Here’s something interesting I stumbled across whilst perusing the Kraftwerk Facebook page that’s been set up by fans. A limited edition of the band’s Tour De France 12″ that comes with a built in player like those cheesy birthday cards you can get that play a tune when you open them.
The designer’s name is Woes Van Haaften and there are 5 different sleeve colours to choose from but they don’t come cheap let me warn you! Full info and a little film here
The good man DJ Woody foisted one of these beauties on me at the weekend at the Big Chill, I never knew he was a graphic designer in a previous life. This is the logo for his AV performances ‘Turntables in Technicolour’, a homage to Santa Cruz artist Jim Phillips‘ iconic screaming hand logo and a beautiful job he’s done too, this shirt is quality.
[singlepic id=2292 w=640 h=480 float=left]
I finally got my hands on the thing that consumed most of my waking hours for the first 6 months of this year today… the Ninja Tune book I slaved over. I was up at Black Dog Publishing sorting out some things for the forthcoming exhibition and a shipment arrived from Italy, soaking wet, with the card board split down the sides in some cases! Hilariously the delivery man placed them beneath a poster proclaiming “Properly packed parcels please” 
They only had one copy of the hardback edition which comes with the XX box set because all other copies are being routed to the factory where it is being put together but it is a beautiful thing to behold. Also in the pictures you can see some of the exhibits stacked up ready for the opening on the 20th. The paperback version should be in stores by the end or the month, 192 pages, priced £19.95, if you see one, have a flick through and find out what the label has been up to for the last two decades.
…and nobody told me – luckily Kid Koala snapped this on his travels and sent it over.
I’m sure no one turned up asking for Ninja Tune tracks.
Yes! At last I can complete (sort of) my Ghost Box collection with the forthcoming reissue of their first release, now revised and on 10″ vinyl. There will also be a new edition of the CD and a download, all coming on September 10th. No tracklist yet but it’s great to know that GB are going to slowly reissue all their back catalogue on gorgeous vinyl, yeah I’m a sucker like that.
Opening in 2 weeks time will be Ninja’s first bonafide exhibition in the UK to celebrate the publication of the book, ‘Ninja Tune: 20 Years of Beats & Pieces’. Black Dog Publishing have generously offered to host a little showcase of the design and imagery that went into it and, after designing the book, the box set and all the paraphernalia that goes with it, I’m curating the exhibition too. It will feature lots of original artwork, models, posters, sleeves, flyers and promo bits from across the years.
It opens Friday, 20th of August at Black Dog’s gallery space, 10 Acton St. London, WC1X 9NG between 12-5pm weekdays and is only on for a month. There will be a special pop up shop on Saturday 11th September where there will be several special items for sale, hand picked from the Ninja archives as well as the new book.
We’re playing in a dome with 360 degree video, come and check us out, a few Ninja XX compilation exclusives in the set so far…
21.00- 21.15 Warm Up
21.15-22.45 JFB
22.45-23.45 DJ Woody Turntables In Technicolor
23.45-1 .15 am DJ Food & DK
1.15 – 2.45 am Hexstatic present Trailer Trax
2.45 – 4.00 am Sampology’s Super Visual Smackdown
The sold out MOOG T-shirt design I did earlier in the year is now back in stock at Chalk Brighton with a very limited repress of the Charcoal on Black original version. But adding to the range is a new off-white on white variant for the summer months – be quick, these sold out pretty fast first time round. Also check out their ‘SOUL’ shirt too.
Battered and badly folded proof – see foot for scale
One my oldest friends, Steven Baker, found this in a box of stuff this week. I painted it for another friend, Cliff Purtell, back in 1988 I think, maybe later, I don’t really remember. He was going to Donnington (the rock festival) and wanted to show his appreciation of the band. I can’t quite remember how long it took but it was somewhere in the region of 2 weeks I think due to the fact that a lot of it was painted with modeling paints watered down, you know, the tiny pots you can buy to paint up Airfix kits and the like. We didn’t have money for proper paints and figured that these wouldn’t run if the weather was wet. We also only had an old tablecloth or bed sheet to paint it on as you can see from the not-quite-finished-yet bottom corner.
Anyway, I would troop round to Cliff’s place each morning (it was the summer holidays) and he would furnish me with tea and biscuits all day and blast out heavy metal. This was my introduction to thrash metal primarily although I think I bought a fair bit of LL Cool J, Beastie Boys and Public Enemy with me to even things out. Anthrax, Metallica, Megadeth (obviously), Slayer, G.W.A.R. probably a lot more that didn’t stick too, all were played on repeat throughout the making of this banner, a tiny picture of which ended up in Kerrang the week after the festival. Cliff swore that, during their set, Dave Mustaine of Megadeth quipped, “You’ve got some fucking nice banners out there”.
Test mock up, not laminated, not foil blocked, shrinkwrapped etc…
Got a nice piece in Music Week this errr… week.
A 3 page feature on deluxe boxsets where I’m
interviewed along with members of Think Tank
(who are helping Ninja make the box) and
Brighton’s Modo alongside comments by Peter Saville.
These were out last week, Propaganda’s classic ‘A Secret Wish’ is now remastered and expanded to 2 CDs with plenty of rare and unheard gems. The Art of Noise get a double CD set too with a great compilation of both ZTT and China-era tracks on disc 1 and remixes, rareties and unreleased cuts on disc 2.
One of these is the ‘Anne to Tears’ version of Moments in Love that I photographed when I visited the ZTT vault last year and props to Ian Peel for doing a sterling job on curating both releases. Also a tip of the hat to Philip Marshall for his excellent design skills, keenly referencing the artwork by XL and the London Design Partnership from the originals – reissues don’t get much better than this. Even more of a joy for me is a mention of my ‘Raiding The 20th Century’ mix with Paul Morley in the sleeve notes of the Influence booklet Well I did steal it from Paul after he stole it from the Situationists. Buy them both from here
This is genius, so funny
[youtube width=”650″ height=”440″]http://www.youtube.com/watch?v=UCmeQaXuFig&feature=player_embedded#![/youtube]
Great cover by Arth Daniels for the new DELS single ‘Shapeshift’ on Big Dada. The video is decent too
[youtube width=”655″ height=”455″]http://www.youtube.com/watch?v=NjAnmqecMKI[/youtube]
This record is (will be) incredible. Pepe Deluxe‘s next album is called ‘Queen of the Wave’ and it expands on territory they explored on ‘Spare Time Machine’ and goes even deeper. If you like concept albums with a Rock/Prog/Baroque/Surf/Pop/Soundtrack/Psyche/Folk bent then this is for you and I’ll bet it’ll be one of the only records to cram all this and so much more in. Pepe (Jari and Paul) have assembled a huge list of both musicians and instruments on this (all too short at under an hour) pop opera including The Great Stalacpipe Organ (apparently).
I’ve been very lucky to have been able to hear the album in various stages as it has unfolded over the past two years and last week received a near complete version along with graphics and sleeve notes which doesn’t disappoint. It’s a complete trip from beginning to end, bursting with detail and unashamed pop songs that will have you humming them absent-mindedly whilst wondering where you heard them. I’m really looking forward to this release, hopefully this year, definitely one for the end of year polls.
While we all wait I’ve dug out an old Solid Steel mix from August 2007 with my Pepe Deluxe ‘Go For Blue Suite’ in it. The mix starts off with some Dragons-related surf psyche, skips into a trio of Pinball Number Count cover versions and then onto a montage of various remixes of Pepe’s ‘Go For Blue’ and various colour-themed classics. Remixes by Viva Voce, Optimo and Lost Idol collide with Blue Monday, Mellow Yellow, Purple Haze and more with plenty of Ken Nordine’s ‘Colours’ thrown in for good measure.
Solid Steel inc. Pepe Deluxe vs DJ Food ‘Go For Blue Suite’ 21.09.07 by DJ Food
Ninja Tune XX 4xCD promos are in – all watermarked and going out to specific people, even I don’t have one! This is roughly half of what people who buy the box set will get, music-wise. The box is in production as we speak and Ninja are going to release several 12″s off the back of it plus a DVD.
Exclusive box set 12″s (only buyers of box set can get these – the individual code in each box must be given to get them – free! That’s right, free)
a. Pop Levi ‘Blue Honey’ (A Monstrous Psychedelic Bubble Mix by The Amorphous Androgynous – full 16 and a half minute version)
b. Coldcut ‘More Beats & Pieces’ (United States Of Audio Remix), Flanger ‘Psy Sound’
a. Roots Manuva ‘Witness (Modeselektor Remix)’, Coldcut ‘True Skool’ (Zomby Remix), Stateless ‘Ariel’ (Rustie’s Pentagram Remake)
b. DJ Food ‘Dark Lady’ (Alix Perez Remix), The Herbaliser ‘Something Wicked’ (Roots Manuva Dub)
12″s for General Sale
a. Two Fingers ‘Fools Rhythm’, Zomby ‘The Forest’,
b. Toddla T & Ms Dynamite “Want U Now’, Diplo ‘Summers Gonna Hurt You (2010 Remix)’
a. The Bug ‘Tune In’ (Version), Poirier ‘Get Crazy’ (Mark Pritchard Vocal)
b. Dj Vadim ‘The Terrorist’ (Gaslamp Computer Killer Remix), Coldcut ‘This Island Earth’ (Joe Goddard Remix)
a. Amon Tobin ‘Lost & Found’, Amon Tobin ‘Foley Versions’ (Kronos Quartet Interpretation)
b. Roots Manuva ‘Dub Styes’ (Michachu Remix), DELS ‘Eating Clouds’
a. Spank Rock ‘Tell Me What It Look Like’ (Todd Edwards Remix), Fink ‘Pretty Little Thing’ (EL-B’s Digital Remix)
b. Dark Sky – Leave, Shuttle – Lion
All in individual XX house bags – there will also be one more special 12” doing the rounds with a couple of mixes of a Ninja classic on either side…
DK and I will be at the opening gig of a 4 date Ninja Tune XX marathon in Paris this September. We’ll be showcasing a new 4 deck classic Ninja past and present mix with video too.
There’s a lot of talk about Harper Lee’s classic at the moment being that it’s 50 years since its original publication and I’m going to jump on the bandwagon and declare my love for it. I read this in school and it was probably the first ‘proper’ book to affect me, even though I haven’t read it for 25 years or more I can still remember passages of the book and being enthralled by it.
The reason for this post though is that my friend Sarah ‘Inkymole’ Coleman was asked to illustrate the cover for the American 50th anniversary edition I just found out. Being that it is one of her favourite books, this is a lifetime dream and I was really pleased for her when I found out. Even more impressed when I saw what she’s come up with for it, love the detail of the hole in the tree trunk where Boo Radley leaves his gifts on the spine. More info with work in progress on Sarah’s site and you can buy the book from Barnes and Noble as well. I’ve included a selection of other covers from across the years too.
I can recommend this to anyone with even a passing interest in Brian Eno although there are plenty of insights into many of his associates over the years too – Fripp, Bryars, Cale, Ferry, Bowie, Byrne – they’re all here. The bulk of the book concentrates on the 70’s and the research is impeccable. It’s no rose-tinted ride either, there’s dirt amongst the many platitudes despite this being 100% Eno sanctioned which is refreshing. Occasionally it does seem that he can do no wrong and this isn’t all the writer’s imagination as the hit factor on projects and records involving ‘The Captain’ is remarkably high when you collect them all together. Amongst the reams of info in the book I was surprised to learn that Brian doesn’t drive and that, when he first moved to London in the sixties, he lived about a 5 minute walk away from where I currently live.
My only criticism of the book is that the ending feels rushed and lapses into ‘list-mania’ seemingly trying to cram everything Eno has done into a rapidly dwindling page count. We spend 360 odd pages idling through the sixties and seventies up until 1984 and a phone call from U2 and then it’s a headlong dash through the next two decades in less than 100 pages. True that the meat and the more interesting material has been well documented and most fans will want his early career explored to it’s fullest – and they won’t be disappointed – but after the expert job done with the first half the end leaves you feeling frustrated.
Saying that it’s only about one fifth of the book and the other four are a gripping read, you really wonder how he managed to fit so much in and be so on top of the game for so long. All his major releases and collaborations are explored in detail with plenty of archive interview material interspersed with modern day recollections from friends and family past and present. The dilemma-solving Oblique Strategies are present throughout and I have one of my own which I keep in mind whenever I get stuck on something – “What would Eno do?”
My Funky Eno mix “More Volts” is also still up on the downloads page if you haven’t heard it.