I picked this up a few weeks back, a short book with a record by Cornershop called, ‘What Did The Hippy Have in His Bag?’. It’s a lovely little thing with a simple song going through the content of said bag (not what you’d expect), perfect for kids and with an instrumental on the B side you can learn it and then sing your own version. Released a few years back on the band’s Ample Play Records’ Singles Club, you can still find copies in their shop for £12.
Stunning video by Aujik with music by Daisuke Tanabe
I’m really liking that there seem to be a lot of grass-roots level nights popping up that cater for the more esoteric tastes in music at the moment. Shindig! magazine start a new one in North London at the end of the month – good luck guys but points deducted for taking someone else’s artwork for the flyer.
Sonic Cathedral will be releasing a very special glow in the dark vinyl 12″ of Kraftwerk covers especially for the Independent Label Market, which takes place at Old Spitalfields Market in London on Saturday, July 23. It comes with a DL card and a badge of the centre label – top of my wants list! Check out this new version of ‘Neonlicht’ by Remover (a new band that is essentially three fifths of Hookworms)
The ‘Kraftwerk? Ja Bitte!’ EP includes the two songs from the long-sold-out 7” they released back in 2013 – Disappears doing ‘Trans Europa Express’ and Cloudland Canyon covering ‘Radioaktivität’ – alongside a raucous reboot of ‘The Robots’ by Californian space-rockers White Manna, which was actually recorded live in soundcheck at Ramsgate Music Hall in September 2014.
Today, 2 hrs before The Orb‘s Alex Paterson starts his new Cake Lab residency at the Book and Record Bar in W. Norwood, I’ll be on the Out of the Wood Show hosted by WNBC.LONDON https://m.facebook.com/outofthewoodradioshow/ after which….
“From 2pm a new Sunday ambient club called Cake Lab launches. Dr. Alex Paterson and George Holt take you back to the good old days of the Ambient Club Room, circa 1987 with a free Sunday afternoon club… Expect an eclectic mix of Electronica, Dub, World, Jazz, Dance and every genre in between… and there will be cake.. and coffee and tea, and beer and cider and wine and spirits….”
The Cake Lab set up Alex & George brought along was amazing; delicious cakes, crazy decor, T-shirts and most of all, great music. Pete W, Hannah Brown and I were playing on the Out Of The Wood show beforehand. Photos by Pete and Hannah from across the afternoon. In fact the whole of FEAST in West Norwood is really worth checking out, food, drink, retro goods, craft stalls, sound systems and live bands, first weekend of every month.
All week Wordplay Magazine have been hosting a takeover by Soundsci who take you through the various elements of how they work as an international crew. Short films and interviews form the basis of the daily pieces leading up to the release of their new album, ‘Walk The Earth’ on Monday.
Part 1: Digging With Oxygen
Part 2: No Sleep Nigel interview – fascinating article with the legendary mixer
Part 3: Connecting the Dots with Audyessey
Part 4: Interview with Darrell Krum – the art of Soundsci, the World Expo label and many more.
Part 5: In the studio with Ollie Teeba and Jonny Cuba
Also out today is the second single, ‘Write On’ / ‘Changing The Gods’, on a limited 45 – available here
Part 6: Rhyming with Audessey
AND FINALLY!!! Here’s the album to buy SOUNDSCI BANDCAMP – it’s digital only for now, aside from the 45s but there’s talk of a vinyl edition although that’s a way off yet
Lo, and did the hordes descend onto Rat Records in Camberwell like a plague of locusts and the music flowed freely, from the decks to the racks and into the bags of the hungry vinyl scavengers. Sometimes it didn’t even make it into the racks, being bagsied whilst still on the turntable by eagle-eared punters inquiring, ‘what’s this playing?’. Jonny Trunk and I played whilst Lucy and Pete (behind the camera below) served and a wonderful afternoon was had by all.
Rat has a policy of restocking their shelves with new stock every Saturday and several hundred discs make their way onto the floor each and every weekend for the regulars who are at the door at the 10.30 opening time. This past weekend they had an additional box of soundtracks, library and weird music to add to that, the difference being that no one knew what any of it was until Jonny or I played it so the music stood or fell on its own merits. A collection they’d got in recently was put aside specially for this purpose and most of what was played in the two and half hour set you can hear below was sold. I even added a clutch from my own collection to the box.
As the box emptied and more friends arrived at the shop it was decided that a drink was needed and the nearby Stormbird bar was chosen, partly because it’s the only place in London you can get a bottle of Pastelism, a beer brewed by Domino Records band, The Pastels. Much was consumed and many words were spoken of the crate-digging, vinyl-hunting nature alongside Tom Central (Keep Up!), PC (DJ Food), Graeme (Frenchbloke & Son) Ross, Zoe Lucky Cat Baxter and more. Robin the Fog and Hannah Brown from Resonance FM were also on hand to conduct an impromptu recording for their Near Mint show and the results can be heard below. The results of the alcohol consumption can also be heard as the show progresses too! It was great to see so many friends and play in my local record shop among like-minded punters and there are plans to do a rematch at Audio Gold in Crouch End soon. If any other record stores want to host this kind of event in the future then get in touch…
Beautiful typography on one of Adam James Seth-Ward‘s purchases.
I’m totally in love with this Danish label, run by two guys, Jakob Skott and Jonas Munk, El Paraiso Records.
If you want modern psychedelic rock then try Monarch, Causa Sui, Mythic Sunship, Papir or Landing, for percussion-heavy jazz with electronic krautrock overtones try Jakob Skott, for guitar-led workouts try Nicklas Sorenson and for cosmic synth minimalism then Jonas Munk is your man
Coming at the end of August from Ghost Box – reminds me of the 60s sci-fi Penguin covers of Franco Grignani
Zeit zum Laufen!
Just a quick reminder; Jonny Trunk and I, this Saturday, Rat Records, Camberwell, London, SE5, 1.30 onwards…. FREE!
Last week, DJ‘s Cheeba & Moneyshot finished their deconstruction of Beck’s album, ‘Odelay’, which celebrated it’s 20th anniversary on June 18th. As he plays Glastonbury this coming weekend, Solid Steel will premiere the mix on Friday 24th, entitled, ‘Yo! Delay’. A long time in the making, it’s over an hour of the LP broken down into samples, interview snippets, scratch routines and more, in the same way our ‘Caught In The Middle of a Three-Way Mix’ did with the Beastie Boys’ ‘Paul’s Boutique’ a few years back.
Lucky enough to hear it before the public, I stuck it on and we had a message session via Facebook, below are some of my (edited) comments as I listened for the first time…
you get a Devil’s Haircut acappella?
is that the Stones with the guitar riff?
mad JB cover there
I reckon Beck might thank you for not putting the track list out there
This is great guys
oh that New Pollution sax break is great
Oh Lee Michaels! – you have that album? Killer
I hope you got Mantronix into Where It’s At?
There she blows!
hairs on the back of the neck moment
Anyone ever do a porno with whales called ‘There she blows’ Roy?
ah this is f**king great guys, I’m grinning
This extended freakout bit with samples and spoken cuts is redefining the mix guys – insane
oh! Dick Hyman!
f**k guys, mix of the year so far
A few people are going to have their dreams shattered though – “I thought Beck wrote that!”
make a little commentary to go with it, the first real time mix commentary – you could break down what you did?
Well, guys – mix of the year so far, you nailed it, didn’t want it to end – well done
My latest Freaky Formats piece for The Vinyl Factory just went up – this time it’s about holograms on both records and their sleeves, I even sneaked a CD in. 
Several boxes were ticked last Monday night when I was invited to Abbey Road Studios in North London to feature on a panel to talk about Star Wars and its influence on music over the last near 40 years. It was part of the launch of a new vinyl edition of the soundtrack to Star Wars: The Force Awakens, complete with holographic Tie Fighters and Millennium Falcons etched into the surface of the two discs by Tristan Duke.
Journalist Andrew Harrison (Your Empire Needs You T-shirt) chaired a small panel of myself, Tristan Duke (peeking over my shoulder) – the man responsible for the holograms, and Alex Milas (centre back, editor of Metal Hammer magazine and life-long SW fan). After plenty of nerdy fan banter two First Order Storm Troopers strode in to deliver the LP to Tristan who then played it as it was projected onto the screen above. Food was served, vinyl was cooed over, photos were taken with Storm Troopers and much was discussed of a fanboy nature.
A few days later I took on trying to capture the holograms from my vinyl copy at home. This was easily achieved with just direct sunlight or you can use a torch or lamp in dark conditions. This is what the hologram looks like in normal light (above) and this is what it looks like when having direct light pointed at it (below)
The LP sleeve is printed on thick mirror board card which makes the star field sparkle when light hits it and the cover logo is embossed. It’s a beautiful package that Disney/Universal have really gone the extra length to get looking and feeling special. There’s also a 16 page 12″-sized booklet with a forward by JJ Abrams and stills from the film.
It’s released worldwide on Friday, June 17th.
On the panel I remarked on how the new release is so like the original OST in layout – minimal and tasteful. That made be want to dig out my 1977 copy, check the poster and gatefold. I’d forgotten how big the poster was!
How many Millennium Falcons? Early John Berkey concept painting when the Falcon was a rebel fighter – there’s a fascinating glimpse at more Star Wars Berkey prelim paintings on his site
Two dates for your diaries: June 25th I’ll be DJing with Jonny Trunk at Camberwell’s finest used record emporium, Rat Records. They recently bought in a really good selection of soundtrack, electronic, library and weird records which we’ll be playing selections from before adding them to the racks for punters to buy. Let US try, before YOU buy.
But before that – this Saturday to be precise – I’ll be sitting in for Jonny on his OST radio show on Resonance 104.4 FM from 4.30-6.40pm. There’ll be a theme to the show and I’ll have special guest Jonny Cuba from Soundsci talking about library digs and soundtrack finds. Listen here this weekend
The front and back covers of two amazing religious spoken word records – love the double entendre.
Below: Four Music De Wolfe 10″ library records, the ‘Electroshake’ is particularly good, there’s a vol.2 as well…
45 finds – the Public Enemy includes the instrumental on the flip
A fun little flexi disc from Fermaley Flame – nice electronics at the beginning and end
Lastly – a beautiful Robert Crumb sleeve from 1974
Sculpture, Splice festival
“Untitled” by Sculpture from The Wire Magazine on Vimeo.
More ideas in 8 minutes than some people have in an entire career…
Sculpture will be appearing at the first of 3 nights under the banner of Splice in London next weekend 3rd-5th of June along with many audio-visual acts like The Light Surgeons, DJ Cheeba, Addictive TV, Pete Elastic Eye, Cassetteboy, D-Fuse, Blinkinlab, Matt Black, Plaid, Joe Catchpole, Mixmaster Morris, Matt Sharp, Mark Pilkington and many more.
Splice Festival 2016 from Splice Festival on Vimeo.
I’ve always been fascinated by this cover art, the artist is simply listed as ‘Corrigan’. On the back of the Castor LP it has a passage about the cover, possibly written by Corrigan (?):
“The illustration depicts Jimmy Castor in a double role: as a Gemini and Cancer personality. Gemini’s aspects are described as egocentric, intellectual and airy. Castor’s egocentric aspect is affirmed by his unconcealed face; his intellect is symbolized by the tube running from a fitting on his temple to a fitting in the musical tree. His mind drives his music. A second tube runs on to a small cluster of clouds hovering near Castor’s head, symbolizing his airy and mutable nature. Castor’s Cancer aspects are symbolized on the right by the slum tenement which rises out of wasteland. Castor is directly above a large opening in a wall containing his heart; this serves to stress Cancer’s intuitive qualities. Castor’s face is partially concealed to correspond to the introverted nature of Cancer personalities. The tube which runs from his heart is attached to an armored egg; spilling out of the egg are three elements associated with Cancer: the moon, water and food. The prehistoric, “Troglodyte”-like figures are the end products of the intellectual, emotional and astrological input of Castor from above.”
After a bit of help from fellow facebook-ers, it seems the man responsible was Dennis Corrigan, a surrealist American illustrator who only has one other record sleeve listed on Discogs (The New York Rock & Rock Ensemble, front and back covers below).
Still with us and now teaching at Marywood University in Pennsylvania, he has work in various art institute collections and illustrated for the likes of The New York Times, Random House, Pan American Airways and more. He’s had several books of his work published, ‘The Amusement Park’ from 1982 and ‘True Love Knows No Boundaries’ from just last year. You can find more about his weird world at his website, Dennis Corrigan Artist.
Out today, another banger from Soundsci – this time concentrating on Oxygen. ‘1-4-9′ is under two minutes and comes with an instrumental to match on the same side, surely a first for a 45? This is the second in a trilogy of 45s from the crew before they drop their LP, ‘Walk The Earth’ and features a great cover from Paul ‘Sub2’ Trewin who also did all the character designs for the 45 Live roster earlier this year. Buy it here before it goes
