The Delaware Road comic pt.1 – Black Propaganda

DelRdcover
The mystery that is The Delaware Road deepens with the first episode of a projected six part comic from the Buried Treasure label. Taking the story back to the Second World War we meet new characters as it sets the stage for a new chapter in this tale of the occult, orgies and oscillators. Less than 10 copies are left so be quick as there won’t be any reprints in this form. The comic is A5 size, 20 pages, colour cover, B&W interior, and comes in a protective bag with backing board. DelRdinsideDelRd inside2

The The’s comeback tour in Leeds and London

Leeds soundcheck
It’s been quiet on here for a bit because I’ve been so busy I’ve not had a minute to put things together. After last week I really had to sit down and write something to summarize what’s been going on though. It’s very hard not to gush over being asked to support The The for three nights in London for their comeback concerts but the experience was a unique one that I’ll never forget. I’ve known Matt Johnson now for about 15 years, we’ve done a few things together and when he asked me to spin a set of cinematic ambience from his back catalogue before each show it couldn’t have been any more of a dream job.

Mattx3LeedssoundcheckMatt is a very astute character, virtually everyone I met during the past two weeks was either a friend, relative or had worked with him in the past at some point. Surrounding himself with such people brings something unique to the events that I’ve not experienced since the early Ninja Tune days. Everyone was top class in their field, approachable, friendly and relaxed. There was no ego, pecking order or division between the crew, everyone ate together and mingled after the shows and I felt accepted very quickly and easily. Matt especially was extremely attentive to everyone’s needs despite having to deal with the awful news of his dad’s death the weekend before. That he pushed forward and went ahead with the shows is a testament to his character and resilience, lesser men would have crumbled.

TheThe Leeds soundcheck
Leeds was the first show, a ‘warm up’ or ‘public rehearsal’ on a Sunday at the end of May, and I was nervous dropping into the middle of a crew after they’d been on the road for a couple of days already. Despite this I knew a couple of people already, Vicki Bennet aka People Like Us and her partner Peter, had put together the video backdrop for the show and were traveling up to preview it. James Eller, the bassist, I’d met the year before and he’s one of the nicest people you could ever meet; calm, warm and funny, a rock solid person and just what you need in a band such as this. Kate Wilkins, the production and lighting designer whose work gave the gigs more of a theatre mood than rock concert, was immediately friendly and welcoming as was Levi, the road manager and the tech crew.

TheTheLeedscrowd

Stepping out onto the small stage in Leeds was pretty daunting, the place was full with hardcore fans and I’m sitting in the middle of the stage playing a collage of samples, edits, loops and atmospheres from nearly 40 years of The The productions. Some were obvious, some very obscure and I quickly realised that a lot of subtlety was lost in the live setting with people talking. The support slot is an odd one, no one is there for you, they’re waiting for the main event and you’re really just filling time, treading water until the clock ticks round to the time the band take the stage. For anyone paying attention I hope I at least filled the gap with something interesting for half an hour, a duration that went by in a flash, having only played half of what I’d prepared.

BrixtonSoundcheck

The band are quite the revelation, Matt’s voice is as strong, clear and commanding as I’ve ever heard it, James’ basslines never wavering. Earl Harvin on drums, a reserved but warm person to chat to, told me that he cannot speed James up or down in tempo if he tries, once he’s locked in that’s it.

JamesEller-Brixtonsoundcheck

Harvin is a killer drummer, whether lightly wielding brushes on ‘The Beat(en) Generation’, pounding out ‘I’ve Been Waiting For Tomorrow…’ or simultaneously playing the beat AND the percussion to ‘Infected’ with separate hands, I never heard him drop a beat in four nights. DC Collard on keys is a friendly, hilarious character whose star turn on the solo during ‘Uncertain Smile‘ is a set highlight and crowns him man of the match every night. I had to wait until after the first gig to meet ‘Little’ Barrie Cadoghan properly, a red hot guitarist with the unenviable job of filling Johnny Marr‘s shoes who rapidly felt his way into the set and banished any such comparisons by the end of the first run.

RAH soundcheck

The set list is far from an obvious collection of crowd-pleasing hits, with a couple of relative obscurities from Matt’s solo ‘Burning Blue Soul’ debut alongside cuts from the excellent but overlooked ‘Naked Self’ album from 2000. There were a lot of ‘Dusk’ era songs (six!) which were well-judged as the crowds seemed very familiar with them, but only three apiece from ‘Mind Bomb’, ‘Infected’ and ‘Soul Mining’. Notable exclusions were ‘Perfect’, ‘GIANT’ and ‘The Mercy Beat’ but it was a treat to hear ‘Flesh & Bones’ – a ‘Soul Mining’ era compilation track – thrown in near the beginning. Highlights for me were the more uptempo numbers; ‘Armageddon Days…’, ‘This Is The Day’, ‘Infected’ and ‘Uncertain Smile’ and by god DC’s reinterpretation of that piano solo was great EVERY night.

RAH soundcheck2

I’ve Been Waiting For Tomorrow…’ is a challenging number to play as the bass parts waver between four and six bar runs against the original 6/8 drum track which seems to have its own random arrangement. At the end, just as you think they’re done with it, there’s a huge snare roll from Earl and the band drop into a funky jam where Barrie gets his chance to shine. For a taste of the sound of the new band you can check out their recent session on BBC 6 Music for the next month including an interview with Matt where an unexpected link between his and interviewer Steve Lamacq‘s childhood is revealed.

DJFoodRAH-Le@l_n0tePhoto: Leo @l_n0te

RAH panorama

I’d forgotten what a beautiful and intimidating building The Royal Albert Hall is, having not been there since the early 90s, huge but with fine acoustics, it was the perfect setting for the comeback proper. For this gig, Tim Pope filmed the show and I got to watch from the center, back behind the mixing desk. It took ‘This Is The Day’ to get the crowd completely on their feet but it was a fine show.

RAH soundcheckfrombehindRAH behindmixingdesk
DJFood-RAHsoundcheck-PeterPhoto: Peter Knight

BrixtonAcademy-NancyBrown
Photo: Nancy Brown

The Brixton Academy was a lot rowdier and I was asked to play on longer as hundreds of people were still outside, presumably thrown by the band’s 8.30pm stage time and the summer weather that day. Things got a little tense as the audience already inside got impatient, there’s nothing like being on stage, having to tread water when thousands want to see and hear the main event. The band had real trouble with the sound on stage with this gig, although you’d never know from their performance, but apparently it was bouncing around all over the place for them.

BrixtonAcademyfromthedecksDJ Food-Brixton-PaulNoblePhoto: Paul Noble.
Matt bought his youngest son, George onstage at the start of the Academy gig, it was the first time he’d seen his dad on stage and did a great job of breaking the ice immediately.
BrixtonAcademyw.GeorgeBrixton side of stageTroxy

The Troxy was new to me, I’d heard all about its Art Deco interior and it didn’t disappoint. Neither did the crowd – a hugely appreciative lot who sang along to everything and even applauded after another extended set from myself as more latecomers were squeezed in.

Troxy crowd
Troxy-Earl+DCTroxyBarrie+DCTroxyUncertainSmilesoloTroxy-TrueHappiness

Johanna St. Michaels‘ documentary, ‘The Inertia Variations‘, is now available to watch online and it’s well worth checking out if you have a passing interest in Matt’s history and want to find out where he disappeared to for all those years. I could have watched another hour of it easily as there are so many competing threads left hanging so tantalisingly. Next stop will be Neil Fraser‘s official biography, ‘Long Shadows, High Hopes’, just released this weekend, to fill in the gaps. This is all starting to sound like a huge advertorial so I’ll stop here, honestly, you wait 16 years and then all the buses come at once! A fantastic comeback and I’m so glad people are finally hearing Matt’s songs live and on daytime radio again in the present day. I’ll be supporting again at the Newcastle and Glasgow dates in September…

Posted in DJ Food, Gigs, Music. | 7 Comments | Tags: ,

New music

IndLabMrkt haul

I thought I’d better post some new music recommends on here seeing as the Four From Food Fridays thing took a back seat since I moved house late last year. I went to the Independant Label Market in Spitalfiends the Saturday before last and picked up a good haul of music at affordable prices, direct from the artists or labels. No queues, no waking up at silly o’clock, some limited editions but I managed to get everything I was after and I arrived a good three hours after it had opened.

Clockwise from top left: Pink Lunch (Trevor Jackson alias) – S/T LP (Pre), Dark They Were And Golden Eyed (Trevor Jackson alias) – Design Your Dreams LP, (Pre) Jon Brooks – 52 (Clay Pipe Music), Larry McGee Revolution – The Burg 7″ (Dynamite Cuts), Concretism – For Concrete & Country LP (Castles In Space), Heavenly Records sampler CD, King Gizzard & The Lizard Wizard – Gumboot Soup LP (Heavenly), Soundhog – Newtown Parkway / Astrablast 7″ (Castles In Space), The Twelve Hour Foundation – Bunch of Fives lathe cut 7″ (Castles In Space), Trevor Jackson – System CD (Pre), Of The Night (Trevor Jackson alias) cassette (Pre).

This is where the spirit of Record Store Day lives for me, it was busy, it was exciting, I spent a chunk of money that went straight to the artists/labels and even grabbed copies for friends who couldn’t make it. Every release I got was new bar one reissue that I was given and I bought vinyl, CDs and a cassette. 7″s were around £5 or £10 for a lathe cut with multiple inserts, LPs between £15 and £20 and there was food and booze nearby to enjoy afterwards. Later we dropped into a local record shop only to see multiple copies of unsold RSD Shaggy 7″s and the Florence & The Machine single retailing for £18.

The clue is in the title, ‘Independent Label Market’, twice annually in London at Spitalfields – and yes, I realise I’m lucky enough to live in a city where such a thing happens – but they’re expanding. Next month sees one in Berlin, another in Soho and October has one scheduled for Paris.

12HrFound

Castles In Space are really killing it with releases right now, the Concretism album is excellent, the Twelve Hour Foundation‘s 7″ above is a great taster for the album to follow and Soundhog‘s debut for the label bodes well for the future. With the Akiha Den Den album last year and more on the horizon, this Brighton-based label is doing good things in electronic music – lovely design by Nick Taylor on the THF single and Richard Littler (Scarfolk) for the Concretism too.

ConcretismLP

Outside the market there’s plenty to be scooped up on the web – The new Delights release is out any day, with only half the stock left – a new Group Modular 45 with an update of their Acid Wheels track and a brand new A side. Each comes with this lovely screen print too and it’s limited to 150 copies. Grab one here

Acid Wheels printAcid Wheels discAcid Wheels

If deep, dark modular electronics are your thing then you could do far worse than grab one or both of these releases which both feature Camberwell local Guido Zen. Vactrol Park is his band with Kyle Martin and this 3 tracker pre-empts a forthcoming album on Malka Tuti label – really nice stuff, similar in vein to their previous two EPs on ESP Institute. The PNZ ‘Shut Your Eyes On The Way Out’ LP is a collab between Zen, Colin Potter, who has worked with Nurse With Wound among others and Alessio Natalizia aka Not Waving.

Vactrol Park

Trunk comes up with another winner in the form of the spy-jazz KPM cues for the 2nd and 3rd series of the animated Spiderman cartoon of the 70’s. Fantastic spider-splat vinyl too although these may now be sold out.

Spider Jazz coverSpiderplate vinyl

Demdike Stare also just put out a tape of them remixing The Feed-back by Gruppo di Improvvisazione Nuova Consonanza (Morricone‘s infamous psychedlic jazz outfit) – I was hoping for something a bit more crazed and fuzzed out but it’s an interesting listen. Sadly I think this is sold out already

Demdike Feedback

DJ Food supporting The The on forthcoming UK dates

the_the_THETHE2byJohnClaridge1
It gives me great pleasure to announce that I’ve been asked by Matt Johnson to open for The The on selected UK dates for their comeback tour this year. Matt didn’t want a conventional band support in the slot but asked if I would prepare something cinematic and ambient, incorporating his music from the last four decades. Fortunately this is exactly the place my head’s been at over the last few years and the chance to do this with Matt’s back catalogue is the stuff of dreams. Expect an improvised ‘cineolascape’ to greet you on arrival for the gigs, different for each night.

product_d_e_deep_space_cover

I’ll be joining the band – who have video accompaniment from Vicki Bennett aka People Like Us and design by Kate Wilkins – on
May 27th – Leeds, LMUSU
June 5th – London, Royal Albert Hall
June 6th – London, Brixton Academy
June 7th – London, Troxy
Sept 3rd – Newcastle, Newcastle University
Sept 4th – Glasgow, Barrowlands
Sept 5th – Glasgow, Royal Concert Hall

Also just announced: the new band line up (see above photo by John Claridge), the long-awated biography by Neil Fraser release date and more screenings of The Inertia Variations documentary at the ICA.
Go to https://www.thethe.com/ for more info…

the_the_LongShadowsHighHopessmall

Posted in DJ Food, Gigs, Music. | 3 Comments | Tags: ,

Sister Corita Kent at Ditchling Art & Craft Museum

SisCorKentDitchling

There’s an amazing exhibition on in a very out-of-the-way place at the moment, Sister Corita Kents screen prints (or some of them) are on display in Ditchling, a small village near Hassocks, at their Art & Craft Museum, 10 minutes on the train from Brighton. Sister Corita was a nun, artist and teacher running art classes at the Immaculate Heart College in Los Angeles in the 50s through to the early 70s. Her prime medium during these years was screen printing and her works were eventually seen as part of the Pop Art movement.

Her bold, bright, contemporary methods were in perfect step with the times but she became embroiled in arguments with the church over her messages, especially anti-vietnam and civil rights movements posters which ended with her leaving her post and the church for good. Her life and achievements are incredible as a practicing nun and teacher who had everyone from John Cage to Charles & Ray Eames to Alfred Hitchcock visit to take classes.
The exhibition is on until 14th October and is really worth the effort, it’s a 5 minutes cab ride from Hassocks train station and there’s a permanent collection of religious art and more to see.

SisCorKentD SisCorKentNewHope SisCorKentN SisCorKentWhoWhatWhen SisCorKentNoOneWalks SisCorKentYellSub SisCorKentStopBombing SisCorKentGetWithSisCorKentActiondetail SisCorKentTomato SisCorKentPO SisCorKentWE SisCorKentERSisCorKentUP

Confidence Man – Confident Music For Confident People

HVNLP152-Packshot1__1__1519676466_crop_550x550

It’s seldom that I hear something so fresh, so immediate and so mind-numbingly good that I have to go out, buy it straight away and then play it on repeat. I found Confidence Man via a recent Bigmouth podcast (thanks Andrew Harrison), a group described as a cross between Dee-Lite and Girls Aloud by no less than The Quietus and who live up to the hype. It’s pop with a capital P, a male and female fronted quartet with two shadowy (literally) background players/producers who crank the sound up for the clubs as much as the radio (I see Ewan Pearson was on mix duties for most of the album).

303 acid squiggles vie with sampled breaks, Italo piano and singalong hooks galore, one minute there’s a dead-ringer for ‘Come Together’ from ‘Screamadelica’ and the next it’s going all ‘I Feel Love’. It’s played with a straight face but tongues are firmly in cheeks and if the basslines don’t have you from the off then you must be partially dead or deaf. The LP, ‘Confident Music For Confident People’, came out last month on Heavenly in the UK and if it’s not in every album of the year list at the end of 2018 then there’s something seriously wrong. Get a load of this

Posted in Film, Music, Records. | No Comments | Tags:

Big Mouth podcast (with Infinity War spoilers)


I was a guest on Bigmouth last week – the weekly pop culture podcast – pontificating/nerding out on Avengers: Infinity War, Janelle Monae’s ‘Dirty Computer’ LP, new Sky Atlantic series, ‘Barry’ and the latest ‘Too Slow To Disco: Brasil’ compilation. There are masses of spoilers for Avengers so don’t listen if you’ve not seen it yet but it is at the end of the show so there’s plenty to listen to before we start giving the game away.

The Advisory Circle – Ways of Seeing album

IMG_7563

It’s that time again, for another Jon Brooks album to grace the turntable and record shelf/box/bag, returning under his The Advisory Circle guise to the consistently dependable Ghost Box label. Wrapped, as always, in a gorgeous gold mirrorboard sleeve design by Julian House, Jon has conjured up another set of gorgeous melodies and lush scenarios loosely based around the theme of photography. Gone are the uneasy undercurrents of his last outing for the label, ‘From Out Here’, and instead we get a summery set of beautiful library-like cues, never outstaying their welcome (some leaving too early) with a guest vocal from The Pattern Forms’ cohort, Ed MacFarlane on the final track. Pre orders just went live, get it here on LP, CD or DL.

IMG_7568 IMG_7566 IMG_7567

Haendehoch! phonographics

IMG_7597 A mystery package of three 45s and 3 posters arrived a few weeks ago from Dutch label Haendehoch! phonographics. Each single is hand-stamped on the label, wrapped in a risograph printed sleeve, folded inside a plastic sleeve and comes with an A3 sized poster to compliment the release.

IMG_7598
The idea for the label is to rescue music from the web that was never given a release on a physical format at the time and the first three releases glean their contents from Soundcloud files uploaded between 2011 and 2014. It’s a novel way to start a label and, whilst the music wasn’t really to my taste, the graphics are absolutely beautiful.

IMG_7593

IMG_7594

The label seems to be the brainchild of the Haendehoch typographics studio in Utrecht who have been creating work for the music and club scene in the Netherlands for over a decade. You can judge for yourself and buy the single now here
IMG_7596 IMG_7595

Sure Shot Tools custom 45 adaptors

Pablo+Food@PB I spent Record Store Day in sunny Krakow, Poland this past weekend, playing an instore at the excellent Paul’s Boutique record shop and later spinning at Club Alchemia.

IMG_7541Whilst I was there I was graced with a pair of custom made 45 adaptors by new kid on the block, Sure Shot Tools. Having recently invested in a pair of the SydDefJam 7″ middles I’m pretty much set up for life as far as centers go as they do everything you’d ever need an adaptor to do. The difference here though, is the personalised machine-finished logo on the top, which sets them apart from the Australian leader of the pack. Syd offers hand-punched lettering but it’s rough and ready whereas Sure Shot can take a logo and engrave it perfectly onto the top of the middle for that professional finish.

IMG_5681His centers are as heavyweight as Syd’s but lack the rubber ring that holds the records firmly in place. Another plus point for us Europeans is that the postage costs aren’t as prohibitive on the Sure Shot’s than on Syd’s but really it’s down to individual taste in the end, they both do the job admirably and look great into the bargain.

IMG_7544

Frank Zappa advert + poster collages Pt.2

GUAMBO poster
Continued from part 1
I’m not sure who did the design above but, from the date, I’d guess it was Zappa, regardless it’s a great poster

Around the end of making The Mothers of Invention‘s ‘Absolutely Free’, Cal Schenkel started working with Frank Zappa on artwork (he also appears on the ‘Freak Out’ album as one of the studio voices). From then on he became the graphic artist most associated with the Mothers and some of Zappa’s solo works, his collages, paintings and sculptures adorning many of their classic LPs. Here’s an ad for ‘Absolutely Free’

Abs Free ad CalSchenkel hit parader dec-67e

Cal created several ‘Moop’ ads, odd comic-styled pages, “…yeah, and we also did a series of ads which you might have seen at one point… for MOOP. You ever seen any of the MOOP ads? …but they were the weirdest ads, they were like just funny little surrealistic comic strips…and there’s a bunch of ads that were running–like, Hit Parader, and just the oddest places…” – from this interview

schenkel_c_absolutelyfree 1967-10-xx Hit Parader MOOP1 05 schenkel_moop21968-05-xx Crawdaddy n15 48Lonely Little Girl ad

This beauty below appeared in Marvel comics’ Daredevil #38

Mothers Daredevil 38 ad Uncle Meat adschenkel_cal_kidding

By the 70s, things had started to change graphic-wise in publications and we go into what I call the ‘statement’ era of advertising where text played a big part in hooking the viewer in via an intriguing ‘headline’ and then selling the product in a quirky sales-pitch style similar to these examples below. Crazy graphics, surrealism and excessive detail were out and, as a designer, I can’t blame them. Much the same as the sometimes impenetrable psychedelic posters of the late 60s were only meant for the heads in the know to decipher, their time was up and now the marketing men had to sell this stuff to the masses rather than keep it underground. Cue straight, no-nonsense text in blank space and packshots of the album or group in question.

1969-06-14 Rolling Stone [UK] n35 051970-10-29 Rolling Stone n69 23One Size Fits all ad

Splice festival 2018

SPLICE 2018 /// FESTIVAL TRAILER /// from Splice Festival on Vimeo.

An incredible line-up of AV performances to explore, workshops to participate in, films and talks to expand your knowledge, Splice Festival 2018 is back for a third time.

Tickets are selling fast, there’s just a handful of discounted joint tickets remaining for Splice Festival Friday and Splice Festival Saturday. http://www.splicefestival.com/tickets/

The Sunday features a very special family friendly performance from Graeme Miller : Moomins and the Comet Live Re-score and a brilliant hands on workshop for the yung’uns from School of Noise : Childrens AV workshop: http://www.splicefestival.com/sunday-13th-may-kids-family/

There’s an additional venue on Sunday at Stour Space which looks just as good with Howlround reprising their live soundtrack to ‘A Creak In Time’ from last year’s premiere at Further plus Mixmaster Morris DJing, and some amazing – looking film from iloobia and Graham Dunning‘s mechanical techno project.

They have limited space available for the very popular workshops so get ’em now to avoid being disappointed.
http://www.splicefestival.com/splice/2018/workshops/

Posted in Design, Event, Film, Music. | No Comments | Tags:

Frank Zappa advert + poster collages Pt.1

1967-09-xx Hit Parader Abs Free ad

Lately I’ve been studying the collage art of Frank Zappa and Cal Schenkel from the Mothers of Invention albums. On reading up on this material, including a long interview with Schenkel, I realised that Zappa himself seems to have done a lot of the artwork for the first two Mothers albums, ‘Freak Out’ and ‘Absolutely Free’, with Cal coming in at the end of the latter and doing some of the adverts. What you see below is – as far as I can tell – is mostly the work of Zappa who was a pretty decent visual artist in his own right is seems.

Absolutely Free ad Frank Zappa flyer-2

Freak Out News 1
An ‘official New of the Mothers’ would occasionally get printed in the LA Free Press, below is the first one, a four page digest that includes a poster for a forthcoming gig.

Freak Out News 2

"</p

Freak Out newspaper poster Freak Out Off news Oct Freak Out Off news Oct2

Some variations on gig posters
Freak Out poster blue Freak Out poster red

Collage made to illustrate an interview in a music magazine

freak out usa 3a large_Mother_s_and_Tim_Buckley_Dec_9_1967_Pasadena_Civic_Aud

The original paste up for an advert / flyer
Original collage flyer 1966-12-08_ThePaper_1

Pulp Magazine archive

New_Worlds_193_1969-08_0000
Stuff that’s been clogging up the desktop Pt.4

Toby Whitebread (New Analog Illustration) sent me a link to a pulp magazine archive a few weeks back and I waded through it to find these beauties.

We start with a trio of lesser-seen Vaughn Bodé covers

Amazing_Stories_v45n06_1972-03_sas_0000
1968-11_IF_0000 Amazing_Stories_v48n02_1974-08_0000

I’m not sure who these next two are by, the first could be Josh Kirby
1970-01_IF_0000 1970-03_IF_modified_0000

Three lovely Mike Hinge covers…Amazing_Stories_v46n01_1972-05_0000 Amazing_Stories_v46n05_1973-01_Gorgon776_0001 Amazing_Stories_v48n04_1974-12_Gorgon776_0001

Brian Lewis doing his Richard Powers / Yves Tanguy impressionNew_Worlds_069v23_1958-03_0001Science_Fantasy_28v10_1958-04_0000 Science_Fantasy_40v14_1960-04_0000

and finally, a couple of Richard Powers properStar_Science_Fiction_v01n01_1958-01_Sam_Hall-sleipnir_edit_0000Beyond_Fantasy_Fiction_v01n01_1953-07_cape1736_0000

Penguin Live at the Palladium

DJ Food at the Palladium - photo Liz CatchpoleI was recently asked by Penguin/Random House to go through their audio books and put together a 3 min piece for World Book Day. They then asked me to perform it onstage at the London Palladium! It’s at the end of the podcast here but I can’t seem to embed it so here’s a link.

IMG_7131
Crowds outside the Palladium beforehand, this was an employee’s only event, just after we’d had that huge snowstorm.

IMG_7136
Squid Soup‘s lighting rig with Ruth Jones on the video screen shortly before I took the stage.

IMG_7135
Emily Maitless gives me possibly the best intro ever…

DJ Food onstage Palladium

What you sadly can’t see is the animated video I also made to go along with it and the lighting by Squid Soup (who did the recent Four Tet gigs). The photo at the top was taken by an old friend of mine from the Camberwell College days, Liz Catchpole, who works for Penguin and had no idea I was playing until she saw me on stage. Massive thanks to everyone at Penguin / Random House who helped out on this, especially WiIliam Smith at Vintage and Richard Lennon from the audiobook dept.

Penguin podcast

Further at SYNthesis

Further @ Synthesis_StanleyHalls_Photo.PC
Stuff that’s been clogging up the desktop Pt.2

This rather lovely selection of shots was taken by PC at Stanley Halls in Norwood when Further appeared at the SYNthesis festival last September. I’ve still to collate my images and do a proper post on this and the Portico Gallery one that came shortly after but I love this collage of different points in part of the slide show. Follow PC on Instagram here.

Cuphead Posters

db8
I’m still loving the design of Cuphead, the recent release from Studio MDHR based on the look of the old Fleischer Brothers animation studios. There seem to be lots of great posters for it online, possibly official, it’s hard to tell these days. Many follow the multi-coloured, multi-character model but some keep in line with the look of the game. There’s also merchandise starting to appear, from enamel pin badges to the inevitable Funko toys but the best object so far has to be the 4xLP original soundtrack.

IMG-8640CH_1320x660_02IMG-8633

Housed in a 30’s book-style sleeve with gold leaf cover graphics, separate leaves for each disc and yellowed ‘pages’, it looks like it could have come straight from your grandparents’ vinyl collection. There’s also a lovely 7″ with selections from the near 3 hr LP set. At an eye-watering £71 + postage it’s a bit out of my league at the moment but it looks worth every penny from the photos.

dance_with_the_devil___cuphead_poster_by_edwardjmoran-dbhdl99 image1_1_1024x1024 Screen+Shot+2017-09-29+at+11.52.30+AM 0a47de588c96b1cf2189fe2d3f8e3230

* Beware of pre-orders of figures from PopInABox – my Cuphead and Mugman figures are now 2 months overdue, one has been dispatched from overseas without a tracking number and the other remains in limbo while they wait for stock, meanwhile I’ve seen them in shops in the UK.