New EP art for the promo CD up on my Flickr
This is more of a teaser picture for the final cover which is in full colour and will reveal more than twice as much again of the image. The 12″ comes wrapped in a poster cover…
Kev
New EP art for the promo CD up on my Flickr
This is more of a teaser picture for the final cover which is in full colour and will reveal more than twice as much again of the image. The 12″ comes wrapped in a poster cover…
Kev
Yes, I know, I can’t quite believe I’m typing that either. Yesterday it was issue 3 of Alan Moore‘s ‘Big Numbers’ and today news of a new DJ Food record, whatever next?
Today I cut the first of three 12″ EPs which will make up the bulk of an album early next year, the first one is called ‘One Man’s Weird Is Another Man’s World’ and is out late May/early June on vinyl and download.
The vinyl will have 5 tracks with a playing time of just over 30 minutes and the download package will have a remix by Bundy K Brown that won’t be available on the vinyl or album when it drops. There will possibly also be an extra instrumental and a cappella of one of the tracks too + a digital booklet to go with it.
More details soon but here’s a sneak peek at part of the artwork, done by one of my favourite comic artists, Henry Flint.
Well, the second Videocrash was on Saturday night at Koko in London with a line up of Hexstatic, Bomb The Bass, Cheeba, Octavcat and yours truly amongst others and it was a blast if a little bit of a shorter one than before. Seven acts on a bill, including two bands with drummers, is a bit much to cram into 8 hours which was cut down to 7 when the soundchecks overran.
Most sets were cut including ours and new Solid Steel member Cheeba‘s. Poor guy had travelled down from Bristol to soundcheck a full 12 hours before his set – he only had an hour and had the graveyard shift from 3 until 4am – only to get 30 minutes before closing time.
DK and I slashed nearly half of our set and added some new bits in we’d been working on the past week which worked pretty well. All photos here were taken by the inimitable Martin Le Santo (thanks again mate)