De:tuned DE:10 series repress full series

DE10x10

The final four coloured vinyl represses from the De:tuned DE:10 series were released yesterday including a clear vinyl DE:10, still with the silver foil blocked sleeve. There is one more piece in the puzzle for this series that should make an appearance in the next two weeks…

Here’s some handy order links if you’re looking to pick up the last batch
Bleep: bit.ly/3dQ23RF
Juno: bit.ly/2Zb4iLd
Red Eye: bit.ly/2yaq4nb
Norman: bit.ly/3h9gQI9
Deejay: bit.ly/3dQwPty
Decks: bit.ly/35nZ5mz
Horizons: bit.ly/2WCfMWr
Intense: bit.ly/322VM1H

Into 2021 there’s much more great music to come from this label and I’ve designed two fantastic releases that are currently in production with another to start on before the year’s end. The two in the can are dream come true projects and I’m extremely happy with the results.
If you’re not familiar with the De:tuned label then the DE:10 releases are an excellent place to start. Some of their contents are in this special promo mix I made for them earlier this year.

In the mean time, look at these beauties…

DE01

DE02

DE03

DE04

DE05

DE06

DE07

DE08

DE09

DE10

DJ Food ‘Songs of Praise’ mix

DJ Food - Songs of Praise web
In recent years I’ve become increasingly interested in religious records, specifically rock operas from the late 60’s, early to mid 70’s era. Hair and Jesus Christ Superstar are the most obvious ins to this genre and there are many, many versions of those but they’re the tip of the iceberg once you get into pressings from independent labels run by the church. The astounding thing with this genre – and possibly because of the success of Hair and JCS – is the budgets and records that come out of the woodwork. Box sets with foil printing, 12″x12″ booklets, double albums, full chorus, strings, horn sections, top notch session musicians right down to hand drawn covers and small ensembles recorded in halls with bad sound. Generally though, there was a lot of money about to do this stuff and it shines through in the passion and creativity poured into the songs and performances on these records.

A recent trade with fellow collector, Shane Quentin, (co-contributor to the Wobbly Sounds flexi disc book last year with Jonny Trunk and myself) resulted in me offering an exclusive mix for his long-running The Garden of Earthly Delights radio show. Having chanced upon an incredible religious album recently, full of great tracks, I was looking for a reason to put a load of them together and offered a mix of religious rock and such as I knew he’d get a kick out of it. The results can be heard in my new mix, ‘Songs Of Praise’, tonight on his show between 10pm and midnight – point your browser at http://www.crmk.co.uk/listen. It’ll also be available via Shane’s Mixcloud UPDATE: Full show below, my mix starts at the 33 minute mark.

I love every one of these records and have been playing the mix daily since I made it earlier this month which is unlike me, there’s something both weird and wonderful about them. I had to cut 20 minutes of material to get it in at an hour and already have enough for half of part 2 so this may become an annual, pre-Xmas affair on Shane’s show. A lot of these records are available for very little (one of them I bought for £1) but there’s a lot to plough through in the genre to find the gems.

Mixcloud Select 34: Strictly Kev – Solid Steel 03/06/1995

MS34 Strictly Kev - Solid Steel 3:5:1995 tapeThis is one of my favourite sessions from the 90s, KISS FM, Friday night (we often pre-recorded then and it was broadcast ‘live’ 1-3am Saturday), Matt, Jon, PC and I piled into the tiny studio on the Holloway Road with a bunch of new records, the word treasure jingle CDs that housed all the various samples we’d ’slurp’ over each other’s mixes and no plan but to record 2 hours non stop.

There’s another hour that precedes this that PC should be putting up on his Sound/Mixcloud soon where it’s his turn and possibly Matt Black before him. There’s also a missing 20 minutes at the end of my mix which may well have been Jon finishing off the set. This is a classic trip hop selection taking in blunted beats, turntablism, downtempo electro and hip hop B sides, a bit of ambience and spoken word thrown in and some new Ninja productions at the end.

Things were getting busy and exciting on all fronts in 1995, the year that the label finally broke through with the first Ninja Cuts compilation and solidified things with Coldcut’s Journeys By DJ mix, our first overseas tours and the start of the club, Stealth. Gigs around the UK and Europe were becoming more and more regular and I was designing everything Ninja Tune could throw at me. It was a slow build, not some overnight sensation, things just grew and continued to grow for the next few years, maybe slowing somewhat by 1998 but then we were at the 10 year anniversary by the year 2000.

If anyone can tell me what the opening track is I’d be grateful, Shazam has nothing, I have no record of the set list but I’m thinking it might be something from the New Breed label maybe? DJ Smash? Something from one of the Fat Jazzy Grooves comps? You can tell it’s the 90s with those kind of names. The Ken Nordine sample makes me think it’s from the US as few had sampled him by 1995. *UPDATE: Edward has come through with the answer, it was JazzadelicMessage From Outer Space, he also pointed out that the date was 3rd of June 1995, not May – thanks Edward. The Prunes track that follows is definitely from that label, still quite underrated/forgotten over in the UK, there’s all sorts of great trip hop on that label going back to 1992.

DJVadim_NonLat_12_label

I had a trick that I used to do, it’s an old hip hop thing that DJ Vadim showed me with a roll of gaffe tape and a turntable, you can see it illustrated on the cover of his first Ninja Tune single. You place the roll of tape on the platter, sit a record on top of it, making sure it’s as central as possible, unscrew the headshell of the tonearm and slot it back in upside down. Tip the tonearm weight back as far as it will go and then place the needle on the underside of the elevated record so the needle is facing up. Put it in the middle of the record, not the edge, as the grooves will be carrying the needle from the inside to the outside of the disc once the platter is rotating. Press start on the deck and the sound comes out reversed as the needle is tracking it backwards now. I would do this in clubs and it would always get a great response as it’s such a visual trick, you had to do it with something recognisable and that didn’t change too much plus it was hit and miss where you got the needle but you could get it in time in the mix with a bit of push and pull. I did this with the 45 King’s ‘900 Number’ during this show to general amazement as I don’t think the others had seen it done before.

We get a scratch-fest of DJ Cheese, the Jeep Beat Collective (shout out to Dave the Ruf and DJ Mark-One) and 2 Live Crew’s Mr Mixx before some more downtempo beats from The Prunes and Mike Paradinas alias, Jake Slazenger. I must have just got his album as two tracks feature in quick succession here. Early Wall of Sound makes an appearance in the form of Mekon from the first Back To Mono compilation and then it’s the evergreen Solid Steel staple of Forrest Ackerman’s ‘The Tin Age Story’ from Music For Robots. New Coldcut/Food collab ‘The Worm Turns’ leaps in before we close with a fresh-out-the-studio DJ Food remix of Nobukazu Takemura from the Japan/Germany-only Child’s View Remix album which, if you haven’t heard it, is excellent and features amazing remixes by Aphex Twin and Wagon Christ.

Such fond memories of this time, people and music, not a care in the world.
UPDATE!
PC has put his mix that preceded mine from this show up on his Mixcloud – check it out, there’s an unreleased DJ Food remix in there too – and give him a follow while you’re there
https://www.mixcloud.com/knobblyknee/solid-steel-030695/

Track list:
Jazzadelic – Message From Outer Space
The Prunes – Vinyl Anal
45 King – The 900 Number
Spacepimp – K9 Law
Word of Mouth feat DJ Cheese – King Kut (Dub)
Jeep Beat Collective – Nah, Nope It’s Dope (Scratch Mix)
Anquette – Ghetto Style (instrumental)
The Prunes – Somethin’ Funky
Jake Slazenger – Megaphonk
E.A.R. – Sub Aqua
Jake Slazenger – ERP
Mekon – Minnie’s Broken Arm
Forrest J. Ackerman – Music For Robots
The Illuminati of Hedfuk – The Worm Turns
Nobukazu Takemura – Crescent (DJ Food remix)

Mixcloud Select: Strictly’s Adventures in Wonderland Pt.2 05/12/99

DJFoodMixcloudSelect33I mistakenly listed last week’s mix as Part 2 for some reason, probably because it was that way wrong on the PRS sheet despite an opening sample starting, “tonight on Solid Steel we have… “. Anyway, tonight we have a lesser known Boards of Canada remix from Funkstorung’s Michael Fakesch’s first solo single, ‘Demon. 1’ opening the show. It flows into a Pilote track I’d completely forgotten but am very glad to be reminded of (bit out of tune but have you ever tried mixing Boards with anything melodic? Virtually impossible).

The Psychic Warriors Ov Gaia track is one of my very favourite techno tracks of the 90s, as you can hear by my attempt to mix the whole thing in and under Four Tet’s ‘Glasshead’ despite the latter being loose as hell and the tuning being off, bass lines fighting etc. Trevor Jackson’s Output label was really firing on all cylinders around this time, his Skull EP, Kieran’s 12” and 7-Hurtz’ first release, all top drawer material and we’d hadn’t even got to the DFA connection yet.

Part 2:
MICHEAL FAKESCH  – SERFAISE (BOARDS OF CANADA MIX)
PILOTE – JUNIOR
PSYCHIC WARRIORS OV GAIA – OBSIDIAN
FOUR TET – GLASSHEAD
7-HURTZ – 7-HURTZ THEME
PSYCHIC WARRIORS OV GAIA – OBSIDIAN

Mixcloud Select: Strictly’s Adventures in Wonderland Pt.1 05/12/99

Adventure in Wonderland DATWe’ve had a lot of the ’00’s recently so I thought I’d reach back into the 90s a bit and pulled these from the DAT files, a couple of mixes from the same show near the end of ’99. Both are quite different so I’ve split them up as the part 1 and 2 that I recorded them as. We kick off with a hip hop-heavy half hour full of crashing beats and samples from a time when R’n’B hadn’t quite started to invade hip hop and the underground scene was in rude health.

Trevor Jackson’s Skull alias kicks the door in and crops up later too, there’s a healthy UK/US crossover with The Herbaliser collaborating with Latyrx on ‘8 Point Agenda’. I can hear a few samples that were floating around during the making of ‘Kaleidoscope’ in this and we would have been finishing it around this point. The computer ‘ghost voice’ also appears, programmed from an app and used as a presenter for the mixes as we’d left KISS FM by this time and were either recording mixes up at Ninja HQ in Ahead of Our Time studios or at home. There was no way to talk on the mic in the studio and, freed up from the need to play ads and ‘reads’ for the station, we just got on with the music. Streaming in a basic form was being explored by Matt Black via the Ninja Tune website ‘Pipe’ and track lists could be posted but this was early days and only a few were engaged on that level. This was sort of a wilderness period when we weren’t officially on the radio, just the web but we never stopped recording a show each week. Coldcut were very insistent that we keep going and not stop the weekly routine as something would come up, and it did in the form of the BBC a year down the line.

Porn Theatre Ushers’ ‘Me & Him’ is an under recognised classic and Public Enemy had made a decent enough single to get featured after a string of so-so releases. I first heard the second Skull track appearing here at a gig I was doing with DJ Vadim somewhere, he played the track from the beginning and let it run to an increasingly puzzled crowd, once the beat dropped everyone was on board though and I had to know what it was. The looseness and uniqueness of the production really made you stop in your tracks and pay attention. Finishing off with Shadow’s Lifer’s Group remix which got bootlegged at some point in the 90s along with the Zimbabwe Legit mix, this is pretty straight up but leads us into a more mellow late night techno excursion next week.

Part 1:
SKULL – SPAZTIK
THE HERBALISER – 8 POINT AGENDA
D.I.T.C. – GET YOURS
STEADY – TRICKNOLOGY
PORN THEATRE USHERS – ME & HIM
SKULL – CRASH
PUBLIC ENEMY – WHAT WHAT
LIFERS GROUP – THE REAL DEAL (DJ SHADOW REMIX)

XX book US edition and Celestial Mechanic EP release

XX US edition

The US release of Rian Hughes’ debut novel, ‘XX’ happened yesterday, the book, as mentioned before, is a sci-fi epic coupled with graphic design elements throughout. To mark the occasion we have a new 30 minute Celestial Mechanic EP out via Bandcamp with a 17 minute remix of ‘The Signal’ and several piano pieces created for the album but unused in the final mix.
Check it out here https://celestialmechanic.bandcamp.com/album/the-signal-retransmission and if you like it there’s a whole album too, made by myself and Saron Hughes with contributions from Robin The Fog on tapes and Saron’s husband, Peter Harris on guitar.
Rian’s book is out on Overlook Press with a different cover, if you’re in the US you can order it here.
Also, Thursday night, Nov 12th, Rian is doing another web chat with writer Grant Morrison online and it’s free! Log on at 7pm Eastern Time, more details here

US DUSTJACKET AS EP COVER (Black)

New Celestial Mechanic EP

US DUSTJACKET AS EP COVER (Black)To celebrate the US publication of Rian Hughes book, ‘XX, A Novel, Graphic’ on Nov 10, we have a new 30 minute Celestial Mechanic EP out today, including a 17 minute remix of ‘The Signal’ alongside satellite piano variations made during the ‘Citizen Void’ LP.
https://celestialmechanic.bandcamp.com/album/the-signal-retransmission

Celestial Mechanic is a new project I’m part of, directed by Rian Hughes and in collaboration with his sister, pianist Saron Hughes. Rian put us together and commissioned a soundtrack for his book earlier this year. In his novel “XX” he includes a review of a fictional album based on a mysterious signal of extraterrestrial origin. I and Saron were tasked with the job of taking this review and making the album a reality. In what may be a first, the review actually preceded the music.

“XX” is published by Picador (UK) August 20 2020, Overlook Press (US) November 10 2020.

 

Mixcloud Select 31: Strictly Kev – Just A Phase (extended version) 02/04/2001

31 CD DiscMy archive disc says this is an extended version and it clocks in at 69 minutes so there’s an extra 9 minutes that wouldn’t have been on the Solid Steel broadcast.
The lovely sax sample used in the intro is from Stan Getz‘s ‘Soul Dance’ that also crops up in full later and he features twice here. That track reminds me so much of pillaging the easy listening bins for Command, Project 3 and others on North American tours. The Jim Backus record (the voice of Mr. Magoo and also God on a recent rock opera I found) was absolutely scratched to bits but I managed to clean it up. Who knew that that Bonobo remix of Pilote would wind up on a phone advert and he’d go on to become not only one of the biggest Ninja artists but one of the biggest on the world stage? Ah, this Neotropic stuff slays me every time, her best album of the era, ‘La Prochaine Fois’ is an electronic folk masterpiece, great memories associated with that one.

I think the comedy inserts throughout about the car starting and the radio DJs are from a Robert Klein comedy album, Child of the Fifties’ (also check his ‘Mind Over Matter‘ release). He was a comedian who also did a radio show in the late 70s and early 80s, some of which were syndicated and pressed onto vinyl. So much great stuff in here that I’d forgotten, the Groop track, ‘Moonbase‘, a nice slice of psych on Jazzman offshoot, Stark Reality, Ian O’Brien‘s beautiful ‘Midnight Sunshine’, cLouddead‘s ‘Jon Abercrombie-sampling ‘Jimmy Breeze’. Sixtoo‘s ‘Work In Progress’ is still some kind of crazed masterpiece, shame about the tuning in the mix! I remember going to his apartment in Nova Scotia before he moved to Montreal and him playing us demos of forthcoming tracks, telling tales of neighbours banging on the door complaining about the noise (something he recorded for a future release). We went digging with Dynamic Syncopation and Fink in the freezing weather on a Sunday with huge icicles hanging off gutters and spent all afternoon in a local record store with condensation steaming up the windows, when we emerged hours later it had snowed and the whole street was covered in fresh powder. The second appearance of Stan Getz features my favourite song of his, ‘Bonjour Tristesse’, a beautiful track from his ‘Communications ’72’ album and something I ended up featuring in my live turntable re-score of The Monkees’ ‘Head’ film around this time.

31 PRS

As you can see from the sticker accompanying the tracklisting, this was from the period when Solid Steel was on BBC London, or LDN as they rebranded it. After Stan we have the extended content including another great lost artist, Broadway Project, who also samples the same track as cLouddead earlier. I believe he largely writes for film and TV these days although has recently upped loads of work to Bandcamp. The ‘William Tell Overture’ version I have no recollection of but looking it up, it’s from the Zachariah soundtrack which has some superbly weird moments as I recall. Tony Mottola‘s smoother than smooth version of ‘Spinning Wheel’ plays us out, coupled with more Robert Klein. This was definitely a phase I was going through.

Track list:
Phase 3
Jim Backus & Friend – Delicious
Pilote  – Turtle (Bonobo remix)
Neotropic – Still
Neotropic feat. Shorti – Memories
Groop – Moonbase
Mike Sharpe – Spooky
The Allies – D-Day
Ian 0’Brien – Midnight Sunshine
Stan Getz – Soul Dance
Phase 4 
cLOUDDEAD – Jimmy Breeze
Tortoise – Seneca
Dakota Oak – How Danny’s Friend Became A Force For Good
Neotropic – Je Suis
Sixtoo – Work in Progress
Stan Getz – Bonjour Tristesse
Broadway Project – Life of a Refugee
Jimmie Haskell – William Tell Overture
Tony Mottola – Spinning Wheel

Bandcamp Recommends November 2020

It has to be said, there’s a tidal wave of good music coming out on a near weekly basis now and a lot of artists are saving releases for Bandcamp Fridays which can be slightly overwhelming but let’s not look a gift horse in the mouth, great music is needed in such grim times so let’s get to it.

Groop Mod TM LPGroup Modular – Time Masters DL and very limited vinyl pre order (also vinyl coming any day now from Polytechnic Youth so follow them on Facebook or sign up to their mailing list)
A long time in the making but finally here, Markey Funk and Mule Driver‘s collaboration continues…
https://groupmodular.bandcamp.com/album/time-masters

Markey Funk 45

Markey Funk – Magic + Sparks Remixes 7″ (Delights)
Two old remixes for other bands make it to 45, if psych rock with distorted vocals and drums is your thing then you’ll love these https://delights.bandcamp.com/album/magic-sparks-apdlt016

Jane Weaver – Flock LP pre-order (Fire Records)
It’s going to be a long wait until March for this to finally arrive but on the strength of the single alone it will be worth it
https://janeweaverfire.bandcamp.com/

JW LP cover

US DUSTJACKET AS EP COVER (Black)Celestial Mechanic – The Signal: ReTransmission, An EP (Bandcamp)
*Self promo dept.* There’s a new 17 minute remix of ‘The Signal’ from Saron Hughes and my ‘Citizen Void’ LP to welcome the US release of Rian Hughes‘ book, ‘XX, A Novel, Graphic’, out today along with satellite piano variations made during the album that form a 30 minute EP.
https://celestialmechanic.bandcamp.com/album/the-signal-retransmission

KGATLW KG LP

King Gizzard & The Lizard Wizard – K.G. DL/LP (Flightless)
New album, vol.2 of the Flying Microtonal Banana series, ‘Honey’ in particular is beautiful. https://kinggizzard.bandcamp.com/album/k-g

also there’s a Live in San Francisco album from 2016 from the ‘Nonagon Infinity’ era https://kinggizzard.bandcamp.com/album/live-in-san-francisco-16

Scarred 2

Various Artists – Scarred For Life 2 DL/LP (Castles In Space)
The sequel to the original comp of themes to imaginary spooky TV shows that never were, all in aid of charity.
https://scarredforlife.bandcamp.com/

CiSSUBLib cardVarious Artists – Castles In Space Subscription Library – I may as well just open an account with Castles In Space – Oh I just did! 10 releases over the next year – how they’ll do it alongside the heaving schedule of the regular label I don’t know but it looks great! £8 digital or £15 vinyl subscription per month, first releases are a members library card and badge and a new Field Lines Cartographer LP (the last one is one of my favourite releases of 2020). All beautifully designed buy Nick Taylor too, lathe cuts, T-shirts and more to come, there’s a provisional list floating around the web but I can’t find it now…
https://cissublibrary.bandcamp.com/community

FLC LP
FLC LP 2

Stefan Bachmeier The Strange Worlds Of

Stefan Bachmeier – The Strange Worlds Of Stefan Bachmeier DL/LP (Spun Out Of Control)
Compilation of previously released works from the three LPs so far, wobbly analogue synth horror on vinyl rather than cassette now and wrapped in a lovely Eric Adrian Lee sleeve.
https://spunoutofcontrol.bandcamp.com/album/the-strange-worlds-of-stefan-bachmeier

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AI 21 cover

The Abyss Within Us – Life In A Circle LP (Astral Industries)
I love everything on this label, if 20 minute ambient pieces are your thing then you can’t go wrong
https://astralindustries.bandcamp.com/album/ai-21-life-in-a-circle

AI-04 LP
They’ve also repressed the fourth release on the label, long out of print, from Wolfgang Voight & Deepchord – up for pre-order today but be quick as the scalpers are out in force, buying them to flip on Discogs (what is wrong with these people?)
https://astralindustries.bandcamp.com/album/ai-04-colours-of-time-re-interpreted

In C David Harrow

David Harrow – In C
I’ve been on a bit of an ‘In C’ binge this year and David sent me his versions a while back, looks like he’s decided to release them now. https://rattle-records.bandcamp.com/album/in-c

A couple of recommends for fellow artists whose work I’ve always admired who don’t have new releases but have their catalogue on Bandcamp.

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Vicki Bennett‘s People Like Us project, decades of cut and paste audio collage – dive in
https://peoplelikeus-vickibennett.bandcamp.com

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Riz Maslen‘s Neotropic and Small Fish With Spine aliases plus selections from her Council Folk label
https://music.neotropic.net/music

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Penninsula – Constellation/Constelaciones LP zoetrope label


A quick rough and ready demo video of the zoetrope label I made for the Mexican/Canadian band, Penninsula earlier this year for their new album ‘Constellations/Constelaciones’.
Available now to order – remember 100% of Bandcamp sales goes to the artist today!

Pennisula LP labelPenninsula LP

Mixcloud Select 30: Strictly Kev – Going Through A Phase 26/03/2001

30 CD disc Subtitled ‘Canadian Vinyl Excavation series’, these two mixes were very much a result of going through the spoils of touring the US and Canada in 2000 and mixing in a sprinkling of new releases from the time. As I’ve no doubt previously mentioned, the international tours of the day were also excuses to go wild in record shops overflowing with vinyl post-CD boom, pre-vinyl resurgence, all cheap with a strong pound against a dollar conversion and an even better Canadian dollar rate. Regular day routines would be to travel to the next city, check in and either hit the record shops or do the soundcheck and try to squeeze in a dig before dinner. Days off were a free for all and the van or bus bays would fill up with bags of vinyl pretty quickly.

I’m using the trusty Line 6 FX pedal in some of this, it has a lovely long sustain on it and a gritty analogue sound, very versatile but a bit of a beast to control. This and next week’s mixes were based around the opening track by Vanilla Fudge whose concept album ‘The Beat Goes On‘ was split into four phases. Some great UK hip hop in here from Stylee C and Def Tex, both from the Son label, run by Al from the Ninja Tune office at the time. Some background on the Peter Cook & Dudley Moore track, a 1967 track that got put on a Beatles bootleg and led some people to speculate that it might be the band incognito. Dudley Moore wrote, “Regarding “The L.S. Bumble Bee“, Peter Cook and I recorded that song about the time when there was so much fuss about L.S.D., and when everybody thought that “Lucy In The Sky With Diamonds” was a reference to drugs. The exciting alternative offered to the world was L.S.B.!, and I wrote the music to, in some ways, satirize the Beach Boys rather than the Beatles. But I’m grateful if some small part of the world thinks that it may have been them, rather than us !”.

30 PRS

The Gil Trythall ‘Nashville Moog’ track was the last track on a frankly terribly Country Moog album I picked up but is a genuinely enjoyable piece of comedy filler. The Jonny Dankworth ‘Experiments with Mice’ is also a gem, fished out of a Toronto 45 bin, a fantastic retooling of the nursery rhyme in a jazz context, renaming the three mice after famous players and using their signature styles to flesh out the story, a kind of live mash up. At this point I’d been buying up jazz and soundtracks at a rate of knots for several years on tours, the costs being minuscule compared to UK prices, but was beginning to dip my toe into the psych rock pool with The Mothers of Invention and anything that said ‘psychedelic concept acid freakout’ on the cover. Of course I picked up a few duds along the way as many bands and artists cashed in on the summer of love but it made for some great sleeves. Apropos to nothing, the Quincy Jones track sounds like the Batman theme to me. That’s a very ambitious mix from The Mothers into Herbie Hancock, it just about holds together, the search for his ‘The Spook Who Sat Behind The Door’ flexi still goes on… For the final track I see I included Andy Summers & Robert Fripp, I have no recollection of this, or of ever owning any of their albums, although I’ve since become a Fripp devotee, very odd.

Parts 3 & 4 next week…

Phase 1
Vanilla Fudge – And The Beat Goes On
Stylee C – Old 3 Piece Suite
Mondo Grosso – MG2SS
Miroslav Vitous – Bassamba
The Soul Destroyers – Blow Your Top
Sandy Nelson – Bang That *%$£@+ Drum
Lord Buckley – Willie The Shake
5th Dimension – Good News
Def Tex – Sad Songs
Peter Cook & Dudley Moore – LS Bumble Bee
Gil Trythall – Nashville Moog
The Avalanches – Thank You Caroline (Andy Votel mix)
Phase 2
Jonny Dankworth – Experiments with Mice
Paul Horn – Interludium
Arthur Lyman – Taboo Tu
Quincy Jones – Boogie Bossa Nova
The Mothers of Invention – Help, I’m a Rock
Herbie Hancock – The Spook Who Sat Behind The Door
Fingathing – Slop
Sonny Terry – Blue’s Last Walk
Jack Nitzsche – No. 2
Andy Summers & Robert Fripp – Maquilage

Mixcloud Select 29: DJ Food – Rave New World 25/04/2005

I Love Acid

Approximately 12 years ago this weekend I played my first set at a Halloween-themed version of Posthuman’s I Love Acid parties (see graphic above I made for a DVD of visuals I compiled for the set). Whilst there’s no recording of that set that I know of, there are photos as I took my good friend, photographer Martin LeSanto-Smith, along with me and he ended up shooting countless nights of the parties for them afterwards.

_MG_4820

Roughly three and a half years earlier I’d put together a mix christened ‘Rave New World’ for Solid Steel, full of old late 80s and early 90s favourites which isn’t far off some of the Big Fish Little Fish or acid 45 sets I’ve been doing in recent years direct from only 7” vinyl. I’m not sure what prompted this collection of tunes at the time but I still stand behind each and every one of them.

29 Rave New World disc
The first track after the intro is from a clear flexi disc I’d traded with someone with no info at all on it (re-edited to say me name at one point) which I’ve since found out the origin of. Without Discogs to provide this valuable information I was in the dark for years but the full story behind this can be found here as part of my Flexibition entry of party and rave invites.

29 Rave New World PRS

A couple of notable debuts feature later in the mix in the shape of Aphex Twin (Pacman) and Autechre’s debut release, two slices of hardcore from before they found their voice. I don’t know what to say about any more of these tracks as I love them all so much – the set gets heavier and heaver as it goes on so you have been warned. There’s a short, mystery track unlisted at the end that I have no recollection of putting there and can’t remember who made, let’s just leave it that way.

Track list:
Redruth – Solid Steel intro
Strictly Underground – lllegal Rave II advert
808 State – Cubik
Doug Lazy – Let It Roll (accapella)
John & Julie – Circles (Spiral mix)
Bam Bam – Give it To Me
The Destroyer – Senses (Hooligan mix)
DJ Dick – Weekend
GTO – Listen To The Rhythm Flow (remix)
Future Sound of London – Papa New Guinea
Meat Beat Manifesto – Radio Babylon
Incubus – The Spirit
Eon – Fear: the Mind Killer
Hardfloor – Hardtrance Acperience
Meat Beat Manifesto – Mindstream (Orbital remix)
Pacman – Power Pill
Autechre – Cavity Job
Sulphuric – The Acid Chamber
Vapourspace – Gravitational Arch of 10
The Hypnotist – Hardcore U Know the Score (remix)
The Hypnotist – House Is Mine (GTO remix)
Wiseblood – Death Rape 2000
Amen Andrews – Fear
Squarepusher – Come On My Selector
Aphex Twin – Cock 10 (Delco Freedom mix)
Caustic Visions – cvthru202
DJ Redoo – Bulldozer

Bedroom Beats & B-Sides book

BBBfrontLooking forward to getting stuck into this history of instrumental, electronic hip hop (trip hop if you must) by Laurent Fintoni. Laurent interviewed me for it about 6-7 years ago so I’m glad for it to finally see the light via Velocity Press. Also featured from the Ninja stable are Coldcut, Roots Manuva and label manager, Peter Quicke.
Order here https://velocitypress.uk/product/bedroom-beats-book/

BBB back

Mixcloud Select – Version Galore Deluxe 4/10/2004

fullsizeoutput_1cea I realised we hadn’t had anything from 2004 yet so went to find something from around this time back then. Just over 16 years ago the world was a very different but no less scary place, 9/11 had happened and the Iraq war was in full flow, as evidenced by some of the cut up speeches from George Bush Jnr. near the end of this mix. Despite that, this mix features an assortment of versions, covers and parodies of classic tracks as a running theme. From 60s pop to piano ballads, reggae mash ups (when they were still a new thing) and string versions. You can still hear the fallout of the bootleg craze and Armando Ianucci spoken word crops up throughout, possibly from Time Trumpet?

This mix is an odd one with virtually no contemporary tracks save for maybe the Depeche Mode remix and the M83 track at the end. It was also put together partly digitally as there are a lot of overdubs and extra touches. By the 00’s I was fully utilising the editing capabilities of Cubase to chop up and overlay mixes from the decks and construct sets that had a lot more going on in them than just a pair of records being played. The availability of more digital music via the web meant that songs could be edited in that I didn’t have physical copies of but this was still a year or so before I got Serato and was able to mix the two formats more easily.fullsizeoutput_1ce8

Incidentally, the mix opens with the winner of the Solid Steel intro competition – an online comp for people to record new intros to the radio show using only the famous bleeps as a guide. It was won by Tom Miller and Jules Green – who both went on to set up the Keep Up! label and later, Tom with Shapes of Rhythm – the ‘version galore’ sample in their intro gave the mix its title. Les Surfs, who start the mix proper, released a ridiculous amount of singles during the 60s including this version of ‘The Clapping Song’ which I was collecting copies of at the time. The two versions of ‘Wild Thing’ later on are both sides of a mid 60s 7” I picked up somewhere in North America, parodying two competing senators recording versions to win votes but both ‘wildly’ out of their depth. Regarding the role call of American actors and musicians and US Army speeches that bookend the M83 track – I can’t recall their origins but both most likely came from the web.

Track list:
Tom & Jules – Version Galore Solid Steel intro
Les Surfs – Clac Tape
Anita Harris – The Clapping Song
Josie & the Pussycats – Clapping Song
Goyte – Just Can’t Get Enough (Mothloop mix)
Depeche Mode – Clean (Colder remix)
Marilyn Manson – Personal Jesus
Unknown – Dr Who theme
String Quartet – Work It Out
Beyonce – Work It Out (a capella)
Leroy Sibbles – Express Yourself
The Killer Meters – Just Kissed My Baby
Hot Paste – Make It Busta
Grandmaster Melle Mel – The Message (Paul Nice bootleg mix)
Bumps Jackson – Funky In Jamaica pt.2
Senator Bobby – Wild Thing
The Party Party / RX – Sunday Bloody Sunday
Senator Everett McKinley – Wild Thing
M83 – Dead Cities, Red Seas & Lost Ghosts

Plus contributions from Beat Street, Mantronix, Armando Ianucci, George Bush Snr and Jnr

Old Ninja line art

WEB ZEN copy
Searching through old discs for something else I ran across these line-based designs for what became the Ninjatune.net website identity in the 00’s. Old heads will immediately recognise the Ninja Tune forum layout and colours. For a few years, after the mass Warp forum exodus had settled, it became a buzzing hive of creativity and connections in the pre-Myspace and Facebook era of social media. I still have good friends that I made through the forum and much fun was had on it over the years. Sadly, like anything, times change, people come and go and the largely unmoderated board eventually became overrun with trolls and any new blood attempting to join was faced with a barrage of abuse or an inpenetrable wall of in-jokes that would test even the hardened fan.
Anyway – here’s some of the design work, made so that it would be quick and easy to see at different sizes and pixel ratios I seem to remember – at least that’s what I was told to do by the web designer at the time. It all looks a little blurred because it’s been upscaled from Index-colour pngs to RGB jpegs. The bottom image is a flyer for a forum party, something that occasionally happened, self-initiated by users who wanted to meet the faces behind the names.

Ninjatune.netNinja typeLine alphabetlined ninjatype_bigkneesup_flyer

Forgotten Graphics Instagram takeover

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All this week I’ll be doing guest posts on the Forgotten Graphics Instagram account with the contents of the cupboards in a chalet I used to holiday in in the Swiss Alps. One year we were rained in all day so I photographed some of the many games, books and toys stuffed in the packed cupboards there. Most had been in the family for decades and were French, German or Swiss in origin from the 60s and 70s so had a period charm I’d never seen before. Take a look over at forgottengraphics and give them a follow as they post beautiful images all the time.

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Caza – Kris Kool reprint book pre-order

KK cover

Finally, after years of wanting a copy of Caza‘s psychedelic space book, Kris Kool, Italy’s Passenger Press has reprinted and recoloured it AND translated it into English! The original French language version of this always fetches high prices and this version has been done in association with Caza himself and includes extras as well. For the first 200 copies there’s also a signed print as an incentive too! You can pre-order it here

pagine-KRIS-KOOL-a-confronto-01-ENG-V2 KK inside

Mixcloud Select 27: DJ Food – XEN Tour pt.2 10/2000

27 Xen Tour 1+2 CD 30 years ago this month, Ninja Tune came into being and 20 years ago the label made it into double figures.  I made a Ninja-centric set for the occasion and this was recorded across various dates of a UK tour to support the Xen Cuts compilation album. At some point I put it down in two parts and the first 30 minutes of part 1 was played on Solid Steel 09/10/200 but the rest of this mix went un-broadcast I think.27 Xen Tour 1+2 CD back

Part 2 continues the theme – warning – some very shonky mixes in parts here, never try mixing heavily swung half time jazz with regimental double time drum n bass. Also – lots of scratching near the end, I had edited in some scratch jam from a set with Ollie Teeba and DK that I’d completely forgotten about, it goes on a bit but has some nice moments (only some, indulge me).27 Xen Tour CD 2 inside

What’s nice about this is that you can hear the crowd at points and, in the current climate, that’s not something we’re going to hear much of any time soon. Also, this is all vinyl, Serato wasn’t even on the horizon at this point so all the jumps and wonky pushes and pulls you hear are me wrestling with the records in real time. No cue buttons to jump back to the start of a track, no ‘relative mode’ so that when the needle skips you don’t hear it, no loop function… I don’t miss it at all :)

Happy Birthday 30th birthday Ninja!

Track list:
Mr Scruff – Get A Move On
DJ Food – Mr Quicke Cuts The Cheese
DJ Food – Ninja Walk
DJ Vadim – The Pimp Theme 126
Funki Porcini – Rocket Soul
Dynamic Syncopation – Closer To The Line
The Illuminati of Hedfuk – The Worm Turns
Neptune – Soul Pride
Up, Bustle & Out – Los Locos Cubanos (Snowboy mix)
Cinematic Orchestra – Ode To The Big Sea (Four Tet remix)
Cinematic Orchestra – Channel One Suite
2 Player – Extreme Possibilities (Wagon Christ remix)
Amon Tobin – Like Regular Chickens (Dillinja remix)
DJ Food – Scratch Yer Hed (Squarepusher remix)
Jungle Brothers – Jungle Beats
Dynamic Syncopation – Internal Affairs
Amon Tobin – Creatures
DJ Vadim – Friction feat. Iriscience
– Scratch jam w. Ollie Teeba + DK
Styly Cee – Here Comes Son
The Bar-Kays – Holy Ghost
KMD – Peachfuzz (Instrumental)
The Upsetters – Popcorn
Red Snapper – Hot Flush (Sabres of Paradise remix)
The Radiophonic Workshop – Dr Who Theme