Eye Sea Posters

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Eye Sea Posters have been around for a few years now, specializing in original, vintage posters from around the world with an emphasis on Polish designs of an alarming variety. Their website has been offline for a while but was recently updated and plenty of new stock has been added, some of which is featured here. Take a look around

From their own mouths: “From the 1950s theatre, circus and film posters became a new form of art on the streets of post-war Poland. Despite the controlling soviet regime, some artistic expression was tolerated and the film industry, largely controlled by the state, prospered. Established artists were commissioned to design film posters. The artists had to convey the essence of the film in their designs and were given artistic freedom to do so which led to some truly original posters that are sometimes surreal and often have a satirical sense of humor. Unlike most film posters, the use of photos of film stars or film stills wasn’t mandatory, and most of the time even the main actors’ names didn’t feature prominently in the designs. Free from commercial constraints, graphic designers used film posters to develop their artistic creativity.

The Polish School of Posters created a unique aesthetic that occupies a prominent place in the history of graphic design. The posters seems to have a style all of their own and we love their amazing and often bizarre artwork.

Eye Sea Posters specialize in Polish posters from the 60’s and 70’s by artists like Jerzy Flisak, Maciej Zbikowski and Maciej Hibner. Their collection is handpicked with an emphasis on design and the posters are rich in symbols, metaphors, unusual forms and colours.”

The company was started by James Dyer and is now continued by Chiara Amini and Iain Twitchett

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Further preview radio show

It’s less than a week until the next Further at the Portico Gallery, and i’ve has put a special preview together of the acts playing for the Out Of The Wood radio show on WNBC.London.


The first hour consists of a primer for special guests The Karminsky Experience Inc. and Markey Funk followed by a selection of Boards of Canada – the subject matter for my ‘O Is For Orange’ audio visual performance. Finishing with the kind of eclectic set co-host Pete Williams will be spinning in the last half hour, you get the gist of the sounds going down this Saturday 15th in West Norwood.

Add copious amounts of retina-singeing visuals, the Karminsky’s giving away copies of their new VR glasses (see above) and tasty local food on sale via the Pimento ’62 people (see menu below) and you get the idea about what to expect. Final batch of tickets for Sept 15th available here.

O Is For Orange AV set for Glasgow

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Glasgow friends, I’ve finally managed to sneak in a performance of my ‘O Is For Orange’ AV set in your fine town, during the two days I’m in Scotland with The The next month.
I performed the 1st AV mix – Selected Aphex Works – last year and Glasgow was one of the best audiences ever.
This is the 2nd and if you like Boards of Canada then this mix is for you…
Sept 4th, McChuills bar, limited tickets here

Aphex Twin advert at Elephant & Castle station

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This is last week’s news now but I finally found myself in Elephant & Castle underground station this week and went in search of the Aphex Twin adverts that had appeared the previous Monday. Nestling in a corridor near the lifts below the shopping centre end of the station are the two op-art-esque logos, seemingly tiled into the wall although closer inspection reveals a carefully designed paste on advert like any other, just with special attention made to the scale of the tiles being rendered.

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AFX cornerIt really is a great example of advertising assimilated into its environment and having all the more impact for it, it’s beautifully done, even if whoever pasted it up couldn’t quite be bothered to line the tiles up on the right hand side (see above). Other, similar designs also started popping up in other countries too, follow #3 aka Paul Nicholson, the original logo designer, for pictures and locations.

By now we know that this was advance warning of a new release, the ‘Collapse’ EP, scheduled for release on Warp mid September on vinyl, CD, cassette and limited foil-covered 12″ which intrigues me the most because the French company who used to produce those foil sheets you sometimes see on old record sleeves went out of business about a decade ago. Someone must have found a way to make them again and it’s a custom Aphex logo design rather than a pattern, very interesting…

Anyway – there’s a new video by Weirdcore that references the design above and the various formats can be pre-ordered here. (Beware – really awful website design alert – probably intentional)

With odd timing I’m pulling my Selected Aphex Works AV set out of retirement this weekend for an outing at the Space Theatre in Bangor, N. Ireland so I’m including the new video in the mix and then also playing a bonus club set at The Hop House nearby afterwards.

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Further returns Sept 15th

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Further returns to its spiritual home at the Portico Gallery for another night of Light, Sound & Design.

Markey Funk flys in from Jerusalem to present his take on the heavy fuzz and psych sounds coming from his Delights label.
I’ll be bringing my AV ode to Boards of CanadaO Is For Orange – to the big screens with exclusive visual extras.
The Karminsky Experience Inc. grace the decks with their selection of swinging library, soundtrack and beatnik grooves.
And just when you think you’ve heard it all, Pete WIlliams pulls out those special audio treats he’s been hoarding for just this occasion, all accompanied by the sensory overload of the Further slide, oil and video projections.

Delicious food will be available from Pimento ’62 Catering and a fully licensed bar.

V. ltd. early bird tickets available here now!

Tomorrow Syndicate poster and LP

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Fantastic artwork by Nick Taylor on the new Tomorrow Syndicate album and promo poster. You can get both from the band’s Bandcamp page – the poster is A2 and in the merch section but the album is only available in digital form frustratingly. Much as I love the music Polytechnic Youth are putting out, they don’t make it easy to actually buy it. Small runs are sold via pre-order from their Facebook page with no audio previews and few represses, you have to be quick and, as the label gains popularity, if you’re not on the web when pre-orders go up then you have to chance your luck with mail order from the likes of Monorail or Norman Records. Still, it makes it all the more fun and precious when you do manage to get one. The album’s great and takes in most of their previously released tracks (two 7″s and a VHS) with nods to La Dusseldorf krautrock and Radiophonic Workshop spacey synth madness.

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Logan’s Run repress

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There’s a new, double vinyl repress of the Jerry Goldsmith score to Logan’s Run just out from Waxworks. This is the expanded score that was released on CD by Film Score Monthly in 2002 boosting the track count from the original’s 12 to 23. The beautiful artwork above is by Martin Ansin who has done many a Mondo poster, see his takes of Alien and Prometheus below. Transmission still have copies in the UK.LogansRungatefold Prometheusposter AlienposterMartinAnsin

The original Logan’s Run theatrical poster with another, possibly fan made, example below.
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It was 20 years ago today

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June 23rd, 1998, Brixton Academy, London, UK. A date I’ll never forget, the day I was part of the support package on the London date of the Beastie BoysHello Nasty tour. Pretty mind-blowing, humbling and scary-as-f**k.
The warm up were the Invisibl Skratch Piklz (Mixmaster Mike, Q-Bert and Shortkut) and Money Mark featuring Kid Koala. Mike acted as compere between acts as I recall and we hung out backstage with him, Kid Koala and Money Mark before the show whilst MCA quietly ate at a nearby table. The Beasties were the main attraction of course and played a 30+ song set which I couldn’t completely enjoy because I was so nervous about playing afterwards.

This was no ordinary gig (because The Beastie Boys, who else?) so there was a full-on party DJ roster afterwards too, kicking off with Rob Swift and Total Eclipse from the X-Ecutioners, then Ollie Teeba from The Herbaliser and myself on 4 decks, followed by the original Scratch Perverts (Tony Vegas, DJ Primecuts, Mr Thing and DJ First Rate) all topped off by Alec Empire to clear the place out (which he did in fine style). What a line up! Playing at ‘home’ there were numerous friends and such in the absolutely rammed venue and walking out after the X-Ecutioners was pretty daunting, even though Ollie and I had been practicing our set for weeks. It all flew past and before we knew it we were being hustled off for the Perverts to rip it up.

BeastieBoys Backstage supportAbove: backstage shot, clockwise from top left: Q-Bert, Mr Thing, DJ First Rate, DJ Primecuts, Harry Love, DJ Ollie Teeba, myself, Tony Vegas, Mista Sinista, and Kid Koala centre left.

The few photos I have from that night are pretty terrible but the show poster, complete with guest pass, has hung in my home for the past two decades.

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Below: Rob Swift on the decks.

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Sister Corita Kent at Ditchling Art & Craft Museum

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There’s an amazing exhibition on in a very out-of-the-way place at the moment, Sister Corita Kents screen prints (or some of them) are on display in Ditchling, a small village near Hassocks, at their Art & Craft Museum, 10 minutes on the train from Brighton. Sister Corita was a nun, artist and teacher running art classes at the Immaculate Heart College in Los Angeles in the 50s through to the early 70s. Her prime medium during these years was screen printing and her works were eventually seen as part of the Pop Art movement.

Her bold, bright, contemporary methods were in perfect step with the times but she became embroiled in arguments with the church over her messages, especially anti-vietnam and civil rights movements posters which ended with her leaving her post and the church for good. Her life and achievements are incredible as a practicing nun and teacher who had everyone from John Cage to Charles & Ray Eames to Alfred Hitchcock visit to take classes.
The exhibition is on until 14th October and is really worth the effort, it’s a 5 minutes cab ride from Hassocks train station and there’s a permanent collection of religious art and more to see.

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Haendehoch! phonographics

IMG_7597 A mystery package of three 45s and 3 posters arrived a few weeks ago from Dutch label Haendehoch! phonographics. Each single is hand-stamped on the label, wrapped in a risograph printed sleeve, folded inside a plastic sleeve and comes with an A3 sized poster to compliment the release.

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The idea for the label is to rescue music from the web that was never given a release on a physical format at the time and the first three releases glean their contents from Soundcloud files uploaded between 2011 and 2014. It’s a novel way to start a label and, whilst the music wasn’t really to my taste, the graphics are absolutely beautiful.

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The label seems to be the brainchild of the Haendehoch typographics studio in Utrecht who have been creating work for the music and club scene in the Netherlands for over a decade. You can judge for yourself and buy the single now here
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Frank Zappa advert + poster collages Pt.2

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Continued from part 1
I’m not sure who did the design above but, from the date, I’d guess it was Zappa, regardless it’s a great poster

Around the end of making The Mothers of Invention‘s ‘Absolutely Free’, Cal Schenkel started working with Frank Zappa on artwork (he also appears on the ‘Freak Out’ album as one of the studio voices). From then on he became the graphic artist most associated with the Mothers and some of Zappa’s solo works, his collages, paintings and sculptures adorning many of their classic LPs. Here’s an ad for ‘Absolutely Free’

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Cal created several ‘Moop’ ads, odd comic-styled pages, “…yeah, and we also did a series of ads which you might have seen at one point… for MOOP. You ever seen any of the MOOP ads? …but they were the weirdest ads, they were like just funny little surrealistic comic strips…and there’s a bunch of ads that were running–like, Hit Parader, and just the oddest places…” – from this interview

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This beauty below appeared in Marvel comics’ Daredevil #38

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By the 70s, things had started to change graphic-wise in publications and we go into what I call the ‘statement’ era of advertising where text played a big part in hooking the viewer in via an intriguing ‘headline’ and then selling the product in a quirky sales-pitch style similar to these examples below. Crazy graphics, surrealism and excessive detail were out and, as a designer, I can’t blame them. Much the same as the sometimes impenetrable psychedelic posters of the late 60s were only meant for the heads in the know to decipher, their time was up and now the marketing men had to sell this stuff to the masses rather than keep it underground. Cue straight, no-nonsense text in blank space and packshots of the album or group in question.

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Frank Zappa advert + poster collages Pt.1

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Lately I’ve been studying the collage art of Frank Zappa and Cal Schenkel from the Mothers of Invention albums. On reading up on this material, including a long interview with Schenkel, I realised that Zappa himself seems to have done a lot of the artwork for the first two Mothers albums, ‘Freak Out’ and ‘Absolutely Free’, with Cal coming in at the end of the latter and doing some of the adverts. What you see below is – as far as I can tell – is mostly the work of Zappa who was a pretty decent visual artist in his own right is seems.

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Freak Out News 1
An ‘official New of the Mothers’ would occasionally get printed in the LA Free Press, below is the first one, a four page digest that includes a poster for a forthcoming gig.

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Some variations on gig posters
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Collage made to illustrate an interview in a music magazine

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The original paste up for an advert / flyer
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Cuphead Posters

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I’m still loving the design of Cuphead, the recent release from Studio MDHR based on the look of the old Fleischer Brothers animation studios. There seem to be lots of great posters for it online, possibly official, it’s hard to tell these days. Many follow the multi-coloured, multi-character model but some keep in line with the look of the game. There’s also merchandise starting to appear, from enamel pin badges to the inevitable Funko toys but the best object so far has to be the 4xLP original soundtrack.

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Housed in a 30’s book-style sleeve with gold leaf cover graphics, separate leaves for each disc and yellowed ‘pages’, it looks like it could have come straight from your grandparents’ vinyl collection. There’s also a lovely 7″ with selections from the near 3 hr LP set. At an eye-watering £71 + postage it’s a bit out of my league at the moment but it looks worth every penny from the photos.

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* Beware of pre-orders of figures from PopInABox – my Cuphead and Mugman figures are now 2 months overdue, one has been dispatched from overseas without a tracking number and the other remains in limbo while they wait for stock, meanwhile I’ve seen them in shops in the UK.

Elzo Durt

couv-livre-elzoThrough an odd set of web links I chanced upon the work of Elzo Durt today, his modern take on collage and psychedelia catching my eye and making me investigate further. This Brussels-based artist works with the Recyclart people (I’ve played for them a couple of times and maybe, unknowingly, seen his work) and runs a record label too. Find out and see more of his work at www.elzodurt.com

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DJ Food AV series #2: O Is For Orange

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Here we go, after last year’s ‘Selected Aphex Works’ shows, the next installment in my live AV Series premiere’s on April 6th at Archspace, London with a new version of my ‘O Is For Orange’ mix – chock full of Boards of Canada and their influences with psychedelic video accompaniment. Tickets available here