Soundsci at Cavendish Music part 1

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This is the first part of a special visual exclusive on the new Soundsci album, ‘My Boosey Weighs A Ton’, the music of which is made completely (and legally) from samples provided by the Cavendish music library (formerly Boosey & Hawkes). Below are photos by Simon Ashton and recollections from group member Jonny Cuba on their visit to the archive to search for material.

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My pace quickened as we strode towards our destination, High Holborn in the heart of old London. As we crossed the road, I wondered what treasures were stashed just out of sight of the bustling High Road. I ushered my fellow adventurers Darrell and Simon into a grand building. The dull glow of architectural light was in high contrast to the brightly lit area immediately around a smart reception desk. We were surrounded by an aura of quality and affluence. However, before we even reached the desk we took a sharp turn through a set of almost invisible double doors.

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We traveled along corridors and down numerous staircases. The decor took us back time the further we ventured and at last we reached our destination. The vault. There was a heavy door made of thick steel and as we stepped inside Darrell immediately remarked upon the strong odour, a mixture of musty paper and damp. As we ventured deeper into the labyrinthine cave the smell enveloped us and the damp was clearly manifest on the walls and on some of the treasures contained within.

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Amongst the prizes I saw was a huge leather bound master score, handwritten, of Stravinsky’s ‘The Rite of Spring’. Ledgers and books of ancient share certificates spilt out of numbered boxes. However, all these things were secondary to the real treasures. Shelves and shelves of reel to reel tapes, vinyl LP’s and shellac 78’s. Digger’s Manna.

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The archive has now been packed away and moved to an industrial space outside of town. London changes, but the nooks and crannies where culture and mystery collide are remembered by us in our music and art. – Jonny Cuba

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Listen to Jonny, joined by Ollie Teeba – the other half of the production duo in Soundsci – on Jonny Trunk‘s OST show a few weeks back where they layout how they went about making the album, play cuts and joust with senor Trunk over who has the rarest library and soundtrack cuts. You can pre-order the album here before it drops on Monday – only 500 copies and half of them are already spoken for apparently.

FourFromFoodFridays #17.8

FourFromFoodFridays 17.8
Four From Food Fridays – a weekly look at four things that have been doing it for me. They can be new or old, any style so long as it’s been getting some rotation in the studio. From top left:
Moby – Long Ambients 1: calm, sleep (free) (DL) – 4 hrs of ambient for free
The Dandelion Set – A Thousand Strands 1975-2015 (Buried Treasure) LP/CD/DL – a thousand influences, styles and rhythms
Revbjelde – Revbjelde (Buried Treasure) LP/DL – as unpronouncable as it is indescribable
Soundsci – My Boosey Weights A Ton (2NX) LP – Modern Hip Hop made entirely from the Cavendish sound library

Beyond 2000AD exhibition glimpse

Beyond2000_poster Beyond2000_progs Beyond2000_records1 Beyond2000_records2 Beyond2000_TimeOutI finally got time to pop into Orbital Comics and see their small but packed exhibition of 2000AD offshoots, tie-ins, cash-ins, memorabilia, music, magazines, toys and so much more. Not having an opening party because it would clash with the comic’s own 40th celebration a couple of weekends ago they’ve decided to have a closing party on Friday March 10th where there will be a podcast recording and music by yours truly among others.
I also just guested on the Big Mouth podcast pre-record, talking about the comic’s legacy which will be available online this coming Sunday. More details as I have it.

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Delta at the Mima Museum, Brussels

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Over the weekend I was in Brussels to play a couple of gigs and was lucky enough to have enough spare time before my train home to visit the Mima museum in Molenbeek district about 20 minutes walk from the Central station where I was greeted by the figure above. Created by Boris Tellegen aka Delta or Mess (in his graffiti days) the construction advertised the ‘friendly takeover’ of the museum he had undertaken over three of its floors.

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Once inside the viewer is greeted with a very different experience to the usual galleries with work around the edges. Boris’ work is all about 3 dimensional space and he has a legitimate claim to popularising the 3D graffiti lettering style in Europe later taken up by artists like Daim, Toast and Loomit. His work also uses collage, layers and exposed sections and the contents of the exhibition are displayed thus.

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His many record sleeves are on display including a few we collaborated on in the late 90s for DJ Vadim and Ninja Tune. I’m also featured in some of the films dotted around the galleries talking about how we met and worked together. For me this was the most interesting room, when he work was a hybrid of letter forms and architecture, always suggesting three dimensional forms, blueprints and later, broken, ripped or smashed structures that give a looseness and random feel to his work.

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You’re forced to peer inside, through or at cross-sections of several pieces which have themselves become part of a larger artwork in what almost seems like an anti-exhibition, hiding more than half of some works in the pursuit of a new way to experience them. See some examples from a 2011 exhibition here.

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His letter figures (extract the name DELTA from some of their forms) remind me of Giacometti, Paolozzi and vintage robots. In fact, on the first floor he adds in some of his inspirations, including a huge collection of toy robots and a page of original art from a Judge Dredd story. When I visited his studio in ’97 one of the first things I saw on the shelf was a Japanese Gundam toy and a Todd McFarlane Spawn robot figure and it all made sense.

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Some smaller figures are hidden inside larger ones including a train set nestled inside the body of a huge reclining figure on the third floor, visible through a glass window. The exhibition is on until the end of May and is a fascinating retrospective of sorts of an artist who keeps on pushing and evolving. Also look out for the incredible ’86-97′ book which faithfully replicates his two graffiti black books created between these years.

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Eduardo Paolozzi mosaics on the Tottenham Court Rd tube platform

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Tottenham Court Road underground station, in the heart of London’s West End, has had a huge influx of Paolozzi mosaics restored and reinstated into the platforms and passageways. The mosaics originally come from elsewhere in the station and had been removed when it underwent huge infrastructure changes over the last few years to accommodate Crossrail. The original platform mosaics are easy to spot as they’re all square gridded tiles but the ‘new’ ones are more freestyle and have been expertly inserted into the walls in spaces not already used. For more info see the short film below.

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Moby – Long Ambients 1: Calm, Sleep – free 4 hr album

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Moby has just dropped this for free on his site, 4 hours worth of ambient music he’s been making (UPDATE: it was May 2016 actually, I only discovered it today)

”Over the last couple of years i’ve been making really really really quiet music to listen to when i do yoga or sleep or meditate or panic. i ended up with 4 hours of music and have decided to give it away.

you can download it for free below or stream it on spotify, soundcloud, apple music, deezer, youtube & tidal.

it’s really quiet: no drums, no vocals, just very slow calm pretty chords and sounds and things for sleeping and yoga and etc. and feel free to share it or give it away or whatever, it’s not protected or anything, or at least it shouldn’t be.

thanks, moby”

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The Delaware Road At Kelvedon Hatch Audio Apocalypse Survival Kit on OST

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(Mark, Robin, Dan, Chris, me, Ian – out of shot Zoe, Hannah and Alan – who was taking the photo)

On Saturday I was invited to be a guest on the OST show on Resonance FM – this time with Robin The Fog ably sitting in for an absent Jonny Trunk (away on Basil Kirchin business in Hull). Joining us in the studio were Alan Gubby (Buried Treasure), Mark Pilkington (Strange Attractor Press), Dan Wilson (Radionics), Hannah Brown (Kvist), Ian Helliwell (Tape Leaders book and so much more), Chris Sharp (Concretism) and Zoe ‘Lucky Cat’ Baxter who stayed on after her show beforehand.

The reason was twofold – to try and present a sonic picture of all the artists who would be contributing / playing at The Delaware Road event at Kelvedon Hatch Nuclear Bunker on July 28th. If you’re not up to speed on exactly what The Delaware Road is then please go here.

The gathering was also to highlight a very special prize bundle assembled from all who’d be taking part that’s being auctioned off in aid of Resonance FM’s annual funding drive. Here’s a photo of most of the items to be included:

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Here’s a link to The Delaware Road At Kelvedon Hatch Audio Apocalypse Survival Kit auction in aid of ResonanceFM

Here’s a link to buy tickets for The Delaware Road gig on July 28th

and here’s a link to the 2 hour show featuring music from a lot of the prizes featured above.

FourFromFoodFridays #17.7

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Four From Food Fridays – a weekly look at four things that have been doing it for me. They can be new or old, any style so long as it’s been getting some rotation in the studio. From top left:
Lingua Lustra – Self Released Works (Psychonavigation) 2xCD – super deep ambient music
Ali Wade – Geomorphology (Frequency Domain) DL/Cassette – beautiful electronica
Jay King – The Devil Rides Out EP (Realm Records) YouTube – Indian/psych/funk re-edits
Various Artists – HFF Vol.1 (Psyché Tropes) 3xLP – experimental collage and electronics from artists taking part in the Hackney Film Festival

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Future Shock 2000AD art at the Cartoon Museum photos

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I finally got a chance to see the Future Shock exhibition of 2000AD classic original art the other day at the Cartoon Museum, tucked away in the back streets near the British Museum. It costs £7 and once you’ve navigated past some of the most miserable/bored looking staff you’ll ever see you can peruse the galleries of comic and political art.

As far as pieces by key artists of essential stories and characters go, this is one of the best collections of art you’ll see aside from Rufus Dayglo‘s blink-and-you’ll-miss-it exhibition this coming weekend at Geek 2017 in Margate. The bulk of it comes from long-time collector Wakefield Carter who runs the Barney database and regularly trades or sells original art. All the major names are here, with examples from some of the classic stories too (Dredd Cursed Earth and Dark Judges to name but two) and there’s a lot of it. Shown here are just a few of my personal highlights.

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Upstairs, the regular exhibition is full of classic images, characters and artists too inc. Dave GibbonsLichtenstein-baiting ‘Whaat?’, Watchmen, Batman, Dan Dare and V For Vendetta art and original Leo Baxendale pages.

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Selected Aphex Works 1 & 2 mixes


Seeing as it’s 25 years since Aphex Twin’s ‘Selected Ambient Works 1’ was released and exactly 2 years to the day that my first ‘Selected Aphex Works’ mix was aired on Solid Steel, I thought I’d repost both the first mix and the lesser heard follow up I created for GCASFM.com about a year later. Due to multiple requests in the comments I’ve put up a very limited download of the 2nd mix here and in the Mixcloud comments.
There’s still enough for at least a third volume from the enormous Soundcloud upload he made back in 2015 but if you’re fiending for more then I’ll be premiering a special AFX AV set at Archspace in London on Feb 25th.

Ghost In The Shell posters

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Some really nice Ghost In The Shell posters appearing recently. Still don’t know what to make of it from the trailer, it looks great but it seems to have all the hallmarks of any number of Hollywood blockbusters. That could just be the way the trailer was cut though. At least they don’t have one of those classic 80s pop songs reinterpreted in an emo style in it.

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2000AD 40th exhibitions

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The ‘mighty organ’ that is 2000AD is 40 years old this month and today is the big celebration at the Novotel in Hammersmith. I won’t be attending but photos already posted on social media are making me wish I was.

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Also opening today is the Beyond 2000AD exhibition at Orbital Comics (see flyer above) that I’ve contributed some pieces to. This looks at the wider impact of the comic outside of the printed page including merchandise, toys, t-shirts, bags, record sleeves and more.

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Just up the road the Cartoon Museum is showing a huge selection of original art from the comic under the banner Future Shock: 40 years of 2000AD, so if you haven’t got a ticket to the 40th bash you can still soak up 40 years worth of thrills.

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FourFromFoodFridays: 17.6

FourFromFoodFridays 17.6
Four From Food Fridays – a weekly look at four things that have been doing it for me. They can be new or old, any style so long as it’s been getting some rotation in the studio. From top left:
David Axelrod – The Solid Steel interview (2001) Radio mix – RIP The Axe
Kid Koala feat. Emiliana Torrini – Music To Draw to: Satellite (A&C) LP – first ever ambient turntablist album?
The OST show feat. Soundsci (Resonance FM) Radio – Hip Hop, Library and Soundtracks
Aphex Twin – entire back catalogue in preparation for the Archspace gig on April 25th

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An Ambient Evening with the Orb and friends

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I’m very pleased to announce that I’ll be part of The Orb‘s ‘An Ambient Evening…’ at the Royal Festival Hall on April 21st alongside The Orb (of course) Youth, Roger Eno, Metamono, Gaudi, George Holt (Cakelab), Micheal Johnson (The Book & Record Bar) and more. As part of the ever-growing local South London crew that have gravitated to the West Norwood Broadcasting Company (WNBC) operating out of The Book & Record Bar, Alex Paterson invited us to be a part of the evening to showcase some of the people within this community. Tickets are on sale now .

Not only that, Pete W (Out Of The Wood radio/WNBC) and myself will be unveiling the first outing of our new venture into sight and sound: Further.

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We’ve been kicking this idea around since last summer, wanting to create a space where music and visuals come together in different social settings to form an environment with as much emphasis on the visual as the musical. We’ve gathered an arsenal of analogue kit to make this happen, multiple slide and oil projectors, 3″ cassette effects and all manner of antique controllers to trigger them, with the aim of going back to some of the pre-digital practices that are being lost as we advance into a virtual world. It’s also a chance to showcase the kind of music we’ve been playing in the record shop, on the radio show and in venues like Spiritland over the past year or more – a willfully obscure blend of anything goes from the deepest, unexplored corners of our record collections.
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The idea is to install Further into different places, working with different layouts to make each one different and fresh. Musical and visuals guests will be invited and given space to do their thing and and we’ll provide the environment for them to fit into. Think the 60s UFO club meets a 70s Arts Lab meets the 90s Land of Oz nights with a leftfield audio/visual agenda. We’re currently talking to various different people about the possibilities of staging one of these events in their venue so if you think this could work for you then please get in touch: [email protected]

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RIP David Axelrod

Axe SS CD CoverSo sad to hear of the passing of David Axelrod tonight. If you don’t know the man’s music then all you need is this interview that DK and Dean Smith did with the man back in 2001 for Solid Steel. It’s unlikely that most people wouldn’t know parts of his music, being that he was sampled so widely by hip hop artists like Dr. Dre, DJ Shadow, Black Sheep and more. DK has been an uber-fan for as long as I’ve known him so this interview goes deep.


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Ali Wade & Ambigraph video

Ali Wade – ‘Breccia’ (fd004) from Frequency Domain on Vimeo.

Fantastic video by my friend Ameet Hindocha aka Ambigraph and Ali Wade for the track ‘Breccia’ from his album ‘Geomorphology’ – released late last year of Frequency Domain. Also check this beautiful piece of work by Ali for Anthony Child on the same label.

Anthony Child – ‘Caught Dreaming In A Perfect Past’ (fd003) from Frequency Domain on Vimeo.

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