Rock Posters shows off original art

Wes Wilson - 1966 Ink On Poster Board - w  Artist Notations
Rock Posters.com has opened up their archives and is selling some of the original art to some classic posters by Wes Wilson and Lee Conklin.

Wes Wilson Wailers poster
I love seeing original art of any kind, it gives a further look behind the curtain at the process and prowess of the creators. None of this is cheap, mind, but given these are one of a kinds it’s no surprise. I’ve included the originals alongside the posters here.

Haight Ashbury Festival - Wes Wilson - 1969
TROTAges poster
The printing plate (or one of them) was sold some years ago at auction for this too, seen here in red on metal, the poster was in purple and green inks.

TROTAges printing plate
Lee Conklin - 1969 Ink on Paper - Fillmore West
Lee Conklin poster

Mixcloud Select 148: Strictly Session – Coldcut Solid Steel 29/03/1998 Pt.1

MS148 tape

Another blast from the tape drawer past in the form of an early March 98 show where we roll through many of the tunes of the day and try to recall what exactly I played. Kicking the door in with their amazing remix of Liquid Liquid’s ‘Scraper’, the Psychonauts absolutely load the track up with heaviness, dropping down into a slower tempo at one point and adding all manner of dance floor destruction. Always loved what they did and had a chance to play with them down in Brighton (I think) early on when there were four of them in the crew. Boards of Canada’s ‘Sixtyten’ – not much to be said here, it’s a classic now but this was being played from a white label test pressing before the album was released at the time. Scorn’s ‘Falling’ gets made over by Rob and Sean from Autechre in a finely sliced piece of precision dark techno dub.

From there I’m mixing well above my ability, the 4/4 of Autechre’s moody remix into the lush heavily swung 6/8 of Max Brennan (from the Invisible Soundtracks compilation on Leaf) and then out into more heavy swing of ‘Mrs Chombee…’ (this time on the wrong beat). The tempos might be the same but they sure don’t sit together too nicely – thankfully the mix back out into Cut Chemist’s remix of Liquid Liquid’s ‘Cavern’ isn’t too painful. I’d forgotten how excellent this was, Cut was on a roll at this point, after his mix of Shadow’s ‘Number Song’ and with his Major Force one yet to come.
At this point we dip into something weird and formless that seems to be a mix of Headstone Lane’s ‘Back In The Day’ from the EBV label, the KLF’s UFO remix of the Pet Shop Boys and Req’s ‘I’ before what must have been an ad break interrupts.

Part 2 next week…

Track list:
Unknown – Intro
Liquid Liquid – Scraper (Psychonauts remix)
Boards of Canada – Sixtyten
Scorn – Falling (Autechre FR 13 mix)
Max Brennan – From The Temple To The Nile
The Herbaliser – Mrs Chombee Takes The Plunge (DJ Food remix)
Liquid Liquid – Cavern (Cut Chemist Rocks A Rave In A Missile Silo remix)
Headstone Lane – Back In The Day
Pet Shop Boys – It Must Be Obvious (UFO mix)
Req – I

Sound Affects Wheels of Light talk

INVERT FIRST Wednesday QR Code Sound Affects poster
I’ll be at the East Street Tap in Brighton on June 7th to talk about my Wheels of Light book and show some projections for the monthly Sound Affects night. It’ll be a brief talk with a Q&A as I’m sharing the bill with sound artist Fiona Miller and author Richard Evans who will be talking about their own projects respectively.
Tickets and info here

Liquid Light Lab on an LED dome

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Steve Pavlovsky of Liquid Light Lab in NYC has recently been doing tests inside a huge LED dome in the States. Having done work with domes ten years ago I can attest that this is a huge deal, he can do this is real time and the video footage is stunning. Would love to see this in the flesh one day. All photos © Steve Pavlovsky.

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The Funky Eno Pt.s 2 & 3

The Funky Eno UKx3
Brian Eno is 75 today! In celebration I’ve made two new Funky Eno mixes for the occasion after being contacted by Josh at the nowbodhi’s blissness website earlier this year. He’d loved my first mix, ‘More Volts’, made back in 2010 and dug out a load more funk from the deepest depths of the Eno back catalogue, asking if I would be up for mixing them.
The selection was deep and thorough, including a few bits I’d not heard so how could I refuse, what with Brian reaching a milestone three quarters of a century? Adding my own spoken word spice to the tracks I’ve arranged Josh’s selections into two hour+ volumes entitled ‘Spunk Worship’ (Josh’s pick for his original Pt.2 selection – Eno’s song title) and ‘Dust Shuffle’. I’ve also slightly updated and expanded the first part to include a few extras after sourcing a master file from DK’s archive, something I didn’t even have myself.

Listen and DL here:

The Funky Eno USx3
We have mixed and unmixed playlist versions complete with UK and US version artwork based on the different Obscure label sleeve designs for the two territories. Way back last year I made some mutated Eno portraits when experimenting with early AI apps and these finally came in use for this project. Josh expertly put these together and is hosting everything on his Google Drive here now that Mixcloud won’t let you put up mixes with multiple instances of the same artist.

Josh’s blog post – mixed and unmixed versions of all three mixes
http://www.nowbodhisblissness.com/2023/05/noblesse-oblique-brian-eno-75.html

Hopefully today will also see some more news about Gary Hustwit‘s Eno film/installation/project…

Also check out Josh’s site, it’s a treasure trove of audio for uber fans of all different artists.

The Funky Eno UK1 web

Mixcloud has already restricted this but hit the link above to listen and DL the updated vol.1 mix

More Volts: The Funky Eno I
Track list:
I Fall Up
R.A.F. (w. Snatch)
Regiment (w. David Byrne)
The Grid – Heartbeat (Brian Eno Squelchy Mix)
More Volts
Ali Click
Untitled
No One Receiving
America Is Waiting (w. David Byrne)
Defiant
Strong Flashes Of Light
What Actually Happened
Talking Heads – I, Zimbra (12” Version Brian Eno remix)
The Jezebel Spirit (w. David Byrne)
Fractal Zoom
Talking Heads – Crosseyed and Painless
Kurt’s Rejoinder
Help Me Somebody (w. David Byrne)
Talking Heads – The Great Curve
Chemin De Fer

The Funky Eno UK2 web

Spunk Worship: The Funky Eno II
Track list:
Qu’ran (w. David Byrne)
Fat Nude Dance
Marine Radio (w. Jah Wobble)
Radiothesia III
Nikkei
Like Pictures Pt.2 (w. Peter Schwalm)
Unusual Balance
Evil Thoughts
Beast
Monomedia
Glitterbug 6
Heat Beat
Wire Shock
Glitterbug 14
Jon Hassell – Adedara Rising (Nowbodhi remix)
Spunk Worship
With Howie B
Sky Saw
Never Tunnelling
Seeded
T.N.K. (w. 801)

The Funky Eno UK3 web

Dust Shuffle: The Funky Eno III
Track list:
Jon Hassell – Mashujaa (Nowbodhi edit 3)
Theme From Lets Go Native (w. Passengers)
Over Fire Island
Spinning Away (w. John Cale)
City of Life
Lot – Into The Spirit World (demo) (w. David Byrne)
War Fetish
Sounds Alien
David Bowie – Abdulmajid
DBF (w. Karl Hyde)
Itch (EN Stitch edit)
Glitch
Reasonable Question
United Colours (Nowbodhi edit) (w. Passengers)
Cheeky Hopa
Move
Gbenta (w. Edikanfo)
Sanctuaries
Tutti Forgetti
Dust Shuffle (w. Jon Hopkins & Leo Abrahams)

Birthdays and mixes

Obey
Sorry, no upload today as I’ve been crazily trying to catch up with work after a birthday weekend that morphed into a bank holiday and I’m also finishing two special new mixes that will debut on Monday.
As it was my birthday last Friday we went to see the Beyond The Streets exhibition before it closed at the Saatchi (2nd time for me) and ate the most amazing cream pastry thing from the small kiosk next to Sloan Sq station.

Cream
The evening was the Book & Record Bar‘s Stick It On night where you arrive with records of your choice, chalk your name on the board and wait your turn to play three in a row – and repeat with alcohol. Lots of friends turned up and we left at 1am.

Martin SIO
Saturday there was something going on in town, I forget what, so we steered clear and checked out the new record shop in Crystal Palace – Vinyl. Packed with treats – quite literally as all the usual bins from outside were inside due to the terrible weather. Found some decent bits but need to go back for a deeper dig…

Dom and Deb
Sunday, up early for the Peckham carboot then on for lunch on the main high street and drinks at the CLF Art Lounge, a rooftop bar by the station I had no idea existed but felt tropical due to the open air insulation. Dom Servini was playing all afternoon and we met up with Deb Grant and friends before she went off to Manchester to start her new career as an official 6 Music DJ. Then rushed to Iklectic in Waterloo to see Sculpture do one of their usual incredible live sets, bagging an A0 poster along the way.

Sculpture at Iklectik
Monday we wandered down to Brixton to the Chip Shop (with the emphasis on Hip Hop) to hear Andy Higgs and Graeme Parker play with special guest Nik Weston from Mukatsuku records, with the extra treat of Zoe ‘Lucky Cat’ Baxter turning up unannounced.

TNObs LPs
Back to work Tuesday, assembling over 20 unique test cover versions of The New Obsolescents‘ LP cover for a future thing but then off to Iklectik again in the evening to witness Paul Cousins play live for the launch of his new album on Castles In Space.

Paul Cousins
My friend Joe Whyte was playing pedal steel guitar alongside him for several numbers and the whole thing was sublime despite the horrible weather outside. Saw even more friends and wobbled back home with a pile of new vinyl from Colin and the latest issue of Moonbuilding mag.

Moonbuilding 3
Back to the mix(es) – coming Monday for a very important birthday…

Posted in Gigs, Music, Records. | No Comments |

Mixcloud Select 147: Coldcut Solid Sphinx (Openmind) 15/04/1995

MS147 tape
According to the tape box, this was a Coldcut Solid Sphinx, that being a 2 hr set with no ad breaks or chat from us. Given that I have most of it on tape that bears out the description but of course there are no track lists on the mic and no indication as to who is playing when. I could spot my section though and, from the sound of the rest of the tapes, Matt, Jon and PC were also present. Not enough mention is given to the insertion of jingles, spoken word and fx over the top of the DJ mixes and this was something that really made the radio shows special. Matt, Jon and Patrick were expert at this and would frequently have something ready for a break or pause in the music, all flown in live as we DJed.

All the shows were done in one take back then, although mostly pre-records on the Friday evening before they were aired Saturday night/Sunday morning. We didn’t have the facilities to do hard disc edits back then – well, KISS did but we didn’t like we do now – and also there wasn’t time. So if things are a little rough round the edges occasionally that’s because it’s all live. A quick run through of the tracks; Sam Sever from his Raiders of the Lost Art 12” licensed to MoWax kicks things off, I had to transplant the start of it from another source as the tape cut in after it had started. I see the ‘record company is the pimp, the artist is the ho…’ analogy attributed to Ice Cube a lot on the web but he was evidently cribbing from whatever source Sam sampled this from. DJ Shadow’s debut release, ‘Entropy’ had either had a repress after his first releases on MoWax due to high demand or someone had booted it, either way, copies started floating around again in 1995 and Discogs suggests it was the latter.

Another semi-official /semi-boot release was Think Tank, sporting a Tommy Boy label but on Hakattak Records. Both tracks appeared on the Information Society’s LP ‘Hack’ the same year so was this a promo idea from Tommy Boy because of the huge James Brown and Kraftwerk samples? The Jungle Brothers’ Ultimatum megamix came with the free 12” available with copies of the UK release of their debut LP, ‘Straight Out The Jungle’ and Ultimatum were actually the Stereo MCs when DJ Cesare was part of the crew. More trip hop, DJ Krush with ‘Ruff-Neck Jam’ from his debut LP and then into DJ Crystl’s classic ‘Let It Roll’ on the wrong speed for a quick switch up in tempo.

This stuff, along with early Photek and Droppin’ Science 12”s, were some of the first D’n’B I bought when I was working at Ambient Soho, jungle had largely passed me by but this newer, sleeker, more intricate form was working its way into the record box. The next track with ‘Gunshots… Firing’ initially drew a blank but Anon in the comments identified it as something from Luke Vibert’s Plug series, ‘3:41’ from Plug 1 – Visible Crater Funk. Link’s ‘Amazon Amenity’ Chameleon remix stands out a mile, such a tune, utter classic, and Danny Breaks’ ‘Step Off’ fits right in, funny that they collaborated later on too. Funki Porcini’s ‘Wicked, Cruel, Nasty & Bad’ rounds things off, from his Hed Phone Sex debut LP, I’d forgotten this, must dig that album out again. Speaking of Funki (as I was just the other day), he’s making high quality prints of my Fast Asleep album cover again very soon so if you fancy hanging that on your wall then check his website in about a month.

Track list:
Sam Sever & The Raiders of the Lost Art – Words of Wisdom (They Don’t Know)
DJ Shadow feat Gift of Gab – Count & Estimate
Think Tank – A Knife & A Fork (The Massively Parallel Mix)
Jungle Brothers – Ultimatum Ultramix
DJ Krush – Ruff-Neck Jam
DJ Crystl – Let It Roll
Plug – 3:41
Link – Amazon Amenity (Chameleon remix)
Danny Breaks – Step Off
Funki Porcini – Wicked, Cruel, Nasty & Bad

New Infinite Iklectik releases

ii09 cover web
On May 1st 2020, in the midst of the first lockdown, I quietly started my online label, Infinite Iklectik. Like most people at the time, I was housebound and in the midst of a mass of creative activity now that all the hours of the day were mine. I was also about to turn 50 and thought it would be good to have my own label online by the time I turned half a century. The reason for creating a label of my own? I’d built the first version of the four-armed Quadraphon turntable the summer before and been recording all sorts of material on it to test it out.

Quadraphon Mk1

Created through simultaneously playing vinyl records with multiple locked grooves (infinitely looping single grooves) with four needles and then patching the individual channels through an FX pedal to build and alter rhythmic tracks, there was hours of audio to go through. Having time on my hands I’d slowly been editing down the jams to their highlights, careful to keep track of which records I’d used for each one. Now was the time to give them a home and Bandcamp was the most obvious place to easily host files that I had no intention of releasing in a physical format but wanted to see the light. Being that this material is very different to the music I release as DJ Food – and also the fact that I’m signed to Ninja Tune under that name – I elected to create a series of pseudonyms with a nod to the turntable more than anything to play the part of the various groups that would be signed to my label. It’s fun to play label manager, artist, designer, A&R and PR agent all on your own, I could do anything I liked without having to refer to others to sign anything off, guess I am a control freak sometimes.
ii Bandcamp
I uploaded seven releases on May 1st and a further Four Tet remix a month later and then nothing… Other work got in the way (not least three albums under the DJ Food, Celestial Mechanic and The New Obsolecents monikers) plus artwork duties and further improvements to the Quadraphon which would take another two years to complete. With a gig earlier this year at the Ramsgate Music Hall I started rehearsing and recording in earnest, again amassing a huge array of material, you can record albums worth in a matter of days with this thing. Anyway, to cut a long story short, three years on from the initial label debut I’ve readied a batch of releases which will be released monthly, the first being this Friday, May 5th, which is coincidentally my birthday.

Forthcoming releases:

ii coming soon 2

The keen-eyed will notice a new name on the list; jamesinreallife is from New Zealand and has unknowingly been working along the same lines as me with his own device for years too. I hadn’t intended to release anything but my own music on II but when he sent me some of his first recordings it was too good to ignore. More about him in time, his release is a way off yet and there’s much to discuss there. Anyway, here’s a short clip of the Ramsgate gig where I’m remixing the locked groove side of Four Tet’s ‘Sixteen Oceans’ LP live. I’ve been posting more clips on my Instagram and YouTube channels too.

Ninja business

TCO MWTMC 20th
The Cinematic Orchestra are reissuing Man With A Movie Camera, their third album, in a 20th anniversary re-pressing this autumn along with a run of dates in Europe. The album will be issued in a foiled, embossed AND debossed tip-on cover with new sleeve notes and ashen and pewter grey vinyl. Below is a mock up of what it should look like (not made by me but my original artwork will be largely unchanged I’m told). More details here

man-with-a-movie-camera-20th-anniversary-edition-2

Also this Friday a new Ninja Tune presents Solid Steel page will arrive on Apple Music with a collection of mixes selected from the now defunct radio show by the label. One of mine will be included I’m told and this has come about because of recent changes whereby mixes are now able to be monetised on the platform whereby each artist played is accounted to so that mix sessions like this and the CD series will be able to be made available for streaming.

In non-Ninja business I have a release going up on May 5th on my own Infinite Illectrik label too via Bandcamp, this will kick off a string of monthly releases of my Quadraphon turntable experiments which will lead up to the end of the year. See a full post about that tomorrow.

Mixcloud Select Xclusive 05.2: Candlemas Pt.2 29/01/2023

DJFood MSX-05-2

Part 2 of the Candlemas set sees a more psychedelic mix of tracks after the ambience of part 1, lots of 60s and 70s nuggets, culled from various comps over the years mixed in with contemporary freakbeats from the likes of The Giallos Flame, Broadcast and Vanishing Twin. Visioneers (4 Hero’s Marc Mac) covers Stereolab and we get two Eno collaborations from 20 years apart. Weirdly The Flies’ cover of Stepping Stone turned up on a vintage mix a couple of weeks ago. The Cut Chemist remix of Edan’s ‘Torture Chamber’ samples The Feed-Back (Ennio Morricone’s psych band masterpiece) so it seemed right to put them together. I was having way too much fun mixing the UNKLE remix of Can’s ‘Vitamin C’ with Tangerine Dream so that’s why the mix lasts so long.

As the night wore on, the vicar hosting the celebration was concerned that the music wasn’t pumping enough and urged me to ramp things up for the end of the night so that people would start dancing, hence the slight change of direction at the end of the set to a more uptempo selection. I didn’t have the heart to tell him that the likelihood of a load of people dancing around in sub zero temperatures when there was a warm cafe and chapel nearby (where he commandeered most of the crowd for spoken word pieces) was virtually nil. The crowd stayed away in droves, preferring the cosy ambience of the chapel and the eight Solar 250 projectors with liquid wheels Whyte Light Visuals had positioned around the amazing room and I don’t blame them.

Part 2 Track list:
Air – Aphrodites Child
A Minha Menina – Os Mutantes
Track 01 – The Giallos Flame
Come And Play In The Milky Night – Visioneers
Group Autogenics I – The Books
Come With Us – Brian Eno & David Byrne
Persis – Eno & Schwalm
Nite-Is-A-Comin’ Smeta Murgaty – Warm Sounds
Love Love Love – Wool
Stepping Stone – The Flies
No One Receiving – Brian Eno
Messer, Scissors, Fork & Light – Can
The Feed-Back – The Feed-Back
Torture Chamber (Cut Chemist remix) – Edan
Hammer Without A Master – Broadcast
Backstroke – Vanishing Twin
Vitamin C (UNKLE remix) – Can
Tangerine Dream – Thru Metamorphic Rocks – Tangerine Dream
Pendulum – Broadcast
J Zimbra (J Large re-edit) – Talking Heads
And The Break Goes On – The Break Boys
The Phantom – Renegade Soundwave
Take A Love Break – A Jackin’ Freak
Groove Is In The Heart (Rex The Dog Beats In Space mix-edit) – Dee-Lite

Oddities: Desktop Image dump

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Wheeling around the internet (as I do) you pick up all sorts of interesting things, here are some that have been cluttering up the desktop with nowhere to go this month. Above is a promo badge – or button as they call them in the States – for the opening of The Kaleidoscope club in 1967, apparently the Grateful Dead played – taken from a RockPosters.com post.

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The cover of the Sexedelic LP, most of which became one half of the Vampyros Lesbos Psychedelic Dance Party compilation on Crippled Dick Hot Wax. Despite owning said comp since the 90s I’d never seen this cover.

IT newsagent poster
International Times newsagents poster, sent to me by Drew Mulholland

Robt Williams web

Robert Williams illustrated header card for a bag of weed! Not sure the year but looks 70s.

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Gorgeous box design for a Philips projector lens.

Alex Nino Star Reach #6
Original art for an Alex Nino spread from Star Reach magazine no.6 from Heritage Auctions

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Beautiful Odyssey computer box design plus computer inside, look at those huge chips! Seen on Facebook Marketplace.

WRNTDP LP4

New Warrington Runcorn New Town Development Plan LP cover – possibly by Nick Taylor? Out next week…

State 51 Singularity series

Singularity_Hey_Colossus_copy_1
Gorgeous designs by Louise Mason for the State 51 Singularity series of lathe cuts, made in conjunction with The Quietus website. Patrons on the highest tier of The Quietus’ subscription service get regular digital releases from various bands championed by the website and these are starting to be made available as limited lathe cut singles via State 51. Each edition (of 50) comes in an embossed box with hand-finished details and features a 20 minute disc of exclusive music from each artist.

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Singularity_08_1
ruqujxjjtm
Talking of The Quietus, they desperately need more subscribers to survive so if you want to support good, independent journalism you can sign up to three different options with the site, each of which unlocks more content. Subscribe here.

Posted in Magazines, Music, Records. | No Comments |

Mixcloud Select Xclusive 05 Candlemas Pt.1 29/01/2023

DJFood MSX-05-1

Rather than an archive mix this week I’ve decided to do a new one – of sorts – for subscribers as I’ve had this on the laptop for several months, waiting for a chance to edit and post it. There will be two parts and it’s culled from a DJ set I did earlier this year. There are no edits in this first section, just a fade in at the beginning from a longer piece. Part 2 follows next week with more info on the mix and I’m readying another Mixcloud Select Exclusive mix for May too…

Back at the start of the year, at the end of January to be precise, I took part in an outdoor sound and light celebration as part of the Candlemas festival at the Royal Foundation of St. Katherine in Limehouse, East London. I was mainly responsible for the music selection but also bought along some projectors and FX wheels to add to the many others happening around the site. Alongside me were Julian Hand and Paul Naudin, boiling oil and ink inside slides which they then projected around the canopy we were stationed under. Elsewhere Heena Song and Joe and Janie from Whyte Light Visuals were doing similar things either inside one of the cafe tents or in the main chapel area.

The musical brief was ambient / psychedelic / krautrock / cosmic and I was using a small digital controller to layer tracks and add FX, seated outside in the freezing cold, wrapped up in layers of clothing, thermals, hat and scarf. As part of my set I added a truncated version of the Solid Steel mix for the show’s 30 anniversary a few years back, so that I could have some time to socialise and see the rest of the site. This 30 minute mix could be seen as a continuation of the Influences set I put together for Dust & Grooves nearly 10 years ago, full of key tracks from the last 50 years that have stuck with me and informed my tastes. If you missed it back then then it’s a very densely layered set that took many hours to get right in the studio, not live by any stretch of the imagination, but something I laboured over to create a gently shifting flow of songs and textures. That it also included some religious references was a bonus considering the event and location we were playing at. It begins and ends with the Linda Perhacs track ‘Parallelograms’ and is preceded with some very deep ambient, largely from the German school.

More photos and details of the evening here:

Part 1 Tracklist:
Cyclicia (Extended) – Jon Brooks
Electric Garden – Conrad Schnitzler
Phaedra (shhhhhh) – Tangerine Dream
Aqua – Edgar Froese
Slow Action – Pictogram
– Solid Steel 30 A Dream Within A Dream mix (short version 30.29) – DJ Food
Parallelograms / Linda Perhacs
The Carrier / Brian Eno & David Byrne
On The Run / Pink Floyd
Autobahn / Kraftwerk
Ascent (An Ending) / Brian Eno & Daniel Lanois
Our Prayer / The Beach Boys
Gravitational Arch of 10 / Vapour Space
Love Is Lost (Hello Steve Reich Mix) / David Bowie
Rain Dance / Herbie Hancock
Messer, Scissors, Fork & Light / Can
Rainbow Dome Musick / Steve Hillage
Tardis Cymbals / Cavern of Anti-Matter
Electric Counterpoint fast / Pat Metheny
Music for 18 Musicians / Steve Reich
Wet Rubber Soup / 10cc
Rainbow Dome Musick / Steve Hillage
Answered Prayers / David Sylvian
E2:E4 / Manuel Gottsching
Deep Shit (The Cult of Mu 7″ mix) / The KLF
A Mechanical Eye / Jon Brooks
In C (Version 4.2) / Terry Riley vs Meat Beat Manifesto
Telepath / Boards of Canada
Obsidian (Organically Decomposed) / Psychic Warriors of Gaia
Waves Become Wings / This Mortal Coil
Rainbow Dome Musick / Steve Hillage
A New Day / Kaitlyn Aurelia Smith & Suzanne Ciani
Gravitational Arch of 10 / Vapour Space
Parallelograms / Linda Perhacs
Butterfly – The Fox

Mixcloud Select 146: Strictly Kev – Psyche Session 21/04/2006

MS146 CDR
Recorded on the 30th March but broadcast three weeks later on the 21st April, 2006 – this set of vaguely psychedelic, drum-heavy tracks was another dip of the toe into the melting pot of funky freakout gear I was getting more and more into by the mid 00’s. Some pretty pedestrian stuff here to be honest but most of it still holds up. Some of the mixes come fast and furious, barely holding in there as tempos and swing are all over the place but that’s the beauty of it isn’t it? This was all done from vinyl but I would shortly switch to Serato after a disastrous trip to Dublin where my record box didn’t take the same plane and I had to raid the promoter’s record collection to piece together a set on the spot. I’d just been given a demo of Serato at Mr Trick’s house and this was all I needed to push me over to the digital side.

We all know the Beatles, The Osmonds’ number is a great track from their Crazy Horses album and I have a soft spot for them as there are some killer tunes in their catalogue alongside the schmaltz. That Rastas track has the most insane drum solo, I think I found that on one of the North American tours and the cover has definitely been nibbled by a few mice in its time. DJ Food fans might recognise elements from Lalo Schifrin’s ‘Life Insurance’ but I’ll say no more, the Vanilla Fudge was also plundered later on… Andy Votel’s mix of Schwab’s ‘DJs In A Row’ was a killer DJ party tool that DK and I used to cane in the latter half of the 00’s in our 4-deck sets, especially the latter half with it’s multi-tempo breaks, I even cut a nice video to it at one point which I should dig out some time. DK and I must have edited hundreds of custom videos to tracks over the years between 2008 and 2012 when we regularly toured our AV sets, maybe once these tapes are done I should dig them out and upload them for all.

‘Freakout’ by the Electric Flag with John Simon (presumably controlling the electronics and mix) does exactly what it says on the tin, a 10 minute utter craze-fest with panning effects and samples flying everywhere. In my head there’s a definition of psychedelic music and this is one of the benchmarks of the 60s era – few are as insane and relentless as this monster vamp. It’s the last track on the You Are What You Eat OST if you need a copy. Sweet Smoke’s ‘Silly Sally’ is another huge, phased drum solo from the latter half of their side-long, Conny Plank-produced debut LP. The Sub’s ‘Ma-Mari-Huana’ is a tune from the German band’s only single and The Mind Expanders’ album is a must for a pot shot at all things psych in 1967 even if it does sound like a bit of a cash in.

MS146 PRS

Charlie Daniels’ ‘Funky Junky’ was something I found in a Greenwich basement and bought on spec, turns out it’s a funky rock tune with a killer breakdown – nice. Beaver & Krause have another nice breakdown in the middle of their country-rock tune ‘Gandharva’ (with a bit of a Ken Nordine voice-over from the intro to the Jackson’s ‘Triumph’ no less). Rock doesn’t get much funkier than Deep Purple’s ‘Flight Of The Rat’ with that wah-wah guitar in the mix, there must be a re-edit of this somewhere? We take a slight pause from the percussion mayhem with a snatch of The Hellers before Don Sebesky’s fuzz jazz cut ‘Elliot’s Pad’ from The People Next Door OST. Elliot’s Pad seems to include sitars, flutes and drum breaks too and then we’re back into big beat breakdowns from Cozy Powell, The Osmonds (again – showcasing ‘My Drum’) and a second pass for Lalo Schifrin from his Rock Requiem LP which opens like Stereolab and then goes all Jesus Christ Superstar on us, sounding more David Axelrod than David Axelrod in places.

The Flies’ cover of (I’m Not Your) Steppin’ Stone is just the right side of nasty and Dr John’s evergreen ‘Right Place, Wrong Time’ is always welcome. Rare Earth’s bass line to ‘(I Know I’m) Losing You’ mixes remarkably well out of it too. I’ve always wanted to do something with that but never got it to work in a track, probably too late now as the sample boat has long sailed. Over the extended breakdown you’ll hear Frank Zappa, Alvin Lucier and the ‘Persons are gifts…’ monologue from Rosko that I would later feature on the Ninja Tune 1000 Masks mix.

Tracklist:
MAGICAL MYSTERY TOUR – THE BEATLES
HOLD HER TIGHT – THE OSMONDS
BLACK CAT – RASTAS
LIFE INSURANCE – LALO SCHIFRIN
THE BEAT GOES ON – VANILLA FUDGE
DJS IN A ROW (ANDY VOTEL MIX) – SCHWAB
FREAKOUT – THE ELECTRIC FLAG & JOHN SIMON
SILLY SALLY – SWEET SMOKE
MA-MARI-HUANA – THE SUB
LOVE SYNDROME – MIND EXPANDERS
FUNKY JUNKY – CHARLIE DANIELS
GANDHARVA – BEAVER & KRAUSE
FLIGHT OF THE RAT – DEEP PURPLE
ELLIOT’S PAD – DON SEBESKY
AND THEN THERE WAS SKIN – COZY POWELL
MY DRUM – THE OSMONDS
INTROIT – LALO SCHIFRIN
(I’M NOT YOUR) STEPPIN’ STONE – THE FLIES
RIGHT PLACE, WRONG TIME – DR JOHN
(I KNOW I’M) LOSING YOU – RARE EARTH

Openmind artwork dump

UNE CD front
It’s Bandcamp Friday today which means that 100% of the revenue goes to the artist or label if you buy music (physical or digital) from the Bandcamp site. Several releases that I designed artwork for are out today or up for pre-order. Check them out below.

Une – ‘Whirl’ CD on Spun Out Of Control
UNE CD inside
Paul ‘Damage’ Bailey – Subsurface’ 12″ on De:tuned
0031280169_10

Up For Pre-order:
AsOne – ‘AsOne2’ LP on De:tuned
0031573489_10
Humanoid – ‘Sweet Acid Sound’ 12″ on De:tuned
0031536887_10

Also recently released:
The Home Current with Peter Wix – ‘Controlled Sparks’ CD on Spun Out Of Control
Home Current CD

AsOne – The Unveiling 12″ on De:tuned
DE038LTD-Cover-mockup Coloured Vinyl

The Real Tuesday Weld – ‘Blood’ CD edition on Antique Beat
Blood CD expanded again

And if you want to support my music then there’s plenty to go round:
DJ Food page on Ninja Tune
https://djfood.bandcamp.com/
The Celestial Mechanic album I created with Saron Hughes to soundtrack Rian Hughes’ book, ‘XX’ on Utter
https://celestialmechanic.bandcamp.com/album/citizen-void
Infinite Illectrik – my digital-only label for Quadraphon turntable experiments (new music coming soon!)
https://infiniteillectrik.bandcamp.com/music
The New Obsolescents – my collaboration with Howlround on Castles In Space
https://thenewobsolecents-cis.bandcamp.com/album/the-superceded-sounds-of

Mixcloud Select 145 Openmind live Mixxx 16/05/1997 Pt. 2

MS145 Strictly Solid Steel 16:05:1997 pt.2
Kicking off with a good old Stereo Phase Test skit by Man Or Astro-Man? who I never remember owning a record by but maybe it came off a compilation. Then we’re quickly into a track that came out in the late 90s on Oxygen Music Works, a small NYC label that put out some interesting releases at the time. Riz Maslen aka Neotropic was involved with them for a bit and Kurtis Mantronik put out a few 12”s and an LP with them, re-emerging from the wilderness under his own name after the major label Mantronix Mk2 had seemingly ground to a halt and he exited the music industry for a few years. The version here is actually the Phat Girl’s remix, a brief alias of Riz’s, and she goes sample crazy, piling all manner of old snippets from his back catalogue into the mix. From one beat pioneer to another, we move back in time to the Art of Noise, old Brits giving Kurtis a run for his money, with a cut from their debut LP over a decade before, still sounding fresh, then and now.

Switching into jazz mode for one of the new remixes Mo Wax had put out for the reissue of Innerzone Orchestra’s ‘Bug In The Bassbin’ (odd that Talkin’ Loud put out the subsequent album though?). This new version of the classic (even then only four years old!) reworks it in a live band context, adding double bass and taking out the original drum sample, replacing it with a drummer who seems to barely be holding it together and it’s all the more exciting for it. Right in the middle it seems I thought it was time for turntablism and we dive into a slow scratchathon between DJs JS-1 and Spinbad, the latter of which was one of the fastest, funky scratchers of the time. Then suddenly, it’s a DJ Vadim instrumental for less than a minute and then a Kid Koala track that still makes me laugh from his debut LP. ‘The Mushroom Factory’ sound like someone is rolling something squashy back and forth over a metal grill for no other reason than it sounds cool.

Suddenly, attention deficit disorder strikes once more and Japan’s Fantastic Plastic Machine bluster in with the incredible ‘Mr Salesman’. FPM seemed to emerge perfectly in time with the whole easy listening revival in the UK with DJs like The Karminsky Experience Inc., Martin Green and bands like The Gentle People and this was from his self-titled debut LP. An obvious sonic choice to follow this seemed to be ‘Cooper’s World’ from the debut Warp LP of Squarepusher. Sounding like it could have soundtracked some epic Sunday afternoon travel-come-chase programme – Tom is straight out of the gate in manic jazz bass mode in this superbly melodic D n B stormer.

Another slice of Kid Koala – this time containing the immortal phrase, ‘This is stupid!’ (from an Incredible Hulk record, fact fans) and yes, it is. As is Sukia’s ‘Vaseline & Sand’ – a very odd Dust Brothers-produced album from a duo who went on to become DJ Me DJ You. PC and I actually remixed a track from this album (‘Feelin’ Free’) but they’d split up by the time we’d finished so it surfaced on the extra disc of the XEN Cuts compilation a few years later. This track however, obviously takes The B-52’s ‘Planet Claire’ as inspiration and attempts to recreate it with spoken word such as, ‘picture if you will… a lemon’ over the top – a minor classic that saw a release on MoWax too. We end with a slice of Req’s ‘Razzamatazz’ from his debut 12” on Skint, I loved his music for all its lo-fi, mastered-to-cassette, old school-isms and he later got signed to Warp before re-emerging on Seagrave a few years back.

Track list:
Man Or Astro-Man? – Stereo Phase Test
Kurtis Mantronik – Bass Machine Re-Tuned (Phat Girl’s Tuning)
Art of Noise – Who’s Afraid (Of The Art Of Noise)
Innerzone Orchestra – Bug In The Bassbin (Jazz Mix)
DJ JS-1 feat. DJ Spinbad – Babylon 5
DJ Vadim – Conquest Of The Irrational (178 Metre High Instrumental Mix)
Kid Koala – The Mushroom Factory
Fantastic Plastic Machine – Mr Salesman
Squarepusher – Cooper’s World
Kid Koala – Thank You, Good Night, Drive Safely
Sukia – Vaseline & Sand
Req – Razzamatazz

Mixcloud Select 144: Openmind live Mixxx 16/05/1997 Pt.1

MS144 Strictly Solid Steel 16:05:1997 pt.1
The first of two parts from a mid 1997 Solid Steel tape which bounces from uptempo drum ’n’ bass-ish techno to turntablism and jazz. Kicking off with Bedouin Ascent’s ‘Cat Can Blow!’ from the Law & Auder compilation Avantgardism III, I was wrong-footed into thinking this was Squarepusher at first. Kingsuk Biswas (Bedouin Ascent’s real name) contributed to many of the Law & Auder compilations – usually a title ending in ‘ism’ – and it seemed that quite a few of the Rising High roster found a home at the label when the techno label folded, including Luke Vibert who released a full album with BJ Cole in 2000. The identity of the two tracks following has been lost in time, I can’t place them at all and Shazam has nothing – as ever, if you recognise them, please leave a comment.

UPDATE!: Thanks to Edward ZentaurusMan for filling in some of the tracklist gaps :)

We take a drop in tempo to half time with DJ Ruthless’ ‘Flat Chested’ scratch-athon from the Return of the DJ vol.2 compilation next and I was very much in thrall of the west coast turntablist scene at this point, finding it an incredibly exciting progression in the art. In hindsight it hasn’t aged too well and although skilled on the decks, few of the DJs broke out of the standard mould and had the production skills to transfer them well to records. One DJ who definitely did though was Kid Koala, not that he was ever fully in the standard mould of your Skratch Piklz or Xecutioners, he always had one foot firmly in his own camp. To see how far he’s come today is humbling, scoring film music, putting on live shows with stories performed by puppeteers or conducting 50 turntable orchestras – his scope and vision is breathtaking. Here’s the record that started it all with Ninja Tune and the story has been told often – most prominently in the 20 Years of Beats & Pieces book – of the fateful car journey on tour in Canada. Eric popped his demo tape into the stereo while PC, Jon More, Funki Porcini and I were riding somewhere and this was the track that all ears pricked up to. From then on, we knew he was on the same page as us and duly signed him to the label and the rest is history.

Another piece of Ninja Tune history is PC’s classic remix of The Herbaliser’s ‘Mr Chombee Has The Flaw’ – completely rebuilt and renamed, ‘Mrs Chombee Takes The Plunge’ with little of the original identifiable. It shows how the art of the remix can translate a song into something completely new and we were all stunned hearing it for the first time. ‘The Art of Prophecy’ was the album that As One’s ‘The Huster’ first appeared on via the short-lived Shield records, a sub label of Substance Records, and Kirk Degiorgio does as only he can do with a dirty slice of techno jazz (added to by the KISS FM station compression and tape fuzz). Funki Porcini’s cheeky cut up of old war film dialogue, ‘Pete Pete Pete’, from the Let’s See What Carmen Can Do EP plays over the top and the title was a nod to Ninja Tune label head Peter Quicke (also of Mr Quicke cuts the cheese fame).

This tape brings back fond memories of frantic days spent designing, touring, rushing to and from the Ninja Tune office in Canary Wharf and a general sense of excitement over where the label was going next after the huge swell in popularity it had gained in the two years previously. Great music was pouring out of everywhere it seemed and we were gearing up for the release of Coldcut’s ‘Let Us Play’ album that summer which would be another Ninja milestone that would take Matt and Jon around the world, and some of us with them for the next two years.

Part 2 next week

Track list:
Margoo – Intro
Bedouin Ascent – ‘Cat Can Blow!
Quant – Intestinal Sound
The Bowling Green – Caucasian Flotsam
DJ Ruthless – Flat Chested
Kid Koala – Tricks ’N’ Tricks
The Herbaliser – Mrs Chombee Takes The Plunge
As One – The Hustler
Funki Porcini – Pete Pete Pete

Pop Up Subculture & Holotronica

Pop Up Subculture
Back from a whirlwind weekend in Stroud and Bristol – primarily to talk about my Wheels of Light book at Klang Tone Records in Stroud on Friday night as part of the Pop Up Subculture festival. The event went very well with an engaged crowd and many new friends made. Met up with old acquaintance Bill Brooks who introduced me to bonafide light show legend Sid Fossil who had come to the talk! Seen here next to yours truly with friend Craig in the middle and Bill on the right.
Stroud light show crew

Stroud is lovely and sports three excellent record shops – Sound Records, Trading Post and the aforementioned Klang Tone which sits above the Pagan Vintage shop. All well worth your time, many treasures were found, not least a clutch of original International Times newspapers in stunning condition.

ITs
Holo logo
After a day’s digging I jumped on the train down to Bristol, met up with my video cohort, PuttyRubber, and went to the first Holotronica weekend at the disused IMAX cinemax. Hosted and opened by DJ Cheeba, Solid Steel family of old and now working with Stuart Warren-Hill’s Holotronica outfit, it was great to see old Bristol crew from our days doing regular nights with the Detectives of Perspective. The Light Surgeons played their excellent ‘Atemporal’ AV set, newly expanded into a 2.0 version and then Funki Porcini presented his incredible Laserium show which absolutely wowed people in the theatre. I’ve seen this three times now and it just gets better and better, there’s nothing like it and it’s impossible to convey via photos. Equally impossible is Stuart’s 3D Holotronica set (for obvious reasons) which was some of the most eye-poking 3D I’ve ever seen. All in all a triumph for audio visual gigs and I hope they do more.
Photos below are from Stuart Warren-Hill (Holotronica) and Christopher Thomas Allen (The Light Surgeons)

Funki 2 CTA
Funki 2 SWH
Funki 3 CTA
Funki 3 SWH
Funki 4 CTA
Funki 4 SWH
Funki 5 SWH
Funki CTA
Funki SWH
Crew photo L-R: DJ Cheeba, Stuart Warren-Hill, Funki Porcini, Chris Allen – missing in action Tim Cowie, the other Surgeon who provided an excellent live soundtrack.

Holotronica crew CTA
Holotronica flyer