RIP Don Joyce

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I was away most of the weekend and was saddened to hear of the death of Don Joyce of Negativland. As a foremost practitioner of the cut up and a campaigner for the right to sample he was one of the pioneers. I never met him but Negativland were and are one of the bedrocks of the cut up/collage/sampling genre from their records to their Over The Edge radio shows. Here’s ‘Yellow, Black & Rectangular’ from ‘Escape From Noise’.

Their ‘Helter Stupid / The Perfect Cut’ is one of my favourite cut up records and their backing of releases like Jon Oswald‘s Plunderphonics anthology is admirable. Walking past a shelf of ephemera we have in the house today I spied this little set of badges nestled amongst them, half hidden, probably included free with a bunch of cassettes that I ordered from their website back in the midst of time. RIP Don.

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Vicki Bennett aka People Like Us knew Don well and dedicated a radio show to him just last week and you can read Negativland’s heartfelt statement after his death on the KPFA radio station blog, home of Over The Edge.

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Longplayer


I only just discovered this – there was a launch for a iOS app to go with it last night – Longplayer is a one thousand year long musical composition. It began playing at midnight on the 31st of December 1999, and will continue to play without repetition until the last moment of 2999, at which point it will complete its cycle and begin again. Conceived and composed by Jem Finer, it was originally produced as an Artangel commission, and is now in the care of the Longplayer Trust.”

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Christian Ward ODY-C signing at Gosh! Comics

spacemanI met Christian Ward last Friday when he signed copies of the new trade paperback of his and Matt Fraction‘s ‘ODY-C’, at Gosh! Comics, an epic psychedelic space take on The Odyssey with the roles reversed. If you like your female leads strong and ruthless, your Gods devious and wrathful and your art cosmic then this is the book for you, a gritty, multi-layered take on a classic with out of this world page layouts and colour.

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(Photo © Gosh! Comics 2015)
He was kind enough to do me a quick Cyclops sketch and Gosh! are selling the lovely Spaceman print above for a very reasonable £20 which looks beautiful framed in my studio.

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Secret Cinema Star Wars last night

RebelX passeswebI went to the Secret Cinema presentation of The Empire Strikes Back last night and all I can say is ‘GO!’ If you’re a fan of Star Wars then there is so much for you at this event besides the showing of ‘Empire…’. I’d advise going with friends rather than alone, getting dressed up and fully into the spirit of it rather than being an observer. When you buy tickets there’s a registration process to go through, do it and take note of the items they ask you to bring, you might need them.

No photos apart from my crew’s ID cards above, as none are allowed and that would spoil it anyway. It was actually nice to go somewhere where people weren’t constantly either looking at their phones of snapping away rather than taking in the experience (even though one of the first things you want to do is take photos!). It opened officially to the public today and runs until September so there’s time but weekend tickets are selling out fast. Kids from 8 years up are allowed and I’m definitely going back with mine…

Peter Kennard exhibition at the Imperial War Museum, London

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I visited the Peter Kennard exhibition at the Imperial War Museum in London yesterday and was knocked out by his work. I’d seen pieces before but never put them together with a name and when my wife suggested we go because it was ending soon and we still hadn’t checked out the new, refurbished IWM it was a no-brainer. The new museum layout is very good, although they’ve crammed a lot in, the different levels take you from the first World War up to the present day with some chilling artifacts (the twisted wreckage of one of the Twin Towers’ windows is included).

Kennard’s exhibition is a treasure trove of posters, books, magazines and original art – tons of it. Seeing it all together you realise what an impact he had in the media and how much of his work pre-dates so many that came after him. Most fascinating for me is the original collage work with photos manipulated by hand rather than computer for the most part. The final room has an installation of many of his pieces, layered like fly posters but interspersed with business cards from various different companies which make for a chilling juxtaposition, “We never forget who we’re working for”Lockheed Martin. It’s only on for one more week so try and find time to go, it’s free or you can donate to the museum as you go in.

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More ‘Art Pop’ and the record store in the basement

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I made time to actually visit the Keith Haynes ‘Art Pop’ show at Gallery Different in London last week after posting photos friends had taken on the opening night. I really wanted to see the cut up Bowie and Beatles sleeves and I wasn’t disappointed, they are beautifully executed and what becomes apparent when you view them up close is that Keith has selected covers with differing print qualities so as to make the contrast between the same sections more apparent. The same covers printed 20 years apart can be quite noticeable, especially in this digital age where the original films or photos might have been lost and an inferior scan used in their place. This is especially noticeable on the ‘Hunky Dory’ image below, try and check them out before the show ends on May 30th and there’s another surprise in the basement of the gallery that I knew nothing about.

Roger Miles has installed his version of a 70’s record shop underneath the gallery entitled, ‘Resonate – Generate’, complete with vinyl, 8-Track machines, vintage posters and more. Having just read Roger Perry’s ‘The Writing On The Wall’ it was a timely coincidence that evoked memories of the same era. His jogroglog blog is full of fascinating artifacts and information on his various art projects (one was in a local dump where he could use anything that was bought in – including a speed boat on a trailer!). Anything one best viewed in the flesh.

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‘Art Pop’ show by Keith Haynes

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The ‘Art’ Pop  show by Keith Haynes just opened at Gallery Different, 14 Percy Street, W1, just off Tottenham Court Road. The North American map above, entitled ‘Hitsville USA’, in made up of vinyl records, all laser cut and named after each of the states. Likewise the ‘Going Undeground’ maps all have relevant records associated with the stops they represent, a simple idea presented immaculately. In a subtle touch Haynes has used various colours from Factory Road’s extensive 45 adapter range to compliment the 7″ centres. I predict we’ll be seeing this ripped off for years to come.

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Musical icons such as the smiley and the target are rendered in coloured badges that remind me of the work of Ian Wright or Jimmy Cauty. ‘Cover Versions’ of Bowie & Beatles sleeves are cut up and modified, looking like physical manifestations of Photoshop filters. The mutated sleeves work well (the ‘Heroes’ one above is even preferable to Jonathon Barnbrook‘s reworking of same for Bowie’s ‘The Next Day’ last year) because he’s remixing the original physical media to form a new work, in the same way Christian Marclay has in the past. Where I find it less successful is when he’s recreated existing designs in vinyl – the Sex Pistols, Velvets (not shown) and Dylan covers for example. They’re beautifully done but they’re Reid, Warhol and Glaser designs, not Haynes’ and it irks me when I see artists reappropriating the iconic work of others. I feel the same way about the portraits of singers like Amy Winehouse, Blondie, Bolan and more in used copies of their old vinyl records.

It renders him as more craftsman than artist, reproducing and recontextualising the work of others, relying on the audience’s familiarity and love of the original subject matter to sell ‘his’ work. The same could be said for the smiley and underground map of course but these are now accepted cultural icons, as part of the public visual consciousness as Coca Cola or Apple. I love the look of his show but I’m conflicted because of some of its artistic origins. It’s on until May 30th, so still a month to check it out and make your own mind up. Photos courtesy of Leigh Adams

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Jason De Haan ‘Nowhere Bodily Is Everywhere Ghostly’ exhibition

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Details and excerpts from Jason De Haan‘s ‘Nowhere Bodily Is Everywhere Ghostly’ exhibition at the Southern Alberta Art Gallery in 2010 – incredible collage work. Above and below: ‘New Jerusalem’, 2010 (detail) “A floating city/landscape collaged from the deconstructed covers of over 1000 1950’s-80’s science-fiction paperbacks.”

Spotted by Imaginary Cities on Twitterfollow them for daily image dumps of, well… imaginary cities.

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Ninja Tune 25 Expo, Charleville-Mezieres, France

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I keep forgetting to post this – there’s a Ninja Tune 25 Year retrospective currently showing at the Médiathèque Voyelles, 2 Place Jacques Félix, 08000 Charleville-Mézières in France. It’s been curated by Jais Elalouf aka DJ Oof (that’s him below, at the opening night) from his own personal collection and some of my archive. It features many record sleeves, promo posters, proofs and some original artwork and finishes on April 30th so if you’re in the area check it out.

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Record Store Day 2015

WNBARB_RSD2015I didn’t go into town for RSD, instead I stayed south of the river, went to smaller, local stores like Rat Records in Camberwell, Casbah and The Music & Video Exchange in Greenwich and The Book & Record Bar in West Norwood (above). Much calmer atmosphere, no crush or crazy queuing, no crowds. I saw some scenes in the centre of London on the day and it looked like Carnival was on. Read what happened to Mr Thing at his set on Berwick St. in the middle of Soho… not cool.

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I went to West Norwood first, got there at 10am, walked in and pulled one record straight away from my list (the Amorphous Androgynous ‘Wizards of Oz’ comp above). No fuss, no crush, no queuing. They also still had records from RSD 2014 in the racks. I will go to Rough Trade at some point in the next few weeks to see what they have but I joined a queue there on RSD about 3 years ago and never again. It’s not for me, I don’t enjoy buying records that way. If people are all looking in one place I want to be somewhere in the opposite direction.
In all on Saturday I did four records shops, only two of which had RSD records, but I got plenty of vinyl, both old and new (plus books, magazines and a CD).

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Also had time to see an exhibition (Snub 23, see previous post) and meet up with friends and family in the park. A relaxing day that involved going to record stores/shops and helping support them plus the artists and labels. No fretting about whether a record I wanted was going for stupid money on eBay, there’s plenty of time to hunt the one that got away down, I don’t need anything so badly that I have to pay those kind of prices. I should probably also add here, that this is pretty much the same as any number of other days in the year when I go shopping for records rather than making it a one-off.

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‘Short Fuse’ – Snub23 at the Ben Oakley Gallery, London

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Currently starring in his first solo show at the Ben Oakley Gallery in Greenwich is Snub23, a Brighton artist I’ve featured a few times on here and who I’ve collaborated with before on the last Herbaliser album.
One of the most dedicated stencil artists I’ve ever come across, he’s always moving his style forward and several are on display in the show. His signature 23 piece and Mongrol character preside over the back wall with new 3D heads appearing for the first time of the robot.
His Isometric Op-Art designs multiply across distressed metal drawers and more characters grace found signage, a skate deck and circuit boards. Subtler line drawings of female faces in a number of expressions adorn one wall and delicately stenciled feathers are free to viewers.

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He also has these T-shirts for sale plus prints of the same at the gallery, the show ends on May 3rd so be quick, the gallery in a little side passage off the main market square in Greenwich.

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RIP Gong’s Daevid Allen

News update from the Allen family in Australia: Daevid Allen has passed on. He left today, this Friday the Thirteenth, at 1:05pm.”

The RIP list for 2015 is already stacking up (Terry Pratchett passed away yesterday) and it’s only March. Sad to see so many innovators leaving this mortal coil, breaking out the Camembert and making a pot of tea in his memory. RIP Daevid.

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Matt Johnson ‘Hyena’ release and ‘Soul Food’ interview

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A new The The album is always a cause for celebration and today is such a day. As usual with Matt Johnson, you think he’s disappeared and then there’s a flurry of activity that confirms that he’s been very busy indeed. His brother, Gerard’s new film, ‘Hyena’, is out on general release in cinemas today after showings at selected film festivals and already winning a couple of European awards. The Brothers Johnson, as they are fast becoming known (call the lawyers!), are appearing at the Watershed in Bristol on Sunday March 8th for a Q&A with Mark Cosgrove about ‘Hyena’ and the power of the score in cinema.

the_the_CINEOLASERIESMatt’s own Cineola label is releasing the soundtrack on CD in the usual hardback book format which is slowly forming a beautiful series of releases. The 20 track album comes with an 84 page photo book and is available now from the The The shop. A vinyl version will follow shortly on Death Waltz Recordings.

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Last summer I interviewed Matt at Rough Trade East about his classic album, ‘Soul Mining’, and today you can get a free download of ‘Soul Food’, our one hour chat, newly edited by myself with added instrumental accompaniment. Also check out the previous installments of Matt’s Radio Cineola series which contain all sorts of rare and unreleased moments from The The‘s back catalogue as well as interviews with his collaborators.

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The photos above and below were taken by Gerald Jenkins, during the interview and on Brick Lane shortly after.

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