As if I’ve not been banging on about Divine Styler and Gamma Proforma enough this year, here’s another reason but this time I’m involved in the release. I was asked to remix a track from his last album, Def Mask and chose ‘Pandorum’ which will sit alongside other guests like EVAC (Touchin Bass), Mophono (Liquid Amber), GFQ, Audiosyncracy, Monkphat, Co-Pilot, Auxilary Phoenix, Third Shock & Methodblack. It’s due out Jan 2016 but you can pre-order it here and comes with a Will Barras cover and print. Here’s a preview
Another upcoming Gamma event sounds very promising, this was tweeted today…
“10th Dec 2015, London. Rammellzee – Cosmic Flush Exhibition Ft. Futura, Doze Green, Delta, Ian Kuali’i and more.” Make a note in the diary.
Also don’t forget the 4th part of the 7-release Rammellzee Cosmic Flush album is available to order here featuring a Doze Green cover and a remix from Edan.
DJ Food
Something to get you in the mood for the 45 Live gig this Saturday at Factory in Plymouth.
All 7″s, no track list yet, bonus point for those that get the title reference without googling it.
After a drought I’m overflowing with mixes at the moment and there’s more to come…
Last Saturday (Sept 12th) I played an hour long set after a showing of ‘Jodorowsky’s Dune’ documentary at one of the FEAST film nights in West Norwood’s Portico Gallery. During the mix the audience were greeted with a film of the slowly evolving, geometric designs of Ambigraph aka Ameet Hindocha.
Night co-ordinator Pete Williams recorded the mix and Ameet has reworked his visuals to accompany it in an hour long, meditative soundscape where all tracks are sourced from releases connected with Frank Herbert‘s most famous novel. *I recommend viewing in HD, probably late at night with the lights off.
Over the decades many artists have been inspired by this work and there are many concept albums built around themes from his books. As well as Toto‘s score for David Lynch‘s big screen adaptation there’s also music from the forthcoming soundtrack to the documentary I mentioned and tunes from Bernard Szajner‘s ‘Visions of Dune’ release among others.
Finally, after a long hiatus, I’ve managed a new mix, and a audio visual one at that. The school summer holidays are a killer creatively when you have kids to attend to but now that the little ones are back to the 9-3.30 I’m back in gear. Something else that’s been occupying my time this summer, since May to be precise, is Secret Cinema‘s production of The Empire Strikes Back that I’ve been playing at in various locations and guises since it opened. Last night was my last gig, sound-tracking the Cantina Bar post-film with the run finishing completely in two weeks.
To say it’s been an experience is an understatement and it’s one I will cherish forever as it is like nothing else out there. If you were one of the thousands who attended then you’ll know what I’m talking about and I’ll do a full post about my time there in a few weeks time when it’s closed as I don’t want to spoil things for those yet to go. But to commemorate the end of my run I’ve put together this 30 minute Star Wars-themed mix, complete with a video accompaniment, featuring some of the songs I played in amongst the rest of the themed tunes selected for the different areas.
Titled ‘The Tracks Go Off In This Direction…’ it follows the hunt for the Droids as songs and styles from the SW canon get progressively more random. It’s all Star Wars, plenty of which you will have seen and heard before, but I like to think I’ve dug a little and unearthed some hidden gems that might not be as familiar as Meco‘s ubiquitous disco-fied Star Wars Theme.
For example: Rico Rodriguez, The Specials‘ trombonist who recently passed away, released a cover version called ‘Ska Wars’ (what else?) in 1977 on Island records which I’ve included as a tribute. Dickie Goodman, creator of the infamous UFO ‘break-in’ records’ made a ‘Star Warts’ 45 to cash in the same year, I’ve included a later (better) version and several cuts from Herbie Hancock‘s modular synth sidekick, Dr Patrick Gleeson‘s analogue Star Wars album.
It’s not all period covers though, there’s plenty of modern day Hip Hop, Rave and Techno from the likes of AGT Rave Cru, Mark Archer, DJ Shadow and all manner of, shall we say, ‘copyright infringing’ releases under pseudonyms. At the start of the Secret Cinema run, when they also ran a separate satellite Cantina Club in Hoxton, I made a ton of video clips to go with tracks for a one-off AV performance and some of the work I put into those has found its way into the video mix. With a property like Star Wars this is a red flag to a bull so how long it will stay up is anyone’s guess. Grab it while you can… UPDATE – Sorry folks, I’ve been asked to take it down… back up!
Here’s my new 45 Live image by Paul Trewin aka Sub2 – he’s certainly captured the likeness even if I do look a bit serious. Check his work out here and see the whole 45 Live roster below (including new member Jon More from Coldcut). There the start of a new night in Plymouth on the 26th of this month too with myself, Boca 45, Pete Issac and Francois Parker if you’re in the area. There’s be a new mix from me next week to go with it…
My good friends, Sarah ‘inkymole’ Coleman and Leigh Adams have made a short film about working creatives called Stupid Enough (the reason for the title becomes evident when you watch the film). They talked to friends in a multitude of different creative industries about how they work and each give a glimpse into how they started, got to the position they now occupy and impart their personal knowledge of how to make it on your own in worlds with few rules or guides. I feature alongside rapper Sage Francis, director Gareth Edwards, gallery owner Jonathan Levine and more and its got some great advice buried in it.
Interviews were conducted over a period of six months in New York and at locations around the UK, including a Bristol barber’s shop, gallery space; a Manhattan apartment, hen-filled workshop, steamy kitchen and Battersea Park. Where possible, they filmed people in their working environments – and any background noise was just part of the atmosphere on the day.
It’s being premiered at creative event ‘Schmiede’ in Austria, on Thursday 10th September, and shown again at a historic cinema ‘across the river’ near Salzburg on Sunday 13th September.
The film was made with the purpose of touring it to colleges and universities here and abroad, presenting and engaging in lively discussions about the nature of creativity in business, and installing (hopefully) enthusiasm and optimism among people about to embark on their creative careers. If you are a lecturer or tutor; student president or keen student about to enter your final year and want to show the film – then let them know, they are reaching out to these educational sorts over the next few months.
On Saturday 12th September I’ll be at the Portico Gallery (23a Knights Hill, West Norwood, London, SE27 OHS) to play one of my Future Shock DJ sets of space music after a screening of ‘Jodorowsky’s Dune’ – the documentary of the unmade sci-fi classic. This is part of their regular FEAST Film Nights where they show a rarely seen film with sympathetic music selections afterwards and my set will be accompanied by the amazing geometric animations of Ameet Hindocha. The price is £5 and I’m excited to be part of this in an arts space that’s local to me, supporting people doing interesting things in less obvious spots in the city. 7.30pm Doors open – 8pm Film screening – 9.30pm DJ set
My article on The Dragons is in issue #49 of Shindig! Magazine – out now, 6 pages too. New interviews with Doug & Dennis Dragon plus Donn Landee who produced their BFI album. After their recent publisher troubles the mag is back and as good as ever, you should be able to find it in most WH Smiths and decent record shops. If the article piques your interest and you want to hear the music they made then Ninja Tune still has digital and CDs in stock although the vinyl is long gone.
Big News! I’ll be present at the inaugural 45 Live night at Factory in Plymouth on September 26th alongside Boca 45 and Pete Issac. You know the concept by now, all vinyl, all 45s, all night. That doesn’t just mean Hip Hop, Funk, Soul and Latin either, I’ll be chucking in plenty of Psyche, Rock, Beats, Pop, Electronica and Acid too.
Above is the flyer for Psychedelic Sushi the first of what I hope will become regular nights at Brilliant Corners in Kingsland Road, London. Myself and Matty from Skylab will be playing Psychedelic music in all its myriad forms on vinyl whilst diners scoff from the excellent japanese menu. After 11 the tables get pushed back and we go until 1.30am – entry is free so Turn up, Tuck in and Freq out! 
How good is this? Cover version from Moscow band Grant Minasyan – nice one guys 
I’m reliably informed – by curator Sean Phillips – that the sleeve of my last album,‘The Search Engine’, features in this forthcoming exhibition of 60 album sleeves drawn by 60 comic artists. Phono+Graphic opens at the Kendal Museum in, errr… Kendal this October. Check out Sean’s blog for more info nearer the time.
Very pleased to be headlining this great line up of Audio Visual artists for the re-scheduled Videocrash show (that was originally planned for last night). I’ll be debuting a new AV set called Future Shock, based around the similarly named mixes – lots of electronica, both new and old. Expect a lot of sci-fi imagery and weirdness… also expect Robin Hexstatic to reprise his incredible Acid set from the Solid Steel 20th anniversary party, complete with visuals and Cheeba and TomCentral to premiere new work. Tickets are on sale here
Joe Clay interviewed Coldcut, PC and myself back in January for a 20th anniversary piece about the making of ‘Seventy Minutes of Madness’, Coldcut‘s contribution to the Journeys By DJ series back in 1995. It seems crazy that this was two decades ago now but time flies when you’re having fun. It’s a pretty extensive delve into the circumstances and techniques involved in the creation of what they’re calling ‘the greatest DJ mix album of all time’ *blushes*.
This piece also reveals why Coldcut never made a follow up but highlights the logical successor to the mix and kicks off a series on the Quietus where writers pick their favourite mixes. Incidentally the photo above was taken in Japan around 1996/7, back stage with DJ Takemura before a gig. If you’ve never heard the mix before or fancy a refresher after reading then someone called GarethisOnit has put it up on Soundcloud as part of a Classic Mix CD Series he’s creating.
Above was filmed at the Erarta Museum of Contemporary Art in St. Petersburg earlier this year, check around the 1 minute mark for the stage-diver
Tonight DJ Cheeba, DJ Moneyshot and I retire the ‘3-Way Mix’ live set as part of the line up at the Funk & Soul Club at the Electric Ballroom in Camden. It’s been 18 months since we debuted it in Paris and since then we’ve toured it across Europe, to Russia, Canada and Australia, adding a full video component as we went. The 25th anniversary of the ‘Paul’s Boutique’ album it’s based on has come and gone and the third anniversary of MCA‘s death fast approaches. Time to put it to rest and move on…
DJ Cheeba, Moneyshot and I are putting our 4 deck, 3 DJ reconstruction of the Beastie Boys‘ ‘Paul’s Boutique’ album to bed for the foreseeable future on April 17th at the Funk & Soul Club in London. We feel that it’s done it’s job and we want to end it 18 months after it’s premiere and just 2 weeks short of the anniversary of MCA’s death on May 4th. We’ll have the full AV set up for this gig and Moneyshot’s other group, The Allergies, are also on the bill amongst others with Mixmaster Morris playing the second room as well. It’s at the Electric Ballroom, Camden and tickets are £8 advance.
My new Future Shock 2 mix is getting a lot of love on this week’s Solid Steel and now I can reveal that I’ll be premiering the AV show that goes with it at Videocrash at Koko, London this May 23rd. *UPDATE – Soundcrash cancelled this gig after changing the line up four times in two weeks. It has since been rescheduled for another date in December at a different venue.
A new mix I did back in January has finally come to the top of the pile for Solid Steel. ‘Future Shock 2’ is the follow up to last summer’s first outing of retro electronica and future beats. This was completed just as Edgar Froese passed away at the end of January and I went back to it to include a track and interview snippets in tribute to him. Sadly it’s been waiting in the queue for a spot on the show for two months so the moment has gone plus we’ve lost other greats or equal importance since but that’s what comes with popularity and the show has been going from strength to strength over the last couple of years.
The first 10 minutes of this took an age to get right but it’s one of the most satisfying slow build intros I think I’ve ever sequenced, the pacing and layers unfold in a way that’s hard to engineer often. From then it’s a measured climb into harder and heavier waters until we hit Mark Moore & William Orbit‘s remix of ‘The Future’ by Prince. In fact there are many builds and breakdowns in this mix but of the slow burn variety rather than the euphoric kind, I’d imagine it’d be pretty good to drive to at night.
Big Fish Little Fish was amazing on Sunday, god knows how many people crammed into the Clore Ballroom at the Southbank in London. So many at one point that we had to stop the music for 10 minutes for an unscheduled break while the staff tried to calm a swell of the people trying to get in. Above is at the start as people were coming in, you can see House of Pain’s ‘Jump Around’ on my laptop as the opening track.
The parachute dance (above) is a regular feature of the BFLF parties and this one was different in that they did it three times so that people got a chance to be under it, still didn’t stop a fight by two mums nearly breaking out to get underneath :). Below you can see just how much it had filled up by the end as families poured into the totally unprepared ballroom to rave inside away from the rain. Despite it being a roadblock all the staff were lovely and Hannah and Natasha from BFLF handled the whole thing like pros.
I made a mix for them back in January that I’ve been meaning to post it on here but what with the Selected Aphex Works mix I didn’t want to push too many mixes out there. But here it is – Warning! Pop Alert! This is made as much with kids in mind as adults, probably good for a picnic or birthday party rather than the more adult-centric classic rave and jungle I played on Sunday.