Items created by by design alter-ego, Openmind
New design for two giants of the dance music scene – 808 State vs Humanoid – what an honour!
4 track 12″ on black or voodoo orange vinyl available to pre-order from De:tuned records now via Bandcamp
I went through many elements for this design before presenting the artists with different options which they then whittled down to the final images here. If I get time I’d like to put together a short video of all the different options as it felt like I created a world for them.
As is the custom on this blog, Dec 31st heralds my personal favourites of the year in various categories, leaving it until the last moment to make sure as much gets caught in the net before we flip to 2026. Despite the horrors we experience through the media daily, 2025 was a bit of a vintage year for me personally with new work and family milestones reached despite the hardships all around us. This year has been hugely productive and I’ve released a few things, designed a lot and contributed to several big projects that I’m super proud of. The Autumn was dominated by the Telepathic Fish compilation, something that out-performed our expectations by some way and rumbled into the winter months, making several end of year lists to our delight.
This is not the last word on the Fish…
Music:
Snapped Ankles – Hard Times Furious Dancing LP (the Leaf Label)
clipping. – Dead Channel Sky LP (Sub Pop)
Paten Locke – Dance On My Grave LP (Full Plate)
Hieroglyphic Being – Dance Music 4 Bad People LP (Smalltown Supersound)
Hieroglyphic Being – RE-SELECTED PSYBIENT JAZZ SOUNDSCAPES VOL. 1+2 (Mathematics)
Move 78 – Game Four LP (self-released)
Marshall Jefferson – Yellow Meditation For The Dance Generation (Joakim’s Horizontal Remix Instrumental) (Utter)
Stereolab – Instant Holograms On Metal Film LP (Warp/Duophonic)
Telefax Productions – Break This House Down 12″ (Classic Music Company)
Coastal County – II LP (Lomas Productions)
Kif Productions – Still Out LP (Sound Records)
Move 78 – In The Age of Data (self-released)
Group Modular – The Tunnel / Lonely Pylon 7″ (Delights)
Jo Johnson – Alterations vol.1 LP (Silver Threads)
Podcasts:
What Went Wrong?
Some Assembly Required
Tales From A Disappearing City
The Bureau of Lost Culture
What Did You Do Yesterday?
Oh God What Now?
Rule of Three
The Adam Buxton Podcast
We Buy Records
The Fanzine Podcast
Gigs / Events / Exhibitions:
Eno and Anne B @ the British Library, London
Mick Jones’ RRPL @ The Farsight Gallery, London
Visiting Neil Rice’s home with friends for a personal light show display
Linder Sterling @ The Hayward, London
Leigh Bowery @ The Tate Modern, London
Strangely Familiar – Photographer’s Gallery, London
The Dream House, East Dulwich, London
Future Language of the Ikonoklast book launch @ Greyhound Pub, Peckham
My 2hr gig turning into 3 hours @ Cabron Bar, Folkestone
The Epic Story of Graffiti, Birmingham
Telepathic Fish launch party @ Arch555, London
The Jonny Halifax Invocation play Ravi Shankar, Mildmay Club, London
Beautify Junkyards @ Waiting Rooms, London
The closing of the Penge street art gallery, London
Barry Kamen @ Graces Mews, London
Obey/Hirst/Invader – Newport Street Gallery, London
Welcome To The Pleasuredome LP Atmos playback @ L-Acoustic studios, London then pub visit with the Universal team + Holly and Ped!
Furrowed residency @ Rose Hill Tavern, Brighton
Factory Floor and Sculpture @ Simple Things festival, Bristol
The Audiovisual Assembly, @ Bath House, Hackney Wick, London
Packaging / Design:
Got to say, I’ve been a bit underwhelmed by a lot of the design I’ve seen this year, not a lot stood out. The fashion seems to be either surrealist photography in an attempt to ape Hypngosis or terrible painting. Typography on front covers is the exception rather than the rule. I thought maybe I’d just not been paying attention but googling a bunch of ‘best covers of 2025’ lists only reinforced my opinion. It’s all subjective though isn’t it? I didn’t see much if any AI in the lists which is good.
Various Artists – Rave Wars: The Acid Awakens 7″ + Star Wars figure (Rave Wars)
Field Lines Cartographer – Apeiron Anxiety LP (Castles In Space)
Drumetrics – DRB 001 4×5″ records in etched box
Kid Koala – Carpal Tunnel Syndrome reissue LP + flexi disc (Ninja Tune)
Krash Slaughta – B-Boy Mastamind 7″ (Krash Slaughta Records)
Sully – Model Collapse etched 12″ (Fabric Live)
Drumetrics – Drumetronome tablet
ES – Planet Beyond – Selected Cuts Vol.1 LP (Ruiger)
Artists:
Kurt Jackson (above)
Ray Tijssen aka 0010×0010
Odeith
Chris Bigg
Oritoor
Toor Pentel
Books / Magazines / Comics:
The Loneliness of the Long Distance Cartoonist – Adrian Tomine (Faber)
UltraMega – James Harren (Image)
Bowling With Corpses – Mike Mignola (Dark Horse)
Robot Tod – Farel Dal (Floating World Comics)
Absolute Martian Manhunter – Camp/Rodriguez (DC)
OK Okapi – Martin Andersen & Chris Bigg
Future Language of the Ikonoklast (Velocity Press)
The Editor’s Cut – David McDonald (Hibernia Books)
Absolute Batman – Snyder/Dragotta/Martin (DC)
Heatwave – John L. Williams (Monoray)
The Absence – Rian Hughes (Unpublished)
A Humument – Tom Phillips (Thames & Hudson) (A late but important discovery)
Granny Takes A Trip – Paul Gorman (White Rabbit)
Bedetruite – Samplerman (LDC)
The Absence – Budgie (White Rabbit)
Face The Music – Paul Stanley
Stephen Stapleton – The Formless Irregular (Timeless)
The Vaughan Oliver Archive (Unit Editions)
Instant Public Art – Ulrich Blanché (Arthistoricum.net) Read here:
Plunderphonics – Matthew Blackwell (Bloomsbury Academic)
Film / TV:
I just have to admit it, I really don’t watch much film or TV and what I see doesn’t do much for me evidently. I did see the Beautiful Losers documentary from 2008 and like it though.
Another year over and what have I done?
Designed the Cobalt 60 LP release for Ollie Teeba & Jonny Cuba
Played at the closing of When Spaceships Appear record shop
Co-compiled and designed the Telepathic Fish compilation, booklet, Float III mixtape and Mindfood 5 fanzine for Fundamental Frequencies
Released the 20th anniversary cassette Raiding the 20th Century Expanded version on Delic Records
Continued my Electrik Collage radio show until April then paused to rethink
Designed the Dan Curtin ‘The 4 Lights’ album for De:tuned
Released the Locked Loop Group 8″ lathe cut zoetrope with Acid Lathe
Designed The Herbaliser Band’s ‘Rehearsal Session’ album
Contributed heavily to the 40th anniversary boxset for Frankie Goes To Hollywood’s ‘Welcome To The Pleasuredome’.
Collaborated with Al White on the Terrace ‘Branches’ LP design for De:tuned
Logo design and branding for OTA Recordings
Provided guest mixes for Oonops Drops on Brooklyn Radio and the 45 Live show on Dublab
Appeared on the Cheap Digs podcast with Moz, the Tales From A Disappearing City podcast with Controlled Weirdness, the Skinny E Media show with Mark, the Do!!You!!! Breakfast show with Charlie Bones and The Bureau of Lost Culture podcast.
Supported the Orb on a few dates of their UK tour
Held an exhibition of Openmind artwork at the Cabron Bar in Folkestone, then also Upside Down Records, Deptford
Contributed a track on the Rave Wars: The Acid Awakens 7″
Held a release party for the Telepathic Fish album at Arch555 in Brixton with Mixmaster Morris, Matt Black and KiF Productions
Taken charge of both the Orion and Pluto lighting archives Larry Wooden (RIP) and Micky Thompson (RIP) from respectively
Revived & updated my O Is For Orange video mix and provided a new version to Bleep for their September guest mix
Created two hour-long Float IV and V mixes for the guest spots on Dublab and Ransom Note respectively.
Finally finished and printed my collage comic, the All Colour, High Fidelity, Radio Cartoon, after 5 years
Designed two zoetropes for Disclosure’s ‘Caracal’ 10th anniversary reissue
Attended the Bound Art Book Fair in Manchester as a seller and speaker then DJed at YES in the evening
Played the Simple Things festival with Graham Dunning and Puttyrubber at the IMAX in Bristol at the behest of Steve Davis
Appeared at the first AudioVisual Assembly gig, performing O Is For Orange alongside The Light Surgeons, Bitvert, Pat Grimm and David Leister
Designed The Real Tuesday Weld’s Crow at Christmas 3″CD Xmas card
Designed Nate Krafft’s Crimson Arsenal/Man Machine reissue for Musique Pour La Danse
The Telepathic Fish LP earns Juno Daily’s and Rough Trade Compilation of the Year (with an exclusive blue vinyl edition for the latter) as well as mentions in the end of year polls by Bleep (with an exclusive T-shirt), Phonica, Resident, Brooklyn Vegan, HHV, Moonbuilding and the New York Times.
Frankie Goes To Hollywood’s Welcome To The Pleasuredome receives Reissue of the Year in Classic Pop magazine as well as compliments from the band.
Recorded an album’s worth of extended turntablism material with Furrowed for a future release
Designed the first cassette for my Infinite Illectrik label, Extended Turntablism vol.1 by Graham Dunning and myself. More to come in 2026…
RIP:
David Lynch, Micky Thompson (Pluto Electronics), Bill Ham (light show pioneer), Marianne Faithfull, Mike Ratledge, Rutherford Chang, Rick Buckler, Roberta Flack, Gwen McCrea, Gene Hackman, David Johansen, Mark Pawson (UK counterculture legend), Roy Ayers, Doug Lear, free speech in America and the UK, John Peck aka The Mad Peck, WH Smiths, Robert McGinnis, Alan Yentob, Sylvester ‘Sly Stone’ Stewart, Brian Wilson, Lalo Schifrin, Luis Jardim, Peter Shapiro, Ozzy Osbourne, Terence Stamp, JD Twitch (Optimo), Larry Wooden (Orion Lighting), Drew Struzan, Ace Frehley, Diane Keaton, Bunny Bread aka State of Art (Non Stop Artists), Dave Ball, Gary ‘Mani’ Mounfield, Pam Hogg, Frank Gehry, Martin Parr, Rob Reiner, Ken Downie (The Black Dog), Brigitte Bardot, Martin Jones (UK Hip Hop historian and early champion).
Currently there are several projects lining up for 2026, I could do with some more DJ gigs and I want to find time to revive the Electrik Collage radio show and make it better than the version that was on ROVR radio. There will be more cassettes from Infinite Illectrik too including a long-projected compilation and an album from Duplokit. Thanks to everyone who read this old-fashioned blog over the year, it may finally get an upgrade in 2026, I hope you all had a great Xmas if you celebrated and wish you all a prosperous New Year. See you on the other side.
Looking forward to:
Foetus’ final LP, ‘Halt’
An Openmind exhibition in Krakow?
More Infinite Illectrik cassettes
Sophia Satchell-Baeza’s The Sensual Laboratories book, finally?
Cineolascape…?
Andrew Humphreys’ ‘I’d Love To Turn You On’ book
The Rogue Trooper film
Well, this just happened!! The Telepathic Fish album is No.1 in Rough Trade‘s compilations and reissues of the year 2025. To mark the occasion they’ve made an exclusive blue vinyl edition !! A huge thank you to everyone who helped this comp come into being, all the artists and labels who licensed their tracks, friends and collaborators who shared memories and photos. Special mentions to Mixmaster Morris and Matt Black for the inspiration and collaboration and thinking of Chantal who sadly isn’t here to be a part of this, hoping she would be proud of what we did.
Last but not least to fellow fish Mario Aguera, David Vallade and Doug Shipton @Fundamental Frequencies who put so much work in to make it happen.
This weekend (25/26th Oct) I’ll be at the Bound Art Book Fair at the Whitworth Art Gallery in Manchester with a table selling my latest collage comic, the All Colour High Fidelity Radio Cartoon. This was started in lockdown in 2020 and worked on intermittently for five years until recently when I exhibited some pieces in Folkestone and decided I had enough to assemble a comic/zine/whatever at last.
That had always been the goal but there was no deadline so I just continued to work on pieces for years, slowly building each page to a point where they were ‘finished’. With the Bound Art Book Fair invitation for Saturday, I decided that would make a suitable deadline to compile a first version of these works.
Unless I’ve got a deadline I can tinker with things forever (hence no new DJ Food music in years) and this has been on the Infinite Illecktrik release list since 2020 (ii03 – to be accompanied by an album of the same name but that will come later now). Talking of which, I am also readying some new releases for the label which will take physical form soon…
But I digress, the comic – I’m calling it a comic because a large proportion of it is taken from comics and you can ‘read’ some pages, but really I have no idea what it is – is 32 pages, full colour and includes a free pair of 3D specs to view the centre spread. The first 50 come with a random sticker applied inside and I will have a random selection of badges free for buyers at the fair this weekend.
I’ll also have the new Mindfood zine (issue 5) and very limited original copies of #1,3 & 4 for sale as well as copies of the Float III mixtape and a handful of the Telepathic Fish LPs. Also there will be copies of my Wheels of Light book, the comic book version of my Search Engine album and whatever else I can find.
In addition to that I’ll be giving a talk at 1pm on the Mezzanine about the Telepathic Fish parties and the zines we made at some point on Saturday and in the evening I’ll be playing at YES alongside my good friend Moz. That’s quite an itinerary for Saturday. The comic will go on sale online next week via Bandcamp for those who can’t make the fair.
Bleep are running a competition to win one of two deluxe Telepathic Fish sets – just order the album or sign up to their newsletter to be entered into the raffle before October 2nd. Those who already ordered from Bleep will automatically be entered.
A runner up prize of original Mindfood fanzine issues 1,3 & 4 is also on offer (these are actually rarer than the main prize). We have also just launched a dedicated Telepathic Fish Instagram account for photos, stories, info and upcoming events connected with the parties.
The LPs are here at last, over a year in the making, gatefold double album with silk smooth finish, spot varnish details and 20 page full colour booklet. Also Mindfood #5 fanzine, 1 hour mystery mix ‘Float III’ cassette and enamel pin badge.
These all form the deluxe bundle that sold out very quickly on the FF Bandcamp pre-order page. The LP is very much still available but if you missed out on the bundle then we will have a limited number for sale at the launch party next Sunday, August 31st in Brixton at Arch555 – ticket link here.
If you visit Upside Down Records over the summer you’ll be able to see a selection of my design work for Ninja Tune, De:tuned, Castles In Space and more as you browse the racks. The selection comes from some of the work I recently exhibited in Folkestone but concentrates mainly on record-related designs so there’s none of the collage work that I previewed there, I’ll save that for when that project is ready.
The shop deals exclusively in used vinyl with a few racks of CDs and a small selection of vintage cassettes, they also deal in vintage hi-fi so if you’re in the market for a turntable, speakers or an amp, then they might have something for you. If you’ve not visited the shop before then they’re one stop from London Bridge on the overground or a 15 min walk from the heart of Greenwich. They’re open Wednesday-Sunday, check times online. Thanks to shop owner and good friend, Philippe for hosting my work and for the speedy install today.
It’s with great excitement that I can announce the launch party for the Telepathic Fish album in association with Fundamental Frequencies! It’s on August 31st, at a unique venue in Brixton, the home of some of the original parties and keeping a similar vibe.
Mixmaster Morris will of course be gracing the decks, as will Doug Shipton, and myself and original Openmind DJ partner Mario Aguera will also be doing sets. Special guests will be KiF Productions who will DJing the soundtrack to the film of their ‘Chill Out’ homage, ‘STiLL OUT’.
Matt Black will be back on visuals, digging out some period animations for the event and we’ll be dragging a few choice pieces of original Telepathic Fish decor out of storage to give it the feel of the old parties. You’ll have a chance to pick up the album five days early too along with other assorted merch.
Tickets available here:https://ra.co/events/2218194
I recently found these photos, completely forgotten save for the one above, whilst looking through files for another project. These show four collages and six zoetropes (some of the first I ever made) from 2013 before I had them randomly inserted into copies of the 4xLP vinyl version of my ‘The Search Engine’ album for Record Store Day 2014.
The zoetropes are high quality prints but the collages are originals, so far I only know of three that have been found, one zoetrope in Estonia and two collages in Helsinki and Nurnberg. I sometimes wonder if the rest are nestled inside people’s copies, still waiting to be discovered, please leave a comment if you have one. The one on the top right of the image below later became the sleeve for a Janko Nilovic and Lavotta Arpad 7″ on Broc Recordz.
It’s been a bit hectic recently, hence not many posts as I’ve been busy framing and preparing artwork for my latest exhibition. After 2 days of transporting, hanging, re-hanging and cleaning up artwork, my Openmind show of work is finally up at Cabron Groove Bar in Folkestone.
The bar will be open 6-10pm for viewings week days and 2-11pm weekends until the 14th June when I will be returning to play a set with support from Brassica and Bobby Dazzler (see posters at the end for full details)
There are nearly 50 pieces in the show from 1995 to the present day and I’m now working on a digital catalogue of pieces for sale (I totally ran out of time to do that for the show opening).
This has been a long time coming, I’ve been wanting to do something like this for a few years now and at last its time has come. I was approached by Doug Shipton of Finders Keepers / Fundamental Frequencies last year about doing a compilation based around the Telepathic Fish parties I co-founded in the early 90s with Chantal Passamonte (later Mira Calix), Mario Aguera and David Vallade. The four of us shared a house in East Dulwich between 1992-1995 when David and I were in our last year at Camberwell College of Art before leaving to make our way out into the world. What started as a house party grew into a series of ambient events called Telepathic Fish under the name Openmind, an alias I still use to this day for my design work.
Doug’s enthusiasm for the project got Mario, David and I back together (Chantal sadly passed away in 2022) to compile an album of tunes we’d all played and loved at the parties as well as digging in our respective archives for photos, artwork and memorabilia from the time. This was a pivotal era for all of us, a formative intersection before we split and went off in our various directions, and the people we met and partied with remain friends to this day. The double album – Telepathic Fish: Trawling the Early 90s Ambient Underground – includes music from the timeframe above by Caustic Window, Global Communication, Spacetime Continuum, No-Man, Tranquility Bass, Nightmares On Wax, Insides and remixes by The Irrestistible Force, The Orb and David Morley.
It comes in a gatefold sleeve with a 20 page booklet that tells the full Telepathic Fish story and features Mixmaster Morris, Coldcut’s Matt Black, Aphex Twin, Orbital, the Leaf Label’s Tony Morley, the Ambient Soho shop, Megatripolis, The Roundhouse and a disused gas tanker in Amsterdam. All lavishly illustrated with loads of unseen photos and art.
Also available exclusively through Fundamental Frequencies will be a limited bundle that includes a 44 page zine, Mindfood #5 (we also made an ambient fanzine back in the day) that features material from the first 4 issues plus additional unseen ephemera plus a 60 minute mystery mixtape – ‘Float III’ – and an enamel badge of the Telepathic Fish logo too if that kind of thing floats your boat. Pre-order is up now for a release date of September 5th and we’re looking at the prospect of re-enacting the old Fish parties with some of the original participants and decor around that time for a launch party.
It seems things are coming full circle at the moment, what with me supporting The Orb the other weekend. Ambient music is where I first cut my teeth in London as a DJ and these parties were greatly influenced by Mixmaster Morris aka The Irrestistible Force. They were the springboard between college and a career in music and design, where I met Coldcut and in turn ended up jumping on board the Ninja Tune ship for the next three decades. Coinciding with the launch announcement today, Mixmaster Morris, Doug Shipton and I are playing tonight at the Tate Modern Corner bar in London, giving you a flavour of what to expect from the compilation.
Out today on the Acid Lathe label from Portland, Oregon – my Locked Loop Group alias over two sides of an 8″ zoetrope picture disc in a fold-over die-cut sleeve. ‘Acid Endless’ is a two part improvised turntable jam on my Quadraphon turntable using locked grooves to generate churning acid beats which were then edited down for this release. Chris from Acid Lathe approached me about doing something a couple of years back, when the idea of the label was just in his head and over time we worked out this release and I helped formulate the label look for him along the way. The cut on the disc is mono but the digital files are stereo so I’d advise you to download them for the full experience.
I’m really pleased with this release and can’t wait to see a physical copy as I only have these photos to go by at the moment. It’s limited, it’s expensive but it cost a fair bit to make and I’m not sure how many other double-sided zoetrope picture disc lathe cuts are out there? Also, postage is a mother these days so if anyone from the UK wants one and wants to save on postage then contact me and we can work something out when Chris sends my artist copies over, adding extras into the package which I can then send on to you for a more affordable price. Sadly it seems EU postage costs aren’t much different to US these days so this is just an offer for UK residents. Pre-order here, it’ll be released officially on the 12th of May I think but of course it’s Bandcamp Friday today so 100% of the revenue goes to the label/artist for 24 hours.
Posting this today because I found it in my ‘drafts’ in WordPress and it’s now two years old. This was originally written Dec 2022, intended to be published back then but I must have missed it somehow. This was the CD version of the first part of an intended trilogy for The Real Tuesday Weld – Swan Songs – encapsulating ‘Blood’, ‘Dream’ and ‘Bone’ LPs plus additional cassette extras. Three years on and the first two are out but ‘Bone’ has been languishing unfinished for a while as the ever-manic Stephen Coates attends to his many distractions from the Bureau of Lost Culture podcast to the London Month of the Dead and Century Club programming. In between he’s also created two Clerkenwell Kid albums (‘Songs for Crow’ – Dec 2024 and the forthcoming ‘Junkshop Melodies’ as well as the ‘Winter Warmers’ 3″ CD of Xmas 2023. He assures me this will be the year we wrap things up for a project that started in 2019 and half the artwork for ‘Bone’ is done but we’ll see…
Another black and red sleeve, I swore I’d use less black in my designs in 2022 but it’s not working is it? To be fair though, both this and the Cinematic Orchestra covers are from 2021 and 2002 respectively. Today sees the release of the CD edition of The Real Tuesday Weld‘s ‘Blood‘ album on CD. The vinyl sold out quickly and people asked for a CD (not everyone wants vinyl) and Antique Beat listened.
We’ve shrunk the artwork and presented a CD version of the vinyl design, complete with reversible inner sleeve with die cut centre and vinyl groove effect on the black CD disc. Order here.
Another entry in the stalled but occasional Mini CDs series (I have loads yet to feature), The Clerkenwell Kid, aka The Real Tuesday Weld, aka Stephen Coates – just released Songs For Crow. A double mini CD release with download, badge and concertina booklet that I put together at top speed with Stephen some months back. Available in two versions: a deluxe gift box with discs and ephemera…
…or an audio Xmas card edition. Order either or both, here
Here’s a look at the artwork I made for As One‘s new album, ‘Requiem’ (I think this is the third album I’ve designed for them now). As One is now Kirk Degiorgio and Catherine Siofra Prendergast and the duo have created eight new tracks for this album which you can pre-order and preview here. The vinyl comes in the usual black and coloured variants and is out on December 6th.
Here’s the new Robert Leiner album I designed for De:tuned which also happens to be their 50th release!
Up for pre-order now and released on Nov 8th on black or bottle green vinyl.
Here’s an audio preview of the whole album
You can now contact Wow And Flutter and order one of the remaining unique New Obsolescents albums via the web rather than going into the shop in person.
Contact them if you’re interested in a copy, wherever you are in the world and they can calculate postage and payment, link above or email at the bottom of the image.
As it says above – Wow and Flutter in Hastings will have the 20 unique LPs for sale that we displayed during our live instore last month. As you can see in the video at the top, each one has a hand-assembled, screenprinted sleeve on a different type of holographic card in a variety of printings (black/white ink and postive/negative image inversions). These were all test ideas for the second print run of the LP and were passed over in favour of the prism effect card we eventually used.
Castles in Space had 20 extra sleeveless copies of the LP left over from the second batch (silver and white swirl vinyl) and so we married them up for this unique final run. Wow and Flutter are the only people selling these anywhere in the world, they will be a highly affordable £25 each and it’s first come, first served plus they’ll let you pick your favourite sleeve from the bunch – a Castle’s in Space completist’s nightmare but there you go.
Here’s a quick blast of a bit of our instore performance which will possibly wind up on the next album in some form or other. Video by Tim Scullion from W&F – also if you’ve not heard the podcast Tim does with Paul Field under the name We Buy Records then check that out too.
A couple of Sundays ago The New Obsolescents played live at the excellent Wow And Flutter record shop in Hastings. Chris Weaver, Robin The Fog and myself, improvised live for several hours in-store as people watched, listened and shopped. As you will see in the video, hanging above their heads were test printed sleeves for the second pressing of our debut LP that had been passed over in favour of the prism version we eventually used. These unique items have been retained by the shop and will be sold (with the vinyl) on a first come, first served basis to those who visit over the next month before the remainder go online to those who can’t make it down to the South coast.
Here’s a little snippet of our performance put together by the shop’s own Tim Scullion as a very early taster for our second album as we will be using some of the recordings made in the shop on the next release. Thanks to everyone who came down, Colin from Castles In Space and especially Tim and Susan from Wow And Flutter for having us. This is their 10th year in business and they are planning nine more in-store events over the year so give them a follow or better yet, a visit!
We also play at the Deliaphonic all-dayer in Coventry on May 2nd at the newly re-christened Delia Derbyshire Building University alongside… well, just look at that line up! Entry is FREE via the sign up here. I will also be playing a solo Quadraphon set with PuttyRubber on the visuals to close the event. By coincidence, Delia and I share the same birthday just a few days later.
Big legacy reissue just announced – I started working on the artwork for this last summer and I’d say it *might* be even nicer than the original.
Amon Tobin‘s second LP for Ninja Tune – Permutation – gets a 25th anniversary reissue at the end of May.
We’ve gone to town on it and I can’t wait to get a copy in hand. Yes it will have the spot varnish plus a die cut front cover and reimagined inner sleeves. It’s a Ninja Tune co-release with Turntablelab who have an exclusive purple vinyl version.
Pre-order is up now for a May 31st release. I’m indebted to Graham Needham of MacStrategy who helped access Freehand Mac files from 1998 so that I could remake the sleeve from the original elements
