Mixcloud Select 52: Openmind on Solid Steel 26/09/1994

MS52 CDR52 uploads – just over a year since this subscription started (I missed at least 1 week I think) and over hundred subscribers – thanks to everyone for the support, the newcomers just joining and the hardcore for sticking with it. There’s still plenty more to get through, in fact the amount is hard to navigate sometimes. Not only the audio but the visual too as I’ve been going through my artwork archives and digitizing lots of material like flyers, postcards, stickers, badges, posters and associated ephemera, mainly to do with Ninja Tune and my design work under the Openmind alias.

Part of this is to create an online visual archive which you can see the first few uploads of here https://www.instagram.com/openmindesign/
Please give us a follow if you want to see rare and classic Ninja Tune and Openmind items from over the last 25+ years as well as contemporary design work I’m doing. There will be lots of rarely seen promo items I’ve hoarded but what’s the point of having these things unless you share them, right? Much like the audio archive it will take years to go through all this stuff so bear with me but I will eventually be selling some of the items I have multiple copies of via my openmindesign site. Anyway, on to this week’s show…

Matt Black at KISSFM 1995

Another early Openmind guest mix from myself, who partnered with Mario Aguera on the first hour of this show while Matt Black held down the mic and jingles, seen here in the KISS studio from a later session around 1994/5 that I found this week. Ambient is still very much the order of the day but supplemented with dubbed-out beats, electronica and even a bit of pop. Matt mentions a Telepathic Fish gig we were doing around this time and I think this was the one we did at the Cool Tan in Brixton which David Toop later reviewed for some publication around the time. This was recorded up at KISS FM, live on a Saturday night with the two of us getting a cab back south of the river to the flat we shared in East Dulwich at the time.

Kicking off with two copies of the intro to Frankie Goes To Hollywood’s ‘Warriors of the Wasteland (Return)’ mix faded back and forth we then go into the Cocteau Twins and Harold Budd’s collaboration – this one-off album is seriously worth tracking down. This was overlaid with S’Xpress’s ‘Coma’ (essentially ventilator breathing and sonar pings) which was only available on a 7” given away with Record Mirror magazine in the UK and was a stable of ambient sets of mine at the time. Steve Wilson’s first band, No-Man make an appearance with a Twin Peaks sample before one of the more out there KLF mixes of ‘What Time Is Love’ which comes on like a mini version of ‘Chill Out’.

It seems to be indie / electronic ping pong here with Jesus Jones remixed by Aphex Twin, This Mortal Coil next to B12 – I had a big thing for 80s 4AD at this point in time and was mining some of their back catalogue for a slightly different take on the ambient genre. The Cocteau Twins, Dead Can Dance and This Mortal Coil were always good for this, the Future Sound of London seemed to think so too, sampling DCD and working with Liz Fraser. Nice to hear Spacetime Continuum’s debut, ‘Fluresence’ again, an ambient classic gifted to me by Mixmaster Morris and recently compiled on the excellent ‘Virtual Dreams: Ambient Exploration In The House & Techno Age 1993-1997’ compilation by Music From Memory.

The second half of the mix gets dubbier with the very end of a Moody Boys track serving as an intro to the Eurythmics from the 91/2 Weeks soundtrack. ‘Free’ (which would later appear on Coldcut’s ‘Journeys By DJ’) kicks off a trip-hop-ish section with Depth Charge woven in and out of Material’s ‘Mantra’ whilst parts of the Orb’s remix of same track surface before Dub Syndicate’s excellent ‘What Happened?’. This is on a 10” with another brilliant track on the flip that samples the soundtrack to Peter Whitehead’s ‘Tonight, Let’s All Make Love In London’. More Moody Boys in the form of ‘Pumpin Dumpin’ and then into one of my favourite Plaid tracks and a highlight of the mix where it really feels like it’s rocking. I have no idea what the bassy rim shot break is near the end, I thought it might be more Moody Boys or from some breakbeat album but nothing springs to mind, please refresh my memory if you recognise it. I play out with Minnie Riperton’s classic ‘Lovin’ You’, an obvious reference to the Orb using it on ‘An Ever Growing Pulsating Brain…’ before Matt hits the news jingle too early, live radio eh?

This whole mix evokes great times, music free-floating and experimental, making connections in the music industry and early days working with Ninja Tune as well as my flatmates under the Openmind name with our Telepathic Fish events. As well as that, having left college and started working I finally had some disposable income to spend on records and the hunt for knowledge about artists and genres was constant (still is).

Track list:
Frankie Goes To Hollywood – Watching The Wildlife (return)
Budd, Fraser, Guthrie, Raymond – Memory Gongs
S’Xpress – Coma
No-Man – Reich
The KLF – What Time Is Love (Virtual Reality Mix)
Jesus Jones – Zeroes & Ones (Aphex Twin Construction #2)
David Sylvian – Answered Prayers
This Mortal Coil – Firebrothers
B12 – Soundtrack To Space
Spacetime Continuum – Fluresence
The Moody Boys – Lion Dance
Eurythmics – This City Never Sleeps
The Moody Boys – Free
Depth Charge – Depth Charge
Material – Mantra (Doors of Perception mix)
Depth Charge – Depth Charge
Dub Syndicate – What Happened?
The Moody Boys – Pumpin’ Dumpin’
Plaid – Yamemm
Unknown – unknown
Minnie Riperton – Lovin’ You

Mini CDs #13: Quinoline Yellow – Motors

QY front open

This beautiful release by Quinoline Yellow on Skam was designed by Bhatoptics aka ehquestionmark and the mini CD fits perfectly inside a tax disc folder. With a BMW insignia (the release is called ‘Motors’ after all) and a small card inserted into the wallet, all else that’s needed is the Skam logo and their usual strip of braille along one edge. 300 were made with half of these including a coupon to redeem and get a Quinoline Yellow keyring. Can still be had cheaply from Discogs

QY card QY front QY open

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Big Mouth podcast – 10th April

I was asked back as a guest reviewer on Andrew Harrison and Sian Pattenden‘s excellent Big Mouth podcast this week. If you want to hear me getting tongue-tied and being largely less eloquent then Andrew, Sian and other guest Michael Hann, then hit the link. The film, Nomadland, TV series, Wellington Paranormal and new albums from Raf Rundell and Matthew E. White all get reviewed.

Mixcloud Select 51: Strictly Kev – War Is Stupid 07/04/2003

MS51 CDR Going back in time 18 years ago this week, I’ve dug out the second of the two anti-war mixes I did around the time of the Iraq war kicking off. There were plenty of songs to choose from as you can imagine and I remember performing a version of this live at the Autechre ATP, arriving super late, just as I was due to go on and setting up on stage with 2 decks and a CDJ and tearing through this in a burst of adrenalin.

MS51 PRS

There’s a lot of angry music here as you would expect although not without its more poignant moments like the end trio of The Disposable Heroes, Roberta Flack and Timmy Thomas. A strong start with two copies of Time Zone’s classic ‘World Destruction’ sees multiple mixes cut back and forth with additional spoken word and a nice little slow down trick from 45 to 33 into Zack De La Rocha and DJ Shadow’s ‘March of Death’ (was this ever properly released?). There were a lot of spoken word cut ups criticizing or making fun of world leaders appearing on the web around this time as uploading audio became the norm although I think this is still pre-YouTube. A highlight for me is the Tackhead / S’Express section with Jello Biafra hollering over the top, stacking tracks up only to knock them down again. Sadly the world is no better off, there were no WMDs, the Chilcot Report deemed the war unnecessary and over 150,000 people died – beyond stupid.

Track list:
Time Zone – World Destruction (original/industrial remix)
Zack De La Rocha/DJ Shadow – March of Death
Trouble Funk – Drop The Bomb
Organised Konfusion – Prisoners of War
Disposable Heroes of Hiphoprisy – Satanic Reverses
The The – Sweet Bird of Truth
Kurtis Blow – America (Dub/Original)
Coldcut feat. Sweet Toothed Sonny – Acid Drops (Bomb The Mix)
Unknown – The Duke of Hazzards
Bill Hicks – The War
The The – Heartland
IDC – Safe From Us
Saul Williams – Made You Look (freestyle)
Organised Konfusion – Drop Bombs
Tackhead – Mind At The End of the Tether
S’Express – Coma 2 (AM/OK)
Jello Biafra – Die For Oil Sucker
Disposable Heroes of Hiphoprisy – Winter of the Long Hot Summer
Roberta Flack – Compared To What
Timmy Thomas – Why Can’t We Live Together?
The KLF – America No More
Whingy Manone – Stop The War

Mini CDs #12: V/Vm’s Help Aphex Twin & Whine and Missing Toe

VVM Aphex x 2 coverVVM Aphex back

With a mix of the last two mini CD entries we have James Kirby aka V/Vm‘s (piss)take on Aphex Twin and a Xmas compilation featuring the Boards of Canada alias Hell Interface. In much the same way that V/Vm has lovingly parodied previous artists like Frankie Goes To Hollywood, Chris De Burgh, Posh Spice and others, Richard D James gets the treatment with no fucks given across two mini CDs mimicking the red and blue of the old Universal Indicator series on RePhleX. You get a sense that Kirby was maybe taking the piss but as a fan as some of the tracks are quite decent. These are first pressings, later ones came in brown, green or reversed red/blue for each volume, some of the contents are also on a vinyl LP titled ‘Help Aphex Twin 3.0’ with some new material and ‘Help Aphex Twin 4.0’ is a regular CD version with even more new tracks. The Xmas compilation features a disturbingly pitch-bent take on ‘Silent Night’ from Hell Interface as well as Christmas song mash ups, animal noises and general twisting of well known songs into new forms. There’s a 7″ of this as well.

Whine & Missing Toe cover + disc Whine & Missing inside frontWhine & Missing inside + disc

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Mixcloud Select 50: Coldcut Solid Steel 13/05/1995 JDJ warm up

MS50 Coldcut Solid Steel 13:05:1995 JDJ

If there’s one mix that I’ve found that’s the genesis of my main contributions to the Coldcut Journey’s By DJ mix then it’s this one. This was my set from a Solid Steel show, recorded at the Ahead Of Our Time studios inside Ninja Tune HQ at Clink St, London and fans of the JDJ mix will recognise many of the tracks here. There’s no finesse of the finished mix and several inclusions that didn’t make the final version (I seem to remember Public Enemy was refused) but here are some of the building blocks. Apologies for the quality, this was recorded from the radio broadcast so it’s a little ‘fluffy’ around the top end, just on the edge of distortion.

The Sabres of Paradise mix of Red Snapper was a huge tune at the time, here not yet embellished with the Dr Who theme by PC’s hand – always a supremely melodic mixer, listening for musicality over the adrenalin rush of a heavy drop. I first heard The Octagon Man being played by Rob Hall of Gescom in The Sound Shaft at Heaven for one of the Thursday night Megatripolis sessions we would sometimes play at. I knew J Saul Kane’s Depth Charge moniker but this weird electro/techno hybrid full of crazy machine gun drum programming. I found a copy as soon as I could.

The Jedi Knights were kicking off the Clear label’s mission to reinstate electro into clubland with their superb ‘Noddy Holder’ and covered several musical bases in the process. When in doubt, pull out Bam Bam’s ‘Where’s Your Child?’, I seem to have played this a lot more than I remember across sets over the years but then it is one of the greatest acid tracks of all time. Keeping with acid of a (then) modern nature is Ritchie Hawtin’s Plastikman with Coldcut’s ‘More Beats’ on 45 mixed over the top.

Depth Charge proper comes after, we really wanted this to kick off the mix but it was refused so we cheekily took the beginning spoken word only, figuring it was a sample anyway. The PE mix into it is pretty shoddy and also the 2 Player remix out of that – still learning about the different swing of beats in the mix, just because they’re the same tempo doesn’t mean they’ll slot together cleanly. The Wagon Christ remix was a no-brainer because we were all so excited about it and being on Ninja it was a dead cert, obviously it turned up elsewhere in the final mix.

Vapour Space was/is a great tune but was used as a bridge here for a tempo change to Autechre and friends under their Gescom guise. ‘Mag’ (sampling Ultra Magnetic MC’s) is still such a killer tune with that huge breakdown. I’m glad we didn’t go into the Chemical Brothers in the final mix as it changes the tone quite a lot, it would sound great in a club though. You can hear the sample, ‘This Is just the beginning, we’re just getting started’ at one point which was later used to finish the ‘Now, Listen’ Solid Steel mix, flown in from one of Coldcut’s ‘Word Treasure’ compilations of spoken word made for the radio shows. After a word from Lord Buckley from the same CD it’s PC’s turn to step up and he performs his Junior Reid/Truper mix before the tape ends, sadly I don’t have the rest of the show.

Coldcut’s brief for the mix was always that we just do what we do on the radio show but the best we’ve ever done it. To those who tuned in every week the released mix wasn’t maybe anything new but to many it seemed to be a revelation that this many different styles could be so easily mixed together on one disc.

Red Snapper – Hot Flush (Sabres of Paradise remix)
The Octagon Man – The Demented Spirit (Okugai Eigakan)
Jedi Knights – Noddy Holder
Bam Bam – Where’s Your Child?
Plastikman – Fuk
Coldcut – More Beats
Depth Charge – Depth Charge (Han Do Jin)
Public Enemy – Mi Uzi Weighs A Ton
2 Player – Extreme Possibilities (Wagon Christ remix)
Vapour Space – Gravitational Arch of 10
Gescom – Mag
Chemical Brothers – Leave Home
Lord Buckley – The Bugbird (The Raven)
Junior Reid – One Blood
The Truper – Street BeatsVol.2

Tales To Enlighten Kickstarter

TTE cover Fans of the Solid Steel radio show will know the name Megatrip – aka Matt King, long term fan and collector of the show from the early internet days and contributor of several mixes as well as the 200+ volume Soundbank that he used to send us in the 00’s. Each Soundbank CD was a disc filled with spoken word snippets he’d recorded off of countless TV, film and radio shows over the years, each one numbered and indexed into a searchable spoken word treasure trove. Got a show with a love theme? Just type in an associated word into the search bar, select the Soundbank archive and loads of spoken word clips featuring the word would come up. I once played an Australian big band cover version of the Rockford Files theme and overlaid bit of the show from Megatrip’s CDs onto it and he emailed me as soon as it aired as he’d spotted the connection immediately.

TTE robot

Matt is also, like myself, a big comic collector and would pick up stuff cheap for me at shops and fairs in the US and mail big boxes to the UK, covered in old pages ripped from anything he could find. He has a taste for the bizarre and leftfield and has, for the last few years, been beavering away writing his own comic with artist James Edward Clark which has taken on a life of its own and mutated into a huge volume of stories, pin-ups, fake ads and more. Based on the adventures of Satan’s grandson and a killer robot murdering their way across the multiverse in search of enlightenment, it’s a full colour romp through so many kinds of wrong I really don’t know how they’re going to get away with it. I’ve read a PDF version and it’s full of in-jokes, pop culture references, cameos and laugh out loud un-PC-ness, it’s guaranteed to offend and delight in equal measure.

2c - SYNOPSIS SQUARE

TTE croc

Actually, the whole project has now amassed so much material that there will be the original story, five character shorts and a huge pin-up gallery from a whole range of guest artists. To get this monster tome published Matt’s set up a Kickstarter which launches today – the book is done, it just needs funding.  Go here to see what it’s all about.  You can also follow them on Instagram  UPDATE: Funded in 6 hours!!!

COUNTDOWN 001 youGet-v2

Mini CDs #11: Gavin Bryars – Raising the Titanic (Aphex Twin remix)

13. Aphex CD
This miniature beauty was included in a 1995 Japanese edition of Bryars‘The Sinking of the Titanic’, also available on regular CD and promo 12″ in the US as well as turning up on the ’26 Mixes For Cash’ compilation. There are various versions of the mix either known as ‘Big Drum mix’, ‘edit’ or just ‘mix’ and all sound identical to my ears apart from the length. This CD only contains one version despite the title and I appear to have lost or sold the original edition of the album that it came with.

Bryars Sinking CD

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The New Obsolescents badges

TNO badges 1
I’ve just made some badges to go with The New Obsolescents album I made with Robin The Fog and Chris Weaver aka Howlround. These aren’t being sold, they’re just giveaways so if you see us please ask for one. There will be a very nice enamel badge on sale when the repress of the album arrives in a month or two though – both available through the Castles In Space Bandcamp no doubt although I’m hoping some of the albums get into shops this time round.
TNO badges x6TNO badges 2 TNO badges 3

Mixcloud Select 49: Openmind mix 21/05/1995 + 23/06/1995

MS49 Openmind mix 21:01:1995 + 23:06:1995

If there’s one mix that I’ve dug up so far that encapsulates the moment and excitement of the Ninja Tune label finally coming into its own and starting to release what are now considered classics of the era then it’s this mix. From early 1995 this Solid Steel set showcases track after track from the label that bring the memories flooding back, lots of these would have been played from white labels and I would have been designing the artwork for them at the same time, playing our first gigs and tours around the UK and Europe. There was also the work on the DJ Food ‘A Recipe For Disaster’ album and Coldcut’s Journeys By DJ mix (more of that next week), the first Ninja Cuts compilation and, later on, the first Stealth nights at the Blue Note.

1995 was a vintage year, I’d quit my day job at a book shop on Oxford St, was still working some weekends in the record shop Ambient Soho on Berwick St. in between gigs away with Coldcut, PC and The Herbaliser and was designing whatever Ninja Tune could throw at me. Solid Steel shows were usually pre-recorded Friday evenings at KISS FM on the Holloway Road or in Coldcut’s newly constructed Ahead of our Time studio in Clink St. This mix was the former and you can hear Matt on the mic at one point saying ‘Ninja Tune blowing up in ’95’ as there was a sense of excitement and direction at the label with lots of new signings and singles from The Herbs, Funki Porcini, London Funk Allstars, Up, Bustle & Out, Neotropic and Food of course.

Coupled with the label’s new visual identity, lexicon (see the Ninja Skinz inside notes) and the sense of purpose around the groups all working on debut albums, it made for a friendly but competitive environment. A small trickle of press interest had happened following Mo Wax’s emergence as the forerunner of the trip hop sound plus new labels like Wall of Sound and Skint were starting. The mix kicks off with a truncated beginning unfortunately as we’re into the latter half of The Herbaliser’s original version of ‘Repetitive Loop’ before plunging into the Autechre mix of DJ Food’s ‘Sexy Bits’ (basically the samples at the end of the Jazz Brakes albums).

The electronic side of things was also in fine form with three mixes from Autechre in this set alone, Disjecta (Seefeel’s Mark Clifford) and more than I can’t identify from ailing memory or Shazam, if anyone can fill in the gaps please let me know. I’m surprised to hear a snatch of Terry Riley’s ‘In C’ at the end here as I didn’t think I bought a copy until later than this but it was probably from a compilation from around this time.

I have three dates for mixes on this tape and it’s likely that this mix is actually two sets from different dates, as the other side of the tape is definitely one set. At around the 14 minute mark, after the Beastie Boys, there was definitely an advert break because I remember it. After this, the mix may well be from another session, possibly at the AOOT studio. The dates I have are 13/05/1995 + 21/01/95 + 23/06/1995 but my good friend, Solid Steel collector and historian Anton Kibeshev tells me that I’ve mistakenly labelled one part and it should be 21/05/95. I’m going to peg the first half of this mix as 21/05/95, then 23/06/1995 as the second. Next week – for the 50th upload – will be 13/05/1995 which is where the JDJ mix comes in…

Track list:
The Herbaliser – Repetitive Loop
DJ Food – Sexy Bits (Ae9V mix)
Heights of Abraham – 700 Channels
DJ Vadim – Live From Paris
Beastie Boys – Something’s Got To Give (live)
The Herbaliser – Scratchy Noise
Simon Harris – 95 bpm breakbeat
Akasha – Mescalin
Up, Bustle & Out – Revolutionary Woman of the Windmill (La Bandolera Del Molino)
Depth Charge – Five Deadly Venoms
Unknown – unknown
Scorn – Falling (Autechre FR 13 mix)
Disjecta – Vistic
Autechre – VLetr mx
Unknown – unknown
Terry Riley – In C

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Mini CDs #10: Boards of Canada – Sometime In The Future

BoC CD closedBack in the 00’s, when I had a bit more time on my hands, I would make physical editions of some of my more conceptual mixes for Solid Steel. I wanted to do something really special for the release of ‘Geogaddi’, BoC’s second album, being a big fan of the group. There was a lot of secrecy surrounding this record and I was given a copy of the album by Warp just before the release. I rushed through it in a weekend to make the deadline for the radio show so that this could be transmitted on Solid Steel the week it was released. As a thank you I made 10 copies in a fold out hexagon sleeve (based on the Andromeda Strain soundtrack packaging), each with a different sticker inside and a 3″ CD containing the mix. I sent four to Mike & Marcus, two to Warp and kept four for myself.

BoC insideBoC inside 2

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The KLF – Solid State Logic 2

The third upload by The KLF / JAMs / Timelords debuted on March 23rd with Solid State Logic 2 – extended 12″ mixes, B sides, obscurities and also a new ‘trailer’ for Jarvis Joins The JAMs – the version of Justified & Ancient that was performed during the festivities in Liverpool a few years back. An added bonus was also the ‘Rites of Mu’ film in stunning quality which didn’t initially seem to be part of SSL2 but appeared as well.

KLF SSL2

KLF posters 2

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Mixcloud Select 48: DJ Food – Warp 100 mix 05/07/1998

MS48 Warp DAT

During the summer of 1998 Warp Records put out their 100th release, a compilation of new tracks from all artists entitled ‘We Are Reasonable People’, which also celebrated their 9th anniversary. I put together a mix of all the tracks on Solid Steel although don’t be expecting a Blech pt.3 as this definitely isn’t as involved as that. I think I had to do it as the vinyl sides let me over the 3 discs, pairing up tracks from different sides plus a copy of the 4 track promo 12”. (I may have had double copies actually listening to the N.O.W. section)

As it says on the DAT cover, it’s pretty pedestrian in the way it’s put together although (my mix that is, not the contents). There’s a very odd mix of the Mark Bell track out of Jimi Tenor – how to get a banging techno tune into a slow lounge number? Put it on 45 so it’s double time, mix together then turn down to 33. Sometimes you’re better off leaving a gap but I was young and determined to find a way to mix EVERYTHING together. If you just want to listen to the comp without too much interference then this is one way to do it. Just look at that line up! All tracks were exclusive to this comp at the time and several still aren’t available anywhere else.MS48 Warp Box

Part 1
Plaid – Ilasas
Squarepusher / AFX – Freeman Hardy & Willis
Red Snapper – 4 Dead Monks
Broadcast – Hammer Without A Master
Plone – Plaything
Nightmares On Wax – Fishtail Parker
Part 2
Boards Of Canada – Orange Romeda
Jimi Tenor – Wear My Bikini
Mark Bell – A Salute To Those People Who Say Fuck You
Mira Calx – Umchunga Locks
Two Lone Swordsman – Circulation
Autechre – Stop Look Listen

 

Mini CDs #9: Tear For Fears – Woman in Chains

TFF wic front
As with last week’s post, I don’t own this either so have had to collect images of it from the web but it’s another great example of the kind of things major label budgets could come up with when a big chart band were involved. Although not as hardy as last week’s Tears For Fears single, this version of ‘Woman in Chains’ is more complex with a four panel fold out that holds the 3″ CD inside. As you can see, the design is quite flimsy and the prongs of the sun’s rays are a little battered. I’d imagine finding one of these in mint condition is near impossible after 30+ years, how would you safely stack that in your collection?. Design was by Stylorouge.

TFF wic left TFF wic rightTFF wic bottomTFF wic back

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King Gizzard Fuzz Club Bootleg series

KGLW Asheville
Like many others last year King Gizzard raided their tape archives and pumped out live sets via their Bandcamp page to fill the void of cancelled gigs. Of course these were digital only releases and they later offered the recordings to anyone who wanted to press them up on the condition that they sent them a portion of the stock to sell. Fuzz Club have stepped up and taken eight shows plus a demos set and a teenage pre-Gizzard collection and made some of the best looking releases I’ve seen in a while. Grab these quick if you want them, they’re selling out fast, some independent shops have them on pre-order like Norman Records, and Resident Music. King Gizzard have form on this, giving away their ‘Polygondwanaland’ album to everyone to do their own versions in 2017, there are nearly 300 versions on Discogs as I write.
KGLW Auckland KGLW Brussels KGLW London KGLW Paris KGLW Rats Live KGLW TeensKGLW Demos 1 KingGizzardDemo_24

The New Obsolescents LP repress

TNO comp 4
It was a surprise to see The New Obsolescents‘ album sell out in 25 minutes a few weeks back when it went up for pre-order and it’s been even more heartening to see people posting photos online once they received them. Inevitably though there’s a small downside in the people who missed out and the buyers who immediately put copies on Discogs for anywhere between £130 to £300. You can’t stop people doing this but Castles In Space are very good at tracking who these buyers are and striking them from any future sales from the label.
The good news for those who missed out is that a repress is on the way although it won’t be a foil version like the first run because those stocks are now depleted. It’s taken a while to source something that could measure up to the Dufex covers and I’ve gone a different route. The good news is that the new sleeve will be back and front rather than just a panel that I have to stick by hand on 300 copies! Prints tests were done in the last week from various samples and now stocks are being readied, vinyl pressed (in a different colourway too) and the 2nd edition will be with us as soon as the pressing plant can press it up. There may also be a number of badges to accompany it too. Here I’ve collected the various photos posted online and at the bottom is a sneak peek of the repress tests results.

TNO comp 3 TNO comp 2 TNO comp 1 TNO Comp 5 TNO comp 7 TNO comp 8 TNO comp 9 TNO comp 6TNO 2nd Ed test

Mixcloud Select 47: Hip Hop ABCs/ TV is the new religion 01/04/2002

MS47 disc Going back almost 19 years to April Fool’s Day 2002 and a thing titled ‘Hip Hop ABC / TV is the new religion’ this week although the date on the CD and tracklist here is most likely when it was recorded rather than transmitted. Opening with DJ Shadow’s excellent ‘Mashin’ On The Motorway’ (with edited swearing for the radio) from ‘The Private Press’ LP, an album that suffered from far too many comparisons to ‘Endtroducing’ at the time despite being amazing. Given that the album came out in June 2002, it’s early to be playing this track but I do remember versions leaked online around this time.

There’s a lot of Sesame Street spoken word throughout this mix as I was in the middle of a big Children’s Television Workshop collecting phase, compiling material for the later ‘D Is For Dig’ mix – I have to say the segue from Grover into KRS-1 is quite inspired. The first half of this mix is heavy on current hip hop of the time erring towards the independent side of things with both UK and US talent featured. I always wondered if Black Twang were hoping for some kind of football TV syndication with ‘Kik Off’ but maybe not with those lyrics. How good is that Zeb Roc Ski track featuring Blade? Big Two Hundred was an alias of Andrew Meecham aka The Emperor Machine, Bizarre Inc. Chicken Lips and more who made one album for DC Recordings, very much in the Liquid Liquid post punk style.

MS47 PRS

Halfway we switch to a mixture of funky rock and religious spoken word from Jonny Trunk & Martin Green’s excellent ‘Resurrection’ compilation, a record that sparked an interest in religious records that I’m still exploring today. The end breakdown of Mountain’s ‘Nantucket Sleighride’ was of course the theme to LWT’s ‘Weekend World’ news programme during the 70s and 80s and brings us into the TV themes, covers and library cues section with a heavy bias on old BBC shows. The secret of library music had been out since the late 90s and many labels were reissuing fantastic comps of all the big hitters, there was a nostalgia for our 70s youth being stirred up that would eventually manifest itself into the hauntology genre with labels like Trunk helping fuel the fire.

Another thing fanning those flames were sections of the mash up community fusing old TV themes to new pop acappellas for laughs, hence the ‘Dad n Bass’ extract featured here which I must have found on the web somewhere. This scene was just starting to get into gear and I always thought the best mash ups were the ones that made you laugh at the ridiculousness of their pairing. This one is just that, if anyone knows who did it then please let me know. The daddies, Coldcut, close the show with an example from the late 80s of just this, showing they were, as ever, ahead of their time. This recording seems to be from a Capital Radio broadcast with Mick Brown and the mix was later featured on the July ’88 DMC mix album which was the only place you could find it until the Cold-Cut-Outs compilation.

DJ Shadow – Mashin’ On The Motorway
Kela – Crop Circles
Antipop Consortium – Tuff Gong
Cannibal Ox – The F Word (RJD2 remix)
KRS-1 – Get Yourself Up
Edan – Mic Manipulator
Blak Twang – Kik Off
Sir Beans OBE – How Would You Put This
Zeb Roc Ski feat Blade – On The Run (Junk’s UK remix)
Big Two Hundred – Replaceable Head
unknown – The Sun Worshippers Speak
Roger Limb – Alien in the Family
Ted Taylor Organisation – He Who Would Valiant Be
Neil Merryweather – Eight Miles High
Mountain – Nuntucket Sleighride
Ronnie Hazelhurst – The Two Ronnies Theme
Heavy Action – Superstars
Martin Cook & Richard Denton – Tomorrow’s World
Dudley Simpson – The Tomorrow People
unknown – Dad ‘n’ Bass
Coldcut – Off To Work

Mini CDs #8: Tear For Fears – Sowing The Seeds of Love

TFF ssol front
I have to confess, I don’t own this release and have pinched photos from the web but it’s a classic case of successful 80s pop band with mega hyped comeback single (an excellent one too) being squeezed into a format of the day to brilliant effect. ‘Sowing The Seeds of Love’ saw Tears For Fears making a long overdue return with a huge nod to The Beatles and late 60s flower power and what better vessel to stow a 3″ CD in than a sunflower? No doubt causing all manner of headaches for the OCD fan as they place it on the shelf with their other TFF releases, this is a beautiful example of lateral thinking design, the only let down being the lacklustre on body disc design once inside the thing.

TFF ssol insideTFF ssol discTFF ssol back

Mixcloud Select 45: Strictly Solid Steel Pt.2 19/10/97

MS46 tapeHere’s the second of two parts from late 1997. I don’t think I’ve heard this since it was broadcast, pretty sure this is taped from the radio broadcast as it has that lovely KISS FM compression across it and part of an ad at the end. This was my second set from the first hour of the show with PC providing the second hour.

A Reminiscent Drive made some lovely ambient / classical records on F Comm, more Plaid, Stereolab from career high ‘Dots & Loops’, oh how spoilt were we back then. No idea why I thought MC Shan would work after them but it just about does, crazy to think there’s now a documentary about this song. Wonderful Quincy Jones from his ‘Guala Matari’ LP into a way more funky, out there Hot Butter album cut than I remember, must dig that out again, it’s not all about ‘Popcorn’. Ending with Billy Cobham and ‘Storm’, part of a 4 section ‘sound portrait’ called ’Spanish Moss’ from ‘Crosswinds’, one of his increasingly electronic 70s LPs.

Track list:
A Reminiscent Drive – Footprints
Plaid – Rakimou
Stereolab – Refractions in the Plastic Pulse
MC Shan – The Bridge
Quincy Jones – Hummin’
Hot Butter – Space Walk
Billy Cobham – Storm