Screenshots from some of the videos I’ll be playing at Videocrash during my set tomorrow at Village Underground. No HD here, strictly lo-fi. The evening kicks off at 7.30 and finishes at midnight. Tickets here:
On my trip to Edinburgh last weekend, one of my missions was to track down a bottle or two of the Edinburgh Beer Factory‘s Paolozzi – mostly for the design of the bottle it has to be said. I only managed to find it on draught in one bar but was surprised at how nice it tasted, a superbly light, clean beer with a slightly sweet taste. On returning home I was sent a link to the EBF website where they sell not only the beer in bottles, but glasses too, in various numbers, all wrapped in glorious Eduardo Paolozzi designs.
You can get boxes of just beer or get them to swap out bottles for glasses and some sets come with coasters and a poster. I ordered a box and it arrived in less than 24 hours and all for under a fiver postage, excellent service and a beautiful set to behold with design touches like the ‘Ta Da’ when you open the box. The box and bottles are so nice you don’t want to throw them away when you’re finished. Find them all here in a multitude of combinations including a tour of the brewery.
The love affair with El Paraiso Records continues with this new video teaser. Coming on like a cross between parts of Ghost Box, Beyond The Black Rainbow and Board’s of Canada‘s ‘Tomorrow’s Harvest’, it has pretty much everything I want in sight and sound.
No more info at present except that it’s an LP that’s ‘out soon’... *UPDATE: Out Sept 30th, 300 copies, pre-orders up soon! Just look at that cover!
It’s been a while since I featured any of Dan’s work but he’s been churning them out and here’s just a small selection. Above: Biz Markie Below: MF Doom, J Dilla, James Brown, Leaders of the New School, King Tubby, Man Parrish, Melle Mel, Pete Rock and CL Smooth, The Pharcyde, Wu Tang Clan, Invisibl Skratch Piklz, Breakbeat Lou, The Cold Crush Brothers. Buy prints from Dan’s site here...
I play an El Paraiso Records special for the first hour on the Out Of The Wood show, followed by Pete W, with records featuring frogs, drugs, a blue lady and sunshine. Broadcast live from The Book & Record Bar in West Norwood, listen live every Sunday between 12-2pm on http://wnbc.london
Inspired by the Olivetti exhibition a couple of months ago I went through my small collection of Architecture d’aujourd’hui magazines and snapped some 60s era adverts.
Love that poster, especially the font – via Juxtapoz – Adult Movie Posters of the 60s and 70s
My remix of Divine Styler‘s ‘Pandorum’ is the free mp3 this week on the Def Mask remixes page from Gamma Proforma – go grab it and all the others so far, more to follow …
The monthly FEAST in West Norwood is upon us this Sunday with myself and Pete Williams back for the Out of the Wood show on WNBC radio (West Norwood Broadcasting Company). Broadcast live from the Book & Record Bar from 12 midday until 2am when Dr Alex Paterson and George Holt wheel out the 2nd edition of Cakelab for the afternoon. Not sure what I’m going to be playing as yet but I have half a mind to do an El Paraiso Records special as I’ve played little else at home recently. You can listen in live here…
Elsewhere it’s well worth coming down in person as there’s all kinds of luscious food, craft and vintage stalls, live music and more – all for free.
That’s a pretty nice AV line up – tickets on sale now – new version of my rarely seen Future Shock AV show too.
Where do you begin with Jack Davis? I first saw his work in the UK versions of MAD magazine in the 80s but he had been producing countless numbers of comics, illustrations, record covers and film posters for decades before that. He was one of the original ‘usual gang of idiots’ from US MAD’s inception in the 50s, a regular on Tales From the Crypt, producing the cover for the later issues, as well as war comic Two-Fisted Tales and a ton of other EC Comics. He drew some of the best monsters including the classic Frankenstein which was made into a life-size cut out poster (see below).
He worked for a lot of the MAD-a-like humour titles too like, Sick, Cracked, Help and Panic as well as regular work with publications such as Time and TV Guide. He has a huge body of film posters to his name, It’s a Mad, Mad, Mad, Mad World being a particular classic, which in turn led to record sleeves for the soundtracks. From here he drew sleeves for music from rock to country to brass bands to soul, I have a particularly great Sesame Street album with Davis art all over it which I’ll post soon.
He was a legend of comic art, up there with Jack Kirby and Moebius, RIP
Whilst researching the Dreaming with Stanley Kubrick exhibition last week I dug into the iconography of A Clockwork Orange, looking up David Pellam‘s classic Droog design for Penguin (above) first revealed several earlier book covers and then the tidal wave of fan film posters. Cogs, eyes, eye lashes, milk glasses and, of course, the colour orange were in abundance. There were several great ones that managed to capture both the era and the menace of the film as well at a very nice Gorillaz droog wallpaper by Jamie Hewlett.
A double dose of Kosmischer Debris round ups in this post – selections from the past month or so of experiments, works in progress or random graphics from my desktop – all self-generated and posted (nearly) daily on my Instagram
Above: details from a Circuit Bending Mandala and the full thing at a larger scale
Below: Top row: lights from my Rane mixer, Middle row: Circuit Bending, multiple logo tests for a band called Psyence, B&W Rane lights. Bottom row: Inkubation collab with Sarah Coleman, Circuit Bending + detail.
Gamma Proforma are dropping all sorts of treats and freebies on their site, here’s a taster for an upcoming LP on the label from Deflon Shallahr. All artwork by the amazing Will Barras.
Divine Styler remixed: Over the coming weeks Gamma will be dropping the complete set of Def Mask Remixes, grab the digital album for free and each week you’ll receive a new track. Here’s Mophono‘s take on ‘Carriers IQ’
This is SO awesome – all the background music by Ray Ellis from the first season plus some from seasons 2 and 3 of the late 60s Spider-man cartoon series. Check the tracks at 54:52 and 1:04:50 ! YouTube user 11db11 explained how he put it all together:
“I cut out every piece of music from all 3 seasons (that took like a month) – Then I grouped them together (multiple incidents of each song) – Then I built each song from the best parts of the multiple versions. – I had to EQ each individual clip to even the levels, bass, treble … – – I left the video alone so people could see where the clips came from.”
The Daydreaming With Stanley Kubrick exhibition started a few weeks back at Somerset House in London’s West End and it’s well worth a look. Curated by James Lavelle, it features many familiar names that hint that his phone book must be a thing to behold. Artists, film makers and musicians from around the world have contributed but with over 40 pieces to look at there’s always going to be some stronger than others.
For the most part, I enjoyed the more literal, graphic interpretations; the hexagon-patterned floor from The Shining, Space Invader‘s Rubix-cubed Alex from A Clockwork Orange and Doug Foster’s homage to the stargate scene in 2001, ‘Beyond The Infinite’ – a mesmerising widescreen kaleidoscope that constantly shifted to a soundtrack by UNKLE. I was surprised there wasn’t more reference to Hal from 2001 outside of some of the graphics for the exhibition branding though and there was a missed opportunity to do something with Kubrick toys seeing as James has had an affinity with them for so long.
One of my favourite pieces was Philip Castle‘s 70s airbrushed illustration for the original film of Alex with dentures in a glass. Unfortunately this was represented as a slide blown up rather than the original painting but it still had enough presence, menace and period textured beauty to outshine most of the other exhibits.
Elsewhere, several installation pieces were the most successful in invoking Stanley’s spirit. A vertical pulsing strip of LED lights by Chris Levine burned images onto the retina from the end of a corridor so that, when you looked away, you saw split second flashes of Kubrick’s face. A ‘breathing’ camera by Nancy Fouts, sat eerily in another corner, rasping in and out to itself. A room of 114 wireless’ all tuned to the same channel in a dimly-lit workshop created a WWII-like atmosphere and the exhibition guide revealed that a huge cast of celebs had made the soundtrack playing through the tinny speakers. Peter Kennard‘s ant-war collages were further bolstered by additions from Dr. Strangelove although it felt largely transplanted from his recent Imperial War Museum exhibit with some added Kubrickisms.
Possibly equal to Foster’s AV piece was Toby Dye‘s small room showing four different scenes from The Corridor, each one using a Kubrick technique of focus pulling in or out of a centralised corridor. This, when shown full frame on each of the four walls, gave the viewer a sense of unease or vertigo as the walls appeared to shift around them. Very effective if off-balancing. David Pellam‘s classic Droog design featured twice, once in the show branding and once in Paul Insect‘s updating of his work, ‘Clockwork Britain’. An iconic design, connected with Kubrick by the simplification of his visualisation for the Droogs, it sits alongside the Shining carpet as a graphic motif instantly connected to his films. A VR headset with interior 2001 space station scenario was also installed but the queue was just too long so don’t head to it at peak weekend hours if possible.
Electronic Sound, the online magazine of all things errr… electronic, has now become a physical printed issue too. Entering the analogue world with issue 2.0 (pictured), they’ve just published issue 21 which comes with a free CD of current electronic artists covering old synth classics (Paul Hartnoll does Kraftwerk’s ‘Numbers’ for instance). Well worth picking up with no-nonsense writing, clean design and beautiful photography, they straddle the current, historical and even delve into features on the machines that make the music.
Synthesizer Dave’s Workshop goes step-by-step through repairing an Italian Multiman-S, Jack Dangers is their resident archivist, giving a brief lowdown on Lovely Music’s Ltd‘s output and Dave Henderson unearths the genesis of his Wild Planet column for Sounds magazine. Add a ton of current release reviews, including Kris Needs‘ weird grab bag and interviews with everyone from Karl Bartos, Tim Gane, Beth Orton, Alan Rankin and more and it’s a must read. They have a subscriber deal on right now – 3 issues for a fiver. The next issue is out in September after which it should run monthly and there are more CDs promised over the next few issues.
I just discovered John Mahoney‘s work via the latest issue of Heavy Metal magazine – which now has a new lease of life with Grant Morrison installed as Editor-in-cheif – these are scenes from his psychedelic ‘novel’, ‘Zentropa‘. His style reminds of elements of Moebius, Egon Schiele or Hans Bellmer‘s multi-limbed dolls. He also sculpts in both real and virtual applications and has worked as a concept artist for many big hollywood films. Learn more here