Shades of Rhythm – Sweet Sensation Remixes



Out on both 12″ vinyl and digital download via the Cheap Thrills label are 2011 remixes of this classic. Fast forward to the Lone remix which just kills it, a perfect blend of old and new. He manages to retain the soul of the original whilst updating it with modern production touches to make it sound fresh again, the man really does it justice where most remixes like this miss the point.

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DJ Ollie Teeba’s Classic Material ’91 mixes

A couple of weeks ago Ollie Teeba (one half of the mighty Herbaliser) followed myself, DJ Format, Andy Smith and Mr Thing at the Classic Material night in Old St. The year he was helping celebrate was 1991 and, whilst researching records to play for the night, he found he had 17 hours of material!

He ended up playing a 3 hour set and kindly put down over 4 hours for us to enjoy via his new mixcloud page. The next night is on April 16th with Big Ted and the year will be, you’ve guessed it, 1992.

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64 Bar Music challenge no.6

In June I’ll be mixing the next installment of the 64 Bar Music challenge, first instigated by members of the Ninja Tune forum. A quick crash course in 64 Bar Music: the concept is simple, a tempo is decided upon for each new challenge and you write a piece of music, in any style, no longer than 64 bars. The poll to decide the bpm for 64:6 (there have been five so far) has just been set at 110 bpm.

Anyone can join in and the best of the entries will be turned into a mix by yours truly, debuting in July. If you fancy a bit of that then hop along to 64BarMusic and check out the details, deadline is June 1st. It’s an excellent way to get your production heard in amongst producers both released and unreleased. People like Dr. Rubberfunk, Proof of Concept, Remdog, Tom Central, dtnl, AGT Rave Cru and DJ Moneyshot have already contributed and there are many excellent unknowns who have taken part in the past.

Posted in DJ Food, Event, Music. | 3 Comments |

New Wagon Christ video – ‘Chunkothy’

[youtube width=”636″ height=”382″]http://www.youtube.com/watch?v=rpPVPEoJdb0[/youtube]

Taken from the new Wagon Christ album ‘Toomorrow’, out now on CD, LP and download

The ‘Chunkothy’ video is directed and animated by Celyn Brazier at Nexus with Beccy McCray providing invaluable production skills. Bali Engel helped colour and provided the beautiful animated sequences for the insect loop and fishes. Margot Tsakiri-Scanatovits and Manav Dhir also provided colouring skills and contributed to the animation of the insects. Steve Mc Inerney constructed the final edit with perfect timing and imagination.

The animation was created in Photoshop, with most sequences on one layer. It was as simple as that really. No gimmicks, no tweeny motion tricks, no cgi.  Celyn created small beat guides for reference, sometimes following the rhythm, for example on the bouncy ball loops, but mostly as many random patterns and as much weird sh*t that she could possibly make in six weeks.

CREDITS
Celyn Brazier – directing, deigning, colouring, animating
Beccy Mccray – producer
Steve Mcinerney – editor
Bali Engel – colouring, animating
Margot Tsakiri-scanatovits – assistant colouring
Manav Dhir – assistant colouring

Posted in Design, Film, Music, Ninja Tune. | No Comments |

Beach Boys’ original ‘Smile’ sessions to be released

News filtered out recently that The Beach Boys‘ (or just Brian Wilson if you’re being picky) original ‘Smile’ album sessions are going to get the deluxe box set treatment. If you don’t know what ‘Smile’ was / is then here’s a good place to start: Smile wiki.

A beautiful record that I’ve been fascinated with for over ten years now and never thought I’d hear finished. I was lucky enough to see it performed live by Brian Wilson and his band for the first time in 2004 – absolutely one of the best concert experiences I’ve ever had.

An interesting article with the engineer on the project, Mark Linett, is here which certainly promises the goods later this year. If your interest is not satisfied by the wiki then Dominic Priore‘s ‘Look, Listen, Vibrate, Smile’ book is excellent.

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Belbury Poly Youth Night, Brighton

Gutted I can’t go to this as I’m out of the country, lots of my favourite artists on one bill.

Live sets from Moon Wiring Club and Pye Corner Audio, Ghost Box & Outer Church DJs a screening of Julian House‘s short film Winter Sun Wavelength, Public Information Films, lost television and other odd visuals.

Thursday 14th April 7.30pm – 12.00 midnight
Komedia
Brighton

Tickets £7
www.komedia.co.uk
Box Office: 0845 293 8480
Resident Records: 01273 606 312

 

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Six Ton Armour

6 Ton Rem comp
The Six Ton Armour site hosts ‘Psychcasts’ – psychedelic podcasts – alongside artwork by Rimrimrim. They’ve recently started putting out mixes on CD too and I got a couple of them in the post last week. Beautiful they are too, with screen printed covers that recall some of the Twisted Nerve / Finders Keepers sleeves or Canada’s now defunct Bully label. The mixes are very good, sprawling across the psych realm and digging deep. Definitely worth keeping and eye and ear on for future releases and mixes. Buy these two CDs here… but you can also download the Black Olsun ‘Spells’ mix for free from here…
6 Ton Spells comp

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Vinyl Veterans, Classic Material and The Boom Bap

Two upcoming events for your diary, both on the same weekend, featuring two friends of mine in similar settings. First up on, Friday March 18th, is The Vinyl Veterans at the Black Dove in Brighton with Jonny Cuba (ex-Dynamic Syncopation / Soundsci).

The day after it’s the turn of Classic Material at C.A.M.P. in Hoxton, London with Ollie Teeba (The Herbaliser / Soundsci).

Both events share a similar theme: a love of Old School Hip Hop, funk and breakbeats and a fondness for vinyl as the preferred medium to DJ with (Vinyl Veterans is Vinyl ONLY!). Readers of this blog with be familiar with Classic Material’s monthly theme of a different year as the basis for each session and this month it’s the turn of 1991.

Also check out their excellent themed mix, shirt and stickers sets in their store, there’s a new one each month featuring a re-rendering of a classic Hip Hop label logo – Classic Material store.

Also, both events are FREE so there’s no excuse about door prices, if you love what Rap used to be about and not what its sadly become, then these nights are for you. There seem to be more and more cropping up too, Rap History in Berlin and the Boom Bap in London, which I played at last night and is a weekly concern!

Posted in Gigs, Music, Records. | No Comments |

Amon Tobin – Splinter Cell Remixes

Amon Tobin‘s 2005 Splinter Cell game soundtrack has been remixed to coincide with the release of a new 3D version of the game. Various Ninja Tune artists such as Daedelus, Kid Koala, King Cannibal, The Qemists, Eskmo and Lorn have worked their magic on the tracks alongside a couple of new pieces by Amon himself.

For the artwork I was required to update the original and decided to experiment a little with the 3D analyph technique you can achieve in print. If you have a pair of red and blue 3D glasses to hand, have a look at this from the inner sleeve of the vinyl. The physical LP and CD versions are released in April but you can buy the download version right now from the Ninjashop.

ZEN171 3D cover 650

Chart Sweep / Time Sweep


This little piece of history has been going viral over the last few weeks after being put up on Soundcloud by a user called mjs538.
*UPDATE: Another user: DJMOOG1 has put up a better quality version which I’ve embedded above.
Although not actually by mjs538, the pieces have a strange and convoluted history in themselves as well as portraying the history of pop music based on all the #1 hits in the US charts since 1958. Both mixes use up to 5 seconds of each and every #1 since the mid fifties, in order, up until 1981 in Part 1 and into the early nineties in Part 2. Whilst a herculean effort, even in this day and age of digital editing and online stores to source the material, it’s all the more impressive that the bulk of Part 1 was made in the late seventies using reel to reel tape and a razor blade.

MARKFO_BThe piece – known as ‘Time Sweep’ – was part of an extensive radio show called The History of Rock n Roll’, made by Drake – Chenault Enterprises for radio in the US which utilized 52 hours to bring the first comprehensive history of rock music to the airwaves. Each year was prefaced with a medley of that year’s #1 hit singles (a ‘Chart Sweep’) and the whole was compiled into a ‘Time Sweep’ to end the mammoth series. The engineer responsible was Mark Ford (above), a veteran of radio jingles and production. He compiled and edited all the selections up until 1977, not only cutting and splicing but also EQing and time stretching sections to make them fit together sonically and selecting and pairing little couplets of lyrics at certain points – Roy Orbison‘s “Pretty woman, walking down the street”, segues into “there she was, just a walking down the street”.

For a little ‘behind the scenes’ info, check out this link on the making of the special

HugoKeesing-743853
But the story doesn’t end there. For those paying attention, just after the Meco version of ‘Star Wars’ in Part 1, the sound quality noticeably changes in both the stereo field, quality and editing. The reason for this is that a teacher from Maryland University called Hugo Keesing extended and updated the concept of the Chart / Time Sweep for his classes as each year finished up until 1991. With all due respect to Keesing, he isn’t a sound engineer and it shows in the application of edits and production. This is where the piece stops being art and turns to documentation and, as such, loses the essence of its greatness. Keesing was using a Wollensack tape recorder to edit with and had no way to clean up or EQ the tracks. So, the majority of Part 1 is Mark Ford’s original (up until 1977) and then Keesing’s extension, which runs the entirety of Part 2.

Five Seconds Of Every #1 Pop Single Part 2 by mjs538

How this piece came into circulation on the web was via a tape with Keesing’s name on it that was passed to the Evolution Control Committee‘s Mark Gunderson in the 90’s and the piece was widely believed to have been by him in it’s entirety by the cut and paste fraternity unfamiliar with the History of Rock n Roll programme. Eventually Keesing was tracked down and you can read an interview with him over at Jon Nelson‘s ‘Some Assembly Required’ blog.

For a comprehensive overview of the whole story check here, there is also an update of the whole concept from 1993 to 2010 if you can’t get enough of this kind of thing.

Posted in Music, Oddities, Radio, Records. | 6 Comments |