XX 12″s 3-6

Some more (not very good) pictures of the XX 12″s – out Monday. 1 & 2 only available with a purchase code from the XX box set, 3-6 available for general sale. A mystery seventh 12″ with two remixes of a Ninja classic unavailable anywhere else, will creep into circulation shortly.
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and a sneaky reason to own all six 12″s, when put together, the spines spell Ninja Tune XX
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Paris XX

The Paris show on Friday was great fun, packed out, great to see Vadim and Yarah on a Ninja bill again too. During mine and DK’s set someone pulled the fire alarm and all the power went off on stage for more than 5 minutes. Unfortunately we were in the middle of a drum n bass section so that went down like a damp squib. Before the gig I went up to the Galerie Chappe to see the exhibition of Ninja art and sleeve design that had been put on, apparently 1,500 people turned out for the opening! Ping Pong, who have done promotion for Ninja for over a decade now under the leadership of Fred ‘DJ Oof’ Elalouf, did a great job of putting together a show which included original art, paste up sheets, sleeves, huge posters and specially made prints of selected covers. They also made exclusive T-shirts, seats and a huge banner for the gigs which greeted me when I walked into the venue.  See photos from the exhibition here (warning, this is a Facebook photo album), and it’s on until October 2nd. There are 4 more gigs coming up in Paris over the next few weeks including a huge, long sold out line up at La Machine and two gigs at the Pompidou Centre.

XX banner, ParisGalerie Chappe Ninja L'expo

Ninja Tune XX boxset is here finally

I was having a shitty day with nothing going right when this was hand-delivered from the Think Tank offices out of the blue this afternoon. Eight months of hard slog, revisions, deadlines, corrections, proofs, more revisions, changed constructions and over 50 GB of information went into this.

A slipcase containing 3 hardback books – ’20 Years of Beats & Pieces’ was actually started back in July 2009 and completed just under a year later with a solid six months spent on it and little else. The other two, containing 6 CDs, 6 45’s, 2 posters, a booklet and a sticker sheet (which should have been straight forward but I had no end of hassle with) took another 2 months at least with meetings and discussions as to how the packaging would work going on since March. I even managed to find time to write a new track to go on the damned thing which is on one of the exclusive CDs.

When I look back at 2010 and think what I did that year, this is what will sum most of it up. If you have one on the way then you’re in for a treat believe me, want one, didn’t get round to buying one yet or were maybe sitting on the fence then there are still some available to buy before the big release day on September 20th.

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US gigs line up and new early Japan show flyer

Here are the line ups and details for the US gigs, also DK should be joining me on the Japan leg too which should also be taking in Osaka and possibly Kyoto as well as Tokyo (which has two shows). Got a nice hook up with Converse for the US gigs including a free party in San Francisco that they’re sponsoring. For free entry please send an RSVP  here, also XLR8R are doing a big Ninja piece too.
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Remember The Future? mix

REMEMBER THE FUTURE3 years back I recorded a robot-themed mix for Solid Steel to coincide with the imminent release of the first Transformers film. I’d been meaning to do this for some time but this gave me the impetus and I crafted a little Transformers intro from various samples or tracks that sampled the robots in disguise. After that it’s mainly material from the 60’s and 70’s with that novelty look at robotics pre-Star Wars, what some would call ‘the golden age’.

I love this stuff, real oddity bin stuff, plenty of madcap psyche, dance craze records, vocoders and even a country ode to an electronic brain. A friend recently asked me to dig it out so here it is again.

Remember The Future by DJ Food

Big Chill igloo tent Solid Steel set times for Saturday:

festivalWe’re playing in a dome with 360 degree video, come and check us out, a few Ninja XX compilation exclusives in the set so far…

21.00- 21.15     Warm Up
21.15-22.45      JFB
22.45-23.45      DJ Woody Turntables In Technicolor
23.45-1 .15 am   DJ Food & DK
1.15 – 2.45 am   Hexstatic present Trailer Trax
2.45 – 4.00 am   Sampology’s Super Visual Smackdown

I Love Acid Blech set

I played a special Blech set at I Love Acid on Saturday at Ginglik, under Shepherd’s Bush Green. It was an amalgam of the two mixes I did for Warp records’ 20th anniversary that you can hear on my Soundcloud page.

Photographer Martin LeSanto-Smith took some excellent photos with a promo Aphex mask I took down, one of my favourite nights out in London, even though the tube had shut down that weekend.

AFX collage

AFX Kev 650warp backAll photographs are property of and copyright to Martin LeSanto-Smith and not to be reproduced without permission.All Rights Reserved. Contact:- Tel: 07779 234104 or email:- toastyoneuk[at]o2.co.uk

Posted in DJ Food, Gigs. | No Comments |

Ah yeah…

I was in the Ninja office today, sifting through boxes of press archive, found some amazing things, hilarious photos of old and some situations I don’t even remember. Lots of weird and wonderful people have passed through Ninja over the years and there are a lot of memories attached to it for me. I’m currently deep into the design and ongoing picture research for the Ninja Tune book which will be published this summer by Black Dog Publishing.

It’s a gargantuan project and one that we are not taking lightly – don’t expect the usual spread of press shots you’ve all seen before, we’re digging deep for lots of unseen material and it turns up in the most unlikely places. There’s no way it will all make it into the book but I promise to share some of the bits and pieces that don’t make it at a later date via this blog.

Also, these turned up today… :) Better res than Vimeo, I promise.
L&L DVD 650

Solid Steel, Soundcloud and the Funky Eno

Solid Soundcloud
More Volts: The Funky Eno by DJ Food

Eno-Roxy

We’ve finally knocked the streaming problems that have plagued the Solid Steel site on the head and embedded file playable from Soundcloud directly into the page.

I’ve also got a mix up in the second hour this week called More Volts: The Funky Eno’ – an hour long trip through the funked-up side of Brian’s output since the 70’s. Expect David Bryne, nonsense verse, Talking Heads, The Grid and a whole lot of slap bass.

A Shape Of Things Reader – a 70 minute EP mix

Shapes track images A Shape Of Things Reader by DJ Food
I’ve just uploaded last weeks’ Solid Steel mix to Soundcloud – it’s a trip, it’s got a funky beat, and I can… oh, wait, that’s not right, (although it does include an old Beastie Boys track). As with the last ‘reader’ that accompanied the first EP, it showcases the tracks from the new record alongside, influences I was listening to at the time, the odd sample I used in it’s original form and also some of my favourite tracks from the tail end of 2009.

• Tracklistng:
The Simonsound – Tour De Mars (Project Blue Book)
John Murtaugh – Slinky (Unknown)
Anti Pop Consortium – The Solution (Big Dada)
DJ Food & DK – Sentinel (Shadow Guard) (Ninja Tune)
2econd Class Citizen – A World Without (Equinox)
The Slew – Robbing Banks, Doing Time (Ninja Tune)
Dudley Moore Trio – GPO Tower (Decca)
DJ Food – Brother John (Ninja Tune)
Alan Parker – The Free Life (a) (Whr)
The The – Tender Mercy (Lazarus)
DJ Food – Extract From Stolen Moments Too (Ninja Tune)
Beastie Boys – Do It (Grand Royal)
Anti Pop Consortium – Capricorn One (Big Dada)
King Cannibal – A Shining Force (Ninja Tune)
DJ Food – All Covered In Darkness (Mr P Beats/Vocal Remix) (Ninja Tune)
Deckard – Dignity Of Men (Equinox)
DJ Food – Giant (instrumental) (Ninja Tune)
Juice Aleem – Higher Higher (Big Dada)
The Slew – Battle Of Heaven & Hell (Ninja Tune)
DJ Food – Sentinel (Lunar Defence) (Ninja Tune)
Mulatu Astatke & The Heliocentrics – Anglo Ethio Suite (Strut)
DJ Food – All Covered In Darkness (Mr P In 3 Remix) (Ninja Tune)
Imogen Heap – Just For Now (Deep Design Just For Later remix) (Mp3)
Skylab – ? Pt.3 (Eye Q)

Colouring Henry Flint

So, my new EP – The Shape Of Things That Hum – should finally be in shops today (Jan 11th) after a pressing plant mistake led to the whole lot being repressed, missing the Dec 14th release date.

You’ll find a poster wrapped around the vinyl and inside is another of Henry Flint’s amazing illustrations – done specially for this release. He only provides the line work though and I colour each image in Photoshop using a combination of photos, transparency and colour balancing.

It’s a painstaking process involving many layers, minute mouse work and multiple options and variations. I did several screen shots of the work in progress as I went this time (see below) and I’d estimate it took roughly 2 weeks of intense work.
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It wasn’t helped by Photoshop bugs flattening the image for no reason after saving a session. I’d wake up the next morning to find a whole session had been lost and I had to use Time Machine to go back a stage to un-flatten the thing.

Another setback was ‘the orange juice incident‘ after a weeks work on it in the evenings on holiday. That seems an age away now and I’m at work on the final installment, due out around May. Not sure what the cover to that will be but I have plenty more of Henry’s work available to use and then there’s the album cover…

There will be a Shape Of Things Reader mix up on Soundcloud later this week featuring music from the EP plus influential tracks I was listening to whilst making it and other favourites from 2009.

‘Brother’ John Rydgren

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On my new EP, The Shape Of Things That Hum, there’s a track called ‘Brother John’, a tribute of sorts to a remarkable man with a remarkable voice. He appears in the form of samples taken from records, air check recordings and station idents for his LOVE radio show. Most will never have heard of him but I’ve been collecting his recordings for many years now and thought this would be the ideal time to write up a proper introduction for those wanting to know about the man behind the voice.

I’m not sure how I first found the work of John Rydgren, it may have been via Otis Fodder and his 365 days project or maybe the single vinyl bootleg of his ‘Silhouette Segments’ album that began circulating around 2003. I can’t remember what drew me to it, it may have been the psychedelic cover (I’m a big advocate of judging a record by it’s cover).

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Anyway, as soon as I heard that baritone voice, the hip but sometimes dark delivery and the selection of music he chose to recite over, I was hooked. Many compare Rydgren to Ken Nordine and they certainly do have a lot in common. The crucial difference is that Rydgren was a man with a message and that message was spreading the word of the Lord. “Oh, he was a preacher”, I hear you cry, well yes – he was a Pastor and the American Lutheran Church‘s Director of Radio/TV and Film – but not in the clichéd fire and brimstone sense that we picture when one thinks of such things.

Rydgren – who also went by the moniker Brother John – was much subtler than that and chose to integrate God’s word into his radio shows, intertwined with subjects that the youth of the day could relate to. Sex, drugs, rock music, fashion, cars, it all went in with a Lord’s eye view on each and every one. The creation of the world was turned into a psychedelic trip with allusions to heavy rock and growing weed, a girl with thigh length boots he was checking out suddenly gets him thinking about who had made the girl – “quite a design”.

As well as weekly radio shows Rydgren was broadcast to Vietnam for the troops, intermingling his playlists of rock and pop of the day (Stones, Beatles, Byrds) with short segments he’d written and narrated. Over easy listening backing tracks he planted seeds for the listener to think about the relevance of god within their everyday lives. It was never heavy-handed or overblown and certainly never preachy. His messages were usually slipped in after setting a scene a teenager could relate to, bringing the church into the present day as opposed to the stuffy idea of it being something your parents foisted upon you. One of his often used motifs was, ‘they say…” before going off to quote an example of a commonly held belief before turning it on it’s head.

He was always playful but deadly serious, especially when talking about the Lord, almost to the point of morbidity on occasion as his voice dropped lower and lower in register. He was also very anti-drugs, regularly interviewing musicians of the day and quizzing them on the need for weed or LSD to gain enlightenment. As a Pastor for the Lutheran church he tirelessly spread the word in the form of spoken word radio plays and stories ranging from Moses to Elijah to Xmas tales of Theodore and the Angel, most of which he wrote and co-narrated.

All of his records are promo only radio station issues or were sold at church meetings and, as a result, are incredibly hard to come by. Originals, if you can find them, fetch a high price. Ridiculously rare interview 7″s for radio shows occasionally turn up, flexi discs, religious tales, Xmas stories and sampler records of radio inserts are among the unknown quantity of recordings he made over the years. The best of these is the double album ‘Silhouette Segments’ – literally segments from his radio show ‘Silhouette’. This includes the ‘Dark Side of the Flower – a meditation on the decline of the hippy movement over what sounds like a lost David Axelrod track.

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‘Worlds of Youth’ and ‘Contata Of New Life’ are two similar releases and it’s this last one that Rydgren is ironically best known for, although it’s by default and not actually for any of his vocal work. An internet debate has raged for years over where DJ Premier sampled the main hook from for Nas‘Nas Is Like’ and it appears that crate diggers have honed in on the backing track to one of Brother John’s pieces on the aforementioned album. The track is question, ‘What Child Is This?’, has John reciting over a version of ‘Greensleeves’ and Premier himself has said that the label of the record he sampled was pink with a fish on it, the same as the Lutheran church record label. (side note: my copy of Contata has plain black labels with silver lettering and is 12″ sized, i’ve never seen a Lutheran 10″ record but I’m sure they exist). Where John took this version of Greensleeves from is still open to debate but it’s a shame that most internet searches of his name will bring this up rather than any detailed information of his life and work.

Sadly John suffered a stroke whilst on air in 1982. Over time, with therapy, he was able to recover somewhat but had to relearn to read and speak from third grade level. He returned to work in the 80’s for a few years but died in 1988 aged 56. I was lucky enough to track down John’s son, Shane, and obtain his permission to use the voice of his father and am very excited to be able to release such a song knowing it has the blessing of a family member.

You can hear the track Brother John, as well as the rest of the EP, here:

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