Whilst perusing the web for decent cover images to use for the Leonard Nimoy post featuring ‘The Illustrated Man’ story (in the end I scanned my own copy), I found a whole heap of great images that er… illustrated the book in question.
An original Ballatine Horror anthology I found at the weekend with a cover by Richard M. Powers
This isn’t a ‘best of 2014′ list – just the things that I liked more than most, they’re not definitive or in an order other than the one I thought of them in.
• New Music:
The Soundcarriers – Entropicalia LP (Ghost Box)
Ghost of a Sabre Tooth Tiger – Midnight Sun LP (Chimera)
Jane Weaver – The Silver Globe LP (Bird)
Heliocentrics & Melvin Van Peebles – The Last Transmission LP (Now Again)
Jeremy Schmidt / Sinoia Caves – Beyond The Black Rainbow LP (Death Waltz)
Jokers of the Scene – End Scene LP (Throne of Canada)
Nico Motte – Rheologia EP (Antinote)
An-I – Kino-i 12” (Cititrax)
The Advisory Circle – From Out Here LP (Ghost Box)
Temples – Sun Structures / Sun Restructured LP (Heavenly)
Andy Votel / Doug Shipton – Polivox Orthodox mixtape (Finders Keepers)
Daniel Haaksman – Duck Rock – A Sonic Essay (mixtape)
tUnE-yArDs – Water Fountain 7″ (4AD)
Pye Corner Audio – The Black Mist EP (Front &Follow)
Mac McRaw feat. Audessey & Oxygen – B-Boy Bionics / Dust 12″ (Cold Rock Stuff)
Ukkonen – Change Time EP (Uncharted Audio)
Syd Arthur vs The Amorphous Androgynous LP (Monstrous Bubble Records)
John Carpenter / Alan Howarth – Halloween III (updated version) LP (Death Waltz)
Frankie Goes To Hollywood – Inside the Pleasuredome box set (ZTT/USM) (biased obviously)
The The – Soul Mining box set (Sony)
Z – Visions of Dune LP (Infiné)
• Sleeves / Packaging:
Astralasia – Wind On Water LP (Fruits De Mer)
Jack White – Lazaretto LP (Third Man)
(Not so much for the cover but for the whole package and vinyl cutting extravaganza)
Joe Mansfield – Beat Box: A Drum Machine Obsession (Gingko Press)
Andrew Lilies – The Equestrian Vortex 10″ (Death Waltz)
Temples – Sun Restructured LP (Lenticular sleeve) (Heavenly)
Various – Wild Style Breakbeats (7″s + book) (Kay-Dee)
Sage Francis, B. Dolan, Buddy Peace – Epic Beard Men 7″ (Blunt Force Trauma)
Rave Wars 3 – The Return of the Old School (7″ + Star Wars figure) (Balkan Vinyl)
Clone – Son of Octabred (Finders Keepers)
Sculpture – Plastic Infinite
The Soundcarriers – Entropicalia LP (Ghost Box)
• Books / Comics:
Prophet – Simon Roy & Brandon Graham / various artists (Image)
B.P.R.D. – Various (Dark Horse)
Punks – The Comic – Joshua Hale Fialkov & Kody Chamberlain (Image)
God Hates Astronauts – Ryan Browne (Image)
Black Science – Rick Remender, Matteo Scalera, Dean White (Image)
Hip Hop Family Tree 1&2 – Ed Piskor (Fantagraphics)
Sandman: Overture – Neil Gaiman & J. H. Williams III (Vertigo)
Discovering Scarfolk – Richard Littler (Ebury Press)
Dust & Grooves – Eilon Paz (self-published)
The Art of Smallfilms – Oliver Postgate, Peter Firmin, Jonny Trunk (Four Corners Books)
Urban Archaeology - 21 Years of Mo Wax – James Lavelle (Rizzoli International)
2000 TC – John Higgs (self-published)
2000ad / Judge Dredd The Megazine – Various (Rebellion)
Moosekid Comics – Various (self-published)
For Whom The Cowbell Tolls – Dan LeRoy (6623) (biased again)
• Films: (I didn’t watch too much this year sadly)
Blade Runner (finally saw it at the cinema)
Guardians of the Galaxy
Jodorowsky’s Dune documentary with Jodorowsky Q&A
The Cobbler & The Thief with Richard Williams Q&A
Future Shock: The Story of 2000AD documentary with Pat Mills, Kev O’Neill & crew Q&A
The Lego Movie
Ghost Box Night at the ICA
Plastic Galaxy: The Story of Star Wars Toys
Jet Propelled Cinema – How Psychedelia Infected Hollywood Sci-Fi at the BFI
Touring the 3-Way Mix with Cheeba & Moneyshot
Cosmic Trigger – The Play
Meeting Brian Eno
Kid Koala‘s ‘Nufonia Must Fall’ show at the Roundhouse
Interviewing Matt Johnson at Rough Trade East
Future Shock gig at the Watershed, Bristol with Cheeba & Tom Lumen
Designing for Frankie Goes To Hollywood / ZTT
Space In This Place gig at the ArcelorMittal Orbit in London
Welcome To The Pleasuredome playback at Sarm West Studios
Digital Revolution exhibition at the Barbican with the family
Visiting underground caves in Switzerland
4 deck AV show at Madrid Espacio with DK
One of my sons getting a drawing printed in the Phoenix comic
Ryoji Ikeda‘s ‘Spectra’ installation in the Queen Victoria Park
Adam Ant playing Dirk Wears White Sox at the Hammersmith Odeon
Crazy DJ weekend in Eketerinberg and Samara in Russia
Mike McMahon finally finishing my Dredd commission after 2 years.
Ben Coghill (agent)
DJs Cheeba & Moneyshot
Philip Marshall (designer), Ian Peel (writer) & Steve Bunyan (USM organiser)
Eilon Paz (photographer)
Carlos Ezquerra (artist)
Rob Williams (writer)
Jamie Smart (childen’s comic creator)
Hope & Greenwood (East Dulwich branch of the sweet shop)
• Looking forward to:
Renegades of Rhythm tour (DJ Shadow & Cut Chemist)
Mad Max : Fury Road
21st Century Tank Girl book
The Writing On The Wall – Roger Perry book
John Carpenter – Lost Themes LP
Create A Mess
Trevor Jackson – Format LP
The The – Hyena soundtrack
Prophet: Earth War
Avengers: Age of Ultron
Star Wars: The Force Awakens
The 2nd edition of the Dust & Grooves book by Eilon Paz arrived just before Xmas along with a beautiful set of 48 postcards, both in sturdy slipcases. Of course I’m biased but the quality in these are beyond the usual and when I say ‘postcards’ it’s a bit of an understatement because these large format cards are only one step away from an actual print in terms of quality. I’d be splitting up a great set if I ever actually sent any out into the world – you can get a set here along with the 2nd edition of the book (with extra Questlove interview) here.
The Future Sound of London ‘Artworks’ – 36 page A5 full colour booklet depicting FSOL’s art from the last 7 years. Hand numbered and limited to 250 copies (better hurry as mine is no. 240!) Booklet comes with a free gift download of 4 tracks (320kbps mp3) for £7.00 – Available here.
Here’s a really good half hour documentary from the BBC World Service about graffiti which interviews original NYC writers and has a great selection of relevant music rather than the usual well-worn tunes. Unfortunately they won’t let you embed the programme so here’s the link.
There are quite a few vintage New York-centric graffiti items popping up at the moment. The ‘Training Days’ book is out which I mentioned a while back, a ‘where-are-they-now?‘ book which interviews old writers and finds out what they’ve done in the past 40 years.
The Seen book, ‘They Call Me The Godfather of Graffiti’, finally shipped out last week too and it’s a treasure trove of unseen images or different views on old classics from one of the undisputed Kings. Also the restored ‘Style Wars’ Blu-ray is finally ready after years of work on the original reels which adds 40 minutes of unused footage from the original shoot.
I’m not so up on Andy Partridges‘ solo work (I mainly know him from his XTC days) but this album swam into my field of vision the other day after a search for the book of collected Richard M. Powers‘ artwork. Apparently Partridge was fascinated by Powers’ book covers as a kid and later made a whole album of ambient / electro-acoustic sound pieces to soundtrack the fantastic worlds he saw on his library loans. The 500 copy CD is long sold out but you can still buy the 12 tracks as downloads from his Ape House imprint. Think Raymond Scott, Louis & Bebe Barron or Tod Dockstader and you’re in the right area.
The crowdfunded play ‘Cosmic Trigger’ opens in Liverpool and London this weekend and next week, based on Robert Anton Wilson‘s follow up to the Illuminatus trilogy but also taking in his life story. It’s being staged by Daisy Eris Campbell, the daughter of Ken Campbell who staged a version of Illuminatus in Liverpool back in 1976 that was pivotal for many people involved.
Being that I already mentioned Liverpool and the Illuminati then it follows that The KLF can’t be too far behind and Bill Drummond built the scenery for the original play. Jimmy Cauty is also somehow involved in the new version. There are a little too many intersecting factors in all of this so here’s some further reading if you’re interested:
The Cosmic Trigger Play – sets out what’s about to happen, it’s complicated.
Bill Drummond – 5 Things I learned from Ken Campbell – essential read, very funny.
Greg Wilson - The Gateway Drug – extensive, make some tea and settle in for the long haul
John Higgs‘ – Chaos, Magic and the Band Who Burned A Million Pounds – absolutely fascinating book chronicling the KLF‘s history from before and after they formed/disbanded, taking in the Illuminati, Dr Who, the number 23, JFK, Alistair Crowley, the banking crisis and much more. Buy it, even if you’ve no interest in the KLF, they’re just the springboard for a romp through the latter half of the 20th Century.
The Discovering Scarfolk book arrived today and it’s a beautiful object, perfectly realised and presented. The dark humour that runs through the website of the same name is here in physical form, looking just like a government handbook from yesteryear as is the intention. Having not had time to fully digest it I can see that pieces from the website are reprinted but there’s possibly other new material too. Well worth a look and no doubt a read too. Perfect Xmas present fodder.
Yes, that is the original Bagpuss puppet and an original Clanger with what looks like a bootleg friend. All were at the Art of Smallfilms book launch I attended on Tuesday night, hosted by Jonny Trunk at the Raven Row gallery in Spitalfields.
The book is excellent, huge and heavy with chapters ranging from Bagpuss and the Clangers to Ivor The Engine and Pogles’ Wood and beyond. The photos are beautiful as you can see from some of the spreads below. Many of the props and puppets have survived and have been sympathetically photographed to show how they were animated as well as the skill with which they were made.
And here’s me with my friend Liz who I went to college with over 20 years ago, in the style of the old Bagpuss titles. Photo by David Vallade. The book should be out now, priced £25 for a 320 pg hardback from Four Corners Books – bargain.
My good friend Scraffer is involved in putting out a reprint of Roger Perry‘s ‘The Writing On The Wall’ book, a long out of print collection of photos of graffiti around London from 1976. A Kickstarter has got off to a great start and will see the book expanded with new photos and text plus an intro from Bill Drummond. You can pledge HERE with optional extras of T-shirt, postcards, print, hardback version and more.
I bought this on spec a couple of months back, purely because I was intrigued by the artwork and wanted to know more. Derek Stenning has collected together a bunch of images he’s created centering around floating cosmonauts in various scenarios – titled the EK Series. I’m still to read it to uncover the full story but it’s beautiful to look at.
Photo © Eilon Paz of Dust & Grooves, taken in my studio April 2013
Yes, it’s 25 years ago today that ‘Paul’s Boutique’ was launched into an expectant world only to be met with a mixture of acclaim, incomprehension and disappointment from critics and fans alike. ‘Licensed to Ill’ pt.2 it wasn’t and was such a departure it alienated a large proportion of their (newly acquired) audience immediately. The Hip Hop landscape had moved on by the summer of ’89 and the militant beats and rhymes of Public Enemy rubbed shoulders with De La Soul‘s newly planted Daisy Age or the emerging gangster rap of NWA. Suddenly the Beasties were back after a two year break in LA, sampling Disco, The Beatles, Psycho and rhyming about throwing eggs, street bums and plastering the album with stop-start skits instead of the Rock Rap they’d become known for.
Of course this was intended but it was largely out of step with what was happening in their field at the time. Hip Hop was still fiercely about looking forward as far as its own history was concerned and here were snatches of Afrika Bambaataa and Lovebug Starski. Also DJs and producers were still in the mindset of the rare and unknown sample, Rose Royce, Chic, The Beatles and the theme to Jaws weren’t exactly obscure yet here they all were. In fact the inclusion of The Beatles drew some discussion as no one had been so blatant before and it was speculated that their signing to Capitol was on the condition that they could sample liberally from the label’s huge back catalogue.
But time and hindsight are a great thing and here we are, a quarter of a century later, with the album acknowledged as an ahead of its time classic. To celebrate we have SM&A from Italy who have put together a‘Visual Companion’ to the album, made from existing videos, film clips, ads and other footage to make a long playing video. This has been a labour of love for months now and we met with Paolo from the team in Italy earlier this year on one of our 3-Way Mix excursions for the same album. I can’t embed it in the site at the moment so you’ll have to go to the link above to watch it.
Not only is there a film but now there’s another book from Dan LeRoy – author of the brilliant 331/3 book on said album – this time entitled ‘For Whom The Cowbell Tolls’. I was interviewed by Dan earlier this year for an updated version of the 331/3 book but this new title appeared out of nowhere on several sites last week and is something else altogether it seems. Having come across a huge stash of PB-related memorabilia in his research it seems Dan has now teamed up with a pop archeologist named Peter Relic and written a follow up book that reveals previously lost treasures and info about the album that will also be released on the 25th anniversary. I’m really looking forward to this as it’s come out of nowhere and promises much, it’s available through Amazon as a digital book initially though. In related news, Cheeba, Moneyshot and I continue with our tribute to the album and begin a series of weekend runs at festivals this summer before heading to Canada for a show at the SAT in Montreal on September 19th, our own mix not even 2 years old but having clocked over 150,000 plays.
A Kickstarter campaign to get a book with vinyl made has just 2 weeks left to run. It’s run by the Gamma Proforma guys who do a nice line in the more leftfield artists in their exhibitions. Check out this little film for more info and look at that line up of artists!
Visual: Jerry ‘Joker’ Inscoe, Poesia, sheOne, Nawer, Stendec, Moneyless, Phil Ashcroft, Derm, Robert ‘Tone’ Proch, Sebastien Preschoux, Sat One, Graphic Surgery, Felipe Pantone, O.Two, Roids, Clemens Behr, Christopher Derek Bruno, 108
Audio: Kidghe, Stohead, Luke Vibert, Divine Styler, Mike Ladd, Andrea Parker / Daz, Quayle, Cristian Vogel, Arovane, Einoma, Third Shock, Methodblack, Lyken, Monkphat, Plaster, Clatterbox, GFQ, Quinoline Yellow, Evac, Kero, Dalglish, Bogger, Northburg & Ed Devane.
Due out September or mid-October (depending on what you read online), ‘Training Days’ catches up with the characters and writers who populated the scene during the early 80’s when Henry Chalfort, Martha Cooper and James Prigoff were documenting the New York graffiti scene in book and film with ‘Subway Art’ and ‘Style Wars’.
Interviews by Chalfont and Sacha Jenkins find out who did what and how the movement changed their lives when graffiti was catapulted into the international spotlight 30 years ago. The 176 page hardback has B&W and colour images plus interviews with writers like Lady Pink, Kel, Jon One, Skeme, Daze and more. It looks like it will be a perfect addition to Subway and ‘Spraycan Art’, making it a neat trilogy after 30 years.
Seems like you can only pre-order if from A*az*n at the moment unfortunately but it’s a bargain at under £10 so if you have no qualms with dealing with them, go here.
I’ve been scanning the original Welcome To The Pleasuredome artwork by Lo Cole this week and, comparing it to the existing scans I was working with, there’s quite a bit of difference. It’s tempting with Photoshop to put images through all sorts of filters and processes to make the image ‘pop’, much like compression and limiting on audio files. After a while you can lose sight of the original but having the original paintings to hand I could check on screen that they were as accurate reproductions as possible. Certain colours didn’t initially scan exactly so I made sure that I corrected them to as near as possible with the colours of origin.
This is a little like remastering from the original master tapes, cleaning up any stray dust or hair particles that have got on to the surface in the process. The blurrier, more saturated images here are the working files I’ve had and the subtler, sharper ones are the new scans that will be seen on the forthcoming box set. If you get the prints from the box, rest assured that the colours on them will be as accurate as possible to the original source (as long as the printer doesn’t mess things up) and if you display them they will nearly pass for originals.
I bought this the other month because I liked the art, it’s a very quick ‘read’ being that there’s no text and it’s more of a portfolio / sketch book with no context to the images inside. I know nothing about the artist , Raymond Lemstra, but I like his level of detail and the way he flits between different styles.
His voodoo / totem pole / robotic faces are my favourites for their clean lines and 3D appearance. You can find his site here and the book is available from Nobrow Press and other good comic shops.
No doubt they will have a stall at ELCAF – the East London Comics & Arts Festival – in a couple of weeks, their books are always interesting with great art and different formats.
Went to an event at Brian Eno‘s studio last Thursday evening and on the way I found this Pop Annual from 1974 in the local book exchange with 4 pages about the man himself. Thinking that this was an Eno-esque bit of chance and how funny it would be to show it to him 40 years after the fact, I bought it. Managed to get him to sign it whilst chatting about his comedy turn interviewing himself in the guise of Dick Flash in an old promo video. I have now officially met God and obtained his autograph.