Sculpture 5″ zoetrope picture disc of locked grooves

Sculpture: Projected Music from psyché tropes on Vimeo.

“Sculpture meets Psyché Tropes for a post-transitory broadcast in reductionist methodology, exploring the non-standard definitions in a petri dish from the other side”. (it says on the press release)

Projected Music is a 5-inch zoetrope picture disc containing 26 locked grooves. Each loop is 1.33 seconds in duration cut at 45rpm reaching a total playing time of 34.58 seconds although the loops are intended to be played at any speed. In the possession of two or more disks, the listener can interact with a modular album whereby the source material is open to interpretation. Despite its minimalist size and composition, this release is intended as an LP. With the expansive nature of the turntable, there are almost limitless possibilities.

Remixes by Maria Chavez, Philip Jeck, Janek Schaefer, Mariam Rezaei, Me, Claudius, Graham Dunning and Tom Richards will accompany the 5-inch as a free download. The official release will be on 29th November at The Old Baths in Hackney Wick with live performances by Sculpture, Janek Schaefer and Mariam Rezaei. An ensemble of 26 turntables for 26 locked grooves (including myself) will improvise throughout the intervals.
Event info: https://www.residentadvisor.net/events/1327194

5” Vinyl Pre-order. Releases 29 November 2019 via Bandcamp
https://plasticinfinite.bandcamp.com/album/projected-music

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More Jason Galea tour posters for King Gizzard

KG BerlinIf, like me, you’re following King Gizzard & The Lizard Wizard’s current world tour to support their new ‘Infest The Rat’s Nest’ album then you’ll be aware that ‘8th member’ Jason Galea who provides all their artwork is making individual posters for each headline show of the tour. Galea, who has made videos, sleeves, T-shirts and more for the band since they started out has long put repeated motifs and characters into the artwork and is drawing on much of this for the subject matter of the posters.
He continues to knock it out of the park with new posters almost daily and the quality threshold is high, see examples from the US tour here. I saw the band in London recently and he was doing the visuals for them as well! You can follow him on Instagram KG LondonKG Leeds KG Luxembourg KG Paris

Phase DJ hardware

Phase box I recently bought Phase to add to my DJ set up and thought I’d set down some initial thoughts about it.
A quick overview for those who haven’t come across it before – Phase works with digital Digital Vinyl Systems (DVS) like Serato and Traktor which use a traditional turntable and a controller record/soundcard combo to control the music. Traditionally the turntable needle reads timecode on a vinyl disc and relays that back to a laptop containing software with 2 virtual decks, the turntable becomes a controller for these decks, onto which you drag and drop music from your laptop to play out.
Phase consists of two ‘remotes’ that magnetically clip over the turntable spindle onto any record or object that you wish to use to control it with (it doesn’t have to be a timecoded record). The remotes then send a wireless signal back to the Phase receiver (which doubles as a charger) telling it where the orientation of the turntable deck is.

This is relayed back to the laptop via USB * UPDATE 1 (via Anton – Mr Armtone) “Remotes just send a wireless signal back to the Phase receiver and it reproduces classic audio time-code signal as on timecode vinyl or CDs. If you turning on “THRU” signal on Serato – you’ll hear it. That’s why you need to connect Phase by RCA to your Serato sound-cart (mixer, box, midi-controller). Also, you can connect Phase directly into power socket by USB-adapter, like an iPhone, and thereby to make free one USB port on your Laptop. So, USB on Phase is only needed to update and as a power source.
– and you have control over your virtual decks without having to use the needle on record method of old.

Phase remoteWhy would you add this to your set up when the traditional DVS set up works just fine? With decks and DVS systems comes the problem of worn needles, dust on the stylus inhibiting the signal, bent tonearms, scratched vinyl controller records, bad headshell contact connections and knackered RCA plugs – all of which can corrupt the timecode being relayed back to the laptop and cause glitches, pitch distortions and dropouts. I’ve done so many gigs where the scopes on Serato have wavered, dipped into the red with onstage feedback, dust has built up and glitched out the signal or headshells wouldn’t connect at soundcheck and you’re constantly in fear of everything packing up.
All completely eradicated when using Phase and it’s great to eliminate these potential technical failures from the set up when going to different venues where the equipment is always unknown. Personally I’ve always loved the tactile touch of turntables, never got on with CDJs and, similarly, never found a controller that I’d be happy to use – mostly because of the size of things I suspect – and any working turntable with pitch control can be used with Phase.

There are problems with it but they seem to be more about human error than machine at this stage. The first is remembering which deck is playing the music and not moving the one spinning accidentally, I scratched/stopped the wrong deck twice during a 4 hour set. Also not using the needle, which is an automatic action after all these years, takes a bit of getting used to, not helped in my recent DJ set by the fact that I was also alternating between DVS and actual vinyl playing. The remotes can get in the way when rewinding the decks via the label and there’s no more tweaking the spindle for those micro pitch shifts as the remote sits over them. It does come with an added level of cables to plug in, if you want simplicity and not to have to carry an extra bit of (very small) kit then go for RekordBox and a couple of USBs in a CDJ. This would come down to each individual’s preference when playing ultimately. I’ve seen people questioning the responsiveness of the remotes online but it all seems to be good for me, maybe there was the tiniest bit of lag when scratching but I can’t be sure, it’s certainly minimal if it’s there and remember, this is new hardware/software, it takes time to iron out the kinks, Serato wasn’t perfect straight out the box either.

BTW, I should say, the design of it is beautiful, clean and slick packaging with tasteful minimal touches to the compact hardware. The software that comes with it is equally minimal at the moment, there’s plenty of scope to expand that but nice touches like customising the colour of the lights on the remotes and magnetic stickers to affix them to your records are welcome. I’d like to see versions in other colours rather than the standard black that everyone does (why are so many mixers in black which are just hard to see in a dark club?). An ‘A’ and ‘B’ on the actual remotes so that you can remember which is which would be good too and making the signal light green instead of red (the traditional bad signal colour) in Serato would be good but I suspect this is more to do with how Serato set up their app. *UPDATE 2 Another interesting fact, that this signal from Phase doesn’t support officially, that’s why it comes with “red line” (not grey) on Serato software.”

I only gave it a light test run, no video yet (not that that should make a difference – it’s just sending timecode, not streaming video data) but I loved using it and I didn’t have any problems with them beside my own human errors. They will take a little getting used to but they replace the use for a needle perfectly and personally Phase works for me and I’ll be using it for digital DJ sets going forward.

Posted in DJ Food, Gigs. | 3 Comments | Tags:

New Vanishing Twin video and european tour

The excellent Vanishing Twin have just premiered a new video for ‘You Are Not An Island’ from their ‘Age of Immunology’ LP. Most of their videos so far have been monochromatic, surreal mini-masterpieces, harking back to various visual movements of the 20th century (check the Man Ray-isms of ‘Telescope’) but the new one changes the format somewhat. Adding muted colours and a Moebius-like world vision full of bowl helmeted figures and pulsing black spheres.

They are also off on tour around the UK and Europe over the next few months. Go and see them, buy their records, they’re one of the most interesting bands out there at the moment.

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Jason Galea tour posters for King Gizzard

KG Adelaide If, like me, you’re following King Gizzard & The Lizard Wizard’s current world tour to support their new ‘Infest The Rat’s Nest’ album then you’ll be aware that ‘8th member’ Jason Galea who provides all their artwork is making individual posters for each headline show of the tour. Galea, who has made videos, sleeves, T-shirts and more for the band since they started out has long put repeated motifs and characters into the artwork and is drawing on much of this for the subject matter of the posters.

KG ChicagoKG Denver
Drawing different designs and screen printing 100 copies per show, only to be sold at the gig on the night, this is going to test even the hardest of hardcore fans in ways such as the 180 and counting formats of their ‘Polygondwanaland’ album that they gave permission for anyone to press would. The Australian leg of the tour is already done and they’re now well into the North American leg before heading to the UK and Europe in a month’s time.
KG LAKG Melbourne
I’ve included just a few of the posters so far here, there are about as many again and grows weekly with an estimated 40 different designs being made by the end of the run. My tickets for their London show just arrived in the post, i’m looking forward to seeing what Jason cooks up for that gig.

KG SF KG Sydney KG Vancouver

The Delaware Road 2019

Delaware Road flyer crop
It’s been nearly a week and I’ve been away since returning from this madness so this is late but: The Delaware Road, 2019 : Ritual & Resistance, a 1 day event deep in the heart of Salisbury in a working army base was a blast. Hidden at the end of a road which went through a ghost village and fields of rusted tanks and distant watch towers, red Routemaster buses ferried us to the destination, driven by a man who asked us to reset our watches to the local time of 1944.

DR Salisbury plains DR Salisbury tankDR Salisbury buses DR Danger sign

Along the way locals muttered about a rave happening at the military base but this was no ordinary party. 40 performers ranging from live bands to DJs, poets, installation art, spoken word artists, a witch and a lot of men looking very intently at laptops, tape machines, keyboards and modular synths filled the concrete spaces with a huge amount of sonic beauty and debauchery. The stark concrete and brick huts and outhouses housed all manner of the most leftfield electronica and alternative music and performance you’ll see in any venue or festival, let alone a working M.O.D. facility.

The Delaware Road encampmentDR MOD campDR bus stopDR camping

The main gathering space and stage inside the curved Nissen hut

DR fest site

Stand out moments are hard to quantify as there was so much on and it was a battle to either catch certain acts or get into the rooms they were playing in as some were cramped/crammed by the time you’d arrive. The exception was the main Nissen hut/stage which was big enough to accommodate many and came into its own once the sun went down and the projections kicked in. In the Psyché Tropes room, Sculpture rocked as they always do and Howlround with Merkaba Macabre in a tape loop/modular synth soundclash definitely blew the cobwebs away and probably affected the baby swallows in the nest up in the rafters forever. The Castles In Space room was rammed for Polypores, The 12 Hour Foundation and Concretism and the Buried Treasure room hosted Ian Helliwell, Simon James and Soundhog whose set I caught the last part of with the memorable special lighting effect deployed during his ode to the Commodore 64. Add Andrea Parker playing an electronic pioneers set and Doug Shipton layering cosmic sounds in the main hut before a frankly terrifying performance by Lone Taximermist after which Steve Davis and myself closed things and this was still only half of what was on offer. You could have gone again and had a completely different festival so props to Alan Gubby for all his hard work making it one of the most memorable and manic line ups yet in the Delaware Road saga.

Andrea ParkerDR Andrea Parker
Doug Shipton
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Polypores
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The 12 Hour Foundation DR 12 Hr Foundation

I never did find out who this lot were but they seemed to play all over the place, Push and Neil from Electronic Sound magazine look on over the wall.DR unknown

Frances Castle from Clay Pipe Music exhibiting her wares DR Frances CastleFrances Castle prints 2Frances Castle prints

Ben SoundhogDR Ben Soundhog

Ian HelliwellDR Ian Heliwell

Simon JamesDR Simon James

Nick Taylor from Spectral Studio exhibiting his workDR Nick Taylor printsDR Nick Taylor

Howlround and Psyché Tropes DR Howlround + Psyche Tropes

Sculpture DR Sculpture

A short blast from their set at this link https://www.facebook.com/strictly.kev/videos/10156224556540025/

Steve Davis and yours truly courtesy of Robin The Fog
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Steve having a wail of a time closing the festival.
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Last call for Delaware Road tickets – this Saturday it all happens

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(above) The line up for Saturday’s event, I’ll be on before Steve Davis, playing acid/kraut/electronica to get you moving.
(below) Event guides, one for each audience member. Some ticket options have now sold out. Visit FIXR, Bandcamp or Ticket Tailor for availability:

Ticket Tailor: https://www.tickettailor.com/events/thedelawareroad/212840
FIXR: https://fixr.co/event/839412645
Bandcamp: https://buriedtreasure.bandcamp.com/merch/the-delaware-road-2019-festival-camping

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(below) Exclusive Spectral Studio merch by Nick Taylor, available at the event, there should be plenty of goodies for sale so bring cash (no wi-fi on site so no card payments) and Frances Castle of Clay Pipe Music will be selling her wares too.

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O Is For Orange at the Bluedot festival

fullsizeoutput_f6dWell, the Bluedot Festival was ace for the few hours I spent on site, very well organised, lovely people plus tons of interesting science-based attractions aside from the music. Great crowd for my set too (see view from the stage above), thanks to those who came up to me afterwards and said nice things. Some great photos from my set below via Lisa Sabotig and Bluedot themselves.

Food Bluedot Lisa Sabotig1 BD2019_Sunday_Orbit_DJFOOD_-_LucasSinclair_lowres-1 Food Bluedot Lisa Sabotig2 BD2019_Sunday_Orbit_DJFOOD_-_LucasSinclair_lowres-2 Food Bluedot Lisa Sabotig3
And below, some of my own snaps from things I saw on site
IMG_2324 IMG_2326 Bluedot telescope IMG_2338 IMG_2337 IMG_2323 IMG_2327

Nights Over London radio show premiere

Kev & George

A couple of weeks ago I joined friend George Stewart-Lockhart at Soho Radio to chat about my clubbing experiences from the 80s to present. George has a new show at the second Soho Radio building just opened on Broadwick St. He has an old head on young shoulders and his show aims to interview people who have been around a bit, seen and done things and can honestly use the LCD Soundsystem adage, “I was there”.

We cover the mid to late 80’s hip hop and acid house era, the 90’s chill out clubs, Blue Note and Ninja Tune nights, the 00’s mash up scene and the Solid Steel residency which continued throughout the decade from London to Bristol. I also bought along a handful of records that resonated with me as being key milestones or reminders of these days but I have to stress, this is just my take on things, my memory is fairly good on dates but we’re going back over 30 years here in places.

DJ Food records

Delaware Road festival updates

The Delaware Road event in August continues to ramp up the line up as word gets around about it with more announcements to come. This will be a truly unique event, the likes of which haven’t been seen on this scale before. Transplant yourself to a secluded army base in the middle of the Salisbury countryside for over 12 hours of sonic, audio visual and performance-based adventures in sight and sound with a who’s who of the current crop of leftfield electronic, weird, and experimental practitioners working on the margins today. Buried Treasure, the label who hosted the last two experiences, have put together a mix showcasing some of the acts playing.

Tickets are available for the event, including group and camping options and follow the Facebook event for updates and competitions to win tickets and packages of merch from some of the featured acts and labels.

Delaware final back

Flexi Record Store Day stuff

RSD19 haulJust so much going on at the moment, hard to keep track – Record Store Day was great fun, got a few releases (the Yage and Acid 88 releases are excellent, the Stone Tape less so). Played silly flexi discs at Audio Gold with Shane Quentin first thing, the shop was bustling and my Jonathan King ‘Lick A Smurpf For Christmas’ disc got a cheer. The staff generously treated us to pizza and drinks as well as pushing a couple of filthy flexi’s my way – thanks guys!

Kev@AudioGold Shane@AudioGold New Flexis

Excellent package of the day goes to the Kubrick 7″ from Silva Screen which is a delight on many levels even though it’s actually Wendy Carlos arrangements re-recorded by Mark Ayres and not quite what it was sold as on the original RSD info mail out. The Acid 88 design is also particularly tasteful with the label designs causing some excellent flickering motion when revolving.

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After this we headed down to Palace Vinyl in Crystal Palace for a bit of acid techno with the Downfall crew and a dig through their considerably stuffed crates – if you want any kind of secondhand electronic dance music from the last 30 years then this is the place to go although they mainly sell online. The new Corroded Circuits EP on their label is another winner.

Last stop was the Book & Record Bar in West Norwood where we nearly didn’t get in it was so packed for the showing of Shawn Lee‘s ‘The Library Music Film’, a 2 hr journey through the medium that had our legs aching as we had to stand the whole way through. Records were bought, played and beers consumed afterwards too and it rounded off a great day with friends and a set from King Michael that culminated in a shop-clearing Goblin tune.

Monday saw a private showing of Vickie Bennet‘s ‘Gone, Gone Beyond’ 360 degree film at Goldsmith’s College, a kind of fever-dream across multiple screens with surround sound that made me wonder if she was sane. Collage cross-referencing across multiple decades and genres was the order of the day with a particularly successful hall of mirrors sequence and crazed compression of what seemed like my 70’s childhood for a finalé. If you get the chance, go and see it but it’s only showable in a tiny amount of spaces due to the nature of the surround medium.

Shane&Jonny@spiritland Flexis@spiritland Flexi set RSD

Tuesday night saw Shane, myself and Jonny Trunk at Spiritland in Kings X for the Wobbly Sounds book launch, playing flexi discs on their mega sound system – it sounded awful! 😀 It didn’t matter though as the place was packed and everyone had a great time, especially the Four Corners Book publishers Elinor and Richard. I ended up chatting to actor Paul Putner (aka The Curious Orange from This Morning With Richard Not Judy among many other roles) who is a massive music fan who really knows his stuff.

Off to Bristol this Saturday for the second performance of my Kraftwerk: Klassics, Kovers & Kurios AV show at the Cube Cinema with DJ Cheeba, which is sold out! There are two mixes forthcoming this month too, one imminently and one on the 27th – both very different, more info soon.

Flexi discs and wobbly sounds

A quick round up of all things flexi disc-related that’s coming up over this month. The good news is that the Wobbly Sounds book by Jonny Trunk and published by Four Corners Books that I contributed to is back from the printers and looking great! It’s 160 pages and is only a tenner – pre-order here for an April 15th release date.

Wobbly Sounds coverWobbly Sounds 7 Wobbly Sounds 6 Wobbly Sounds 8 Wobbly Sounds 5 Wobbly Sounds 3 Wobbly Sounds 4 Wobbly Sounds 1 Wobbly Sounds 2

As a result there’s a plethora of promotion coming up: The Eye on Design blog has just published this article on the book.

Audiogold flyer RSD19On April 13th (Record Store Day) I’ll be at Audio Gold in Crouch End, London with Shane Quentin from The Garden of Earthly Delights radio show, playing flexi disc sets with hidden discs in the racks and free beer as well – check the event page for more details.

April 16th sees the official book launch at Spiritland in Kings X, 6.30-8pm along with Jonny, Shane and Andrew Beedell Coram with an evening set by Jonny from real vinyl.

Later this month I should be joining Jonny on his OST show (4.30-6.30pm) on Resonance FM for a flexi special, playing selections from the book and more, hopefully with the usual competition hilarity.

I’m told print pieces in Record Collector and Shindig magazines are on the horizon too…

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Other non-flexi related things happening: I have a guest mix coming up on The Allergies podcast mid April

I’ll be playing on Out Of The Wood radio at the Book & Record Bar this Sunday 7th with Pete Williams during the first West Norwood FEAST of 2019.

Also at the B&RB on Record Store Day (April 13th, remember?) I’ll be playing records with Ceri Preston after a showing of The Library Music Film and a Q&A from Shawn Lee. Starts at 7.30pm and goes to 1am.

Unfortunately the Kraftwerk AV gig I was to do at the Sheffield O2 Academy on the 27th April has been rescheduled for Nov 8th now but will be locking more in for May/June.

Also, I’ll be supporting DJ Krush on June 20th at Oslo in Hackney – tickets just went on sale yesterday.

DJ Krush Oslo 2019 Instagram-2

Record Store Day 2019

RSD 19 AG flyer front web
I was going to post about Record Store Day releases last week when the list was announced but wanted to wait for the announcement above as well. For once I’m heading to North London, after spending years down South or in the West End… to Audio Gold, those fine purveyors of vintage audio equipment, hi-fi components and records, old and new. My good friend Robin from Hexstatic has worked there for many years and has been trying to get Jonny Trunk and I up there for nearly as long.

Jonny will be promoting his RSD release on Trunk, the official reissue of Basil Kirchin‘s ‘World’s Within Worlds’, by playing original reels from Basil’s archive via one of the shop’s lovely machines no doubt. I’ll be joined by fellow flexi finder Shane Quentin who, along with Jonny and I, has contributed to the forthcoming book, ‘Wobbly Sounds’ which is all about British flexi discs. Shane’s collection of the disposable discs is enough to make any collector envious and between us we pulled out some sweet examples of the different uses they had from household product advertising to pop music promotion, event invites to educational aids, and yes, porn.

The book is published by those lovely people at Four Corners Books and forms part of their Irregulars series of Great British oddities, I don’t think I’m allowed to show you the cover yet though as it’s not online. Hopefully copies will be back from the printers and available at Audio Gold for April 13th. We’ll be playing some of our collections in the shop and I’m even going to hide some freebies in the racks for people to find…

Now – to my RSD ones to watch list – if your pockets are deep enough of course:

808 State – Four States of 808 (ZTT) 4×12″ box set

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Limited edition 4 x 12″ box set exploring four very different sides of 808 State; Hacienda-inspired acid house classics, Thunderdome-inspired full-frontal aural assaults, renowned collaborations, and downtempo sonic baths. Featuring 27 tracks across four discs, including rare and previously unreleased mixes, hidden tracks, brand new artwork and liner notes. Includes three previously unreleased tracks and three previously unreleased on vinyl. The entire set is remastered from the original master tapes.

Art of Noise – Daft As A Brush! (ZTT) 4×12″ box set

AON

Limited edition 4 x 12″ box set and a vinyl companion piece to the renowned 1986 CD compilation, Daft. Hear a fresh take on three game-changing records – ‘Beat Box’, ‘Close (to the Edit)’ and ‘ Moments in Love’ – while a fourth disc finally unleashes Trevor Horn and Paul Morley‘s mythical post-AoN project, Art and ACT. Featuring 25 tracks across four discs, including hidden tracks, brand new artwork and liner notes. 20 tracks previously unreleased on vinyl with the entire set remastered from the original master tapes.

Basil Kirchin – Worlds Within Worlds (Trunk) LP

Basil

Worlds Within Worlds (Part I and II) is one of the most important improvised jazz-based recordings of all time. Released in 1971 it sold just a handful of copies, but has become a keystone in the development of experimental and ambient sounds – originals now fetch £1000+. This pressing features a new gatefold sleeve (Kirchin hated the original sleeve), with images of Kirchin, his original field recording tapes and notes by WWW fan Thurston Moore. There are just 1500 being pressed with 250 on gold vinyl, which will be mixed randomly in with the 1250 black versions. There will be no way of telling which colour is which as all LPs will be sealed. The LP will not be repressed.

Bob Dorough – Multiplication Rock (Original Soundtrack Recording) (Jackpot) LP

Multi Rock

LP Colored Vinyl (Red/Blue Swirl on Multiplication Rock). 1st ever reissue, from the original master tapes. 1500 total worldwide. Original ABC 1973 TV soundtrack, part of the Schoolhouse Rock! Series. Jazz Bop Vocalist Bob Dorough (1923-2018) composed “Multiplication Rock” as a way for children to remember multiplicaton tables. Colored Vinyl LP from The Original Master Tapes with original Tape Box artwork. includes ‘Three Is A Magic Number’, as sampled by De La Soul.

Deadly Avenger – Your God Is Too Small (Burning Witches) LP

DA 3d

More sonic electro infused speaker decimation from Deadly Avenger in a brand new follow up to 2018′ s ‘I Am Godzilla You Are Japan’.Your God Is Too Small’ picks up the DA Godzilla story from the very begining in a prequel to IAGYAJ. Includes 3D artwork and glasses, Insert, and download card. UK Exclusive variant. Artwork by Luke Insect.

Desmond Briscoe, The BBC Radiophonic Workshop – The Stone Tape (Silva Screen Records) 10″

Stone Tape

10″ EP on Green Vinyl Long awaited BBC 1972 soundtrack, previously unreleased. Numbered Edition.

DJ Pierre presents / Various Artists – ACID 88 volume 3 (Afro Acid) 2xLP

Acid

A double LP of 1 Black + 1 White vinyl of 12 killer acid trax selected by legendary pioneer DJ Pierre featuring Mark Archer, A Guy Called Gerald, K Alexi, Lauren Flax, Type 303, Hiroko Yamamura & many more.

Future Sound of London, The – Yage 2019

Yage

In 1996 iconic group The Future Sound of London released the UK Top 40 chart album ‘Dead Cities’, from which came a track ‘Yage’. Such has been the interest in this masterpiece of electronica over the years that the guys have been back into the studio to revisit it. Here, on this limited edition, individually numbered LP press exclusively for 2019′ s Record Store Day comes the results. ‘Yage 2019’ takes the core of the original and rebuilds it. All together there are eleven tracks reconstructions and interpretations, woven together (as FSOL do) into a 42 minute dreamscape journey across the 2 sides of vinyl. Only 1000 copies of this release will be pressed on vinyl.

Herbie Hancock – Dedication (Get On Down) LP

Herbie

Vinyl has never been officially issued outside of Japan. 3000 made worldwide. ‘Dedication’ is a unique Herbie Hancock outing in more ways than one. This is a solo Hancock release, all sounds heard on this recording are Hancock at the keyboards, be it an acoustic piano, a Fender Rhodes or a synth. The project was recorded live in Tokyo in July of 1974 and never saw release outside of Japan until well into the 21st century. For Record Store Day 2019 Get On Down presents the first ever US vinyl release of this important piece of Hancock’ s artistic legacy.

Worth it for ‘Nobu’ alone, no poster though!?

Propaganda – The Eight Testaments of Propaganda (ZTT) 4×12″ box set

Prop

This limited edition 4 x 12″ box set dives deep into the hits and mythology of Propaganda‘ s highly influential ZTT years. Take a fresh look at their two biggest singles – ‘Duel’ and ‘Dr. Mabuse’ – and their two most beloved live/album tracks, ‘Dream Within A Dream’ and ‘Frozen Faces’ . Featuring 24 tracks across four discs, including rare and previously unreleased mixes, brand new artwork and liner notes. Includes two tracks previously unreleased, and 13 tracks previously unreleased on vinyl. The entire set is remastered from the original master tapes.

Wendy Carlos /Rachel Elkind – Kubrick (Silva Screen) 7″

Kubrick

7″ Die Cut Sleeve/ Printed Inner Sleeve Transparent Orange Vinyl Double A Side: The Shining/ A Clockwork Orange For both these iconic films, Stanley Kubrick chose to work with the extraordinary Wendy Carlos, who wrote (or realised, as both are based on classical pieces) the main themes to both movies. The 7″ AA Side, March from A Clockwork Orange (1971), is an arrangement of Beethoven‘ s rousing Symphony No. 9 in D Minor (fourth movement) and is the first recorded song using a vocoder. Almost ten years later, Carlos was to work with Kubrick again on The Shining (1980). The Shining – Main Theme on the 7″ A side takes as its starting point the Dies Irae from Hector Berlioz‘ s Requiem (Op5), appropriately taken to new levels of darkness by Carlos and Rachel Elkind‘ s electronic treatment.

20 years of Ping Pong, Paris

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I’m doing a special gig in Paris on March 15th – DJing on a mega line up to celebrate 20 years of Ping Pong, the promotion agency headed by Fred/Jais Elalouf aka DJ Oof of Cinemix fame who has worked with Ninja Tune for two decades now. Oof is also the collector and curator of the Psychedelic Art Centre and there will be an exhibition of works featured for six weeks to launch the special issue of Perfect Bliss, the new Graph Zine and review which comes with stereoscopic glasses for 3D.

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Delaware Road line up roll call

Delware Rd final poster Delaware final backThe line up for this summer’s Delaware Road event at a secret army base in Wiltshire is finally confirmed and Buried Treasure – the label run by Alan Gubby who set up the gig – is dripping out performer names and info over the next few weeks. I’ll add them as they appear – Collect the set! This will not be like any other festival you attend this year. A new dedicated website explains all and there is a bus service you can book to get you to the venue.
Tickets are available here

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DR DJ FoodDR Kemper Norton
DR - Alison CottonDR Sarah AnglissDR - Penny RimbaudDE - ArcDE-EmblaDE - Brazen HeadDE-Lia Mice54437099_2207548382830333_2058601069335805952_nDR -Radionics Radio55943874_2219601834958321_7136139079141294080_nDR-CuckooDR-SoundhogDR - Farmer GlitchDR -Simon jamesDR - Ass MindsDR - Ekoplekz
DR - SequentialDR - Andrea ParkerDR-Steve DavisDR-Ian HelliwellDR-Nat SharpDR - Mark VernonDR -Paul WatsonDR - Chris SpeedDR SculptureDr - Lash + CookeDR-PolyporesDR - A'BearDR - Doug ShiptonDR - Geraldine WolfDR - ReelDR - Tim HillDR - IXtabDR_RR_banner_ANI-KCAM_DR_RR_banner_MERKABA-MACABRE_ DR_RR_banner_HOWLROUND_ ….and last but not least – the master of ceremonies….

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Kraftwerk – Klassics, Kovers & Kurios premiere this Saturday

One of the reasons it’s been so quiet on here this year is because I’ve had my head in the video editing suite for this Saturday’s premiere of my new AV show; Kraftwerk: Klassics, Kovers & Kurios. I’ll be taking this up to Manchester for its initial outing, at The Deaf Institute, who have previously hosted my other AV sets (why should London have all the good stuff first?). Tickets are available here

The show (at the moment) is very dance-orientated with the obvious techno, electro styles accompanied by hip hop, samba, breaks, mash ups and maybe a bit of juke if I can make it fit. Above is a tiny excerpt from one track where I got a bit carried away. The show takes the band’s various eras, looks and line ups and combines them into a 60 track, 90 min+ collage of Teutonic Techno, European Electro & Kraut Crunk together with the visual history of the group. I’ve really dug around for old archive for this one, which is hard on the older material as there is so little and in bad quality but I’ve been collecting this stuff since the early ’00s so have a fair bit. Below are some screen grabs of an Italian performance of Pocket Calculator where the cameraman really wanted to know what they were playing.

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Bluedot festival

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Very happy to announce that I’ll be playing my Boards of Canada-centric Audio Visual show, ‘O Is For Orange’ at the Bluedot festival this year, on Sunday 21st of July. Tickets go on sale this Thursday, just hope I’m not on at the same time as Kraftwerk! See these links for more details
Website – https://www.discoverthebluedot.com
Facebook – https://www.facebook.com/bluedotfestival
Twitter – @bluedotfestival
Instagram – @bluedotfestival
Hashtag – #discoverthebluedot