – Mundian To Bach Ke (Oldskool mix)
Big Brovaz – OK (Punjabi Rmx)
Dan the Automator – Bear Witness III (Once Again)
Edan – MCs Smoke Crack (remix)
Pitman – It Takes Tea
The Polyphonic Spree – Soldier Girl (Orchestral)
Tino – Christmas Is Here
Ella Fitzgerald – Jingle Bells
Coldcut – Coldcuts’ Christmas Break (edit)
Treacherous 3 feat. Doug E. Fresh – Santas’ Rap
Milly & Silly – Getting Down For X-mas
Unknown – Ugly Xmas
Hell Interface – Soylent Night
Tino – Green Christmas
Sirconical – Silent Night

Christmas Collector Countdown 2023 #22: Old So Kool book 2 – The Lost Years

OSK book
A daily post throughout December of records, CDs, books, comics or other ephemera that I’ve bought or been given recently from independent artists, labels or publishers who would welcome your support. 


#22. Old So Kool book 2 – The Lost Years

A huge second volume of 80s UK graffiti photos and interviews compiled by Paul Pilgrim and Steven O’Hara. 400+ pages sourced from photo albums and black books from back in the day and a follow up to the first volume from last year – an incredible feat in such a short space of time. I was supposed to have photos in the original but didn’t get my shit together so made up for it this time round.

OSK 1
The Lost Years expands upon the first volume, covering the same time frame (the 80s) with a couple of differences. There are a few standalone sections aside from the geographical locations most of the book is grouped into, namely a look at the legendary Bridlington Jam, a tribute to departed writers and a ‘where are they now’type round up of key contributors. These slightly sparser chapters work well and serve to break up the visual overload of the other sections in which as many images as possible have been fitted on every page.

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That such a sprawling urban artform grew out of a few books, films, record sleeves and magazine articles is fascinating, us 80s kids were certainly inspired – Subway Art being ‘the original handbook’ for most. You can see styles evolving all over the country but with a uniformity from writers who would never even see each other’s work – let alone meet – as everyone was cribbing from the same limited sources for a while. Of course the Americans were the first inspiration – you can see the character styles of Doze Green or Gnome copied here and there but unique styles and voices were held in highest regard. Cribbing off of other UK writers was inevitable though, The Chrome Angels being the most obvious as they were the most visible initially unless you were lucky enough to be able to travel abroad. You can also see British comic characters from 2000AD and computer games cropping up to replace the Marvel superheros and Vaughn Bodé lizards and wizards, a more angular computer style here, an abstract piece there.

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I remember many trying to find their own identity rather than fit in with existing styles but for the most part though it’s a name and a character, with complimentary backgrounds and tags – in every conceivable permutation. There are few huge productions as you see regularly these days, a ladder was as far as you got, no cherry-pickers here and the paint quality was sometimes dubious at best with photographic skills even more sketchy. This is my only bugbear with the book, in trying to document so much it sacrifices quality for quantity and there are pieces that I personally would have disqualified on grounds of picture quality or artistic merit.

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But then the graffiti world has always had its own set of politics and guidelines and maybe it’s a good thing that Paul and Steven haven’t played gatekeepers to what was a budding sub culture, learning from itself with sometimes the most meagre of resources. They’ve compiled a vast and unique snapshot in time of an urban artform’s formative years from all over the UK, something no one’s attempted before on this scale. Coupled with the first book, The Lost Years offers a time capsule of thousands of artworks, 99% of which I’d wager no longer exist, and a peek into the imaginations of a generation of kids who decided to make the streets their own galleries. And that’s to be applauded.
https://oldsokool.co.uk/store/

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The piece middle right above was the first piece of graffiti in my home town of Reigate, it appeared in two halves initially (hence the ‘Rusty again’ tag) and word spread around the town like wildfire. This was painted by Russel Mears aka Rusty Spray who is now sadly no longer with us – more about him here.
OSK inside

Posted in Art, Books, Event. | No Comments | Tags: ,

Christmas Collector Countdown 2023 #21: The Clerkenwelll Kid – Junkshop Melodies CD

JM lot2 A daily post throughout December of records, CDs, books, comics or other ephemera that I’ve bought or been given recently from independent artists, labels or publishers who would welcome your support.

#21. The Clerkenwell Kid – Junkshop Melodies CD
A solo album from The Clerkenwell finally, another Stephen Coates alias and a final design credit for 2023 for me. Housed in a printed tin, with CD, colour insert, TRTW badge, Clerkenwell Kid card and what is that array of mini cards fanned out at the bottom? Not actually out until January but keep an eye on The Real Tuesday Weld Bandcamp page in the new year.

https://therealtuesdayweld.bandcamp.com/

Christmas Collector Countdown 2023 #20: Upside Down Records


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A daily post throughout December of records, CDs, books, comics or other ephemera that I’ve bought or been given recently from independent artists, labels or publishers who would welcome your support.

#20. Upside Down Records

South East London’s newest used record shop, located at 203 Deptford High Street, SE8 3NT and run by ex-Rat Records manager Philippe Giron – pay them a visit as they settle in with daily new-in vinyl top ups and hi-fi.
https://upsidedownrecords.co.uk/ (SE London)
https://www.instagram.com/upsidedownrecords/

Other great used record shops in the UK:
https://www.instagram.com/thebookandrecordbar/ (SW London)
https://www.instagram.com/wowandflutterhastings/ (Hastings)
https://www.instagram.com/pressingmattersrecordshop/ (Hastings)
https://www.instagram.com/musicandvideoexchange/ (SE London)
https://www.instagram.com/the_diskery/ (Birmingham)
https://www.instagram.com/lorosspiralscratch/ (Leicester)
https://www.instagram.com/mixeduprecords/ (Glasgow)
https://www.instagram.com/kingbeerecords/ (Manchester)
https://www.instagram.com/digvinyl/ (Liverpool)
https://www.instagram.com/rarekindrecords/ (Brighton)
https://www.instagram.com/wantedrecordsbristol/ (Bristol)
https://www.instagram.com/atlantis_records_hackney/ (E London)
https://www.instagram.com/yoyorecordslondon/ (E London)
https://www.instagram.com/wsa.london/ (N London)
Also (not on Instagram):
Prime Cuts (Bristol)
Alan’s Records (N London)

WSA
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King Bee
Rarekind
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Christmas Collector Countdown #19: West Norwood Cassette Library

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A daily post throughout December of records, CDs, books, comics or other ephemera that I’ve bought or been given recently from independent artists, labels or publishers who would welcome your support.

#18. West Norwood Cassette Library label 12”/10”/DL
Excellent South East London label of hard as nails bass and bleeps run by Bob Bhamra. Check out Jane In Palma’s banging version of ‘The Horn Track’ to start.
https://wnclrecordings.bandcamp.com/album/wncl042
https://wnclrecordings.bandcamp.com/

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Christmas Collector Countdown 2023 #18: Obscure Records Collection

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A daily post throughout December of records, CDs, books, comics or other ephemera that I’ve bought or been given recently from independent artists, labels or publishers who would welcome your support.

#18. Obscure Records Collection 10xLP/CD box set 
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The Brian Eno-curated mid-70s label gets the reissue treatment and it’s beautifully done but not cheap! 10xCD set with book around £130, 10xLP set with book around £300-£430!
Downloads of six of the albums are available on the label’s Bandcamp for €12 per LP – minus the classics by Eno, Penguin Cafe, Michael Nyman, Harold Budd (which you can find easily elsewhere).

https://spaceechorecords.bandcamp.com/
See more details in my earlier post

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Graham Dunning & DJ Food at Fog Fest, Iklectik, 2023

Here’s the performance Graham Dunning and I gave at Robin The Fog’s Fog Fest II this summer at Iklectik.
Totally improvised, we’d had a couple of rehearsals, and with visuals from PuttyRubber and Leon Trimble, it was exhilarating and felt like spinning plates rather than discs. Probably my favourite gig of the year along with the 10th anniversary of The Book & Record bar lock in.

Species Piracy

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I absolutely love this photo of Robin The Fog (centre) and Amy Cutler (right) from their brand new Species Piracy audio visual show that premiered last Thursday at Iklectik. I couldn’t go but this photo and the footage captured by Jamesalechardy looks great and more info on the project which centres around ‘an ongoing ensemble live cinema project inspired by the dark arts of de-extinction’ is available here amycutler.net. They’re looking for more gigs of this nature so contact Amy via the website.

Christmas Collector Countdown 2023 #17: Raj Pannu – Past Crimes EP

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A daily post throughout December of records, CDs, books, comics or other ephemera that I’ve bought or been given recently from independent artists, labels or publishers who would welcome your support.

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#17. Raj Pannu – Past Crimes EP 12”
My old friend Raj Pannu finally releases a new 12” with his own compositions on this excellent electronic 5 track EP. On the To Pikap label out of Thessaloniki, Greece.
https://topikaprecords.bandcamp.com/album/past-crimes
https://topikaprecords.bandcamp.com/music

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Christmas Collector Countdown 2023 #16: Various Artists – Tape Excavation LP

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A daily post throughout December of records, CDs, books, comics or other ephemera that I’ve bought or been given recently from independent artists, labels or publishers who would welcome your support.

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#16. Various Artists – Tape Excavation LP
Literally what it says on the tin; obscurities from the tape drawer compiled by Bruce Licher and beautifully printed on a custom card sleeve with inserts, all lovingly detailed in the Savage Impressions book that this originally accompanied which showcases 30 years of the Independent Print Project label’s release history.

https://brucelicher.bandcamp.com/album/tape-excavation

https://independentprojectrecords.bandcamp.com/merch/savage-impressions-an-aesthetic-expedition-through-the-archives-of-independent-project-records-press-book
https://independentprojectrecords.bandcamp.com/music

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Mixcloud Select 176: Tour Mix 08/06/2007

MS176 CDr
Sorry this is a bit late, Mixcloud seemingly deleted the original upload that I made last week. I also just noticed that I missed MS172 – which is all ready to go but will have to wait until next year as I have a Xmas mix for next week.

I’m not sure why this is called a ‘Tour Mix’, it’s not a live set for sure but I could have conceivably made it on the laptop on tour – maybe I was out with DK promoting our ’Now, Listen Again’ mix CD, I’d have to check dates. Anyway – Zero db tackle Sun Ra for the opening and I think this only came out on their own Reconstruction compilation of remixes rather than on any official Sun Ra release. John Cale then trades places with James Murphy for his LCD Soundsystem cover, which sounds a bit strained and painful in hindsight now. Next up is the first of three Mr76ix tracks from his 3 (Minority of 1) album on Skam with a magnificent tempo switch down into Def Tex’s ‘Bomber’ – what a bassline! Def Tex were great, always inventive hip hop and this was from their second album on Son Records.

Battles seemed to explode out of nowhere but they’d already made three singles before signing to the label and ‘Race:In’ came from their debut LP, Mirrored. Kidkanevil’s ‘5th Gear’ features Latyrx’s Lateef The Truthspeaker in a horny flute ode to getting down to it with a subtlety rarely present in rap. But here’s another with Pharaoh Monch expertly remixed by Optima Espacio into some sort of slow build electro gospel banger. There’s a guitar solo over a breakdown FFS! Keeping on the love-tip; an overlooked DJ Shadow B side from his Outsider album era sees him mining a psych funk angle on ‘Love, Love’. This was only on the CD single and later download of the ‘This Time’ single, no idea why it didn’t make the album and the non-LP cuts and remixes were frequently better than some of the material on that record IMO.
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Oh Pepe Deluxe, how I loved (and still do love) their Spare Time Machine album, two tracks here sum it up – tightly constructed, immaculately produced sunshine psychedelia. They really string out the intro to ‘Apple Thief’ but when it kicks in it’s well worth the wait. ‘Go For Blue’ also inspired a colour-based mix of songs shortly after this including ‘Purple Rain’, ‘Mellow Yellow’ and ‘Mr Blue Sky’ but that’s already on the web. I’m wondering where I heard Candie Payne’s track from as I don’t remember buying it, maybe a promo or a compilation – whatever, she’s got that 60s doom pop sound nailed. Mr76ix sounds like he’s been listening to the last track on Selected Ambient Works II and put some rave beats to it and Battles are back again with the epic ‘Atlas’ – remember that great video of them in the mirrored box? Mr76ix plays out over the breakdown of this with a beautiful beat-less piece called ‘Romanticism’ before we’re back into that drawn out guitar trade off that builds into the final section.

Track list:
Sun Ra – Satellites Are Spinning (Zero db remix)
LCD Soundsystem – All My Friends (John Cale version)
Mr76ix – H.A.A.R.P.
Def Tex – Bomber
Battles – Race:In
Kidkanevil – 5th Gear feat. Lateef The Truthspeaker
Pharoah Monch – Body Baby (Optimo Espacio mix)
DJ Shadow – Love, Love
Pepe Deluxe – Apple Thief
Pepe Deluxe – Go For Blue
Candie Payne – I Wish I Could Have Loved You More
Mr76ix – Spirit of Man
Battles – Atlas
Mr76ix – Romanticism

Christmas Collector Countdown 2023 #15: Stereolab – The In Sound stamp sheets

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A daily post throughout December of records, CDs, books, comics or other ephemera that I’ve bought or been given recently from independent artists, labels or publishers who would welcome your support.

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#15. Stereolab – The In Sound stamp sheets
Commemorative stamps that went with the long sold out 7” release Independent Project Records made with Stereolab.

https://independentprojectrecords.bandcamp.com/merch/stereolab-the-in-sound-stamp-sheets-set-of-4-different-colors

https://independentprojectrecords.bandcamp.com/music



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Christmas Collector Countdown 2023 #14: Source: The Independent Project Records Collection CD

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A daily post throughout December of records, CDs, books, comics or other ephemera that I’ve bought or been given recently from independent artists, labels or publishers who would welcome your support.

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#14. Various Artists – Source: The Independent Project Records Collection CD
A starting point for newcomers to the label, largely run, designed and printed by Bruce Licher, featuring a number of his own aliases alongside post-punk bands of the 80s and 90s.

https://sourcevariousartistscompilation.bandcamp.com/album/source-the-independent-project-records-collection

https://independentprojectrecords.bandcamp.com/music

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Source CD
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Obscure Records box set

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Obscure RecordsBrian Eno and Gavin Bryars‘ short-lived record label from the mid 70s – is getting a lavish reissue this month via the Italian label, dialogo. The ten albums released in three batches between 1976 and 1978 are getting the box set treatment on vinyl and CD with accompanying books detailing their checkered histories with new sleevenotes and essays by key contributors. The label very kindly sent me the full digital release and I’ve been revisiting – and in some cases hearing for the first time – all the volumes in pristine, digitally-remastered quality seeing as the handful of originals I have on vinyl have been around the block a bit now.
Co-curated at the time by Eno, Bryars and Micheal Nyman and resurrected by Bryars with full co-operation of all featured artists for this release, the ten albums form a snapshot of a young, experimental set of avant garde composers, mainly from the UK, setting out in careers that would take them in different directions with varying levels of succes, fame and notoriety. The most famous of the set are by the key curators – Bryars’ ‘The Sinking of the Titanic / Jesus’ Blood Never Failed Me Yet’, Eno’s ‘Discreet Music’ and Micheal Nyman’s debut,’Decay Music’, but you’ll recognise others among them too; The Penguin Cafe Orchestra’s first LP is here alongside works by John Cage, David Toop and Harold Budd’s introductory outing.

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Several things strike me about these albums; the amount of samples – or ‘found sound’ as they’re called in the sleeve notes – some of them use. At least half the catalogue use or manipulate voice or field recordings, in Discreet Music’s case, affecting or looping sections of another composer’s work as just another instrument. It’s also interesting to note how many of the participants were also working part time in the education system, no doubt influencing future generations in other ways beyond these albums. There’s probably a book to be written about the hidden history of art and music taught through the universities of the UK by some of its most unique practitioners.

The label have done a beautiful job representing these albums as one body of work with the CD version looking like a perfect companion to the Oblique Strategies box on the shelf. The sleeves are facsimiles of the originals, reproducing sleeve notes inside the book along with reflections from Bryars, Toop and more as well as insights into their legacy, the cover reconstructions and even the myriad of different pressings of the originals out there. According to the sleeve notes there was to be an Obscure 11, Eno’s Music For Airports, but at the last minute he changed his mind and started the Ambient Series; four albums that bear similarities to the Obscure releases, not least in their cover designs as well as his hand in their production. Times and the composer had moved on and a new movement was afoot, leaving the Obscure catalogue at a perfect ten, a time capsule of a collective that would splinter in different directions and prove influential in ways none could predict.

An aside concerning the cost of these box sets, they’re not cheap but look worth every penny. Downloads of six of the albums are also available on the label’s Bandcamp for €12 per LP – minus the classics by Eno, Penguin Cafe, Michael Nyman, Harold Budd (which you can find easily elsewhere).

Christmas Collector Countdown 2023 #13: Bruce Licher – Exploratorium 3” CD / Expanded CD

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A daily post throughout December of records, CDs, books, comics or other ephemera that I’ve bought or been given recently from independent artists, labels or publishers who would welcome your support.

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#13. Bruce Licher – Exploratorium 3” CD / Expanded CD
The first of several releases I’m going to feature from Independent Project Records. The exquisitely designed and letterpress-printed releases on this label have to be seen and held in the flesh to be fully appreciated.
This is label owner Bruce Licher’s solo ambient explorations, firstly as a 3″ CD held onto 12″ square piece of card and later in a custom-printed foldout card sleeve with booklet on regular-sized CD.

https://brucelicher.bandcamp.com/album/exploratorium-expanded

https://brucelicher.bandcamp.com/album/exploratorium

https://independentprojectrecords.bandcamp.com/music



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Christmas Collector Countdown 2023 #12: Anna Readman comics

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A daily post throughout December of records, CDs, books, comics or other ephemera that I’ve bought or been given recently from independent artists, labels or publishers who would welcome your support.

#12. Anna Readman comics
I discovered Anna’s autobiographical comics amongst the small press section at Gosh Comics (the best selection in London) and was delighted when she recently won the Observer/Faber’s best graphic short story prize – one to watch.

https://annareadman.bigcartel.com/

www.theguardian.com/books/2023/nov/05/anna-readman-winner-observer-faber-graphic-short-story-prize-2023-dancing-queen
https://goshlondon.com/small-press/

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Christmas Collector Countdown 2023 #11: Kevin Foakes – Wheels of Light book

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A daily post throughout December of records, CDs, books, comics or other ephemera that I’ve bought or been given recently from independent artists, labels or publishers who would welcome your support.

#11. Kevin Foakes – Wheels of Light + Four Corners Books
Got to plug something of my own – my book on projection wheel designs for British light shows has been out for just over a year now and the lovely people at Four Corners Books have a wealth of obscure publications to complement it.

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There’s still time to buy from Four Corners before Xmas and, if you spend over £30 on their site, they’ll send you a limited edition enamel pin designed by John Morgan, plus a Bearandas postcard as an extra stocking filler. Offer ends 18 Dec, while stocks last

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https://www.fourcornersbooks.co.uk/books/wheels-of-light/

https://www.fourcornersbooks.co.uk/



Christmas Collector Countdown 2023 #10: Lo Five – Vanish LP

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A daily post throughout December of records, CDs, books, comics or other ephemera that I’ve bought or been given recently from independent artists, labels or publishers who would welcome your support.

#10. Lo Five – Vanish LP + Castles In Space Subscription Library
Third album (I think? It’s hard to keep up) for Castles In Space from Neil Grant but only available via the CiS Subscription Library sub label. Luckily this is the best label subscription out there with exclusive members-only releases, regular competitions to win rare releases and test pressings and even chances to appear on record.
https://lofivemusic.bandcamp.com/

https://cissublibrary.bandcamp.com/community


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Christmas Collector Countdown 2023 #9: Official Report On The Intransitionalist Chronotopologies Of Kenji Siratori: Appendix 8.2.3

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A daily post throughout December of records, CDs, books, comics or other ephemera that I’ve bought or been given recently from independent artists, labels or publishers who would welcome your support.

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#9. Official Report On The Intransitionalist Chronotopologies Of Kenji Siratori: Appendix 8.2.3 Book / CD
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Avant garde cut and paste collage with the longest title I own plus mind-boggling paperback book from the wonderful Time Released Sound label. They are about to publish a book of 10 years of the label’s releases and packaging too – one to look out for.
https://timereleasedsound.bandcamp.com/album/official-report-on-the-intransitionalist-chronotopologies-of-kenji-siratori-appendix-823
https://timereleasedsound.bandcamp.com/