Hip Hop flyers from the Kool Herc collection

Kool Herc
You may have seen that Kool Herc‘s estate is going under the hammer at Christies this month. Everything from turntables and disco equipment to glasses, photos, belt buckles and records from the man called The Godfather of Hip Hop. Most interesting to me are the reams of flyers for the old Bronx jams featuring home made, hand drawn and collaged examples of the earliest form of Hip Hop promotion. There are plenty by Buddy Esq. probably the most gifted and well known exponent of early rap design work and there are fascinating little details dotted throughout about the way jams used to be from a time long since passed.
Below are my favourites and you can view the full auction online here:

KH flyer 1
“no drugs, no weapons, no sneakers”
KH flyer 2
“first 25 jazzy ladies free” – who decided?
KH flyer 3

KH flyer 4
“sneakers one nite only” love how cut and paste this is
KH flyer 5

KH flyer 6

KH flyer 7

KH flyer 8
How young are the Furious Five here?
KH flyer 9

KH flyer 10

KH flyer 11

KH flyer 12
That’s a lot of acts on the bill!
KH flyer 13

KH flyer 14

KH flyer 15

KH flyer 16

KH flyer 17

KH flyer 18

KH flyer 19

KH flyer 20
Lot of Zulu crews there
KH flyer 21

KH flyer 22

KH flyer 23

KH flyer 24
‘Guaranteed to perform’, the others might not be there but…
KH flyer 25
How many typefaces?
KH flyer 26

KH flyer 27

KH flyer 28
“giving away $50 to some lucky person, sincerely, Flash” – also “Creole’s got something special for the young ladies”
KH flyer 29
“Shea, please call me, love always, herc” – flyer done by Herc
KH flyer 30

KH flyer 31
Do you think that’s Shea?
KH flyer 32

KH flyer 33

KH flyer 34

KH flyer 35

Andy Votel House Music exhibition at The Modernist, Manchester

House music poster

Andy Votel has an exhibition of record sleeves containing architecture at The Modernist in Manchester. Taking inspiration from his sleeve for Jane Weaver‘s ‘The Architect’ he has created a poster and book to accompany the show. The book features records from his own collection including plenty of his own designs with intimate details that will have most running to Discogs or Google to find out more. Both the book and poster are available from The Modernist and the exhibition runs until September.
Below is my copy of a super rare hand made copy of Jane’s ‘The Architect’ which features an alternate version of the original cover.

House Music and JW 12

John Peel Bonhams auction highlights

John Peel at home
Today sees the auction of items from John Peel‘s amazing collection at Bonhams in Knightsbridge. You can view 200 items from the auction online here from the incredible, often historical, contents. Whilst there are letters, lyrics, acetates, clothing and promos by heavyweights like Bowie, Lennon & Ono, Bolan and Factory Records, those don’t interest me as much as these items below. The notes and photos below come from the Bonhams catalogue entries.
JP Gandalf's Garden illustration
THE PERFUMED GARDEN: THE ORIGINAL ARTWORK BY KEN HAYES CREATED FOR JOHN PEEL’S ARTICLE IN THE MAGAZINE ‘GANDALF’S GARDEN’, 1967,
Gouache on artboard, hand-painted by Ken Hayes (Graphics Dept) as an illustration to accompany an article by John Peel in Issue No.1 of the sub-culture magazine ‘Gandalf’s Garden’. The centrepiece of the artwork reading John Peel all at sea in the galaxy with the names of bands such as The Beatles, Jefferson Airplane, Captain Beefheart, The Rolling Stones, The Byrds, Dylan, The Velvet Underground, Pink Floyd and Donovan among others in the design around it, signed and dated ‘67 by the artist in the bottom right corner, the back of the board with a handwritten football score Chelsea 1 – Liverpool 2, 14 1/2in x 24 1/2in (37cm x 62cm)
*Sold for £4,462.50

JP GG spread-low_res-scale-2_00x-gigapixel

‘Gandalf’s Garden’ was a publication focusing on a ‘mystical community’ which flourished at the end of the 1960s as part of the London hippie-underground movement. The magazine emerged in 1968 and ran for 6 issues. This artwork can be seen on Page 8 of Issue No.1 alongside John Peel’s article ‘A Dawn Walk In The Mind Of The Musical Gardener’, published 1st May 1968.
JP Pink Floyd poster
PINK FLOYD/JOHN PEEL: AN IMPORTANT AND RARE ‘EVOLUTIONS’ SOUTHAMPTON UNIVERSITY CONCERT POSTER, Friday 26th January 1968,
Printed on metallic paper, for a concert featuring performances by Pink Floyd, John Peel, Incredible String Band, Jimmy Cliff and the Shakedown Sound, Tyrannosaurus Rex, Chicken Shack, Nelson’s Column, held at the Old Refectory, University of Southampton, England, 20in x 30in (51cm x 76cm)
The title of this event is eerily apposite, the date being that on which Pink Floyd effectively sacked Syd Barrett. His increasingly drug-related erratic and difficult behaviour through 1967 and the band’s evolving musical direction led them to seek another guitar player.
At the end of that year they brought in one of Syd’s friends, David Gilmour, and the band played a handful of gigs as a five-piece in January 1968. In his book, Echoes: The Complete History Of Pink Floyd, Glenn Povey writes: “Syd Barrett was clearly never going to come back to the real world, and his role within Pink Floyd was all but over. One solution the band thought of was to use him as an off-stage songwriter in the same way that the Beach Boys retained Brian Wilson. But almost at once they realised that this was an impossibility.” Travelling to Southampton for this gig, the band simply decided not to pick Syd up en route.
As MC/DJ for the evening, this poster was kept as a souvenir by John Peel. It is thought this is the first example of the poster ever to appear at auction and it may possibly be a unique survivor of the small number that would have been put up around the University campus to publicise the concert.
*SOLD for £8,925
JP Hapshash poster
PSYCHEDELIA: A HAPSHASH & THE COLOURED COAT-STYLE POSTER, 1960s,
Printed on gold coloured card, with typical Hapshash-style castle and sky motif and twisting prose about a grain of sand, origin unknown, 20in x 30in (51cm x 76cm)
Hapshash and the Coloured Coat was an influential British graphic design and avant-garde musical partnership in the late 1960s, consisting of Michael English and Nigel Waymouth, who produced popular psychedelic posters. Though this poster has no artist or publishing credit, it bears several stylistic similarities to other well-known Hapshash posters.
*Sold for £637.50
JP Oz trail vest
OZ: AN OBSCENITY TRIAL VEST TOP, 1971,
A fawn cotton vest top printed with brown and pink slogan ‘Oz Obscenity Trial Old Bailey London 1971’, labelled size 34.
Issue 28, May 1970 (the School Kids Issue), which included a very adult Rupert Bear cartoon strip, led to obscenity charges being brought against the three editors. Peel appeared in court as a defence witness for Neville and co-editors at the trial, held at the Old Bailey in 1971. John Lennon was also one of the high profile supporters of the magazine and released the single “God Save Oz” in order to help raise funds for the magazine’s defence. The three were found guilty, but their convictions were overturned following appeal, resulting in an embarrassing defeat for the Establishment.
*(Bonhams neglect to mention that the image is by Robert Crumb)
*Sold for £828.75
JP Frankie flyer 1982
JOHN PEEL: A NORTH CHESHIRE COLLEGE STUDENT’S UNION CHRISTMAS BALL POSTER, 17th December 1982,
Printed on paper, for the John Peel Roadshow at which Peel invited Frankie Goes To Hollywood to do a session that included an early version of ‘Two Tribes’, at North Cheshire College in Warrington, 20in x 29in (51cm x 73cm)
Soon after this show, the group was asked to record a video for their hit ‘Relax’ which was shown by Channel 4 on ‘The Tube’ in 1983. The growing popularity of the group convinced Grammy Award-winning producer Trevor Horn to sign them to his newly formed ZZT [*ZTT actually] Records. The band later performed the song on Top of The Pops before the song was banned from the BBC in 1984.
8Sold for £280.50

Levitation festival posters

BrianJonestownMassacre_03_31_2022_ProvidenceRI_BOTH
The American Levitation festival has become THE place to see new psychedelic poster art with the organisation commissioning the current crop of 21st Century poster artists channelling the late 60s San Francisco era in new ways. Posters usually come in colour or foil variants, all for an affordable $30-40 compared to the thousands the 60s originals can go for. The two Brian Jonestown Massacre posters above by Weird Beard 72 work individually or join to form a larger image (both ways) and several artists have used this device, sometimes to form a triptych. Buy the posters from here, they also have a nice line in live recordings from their archives too.

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Artifacts #25: Matchbox Adventure 2000 flyer

Adventure 2000 flyer

Adults of a certain age (ie. over 50) might remember this little promotional flyer for the Matchbox Adventure 2000 line of die-cast toys from the 70s. I found this flyer in Gosh Comics a few years back but remember seeing it in some comics possibly way back and wanting to get this poster so badly. I think I may have even sent off for one to have my name printed on but never received anything back (but that could be the mind playing tricks). I know that I definitely copied the robot in the poster in my sketchbook and wanted there to be a film so badly. I still have a (Land) Raider Command vehicle in its box and my brother and I had the other two vehicles pictured as well, they were well and truly played with until they broke. Did anyone actually get a poster with their name on it?

Adventure 2000 flyer detailAdventure 2000 flyer back

All change for tonight at BSMT Space

IMG_5560Dear friends, I hate to be the bringer of bad news but the Covid curse has finally struck – and at the worst time possible too.
After evading the bugger for 2 years I tested positive yesterday, the day before tonight’s opening BSMT Space for EPOD‘s first solo show of new work. I was supposed to be there and this has put months of work and prep out the window. Be vigilant, we’re not through this yet, no matter what our government tells us.

IMG_2195
But it’s not all bad news though as my man Ollie Teeba has gamely stepped up to bat at the 11th hour with his box of 45s and two turntables for your delectation tonight. I’m sure he needs little introduction but having hands in The Herbaliser, The Process and Soundsci as well as a solo artist and DJ in his own right is nothing to scoff at – he’ll do us all proud.
DOPE FLYER 2D copy
So – the show must go on, get down to BSMT tonight between 6-9pm, there will be excellent art, great music and free beers supplied by Vedett. Maybe even snag one of the limited slipmats or prints being sold on the night?

I’ll be there in spirit and hopefully we can do something once I’m out of isolation. 876353e8-581c-4be0-9236-d58fb30aaf65

EPOD solo show opening at BSMT Space this Thursday


This Thursday – March 10th – .EPOD‘s first solo show opens at BSMT Space in Dalston. EPOD has made a pair of slipmats in five different colourways which will be on sale on the night and exclusively through the gallery. There will also be prints and new canvases plus beers by the Vedett brewery.

QMk3 set upI’ll be providing the music on the opening night from 6pm-9pm via my Quadraphon turntable with the currently unreleased Omnitronic TRM-422 mixer and the Ninja Tune Zen Delay, creating music live with locked grooves and up to four tone arms.
RSVP to [email protected] for entry to the private view on Thursday.

DOPE FLYER 2D copy

The 5th Dimension Club, Leicester, Michael English poster

5th Dimension Leicester

The Fifth Dimension was a very short-lived club night in Leicester, it only lasted around two months by all accounts. I showcased plenty of acts in its short life though with an average of four gigs a week. It also had the distinction of having an original poster designed by Michael English of Hapshash & The Coloured Coat, printed in red, blue and gold as seen above. The original pencil line work for this was sold at auction many years back and a letter from Michael with it, signed and dated December 1999, explained the genesis and concept of the design.

”Normally, the structural design of our work was created on layout paper and then traced out onto the final artwork card. That layout was then invariably discarded as waste. However the 5th Dimension poster was so complex that it required a great deal more preparatory work. This meant the creation of a master drawing on cartridge paper whose more robust nature allowed us the freedom to erase and re-draw the various parts of the design until we were satisfied with it. That done, a final tracing was then made from it on layout paper which was then transferred to the card.

The complex maze like pattern that comprises the central theme of this poster was intended to give the impression of a window or doorway into a fifth dimension. The flickering effect of the colours together with the pattern creates a mesmerising experience that was supposed to draw the observer into another space. Under the influence of LSD, of course, the effect would have been much more dramatic”.


5th Dimension Leicester drawing

Below is a local paper listing for the opening night of the club, presumably before they had the poster above. By the end of October the night would be over.

Fifth Dimension paper ad

UFO Club posters

Having already covered adverts for the UFO Club in a previous post I thought I’d try to match the posters up with the dates. The club started life at The Blarney Club in the basement of the Berkley Cinema at 31 Tottenham Court Road in December 1966. Founded by John ‘Hoppy’ Hopkins and Joe Boyd, the night was first billed as ‘UFO Presents Nite Tripper‘ because they couldn’t decide on a name, it came to be the former, pronounced, ‘You-Fo’.
Listings taken from the UFO wiki page, I’ve tried to match posters to the dates but sometimes bands were announced but wouldn’t play as their fame grew and other commitments called. Most were done by Michael English and Nigel Waymouth who designed under the name Hapshash & The Coloured Coat.

Nite Tripper poster 1
23/30 Dec: Nite Tripper under Gala Berkeley Cinema; Warhol movies; Soft Machine; Pink Floyd; Anger movies; Heating warm; IT god
Poster by Michael English

UFO Jan 67
13 Jan: Pink Floyd; Marilyn Monroe movie; The Sun Trolley; Technicolor strobe; Five acre slides; Karate
20 Jan: Pink Floyd; Anger movie
Poster by Michael English

UFO Jan Feb 2
27 Jan: AMM Music; Pink Floyd; Five Acre Light; Flight of the Aerogenius Chpt 1; International Times; IT Girl Beauty Contest
3 Feb: Soft Machine; Brown’s Poetry; Flight of the Aerogenius Chpt 2; Bruce Connor Movies
Poster by Michael English

UFO Love Festival poster
10 Feb: Bonzo Dog Doo Dah Band; Ginger Johnson African Drums; flix – Dali – Bunuel, WC Fields
17 Feb: Soft Machine; Indian Music; Disney Cartoons; Mark Boyle Projections; Feature Movie; ‘erogenius 3 + 4’
Poster by Michael English

Micheal English UFO screen print 2
24 Feb: Pink Floyd; Brothers Grimm
3 Mar: Soft Machine; Pink Floyd
10 Mar: Pink Floyd
Poster by Michael English, below is English’s original artwork, notice there is a mistake with the date, it should have read Feb 24th
Michael English UFO_original

17 Mar: St Patrick’s day off
UFO mk2 Mar
The classic ‘UFO Mk2’ by Hapshash & The Coloured Coat, this is the reprint, stamped and signed by Nigel Waymouth

24 Mar: Soft Machine
31 Mar: Crazy World of Arthur Brown; Pink Alberts; ‘spot the fuzz contest’
7 Apr: Soft Machine
14 Apr: Arthur Brown; Social Deviants; Special: the fuzz
21 Apr: Pink Floyd
28 Apr: Tomorrow; The Purple Gang

(29/30 Apr: The 14 Hour Technicolor Dream at the Alexandra Palace) – To be covered in a future post…

5 May: Soft Machine; Arthur Brown
12 May: The Graham Bond Organisation; Procol Harum
19 May: Tomorrow; Arthur Brown; The People Show
UFO May 2
26 May: The Move, The Knack
2 Jun: Pink Floyd; Soft Machine; The Tales of Ollin dance group; Hydrogen Jukebox
Poster by Jacob And The Coloured Coat (Michael English & Nigel Waymouth)

9 Jun: Procol Harum; The Smoke
10 Jun: Pink Floyd

UFO June

16 Jun: Crazy World of Arthur Brown; Soft Machine; The People Blues Band 4.30am
23 Jun: Liverpool Love Festival; The Trip
30 Jun: Tomorrow; The Knack; Dead Sea Fruit
7 Jul: Denny Laine; The Pretty Things

UFO 19th-21st July, 1967,
UPDATE: Rare colour variant via the High Meadows Vintage Posters amazing poster site, absolutely essential, give them a follow.
UFO Dusk To Dawn
A more accurate line up on this new poster for the next two dates
14 Jul: Arthur Brown; Alexis Korner; Victor Brox
21 Jul: Tomorrow; Bonzo Dog Doo Dah Band

UFO July

28 Jul: Pink Floyd; CIA v UFO; Fairport Convention; Shiva’s Children

After an article published in the News of the World on 30 July, the landlord told Joe Boyd the UFO could not continue at the Blarney and Boyd decided to use the larger Roundhouse venue.

4 Aug: Eric Burdon & The New Animals; Family; The Hydrogen Juke Box
11 Aug: Tomorrow
18 Aug: Arthur Brown; The Incredible String Band
1/2 Sep: UFO Festival: Pink Floyd; Soft Machine; The Move; Arthur Brown; Tomorrow; Denny Laine
8 Sep: Eric Burdon & The New Animals; Aynsley Dunbar
15 Sep: Soft Machine; Family
UFO Roundhouse poster
This fantastic Martin Sharp poster sadly heralded the end of the UFO’s run at the Roundhouse.
22 Sep: Dantalian’s Chariot w/ Zoot Money & His Light Show; The Social Deviants; The Exploding Galaxy
29 Sep: Jeff Beck; Ten Years After; Mark Boyle’s New Sensual Laboratory; Contessa Veronica

Victor Moscoso – Poster from the Past

Poster, The Miller Blues Band, 1967; Designed by Victor Moscoso (Spanish, active USA, b.1936); offset lithograph on white wove paper; 50.3 x 35.8 cm (19 13/16 x 14 1/8 in.); Gift of Mr. and Mrs. Leslie J. Schreyer; 1979-34-38; Cooper Hewitt, Smithsonian Design Museum. Photo: Matt Flynn © Smithsonian Institution
Poster, The Miller Blues Band, 1967; Designed by Victor Moscoso (Spanish, active USA, b.1936); offset lithograph on white wove paper; 50.3 x 35.8 cm (19 13/16 x 14 1/8 in.); Gift of Mr. and Mrs. Leslie J. Schreyer; 1979-34-38; Cooper Hewitt, Smithsonian Design Museum.
Photo: Matt Flynn © Smithsonian Institution

‘Poster From The Past’ – #2 in the Neon Rose series by the legendary Victor Moscoso  – plus original artwork below. 55 years ago today.

NR2 orig-gigapixel-art-scale-2_00x

A Million Volt Light & Sound Rave

Million Volt Rave poster colour

The Million Volt Light & Sound Rave was put on at The Roundhouse over two separate days in early 1967 by the Binder Edwards Vaughan / BEV design partnership of Douglas Binder, Dudley Edwards and David Vaughan.

Sometimes also known as the Carnival of Light Rave, it most famously featured the airing of ‘Carnival of Light’, Paul McCartney’s mythical 14 minute musique concrete piece, specially made for the occasion with the participation of the other three Beatles. Vaughan had painted a piano for McCartney the year before and asked if he would be up for contributing something whilst delivering it. It was played a number of times during the two events and hasn’t been officially released since. Less heralded was a performance of tape music by Unit Delta Plus, the trio of Delia Derbyshire, Brian Hodgson and Peter Zinovieff although it’s unknown if they were there in person to play it or if it was just playback. Also on the bill, Tonics, Soft Machine and Electric Poets which consisted of Soft Machine‘s Daevid Allen and Robert Wyatt with Gilli Smyth and Early Fuggle on welding kit (according to a clipping from International Times). Allen and Smyth of course went on to form Gong. The poster and flyer above and below I’m presuming were done by BEV although I can’t find any confirmation of this anywhere, if anyone knows please leave a comment.

Million Volt yellow
Above, A Million Volt Rave flyer for the first event, these also exist on white, below, detail from BEV headed stationary that was found dumped in a skip outside a mill in Manchester, 1999. The collection of papers included sketches for McCartney’s piano and a list of BEV commissions was found by builder Andy Clynes, more info and photos here. This design has also been found printed on silver paper as a poster (see below) and may be an early draft (I’m speculating here).

BEV Collective (Binder, Edwards, Vaughan)Million Volt Light & Sound IT listing-studio-studio2Here’s Dudley Edwards talking about the event, he reveals that an unknown Jimi Hendrix was also on the bill.

Dave Little artwork at the Club Culture screening

Jibaro I was amazed to see the originals of Dave Little‘s covers for S’ExpressOriginal Soundtrack album and Jibraro ‘Electra’ 12″ at the screening of the 1988 documentary, Club Culture tonight at Arboretum. There was a small show of his work including Renegade Soundwave, Spectrum, Junior Boys Own and his Acid screen print. If you look closely at the Jibaro sleeve you can see the stuck on lettering peeling away. You can buy some of these as prints from Dave’s site.

Jibarodetail1 Jibarodetail2 Jibarodetail3 OSTOST detailOST detail2OST detail3OST detail4OST Mark SpectrumMap of Acid MOA detail 2 MOA detail

The Quadraphon Mk II turntable & Levitation fest

QMkII 1 The Quadraphon Mk II – a lot of last week was spent working on this, making container pods that hold three extra tone arms, attached to a modular sliding rail that can be fitted over any DJ turntable.

QMkII 2

Each tone arm can be moved and locked into position to recalibrate where the arm sits in the groove and the whole thing comes apart for portability.

QMkII 3
It’s not perfect but better than the Mark I which had free-standing tone arms. Still got to perfect the sliding action to make it smoother and retool one of the pods but it all works. If you want to hear what comes out of such a contraption then check out the releases on my Infinite Illectrik label on Bandcamp.

QMkII 4

Its debut should be at the Castles In Space Levitation show in Whitby, Nov 6th as part of The New Obsolescents’ first proper live show, the time and details of which are below. There are two nights and tickets can be bought here

CiS Schedule CiS_Halloween_1_Amend

60s Psychedelic drug posters

cocaine-candy-1960s

On my travels round the web I ran across these late 60s parody drug posters – the following info was cribbed from the Worthpoint website:
Vintage Psychedelic Poster ‘Cocaine Candy’ Limited Print
Published by The Esoteric Poster Company in 1967
Hand-Pulled Serigraph on Thick Stock Paper, Semi-Gloss Finish
Original Art by Robert Wendell, after Roland Crump
Printing by Gawdawful Graphics / Wendell & Klopp
20″ x 13″ Black Light Sensitive
The Esoteric Poster Company, founded by Howard Morseburg in California during the early 1960’s, had a brief run before folding for good in 1968. The beatnik satirical ‘drug’ parody posters achieved popularity from the community they sought to mock. Owner and founder Howard Morseburg hired artists Roland Crump (acclaimed Disney animator) and Robert Wendell to produce the designs. Very limited printing, less than 300 (as low as 100) printed.. among the most collectible and prized of all 1960’s psychedelic era posters.
Guaranteed original from very limited back stock, from Howard Morseburg’s gallery in Alhambra, California.

Fly HeroinSniff GlueGlue credit 2Glue creditTry Opium

A bit more history:
Howard Morseburg (1924-2012) began his career in the art business in the 1950s. He was a World War II veteran who had served in the Merchant Marine and later worked in the book and magazine business. As a young officer during the war, Morseburg was on the “Murmansk Run” to the Soviet Union and other perilous wartime voyages through the submarine-infested North Atlantic. It was one of Morseburg’s friends from this time, a young skipper named Jim Greenberg, who was to introduce him to the art business.
After the war, this friend became a ship’s captain on the Atlantic route, and began importing paintings by European artists to the United States. In Europe, which was still suffering from the economic after effects of the war, there was no appreciable market for these artists’ work. During the 1950s Greenberg began selling the paintings he imported to galleries, furniture stores and interior designers who were then developing a wider consumer market for art than had existed before the war. From his base in Seattle, where he and his young family were then living, Howard Morseburg followed suit, and he began selling paintings imported from Europe throughout the western United States.
In addition to the European paintings he received, Morseburg began representing young American artists. He also became involved in the West Coast printmaking movement. In the late 1950s and early 1960s he started to represent young artists like Wayne Thiebaud, Elton Bennett and Mel Ramos, who created their own hand-pulled prints. It was this interest in printmaking that helped lead to his next venture.

The Beatnik Posters: About 1960, Morseburg became interested in creating humorous and satirical posters. At this time, the “beatnik” movement was in full swing and coffee houses and jazz clubs were full of beatniks spouting free-form poetry to the beat of bongo drums. To Morseburg, the beatnik movement found in Greenwich Village, Seattle, San Francisco and the East Bay was ripe for satire. He met a talented young Disney artist and Imagineer named Roland Crump at a gift shop in the San Fernando Valley, just north of Los Angeles. Crump was a brilliant and eccentric young artist and designer who became one of the most important Disney “Imagineers.” Crump was already producing some hand-pulled beatnik posters before he met Morseburg, but once the association began, Morseburg had larger quantities of some of the posters published using the photo-offset process.

Crump designed a series of images that satirized the drug culture that was developing among the Beats, which Morseburg took on the road, travelling down the coast from Seattle to San Diego. In that era, drug use was not widespread and they were chiefly popular with musicians and beatnik hipsters. So, Esoteric Poster’s first releases were “Smoke Marijuana,” “Fly High, Fly Heroin Airlines” “Cocaine” and “Opium.”The next posters were which poked fun at a Beatnik club, and “Big Liz,” which was a colorful poster of a Beatnik princess. Those 30″ x 24″ posters were silk screened in three colours and for posterity’s sake they cost $0.50 to produce, were sold to book stores for only $1.00 and retailed for $1.95.

the Green GasserIn the course of his frequent sales trips to visit art galleries, Morseburg personally distributed Esoteric’s posters. His primary outlets for the posters were the book stores along the west coast that catered to college students in Berkeley, Stanford, Portland, Seattle, San Francisco and San Diego. These posters were produced as very early critical parody of the drug culture by the Esoteric Poster Company, but the message was so subtle that they were popular among the very community they sought to mock.

Below are a few more I’ve run across although details about dates and print houses are scarce but I’m reasonably sure they’re from the same era.

Drug guide for heads
Poster Prints credit

Original vintage black light ultra violet poster designed by Dominick Jago, 1969.
Depiction of the pharmacopeia of the era.
Publisher: Poster Prints, Plymouth Square Center-Conshohocken, PA.
Dimensions: full sheet: 21″ x 31.5″
Hake's National Institute of Mental Health
Printed by The US Department of Health, Education and Welfare; Public Health Services and Mental Health Administration, possibly 1969 although other sources say 70’s.

Trip Without DrugsTrip without drugs details

Savage Pencil exhibition at Orbital Space, London

SavX Tshirts x15
There’s a free Savage Pencil exhibition at Orbital Space for the month of September, that being the new name for Orbital Comics on 8 Great Newport Street, Covent Garden. There are T-shirts and prints for sale as well as prices on most of the artwork although they’re not cheap. It’s great to see the originals to the Nothing Short of Total War compilation on Blast First as well as several others and Edwin’s visual bite hasn’t dimmed in the last 40 years.

SavX Valley 69 SavX Acid SavX DAM SavX goat SavX Guns SavX Head 2 SavX head SavX Merchants SavX NSOTW 2 SavX NSOTW 3 SavX NSOTW SavX NSOTW1 SavX T shirt SavXskateboard
In the front of the shop there’s also a great display of Graham Humphreys‘ work for film and books, mainly dealing with horror or B movie content. It’s great to see the originals and most are for sale although some have already been taken.
GH Jordan GH Scala GH sci-fi

Middle Earth flyers part 2

ME July-Oct 68
In this second part of Middle Earth flyers collected from the International Times archive we get to the point where the club moved from their original Covent Garden home to The New Roundhouse in Chalk Farm after numerous raids by the police. At the top we see the Magical Mystery Tour event still advertised on Aug 24th/25th 1968 (see previous post) but by the next issue (two weeks later) it was replaced by a regular gig featuring Traffic, Family and Free but with a large ‘& then’ before announcing The Doors and Jefferson Airplane gig. There’s a uniformity to these ads previously unseen at the old venue, broken by the tall thin ad above right and the circular orange one below which advertises a programme of classical music by the Middle Earth Symphony Orchestra!

IT_1968-10-18_B-IT-Volume-1_Iss-42_020 IT_1968-11-01_B-IT-Volume-1_Iss-43_020 IT_1968-11-15_B-IT-Volume-1_Iss-44_016 IT_1968-11-29_B-IT-Volume-1_Iss-45_022-023ME Dec 68 - Jan 69IT_1969-02-28_B-IT-Volume-1_Iss-51_002

Problems with The Roundhouse meant that the club was forced to move again by early 1969, the nearly blank advert above appearing mid February in IT. Following a message in the next issue stating they’d moved to the Royalty Cinema in Notting Hill Gate, a month’s worth of gigs were later listed through March into April. After that things appeared to dry up until a series of tiny ads appeared in September, one a week, stating, ‘Middle Earth is alive and well…’ ‘and coming soon’, ‘is The Power of The Picts’. Then in November, a full page ad announced the rebirth of the night as a record label with a management address in Soho Square. It lasted for two years, releasing five singles and five albums in that time, there’s a short history of it here.

IT_1969-09-26_B-IT-Volume-1_Iss-65_009IT_1969-11-06_B-IT-Volume-1_Iss-67_004Middle Earth record

Middle Earth flyers part 1.5 – The Magical Mystery Tour

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The full page back cover advert above appeared in the 9th Aug 1968 issue of International Times magazine, promises much and looks like some sort of insane bargain for the princely sum of £3. The idea of the event, as you can read from the text, was to take 3,000 paying punters on a Magical Mystery Tour via a fleet of blacked out buses. 90 minutes later attendees would disembark inside a ‘walled Pleasure Garden’ with deer roaming in the grounds  for 48 hrs of music, mischief and mayhem. Undoubtedly taking its name from The Beatles’ song of the same name released the previous year, there were reportedly the first showings of the film of the same name due to take place but I’ve not been able to confirm this.
The first sign of the impending gig was a small ad in the back of the 12th July 1968 issue of IT with just these words…
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This also seems to coincide with the moment when Middle Earth at the King St. address in Covent Garden moved to The (New) Roundhouse in Chalk Farm with some reports suggesting that this event even took place at that venue. Again this seems to be pure speculation and hardly fits the bill of the advertised ‘lawns and woods within the walls’ plus how would they do a six hour firework show indoors?

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Above is a full colour poster for the event by Hapshash & The Coloured Coat although it’s been credited solely to Michael English too. A version of this image also exists for the First International Pop Festival in Rome earlier the same year, and it appears that the poster may have been over-printed, adding new band names whilst obliterating the original festival name and date. According to Middle Earth club DJ, Jeff Dexter, this was, “put together by Giorgio Gomelsky with Dave Howson from Middle Earth.” I’d speculate that they wanted to add to the promotion for the event with an eye-catching poster at short notice, thinking that few would have seen the Italian festival poster? Hapshash had of course done many posters for both UFO and Middle Earth and were pretty much the premiere poster designers for that era in the UK along with Martin Sharp. If anyone has any further info on this I’d love to know more.

First International Pop Festival
Below are both sides of a poster (or possibly flyer) designed by Ozmosis – who had also assembled the ad at the top of this post plus the smaller flying baby one. I’ve not been able to dig up anything about who Ozmosis were from anywhere –  Jeff Dexter didn’t know, psychedelic poster collector, Peter Golding had heard the name but no more, antique book and magazine seller, Adrian Sclanders of Beatbooks drew a blank and artist and ex-IT arts editor Mike McInnerney hasn’t so far got back to me.Magical Mystery Tour posterMagical Mystery Tour poster back
So what happened? Any eye witness accounts, footage or reviews of the event are missing in action whereas there are plenty for the 14 Hour Technicolour Dream or The Million Volt Light & Sound Rave. You’d think something as ambitious as this would be up there as one of the events of the era? The answer seems to be in a small news piece in the 23rd August 1968 edition of IT.
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Jeff Dexter again, “The Mystery tour never happened due the weather and lack of sales, but there was a quickly put together event by coaches from Covent Garden to a very smart reception space the ‘Baronial Hall’ in the City of London.”
The Doors / Jefferson Airplane gig mentioned here two weeks later has of course passed into legend though…