Hats off to Electronic Sound magazine for their next issue cover, the best looking (and smelling) magazine about electronic music celebrates all that is European. For anyone outside the UK reading this, the UK has descended into madness, more than half of us don’t want to leave the European Union, and most of the British people never gave it a second thought until a minority of Tory MPs decided that the new EU tax laws would threaten their bank balances thus forcing a weak Prime Minister’s hand into calling an advisory referendum on something few fully understood, either inside or outside of Parliament. The British people have been duped by the 1% and the right wing press while the supposed ‘opposition’ party has done anything but. Two days after we leave is April 1st – April Fool’s Day in the UK – but our country has become an international joke, due to lose much more than we would ever gain by leaving the EU. Rant over
Magazines
Dig magazine is a new mini magazine that will fit in your pocket (perfect to take to the record shop) full of esoteric info and ones to watch for from a selection of fine DJs. Mr Thing, DJ Format, Mr Krum, Si Spex, Susanslegpolicy and more all spill the beans on a curio from their collection including anecdotes, info and cover images and there’s even a URL at the end so that you can preview said tracks in an online mix. It comes in a neat stickered sleeve that makes it look like a milk crate which the (ironically) CD-sized mag slips inside, waiting to be dug into.
Oh yeah, and some chancer called Strictly Kev has a page in it too, you can order it for £3.50 here…
This hit the web today, destined to become one of the defining images we remember 2018 for unfortunately. An incredibly hard-hitting cover image, well done Time magazine.
Lately I’ve been studying the collage art of Frank Zappa and Cal Schenkel from the Mothers of Invention albums. On reading up on this material, including a long interview with Schenkel, I realised that Zappa himself seems to have done a lot of the artwork for the first two Mothers albums, ‘Freak Out’ and ‘Absolutely Free’, with Cal coming in at the end of the latter and doing some of the adverts. What you see below is – as far as I can tell – is mostly the work of Zappa who was a pretty decent visual artist in his own right is seems.
* Also see part 2 of this post for more!
An ‘official New of the Mothers’ would occasionally get printed in the LA Free Press, below is the first one, a four page digest that includes a poster for a forthcoming gig.
Some variations on gig posters
Collage made to illustrate an interview in a music magazine
Just opened at the A22 Gallery in Clerkenwell is an exhibition supporting the British Underground Press of the Sixties book by Barry Miles and James Birch that collects the covers to all (big claim I know) the major magazines of the late 60s and 70s together. The exhibition features much more than just the magazines though with archive posters, badges, promo material and memorabilia collected together in a mass of psychedelic colour and badly registered print.
Oz, International Times, Frendz, Gandalf’s Garden, Black Dwarf, Ink, cOzmic Comics and more all feature and it’s a wonder to behold. Some of the covers verge on pornographic and serve to remind of more anarchic and sometimes unsavoury times. The book is spectacular, highly recommended at £35 from Rocket 88 and is also available at the gallery with a deluxe edition containing vintage copies of original undergrounds for a silly money price too.
The latest issue of Electronic Sound magazine is a cracker, a huge interview with Gary Numan, an appraisal of Trevor Key’s artwork and an opening page by me, showing the final Rite of Mu with The JAMs that happened in Liverpool recently. You can also get a great remix of Numan’s ‘My Name Is Ruin’ by Meat Beat Manifesto on 7″ if you buy the bundle direct from their website.
There’s not much to say about this post really, I’ve posted about Franco Grignani before, quite recently. The Italian designer has been featured in a couple of exhibitions in London this year, the second of which has just opened. Just look at these images and then go and see this wonderful artist’s work, it’s on display at the Estorick Collection of Italian Art on Canonbury Sq. in London. The simplicity and precision of execution is simply breathtaking.
Chelsea Space at the Chelsea College of Arts in Pimlico has recently opened an exhibition looking at Oz, it’s obscenity trials and the counterculture magazines of the 60s and 70s that sprang up around it. Featuring every issue of both the Australian and British runs, posters, letters, films and all manner of ephemera from the estates of Richard Neville, Martin Sharp, Felix Dennis and many private collections of those who worked on it, it’s a lovingly curated selection by Cherie Silver who was minding the exhibition when I went last week and was eager to answer questions.
If you’ve never seen issues before then here’s a chance, there are some that can be looked through and one wall lays out the Magic Theatre issue, comprised entirely of a stream of consciousness collage. It finishes on July 14th and is free, usually open between 10.30-11am.
* I rather like the graphic above, subverting George Orwell‘s 1984 maxim, unfortunately they could never have foreseen the Big Brother they’d be watching half a century later.
Pre-order the new issue of Electronic Sound and get the special bundle with the Orbital cover of Kraftwerk‘s ‘Numbers’ on clear vinyl 7″ – only available from them direct and limited in stock
Who says CDs can’t look beautiful too? The Radiophonica compilation CD of new, old and unreleased Radiophonic Workshop material is a lovely piece of minimalist design, bound by a tiny tape loop – lovely touch. It’s only available with Electronic Sound magazine from their online shop, no more free cover mounts I’m afraid, but worth every penny. The 12-track album of never-before-heard collaborations, mixes exclusive to this collection of tracks from their forthcoming album of analogue improvisations, and some Delia Derbyshire archive material that has been worked on by the likes of Tom Middleton (Global Communication) and Dot Product.The same issue has a little ad for something only a few weeks away too…
I finally got time to pop into Orbital Comics and see their small but packed exhibition of 2000AD offshoots, tie-ins, cash-ins, memorabilia, music, magazines, toys and so much more. Not having an opening party because it would clash with the comic’s own 40th celebration a couple of weekends ago they’ve decided to have a closing party on Friday March 10th where there will be a podcast recording and music by yours truly among others.
I also just guested on the Big Mouth podcast pre-record, talking about the comic’s legacy which will be available online this coming Sunday. More details as I have it.
Four From Food Fridays – a weekly look at four things that have been doing it for me. They can be new or old, any style so long as it’s been getting some rotation in the studio. From top left:
Bam Bam – Where’s Your Child? (Desire) 7″ (finally!)
Clocolan – Nothing Left To Abandon (Enpeg) Digital (STILL listening to this, officially out today)
Various – A Krautrock Sampler (ES) CD cover mount w. Electronic Sound mag #25 – really good!
Run The Jewels – RTJ3 (Mass Appeal) LP/DL (you know these guys)
From the collection of Stephen Coates (The Real Tuesday Weld, Antique Beat, X-Ray Audio), Issue 2 of Echo (“the magazine you play on your phonograph”) arrived in October 1959 containing five off-white, semi transparent flexi discs with features on Steve Allen, Queen Elizabeth‘s Royal Tour, Lady Chatterly’s Lover, the Ahmad Jamal Trio and Le Mans 1959. Art director Tony Palladino did some lovely work in this issue using very modern type treatments, cropped photos and lots of blank space to give it quite a timeless feel.
Issue 1 was featured a few days back and if you missed a look at issue 3. back in my original Flexibition posts then look no further. To my knowledge Echo lasted for four issues before folding, a potted history of which can be found on Boing Boing by John Wilcock.
The French, it seems, went gaga for flexi disc magazines in the late 50s as these four examples from Stephen Coates‘ collection illustrate. The 7″x 7.5″ ring bound format, similar to the American Echo magazines and their own long-running Sonorama seems to have been a winner although there are less pages in these examples which lean towards more specialist subjects. Occasionally included as a supplement with the main magazine, Theatrorama showcased extracts from plays across no less than nine discs and made it to at least a third issue in 1959.
Cuisinorama (can you spot a theme emerging here?) followed the same format in the same year with five discs, a full colour cover as well as colour pages inside, concentrating on recipes, restaurants and food prep. You can see more examples of ‘orama’ spin-off publications on this excellent Made In Vinyl page including many of the issues featured here, Echo and the previously featured Soviet magazine, Krugazor.
‘Sound magazine of medical information’ Medicophone, issue seven from 1961. I’ve found evidence of up to 26 issues of this, all with the same cover. This one came with five discs covering such fascinating subjects as the heart and hernias.
In The Beginning There Was Rhythm, ‘strictly reserved for the medical corps‘ (this is stamped no. 0131 inside) concentrates on jazz and seems to be a freebie produced or sponsored by Vegetaline, a coconut-based lard.
Again from the collection of Stephen Coates (The Real Tuesday Weld, Antique Beat, X-Ray Audio), Echo magazine no.1 (“a magazine of sight and sound”) debuted in 1959 with five two-colour, card-backed flexi discs featuring Mike Nichols & Elaine May, Fred Astaire, Larry Alder, ‘Gypsy’ and Alexander King on the Human Dilemma. Art directed by Cynthia Pennell, the issue has an almost medieval look from the choice of fonts with a more ‘jazz’ feel to the discs which include the red and gold of the cover – sadly lacking in later issues, of which no.2 will be featured here soon.
I’ve been so busy of late I’ve not had the time to update the blog. Last weekend I traveled to Russia for a couple of gigs and visited a huge basement record shop in Moscow called Sound Barrier. It was so huge and stuffed with records that I was overwhelmed after two hours in there although that could have been from the heating blasting out and the crazy high prices on the records.
Whenever I travel I try to buy local records from where I am and luckily the Russian discs I bought were cheap. I found many issues of Krugazor, the 7″-sized magazine with several flexi discs in each issue and some beautiful covers. I’ll feature them more in a separate Flexibition post but here are some shots of the shop and some other finds.
Inspired by the Olivetti exhibition a couple of months ago I went through my small collection of Architecture d’aujourd’hui magazines and snapped some 60s era adverts.
Electronic Sound, the online magazine of all things errr… electronic, has now become a physical printed issue too. Entering the analogue world with issue 2.0 (pictured), they’ve just published issue 21 which comes with a free CD of current electronic artists covering old synth classics (Paul Hartnoll does Kraftwerk’s ‘Numbers’ for instance). Well worth picking up with no-nonsense writing, clean design and beautiful photography, they straddle the current, historical and even delve into features on the machines that make the music.
Synthesizer Dave’s Workshop goes step-by-step through repairing an Italian Multiman-S, Jack Dangers is their resident archivist, giving a brief lowdown on Lovely Music’s Ltd‘s output and Dave Henderson unearths the genesis of his Wild Planet column for Sounds magazine. Add a ton of current release reviews, including Kris Needs‘ weird grab bag and interviews with everyone from Karl Bartos, Tim Gane, Beth Orton, Alan Rankin and more and it’s a must read. They have a subscriber deal on right now – 3 issues for a fiver. The next issue is out in September after which it should run monthly and there are more CDs promised over the next few issues.
I found this by the door of a record shop along with all the other piles of free magazines the other day. It’s nice to see something like this in amongst the slickly designed, oh-so-cool others that vie for your attention. Crammed full of alt. / weirdo / mondo / trash / whatever you want to call it culture and proud of it. Goblinko is a store in the States that sells all sorts from badges to posters to T-shirts, records and fanzines. There’s not many left like this