Ninja Tune XX in the US, Part 3: Los Angeles

Day 4: Saturday – LA – Echo/Echoplex

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Lobby call was a slightly kinder 10am this time and we were starting to acclimatise  to the time zone now. We were staying at the Standard downtown, which had a ping pong table and organ in the lobby as well as a curtain print in the room that matched the design on the walls. The shower wall was also clear glass so everything was on display if you were sharing rooms. Steve lucked out when he was given a huge top floor suite which included a bath that could hold six and a large, spongy foot in the middle of the floor(!). The show was at Echo/Echoplex, a two room venue in Echo Park, with Eskmo, special guest Cut Chemist, Toddla T, Amon and Kentaro downstairs whilst Jeff, Thavius Beck, Koala and DK and I had the smaller upstairs room. We all went to dinner nearby and were joined by Money Mark, publicist Trevor and several of the UK office staff who had chosen LA as their destination of choice. We got back to see the end of Cut’s set which was amazing, using one turntable and a foot pedal to loop and scratch African records over each other as with his Sound of the Police release. Plenty of people had come in costume as it was Halloween weekend including a taco, cavemen, telly tubbies, pimps and pnutz from the Ninja forum dressed as a Technics turntable, complete with 7″ hair accessory and Ninja record label on the deck. Highlight of the night was Koala’s crossfader breaking mid set and him seamlessly changing it live onstage whilst using the pillow fight routine to cover himself. DK and I had a great set and Jim Mahfood turned up with his posse and sweated his guts out dancing. Some great pictures of both players and costumes plus a review are here at Chinashop. We all ended up back in Steve’s suite for an after party but I was flagging badly and retired to bed early.

Day 5: Sunday – LA – Halloween, a visit to Augustine Kofie’s and the Boo-Over

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I was woken at midday by the phone, it was Augustine Kofie calling to see what my plans were so I packed, left all but my backpack at the hotel and headed over to his house. We’d agreed to meet up as I was picking up a piece of his I’d bought called ‘Constructive’, a gorgeous 12″ x 12″ collage which seemed tiny in comparison to the bigger pieces I’d seen at the gallery in San Francisco. His home looked similar to the constructions he’d built in the gallery too, neatly ordered stacks of paintings, paper, rulers, wooden boxes and other ephemera he’d picked up on his travels. We headed out to get some lunch and then on to a fancy dress store as I had to pick up a costume for the party I was secretly doing that afternoon – the last ever Do-Ever at Cranes in Hollywood, renamed the Boo-Over for the night, costume mandatory. I was at a loss for what to go in but after trying on several masks Kofie spotted the pizza slice costume which was a no-brainer for a DJ Food outfit.

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When we arrived at the spot, the line of costumed freaks was already down to the bottom of the block and it was only 4pm. There were some excellent choices too, Wolverine, plenty of Darth Vaders, a KanYe West bear, Ray Charles and a vampire Queen of the Damned with very realistic fangs who wanted to bite me all the time. I met up with Aloe Blacc and Jamie Strong who run the night in the back courtyard at the tiny venue (capacity about 250 although they must have fitted more in). I had the second set as I had to leave early to catch a plane at 10.30pm and got the party started nicely with some Halloween tunes. Later on Koala played and DESTROYED the place, his rock-heavy set going down a treat. Women were losing it big time in front of him, screaming, making heart signs, jogging the decks and pulling the ears on his bear suit.
(Note: some of these pictures were found online after the event, contact me if you have a problem or want credits added, most that weren’t by me are by RFeezy)

Kid Koala destroys the Boo-Over (web)

Jim Mahfood turned up again with Jane Dope in her Beat Bee costume, Money Mark was back, Kentaro and brother Kotaro arrived in pimp gear and as I was saying goodbye to Jamie he introduced me to Madlib who was standing next to us in a Friday 13th/Jason hockey mask. He mimed a friendly punch to my stomach and shook hands, saying he used to sample DJ Food way back when, the next thing I knew he was pulling me into a group photo of him and his friends. As I left to grab a cab to the airport I noticed the flashing lights of a police car outside and later found out six of them had come and shut the party down early. Seems like the tour began and ended with cops shutting down parties. I sped to the airport on a cloud it seemed, what a completely bizarre few days, meeting and playing with people from all over, some of them my peers, jumping from city to city in a Ninja XX shaped bubble. All so far removed from my regular life back in London and only two days until I flew on to Japan for more of the same…

Here are a couple of videos I found online after the event as well as one of my own
(from the DJ booth), easily one of my favourite gigs this year.

Augustine Kofie at White Walls Gallery

Really looking forward to checking this out when I’m in San Francisco next week, thanks to Remi the Rough for pointing it out.

A short time lapse documenting the pre-production and set up of my first solo art show in San Francisco, California at White Walls Gallery. All documented days before the public opening on October 9, 2010. Includes documentation of both a mural as well as the large triangular found object installation including drafting table.

Keepdrafting post here:

Music: Tail end of S. Maharba‘s ‘Organs’ mixing into 4x4Tracktor‘s ‘Organs Revised’ [Take Your Pleasure Seriously]. An excerpt from Kofie’s soundtrack for the show, available free to listen/download here:

Posted in Art, Design, Event. | 1 Comment |

Ninja Tune XX USA shows final line ups

So here are the final details of the up coming shows in the States, looking forward to these but not the lack of sleep I’m going to have doing them. The San Francisco show is RSVP only, check the details at the bottom of the flyer for entry. Also I’ll be guesting on Noah Uman’s show on WFMU in New York from midnight 27th/28th Oct. Don’t know what I’ll be playing or saying but it will probably involve Hip Hop somewhere in there.

NY_Screen shot 2010-10-06 at 7.02.55 PMSF_Screen shot 2010-10-11 at 11.39.23 PMNinjaXXFlyerLA

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Ninja Tune XX London

Party of the Year (so far), no question. Amazing response from everyone involved and an incredible effort to make happen. I can’t quite believe it happened actually, didn’t manage to see even half the acts though so am looking forward to seeing photos and hearing what people thought.
I did see a bit of DJ Kentaro, who was sick as usual, Mark Pritchard dropping ‘Warhead’ was nice, Robin from Hexstatic was ripping it up in arch 2 early on and Koala is always a treat but unfortunately we had to set up during his set so couldn’t really take much notice. I really felt as though everyone I spoke to was so happy to be there, thanks to all who came down and queued in the rain, you made it the success it was. Also thanks to Martin LeSanto-Smith whose photos here show just a tiny glimpse of what went on.

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Ninja Tune XX London – art and decor

Thanks to Hit + Run for the T-shirt printing in the chill out arch which was a nice touch and it was a thrill to see mine and doc Vek’s designs being printed live. See them printing the back of my shirt in the video below

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Chu did some great work in the outside bar between arch 1 & 2, probably not seen by most though and hopefully not painted over in a hurry either.

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I had designed an archive gallery which was pasted onto 5×7 feet boards and there were several huge banners and posters around too.

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Out in the tunnel / entrance there were specially made gobos showing Ninja logos and in arch 1 Mutate Britain had constructed a huge Ninja head with lasers and smoke coming from the eyes.

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Ninja Tune XX Brussels

Wow, what a week, seems I’m just coming down from it now. Full on all-hands-on-deck stuff from everyone involved in all this weeks Ninja events. Wednesday night I hopped on the bus with King Cannibal, Daedelus, Eskmo, Mox and other assorted Ninjas, bound for Brussels. Thursday saw the XX party at the Ancienne Belgique, otherwise known as the AB, easily one of the best venues in Europe both for sound and stage and backstage catering, which is phenomenal.

After a complete breakfast fail where Mox and I waited 30 minutes for a Croque Monsieur (!) I went record shopping with Daedelus, King Cannibal, Jon More and Kid Koala. Found some great flexi discs – a 5″, 7″ and a book with loads inside as pages – a Halloween Library record and a rather overpriced Jazz/Moog album featuring Herbie Hancock and Bernard Purdie I’d been after for a while. Back at the AB for soundcheck, various other Ninjas were arriving, The Bug, Andreya Triana, The Heavy, DK, as well as staff from the office and Big Dada as well. Jon More regaled Brendan Eskmo with the origins of ‘piss poor’ and ‘haven’t got a pot to piss in’ and Alfred Daedelus compared his cat paint phone app with our tour manager Suzi’s – rock n roll! A huge birthday cake was wheeled out for the evening meal, decorated with the XX logo.

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The gig was amazing, the show long sold out, the second club room rammed all night. The merch stall had three copies of the box set that all sold in less than 5 minutes. Kid Koala debuted his Yo Gabba Gabba Koala suit and a Happy Birthday routine, Dorian Concept wowed everyone with his playing, DK and I had a great set and The Bug had everyone running for ear plugs as he cranked up the volume. A great night which we later found out was webcast live much to our delight.

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Available on Saturday at the Ewer St. Ninja Tune XX gig

This lovely A2 sized custom poster by Doc Vek, £5 to you, 100 only, remainder will be put on the Ninja shop next week. Also Hit + Run will be screen printing a selection of 5 different Ninja designs on T-shirts for people during the gig. Not sure the price or exact designs yet but possibly this poster will be one of them in some form too. More on-location art comes from Chu who painted the mural on the 333 last month and SheOne who has an exhibition just opened alongside Pride, Prime, Fuel and Partism.

NT XX V4 (web)

Posted in Art, Design, Event, Gigs, Ninja Tune. | 1 Comment |

The Light Surgeons shortlisted in the Vimeo awards!

The Light Surgeons’ short film about luck, ‘Shimazeltov’, has been shortlisted in the documentary category for the Vimeo awards! The film focuses on the Jewish community and their ideas about luck, it’s insightful, humorous and beautifully shot and framed.

I’m pretty excited about this because not only is it an excellent short but my wife assistant produced it and my kids make a fleeting cameo in it. The Vimeo festival takes place in NYC in October, fingers crossed crossed… You can VOTE for it here and more info about the awards is here and, if you have 10 minutes, please take a look at this beautiful film.

Schlimazeltov! from THE LIGHT SURGEONS on Vimeo.

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Ninja Tune is 20!

At last the day is here, two decades old and a teenager no more. Ninja is 20 and we celebrate the date – and also the 200th post here – in style with two double CD sets, four 12″s and a lavish box set which is now sold out on the Ninjashop although stores will have it from today.

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The book, ‘Ninja Tune: 20 Years of Beats & Pieces’ has been in the shops a month now, 192 pages and over 1,200 images charting the history of the label from Coldcut’s late 80’s chart hits to today.

This week’s Solid Steel has been given over to celebrating the occasion with an anniversary mix of classics from all the labels by DK and a one hour interview with Coldcut and label manager Peter Quicke about where it all began and where it’s going.
Solid Steel Radio Show 17/9/2010 Part 1 + 2 – DK by Ninja Tune & Big Dada
Solid Steel Radio Show 17/9/2010 Part 3 + 4 – Interview with Coldcut & Peter Quicke by Ninja Tune & Big Dada

After that it’s shows around the world, Berlin, Paris, Brussels, NYC, San Francisco, LA, Tokyo and Osaka, King Cannibal’s ‘The Way Of The Ninja’ mix CD and Zen TV pt.2 on DVD.

Ninja Tune XX box set features on Hard Format

I’m very proud to announce my first design entry on the Hardformat blog. Run for three and a half years now, it’s a site dedicated to “reaching for the sublime in music design”, both past and present. One of the first things I think any designer finding the site would think is, “I wonder if I’m on here?”, the second would be, “I want to be featured here”, if they don’t find their work. The site already published the original mock up image of the set a few months back and we entered into a dialogue about it. That turned into me writing up a lengthy piece detailing some of the process involved in realising the gargantuan project.

www.hardformat.org/5200/ninja-tune-xx/

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Process: The working practices of Barney Bubbles

So, Nigel Peake is in town, fresh from painting a mural and we’re wandering around Pimlico like a couple of tourists. Clutching an A-Z and an iPhone, we’re trying to find the Chelsea Space which is currently hosting the Barney Bubbles exhibition, Process.

Bubbles, born Colin Fulcher, sadly committed suicide in 1983 and has long been an unsung hero of British sleeve design but this has started to change in recent years after Paul Gorman’s book on his work, ‘Reasons To Be Cheerful’, was published in 2008. Quickly selling out and starting to command high prices on the web it’s now been updated and expanded in a new edition.

Possibly one of the reasons Bubbles isn’t as widely know as, say, Neville Brody, Malcolm,Garrett, Hipgnosis, Peter Saville or Jamie Reid is because his work spanned both both ends of the seventies and beyond – the hippy / prog / rock and the punk eras –  and never conceded to one house style for anyone. The two things he’s probably most known for – Hawkwind and Stiff Records – couldn’t be much further apart. Looking at one of his Hawkwind sleeves and then an Elvis Costello or Ian Dury from later you’d be hard-pressed to see any sort of stylistic link, yet he did them both.

After walking up and down the street way too many times, asking in the Tate to a bemused attendant and eventually finding the space via a round-the-houses route through the College of Art we realise we’d walked right past it. Failing to notice the sign outside the inconspicuous door set back from the main road, we should have stopped yakking and paid a bit more attention.

Anyway, once inside we were greeted by walls pasted with vintage music paper ads and posters of late 70’s vintage, a couple of old record players sporting various vinyl rarities, badges, stickers and a gorgeous rack of Ian Dury ‘Do It Yourself’ wallpaper-sleeved LPs. Right in, no messing about. Along the bottom of one wall were various publications all sporting BB covers including a John Cooper-Clark ‘Directory 1979’ an issue of the NME, Nova magazine and a Hawkwind programme.

A long, thin, tall corridor then stretches up before turning into the main exhibition room and one wall is covered with posters and record sleeves, the Hawkwind ones unfolded flat to show off their wares. Frustratingly the sharp viewing angle meant that the higher pieces were hard to see properly, further compounded by spot lighting which caused glare on anything in a PVC protective sleeve.

Into the main room, past a giant hanging Chuck Berry sculpture and here’s the good stuff. Cases of artifacts, portraits, sketchbooks, paintings, paste ups, reference books, even materials like Rotring pens he left behind. One wall is covered in original art paste up sheets, tracing paper with notes covering some of them, all hung with big bulldog clips which is a nice touch throughout. Another wall is full of beautifully presented black and white art, logos, layouts – a mixture of paint, pen, Letraset and whiteout – all of which would have blended into one under the camera later.

It must have been a difficult task for the curators to hang the work because it was so random, finding obvious themes and connections is almost impossible with Bubbles because each piece is so different from the next. Sure he has various tricks and techniques that he employs, his mixture of abstract and 3D shapes to make words for instance, but it’s as if he was always starting from scratch with each new piece. His foldout sleeves for Hawkwind and Elvis Costello are placed behind perspex but even they jut out at points, unable to be contained in such a space.

I’m no expert on Bubbles but this looks like a goldmine of his work for anyone remotely interested in him or the groups he designed for. Also this is a great reminder of how things were done decades ago, pre-digital, everything is hand drawn, painted, cut and pasted and it’s beautiful to see, especially all the whited out parts. Although by no means a complete overview – several pieces are conspicuous by their absence – the curators intend this to be more of a stepping stone to bigger things later and the new edition of the book should help this.

The exhibition is on now until October 23rd at Chelsea Space,

16 John Islip Street,

London, Sw1P 4JU
More details here

and visit Paul Gorman’s excellent blog on all things Barney Bubbles

and a good, quick overview of his work at feuilleton

Posted in Art, Books, Design, Event, Music, Records. | 2 Comments |

Familiar?

Interesting image, looks familiar, seen it before somewhere, can’t place it…

hff_main_strip_site_v2TCO A2 poster (promo)

I’m just kidding, go check this out if you’re in London this weekend, a couple of Light Surgeons’ things are playing:

SCHLIMAZELTOV! dir. Christopher Thomas Allen 11m
Documentary short exploring the concept of luck or “mazel” through London’s Jewish Community.
(this is excellent and beautifully shot)

and a live performance of

TRUE FICTIONS 80m
True Fictions is a live audio-visual spectacle that fuses documentary film making, music, animation and motion graphics with cutting edge digital performance tools. A stunning collage of music and live cinema which explores the themes of truth and myth through a multitude of American and Native American voices; with a original musical score created through the collaborations of 25 New York based musicians and vocal artists.
(you need to see this live, multi-layered screen collage at its best)

More info here

Paris XX

The Paris show on Friday was great fun, packed out, great to see Vadim and Yarah on a Ninja bill again too. During mine and DK’s set someone pulled the fire alarm and all the power went off on stage for more than 5 minutes. Unfortunately we were in the middle of a drum n bass section so that went down like a damp squib. Before the gig I went up to the Galerie Chappe to see the exhibition of Ninja art and sleeve design that had been put on, apparently 1,500 people turned out for the opening! Ping Pong, who have done promotion for Ninja for over a decade now under the leadership of Fred ‘DJ Oof’ Elalouf, did a great job of putting together a show which included original art, paste up sheets, sleeves, huge posters and specially made prints of selected covers. They also made exclusive T-shirts, seats and a huge banner for the gigs which greeted me when I walked into the venue.  See photos from the exhibition here (warning, this is a Facebook photo album), and it’s on until October 2nd. There are 4 more gigs coming up in Paris over the next few weeks including a huge, long sold out line up at La Machine and two gigs at the Pompidou Centre.

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