Very pleased to be bringing my Selected Aphex Works AV set to the Splice festival on Friday May 26th at Rich Mix in London. Coldcut and the legendary Emergency Broadcast Network are playing the same evening and there are acts all weekend with workshops, talks and more in the day. Check the line up and buy tickets at www.splicefestival.com
Friday saw myself and Pete Williams as part of the bill for the Orb‘s extravaganza at the Royal Festival Hall on the Southbank, doing a test run for our Further event on May 6th. Upon being asked to play on the 5th floor balcony area by Alex Paterson, we decided to use a load of our equipment to projection all along the roof of the outside area overlooking the Thames. We got in around 1pm and were just about set up by 7pm when Michael from The Book & Record Bar and DJ Dadaist aka George Holt arrived. Teething trouble with getting the lights turned off or down so that we could see the projections were dealt with as were security who suddenly roped off the public space and would only let ticket holders for the gig in the main auditorium in. As the daylight faded and the projections along the balcony pointing across the ceiling appeared, everything clicked into place.
Tons of friends turned up and we managed to get a lot of great photos and footage before the 11.30pm curfew. I even managed to see a bit of The Orb with Youth painting a huge canvas live onstage, walking in just as one of my favourite tracks, O.O.B.E. was playing. Strip down of the equipment took two hours by the time we were loaded out, then driving back to unload and retiring to our beds saw that it was 3am by the time I hit the sack. All worth it though, a very memorable night and a success in terms of what we wanted to achieve.
(Many thanks for the photos above: Martin Le Santo-Smith, and below: Mike Oscar)
I’m sure it’s been noted all over the net as fanboy analysis videos pick apart ever inch of this trailer but it seems to mirror parts of the first Force Awakens trailer with the sudden ‘jolt’ appearance of an out of breath main character at the start, Vader‘s melted helmet replaced by Kylo Ren‘s and the flying craft skimming the surface shot. There may be more but those were the ones that stuck out to me. Not a lot to get excited about here at the moment for me, those new ships look a bit like B-Wings, is that Carrie Fisher from behind? Glad to see Phasma back, I hope they’ll actually use her this time. Nice nod to the original Star Wars poster in this teaser too.
Bristol’s The Allergies – featuring a certain DJ Moneyshot who I collaborated with on The Paul’s Boutique 3-Way Mix with DJ Cheeba – have a new single out and it’s a surefire summer festival electro pop earworm. There’s a great video (below) with a 45 on Jalapeno Records plus an album finished and due the summer.
You can get it here
Here’s a trailer for what to expect at Further on May 6th at the Portico Gallery
DJ Food & Pete Williams present a new, irregular evening by creating an audio visual space to enjoy. Films, slides, oil projections, food, drink and plenty of seating form the environment to soak up the sights and sounds.
7.30 – 8.30: Doors, there will be a record stall with stock picked to compliment the evening by Micheal from the nearby Book & Record Bar and delicious food from local café Pinterdera served alongside the fully licensed Portico bar with beers & ales
8.30 – 10.00: Ghost Box Records in the form of Jim Jupp (Belbury Poly) and Julian House (The Focus Group) will be playing an audio visual DJ set.
10.00 – 10.3: Howlround will perform a live score to ‘A Creak in Time’, a film by Steve McInerney (Psyche´-Tropes), via tape loops and reel to reel machines.
10.30 – 12.00: DJ Food & Pete Williams will open and close the evening with their multi-projection Light & Sound Designs.
Location: Portico Gallery, 23B Knight’s Hill, London, SE27 0HS, UK
Tickets here: (limited cheaper early bird price nearly gone)
Train: West Norwood overground station (1 min walk)
Buses: 2, 68, 196, 315, 322, 432, 468, 690
Liverpool’s Metropolitan Cathedral is to host ‘The Liverpool Mass’ (Messe de Liverpool) by Pierre Henry on May 13th.
Developed by one of the godfather’s of musique concréte for the Cathedral’s inaugural mass in 1967, it wasn’t completed it in time and another work was substituted. Now, 50 years on, in a unique collaboration between Henry and Bluecoat, the piece will be staged in full at the Cathedral, in an immersive experience. With a sound design created especially for the space using 40 speakers arranged around its circumference, The Liverpool Mass will be presented as a live mix by Henry’s collaborator Thierry Balasse.
Consisting of six movements – Kyrie, Gloria, Credo, Sanctus, Agnus Dei and Communion – the work interprets the traditional mass through recitation of its texts, accompanied by musical instruments ‘treated’ by Henry to produce a composition fitting for the ceremonial and celebratory occasion of the Cathedral’s inauguration.
This will be the first time The Liverpool Mass has been presented with Henry’s cooperation and a new sound design in the setting for which it was originally intended: a mid-20th century modernist structure with distinctive ‘brutalist’ architecture of concrete and stained glass. Henry’s electronic score was intended to complement this daring new building, as the sound would resonate in the magnificent, cavernous, light-filled circular interior. Watch this fascinating short film about how the stained glass was made for the top tower.
The evening programme will begin at 7.30pm with a set by Vincent Epplay and Samon Takahashi, made in response to Henry’s music in the Cathederal setting. Tickets cost £10 or groups of ten or more get a discount of £7 per head – on sale here.
I think a projected record of this title (based around John Tottenham‘s writing) was in the works when I first met Matt Johnson back in 2003, but finally, he and director Johanna St. Michaels have put together a documentary of ‘The Inertia Variations’. In the intervening years it has morphed into a film about Matt, not a musician with a copious output during the last 15 years (although by no means dormant, he just quietly ‘left’ the music business without telling anyone) and his struggle to write new songs. It follows him in the run up to his 12 hr Radio Cineola broadcast from his ‘War Room’ that culminated in a set of reinterpreted classics and the debut of a new song.
The premiere is happening next week in Copenhagen at the CPH:DOX festival with Matt and Johanna attending a Q&A on the 23rd at Cinemateket and on the 25th at Kunsthal Charlottenborg. Hopefully there will be a UK showing soon
Nice little explanation of the original Black Devil ‘Disco Club’ record and Bernard Fevre‘s discovery by a new generation of music makers.
An irregular event held in different places, it’s not a club night, it’s not monthly, there’s no dance floor. It has got all the things we love in it though: experimental music and film, food and drink, socialising and a bit of record hunting.
The first event is on May 6th at The Portico Gallery, a hidden treasure in the heart of West Norwood and a venue very dear to us that offers an extremely adaptable space to project, perform and present our guests in.
We have Jim Jupp (Belbury Poly) and Julian House (The Focus Group) from Ghost Box Records playing an audio visual set and Howlround sound tracking Steven McInerney’s short film, ‘A Creak In Time’.
Pete and I will be pulling all manner of projections, films, slides and FX out to illuminate the gallery at the beginning and end of the evening to compliment our DJ sets.
There will be food on sale from local café Pintadera, a fully licensed bar and plenty of seating. Michael from the nearby Book & Record Bar will also have a stall selling hand-picked stock for the event.
Venue: The Portico Gallery, 23 Knights Hill, West Norwood, London, SE27 0HS
Doors: 7.30 and we’re all done by midnight. Let’s go Further…
Jack White‘s Third Man Records just opened a brand new record pressing plant in Detroit, featuring eight completely new record presses, the first new ones to be built in decades. The attention to detail is stunning from the label branding on the employees’ uniform to the work space mural created by a local artist Robert Sestock (that’s him by his mural below). That someone as successful as White visibly invests so much into such a business (both his and the music industry) and the city, which desperately needs such investment, to the benefit of so many is admirable. The plant is a work of art and Third Man will go down as one of the great labels when the history books are written. Loads more info at Third Man Records‘ site.
I saw this on the streets of Brussels at the weekend and looked it up when I got home.
The poster is designed by Nicholas Fong
Some really nice Ghost In The Shell posters appearing recently. Still don’t know what to make of it from the trailer, it looks great but it seems to have all the hallmarks of any number of Hollywood blockbusters. That could just be the way the trailer was cut though. At least they don’t have one of those classic 80s pop songs reinterpreted in an emo style in it.
I’m very pleased to announce that I’ll be part of The Orb‘s ‘An Ambient Evening…’ at the Royal Festival Hall on April 21st alongside The Orb (of course) Youth, Roger Eno, Metamono, Gaudi, George Holt (Cakelab), Micheal Johnson (The Book & Record Bar) and more. As part of the ever-growing local South London crew that have gravitated to the West Norwood Broadcasting Company (WNBC) operating out of The Book & Record Bar, Alex Paterson invited us to be a part of the evening to showcase some of the people within this community. Tickets are on sale now .
Not only that, Pete W (Out Of The Wood radio/WNBC) and myself will be unveiling the first outing of our new venture into sight and sound: Further.
We’ve been kicking this idea around since last summer, wanting to create a space where music and visuals come together in different social settings to form an environment with as much emphasis on the visual as the musical. We’ve gathered an arsenal of analogue kit to make this happen, multiple slide and oil projectors, 3″ cassette effects and all manner of antique controllers to trigger them, with the aim of going back to some of the pre-digital practices that are being lost as we advance into a virtual world. It’s also a chance to showcase the kind of music we’ve been playing in the record shop, on the radio show and in venues like Spiritland over the past year or more – a willfully obscure blend of anything goes from the deepest, unexplored corners of our record collections.
The idea is to install Further into different places, working with different layouts to make each one different and fresh. Musical and visuals guests will be invited and given space to do their thing and and we’ll provide the environment for them to fit into. Think the 60s UFO club meets a 70s Arts Lab meets the 90s Land of Oz nights with a leftfield audio/visual agenda. We’re currently talking to various different people about the possibilities of staging one of these events in their venue so if you think this could work for you then please get in touch: [email protected]
Fantastic video by my friend Ameet Hindocha aka Ambigraph and Ali Wade for the track ‘Breccia’ from his album ‘Geomorphology’ – released late last year of Frequency Domain. Also check this beautiful piece of work by Ali for Anthony Child on the same label.