O Is For Orange AV set for Glasgow

McChuills flyer
Glasgow friends, I’ve finally managed to sneak in a performance of my ‘O Is For Orange’ AV set in your fine town, during the two days I’m in Scotland with The The next month.
I performed the 1st AV mix – Selected Aphex Works – last year and Glasgow was one of the best audiences ever.
This is the 2nd and if you like Boards of Canada then this mix is for you…
Sept 4th, McChuills bar, limited tickets here

Aphex Twin advert at Elephant & Castle station

AFX tunnel
This is last week’s news now but I finally found myself in Elephant & Castle underground station this week and went in search of the Aphex Twin adverts that had appeared the previous Monday. Nestling in a corridor near the lifts below the shopping centre end of the station are the two op-art-esque logos, seemingly tiled into the wall although closer inspection reveals a carefully designed paste on advert like any other, just with special attention made to the scale of the tiles being rendered.

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AFX cornerIt really is a great example of advertising assimilated into its environment and having all the more impact for it, it’s beautifully done, even if whoever pasted it up couldn’t quite be bothered to line the tiles up on the right hand side (see above). Other, similar designs also started popping up in other countries too, follow #3 aka Paul Nicholson, the original logo designer, for pictures and locations.

By now we know that this was advance warning of a new release, the ‘Collapse’ EP, scheduled for release on Warp mid September on vinyl, CD, cassette and limited foil-covered 12″ which intrigues me the most because the French company who used to produce those foil sheets you sometimes see on old record sleeves went out of business about a decade ago. Someone must have found a way to make them again and it’s a custom Aphex logo design rather than a pattern, very interesting…

Anyway – there’s a new video by Weirdcore that references the design above and the various formats can be pre-ordered here. (Beware – really awful website design alert – probably intentional)

With odd timing I’m pulling my Selected Aphex Works AV set out of retirement this weekend for an outing at the Space Theatre in Bangor, N. Ireland so I’m including the new video in the mix and then also playing a bonus club set at The Hop House nearby afterwards.

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Further returns Sept 15th

Further 3 Portico poster

Further returns to its spiritual home at the Portico Gallery for another night of Light, Sound & Design.

Markey Funk flys in from Jerusalem to present his take on the heavy fuzz and psych sounds coming from his Delights label.
I’ll be bringing my AV ode to Boards of CanadaO Is For Orange – to the big screens with exclusive visual extras.
The Karminsky Experience Inc. grace the decks with their selection of swinging library, soundtrack and beatnik grooves.
And just when you think you’ve heard it all, Pete WIlliams pulls out those special audio treats he’s been hoarding for just this occasion, all accompanied by the sensory overload of the Further slide, oil and video projections.

Delicious food will be available from Pimento ’62 Catering and a fully licensed bar.

V. ltd. early bird tickets available here now!

Tomorrow Syndicate poster and LP

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Fantastic artwork by Nick Taylor on the new Tomorrow Syndicate album and promo poster. You can get both from the band’s Bandcamp page – the poster is A2 and in the merch section but the album is only available in digital form frustratingly. Much as I love the music Polytechnic Youth are putting out, they don’t make it easy to actually buy it. Small runs are sold via pre-order from their Facebook page with no audio previews and few represses, you have to be quick and, as the label gains popularity, if you’re not on the web when pre-orders go up then you have to chance your luck with mail order from the likes of Monorail or Norman Records. Still, it makes it all the more fun and precious when you do manage to get one. The album’s great and takes in most of their previously released tracks (two 7″s and a VHS) with nods to La Dusseldorf krautrock and Radiophonic Workshop spacey synth madness.

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Logan’s Run repress

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There’s a new, double vinyl repress of the Jerry Goldsmith score to Logan’s Run just out from Waxworks. This is the expanded score that was released on CD by Film Score Monthly in 2002 boosting the track count from the original’s 12 to 23. The beautiful artwork above is by Martin Ansin who has done many a Mondo poster, see his takes of Alien and Prometheus below. Transmission still have copies in the UK.LogansRungatefold Prometheusposter AlienposterMartinAnsin

The original Logan’s Run theatrical poster with another, possibly fan made, example below.
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It was 20 years ago today

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June 23rd, 1998, Brixton Academy, London, UK. A date I’ll never forget, the day I was part of the support package on the London date of the Beastie BoysHello Nasty tour. Pretty mind-blowing, humbling and scary-as-f**k.
The warm up were the Invisibl Skratch Piklz (Mixmaster Mike, Q-Bert and Shortkut) and Money Mark featuring Kid Koala. Mike acted as compere between acts as I recall and we hung out backstage with him, Kid Koala and Money Mark before the show whilst MCA quietly ate at a nearby table. The Beasties were the main attraction of course and played a 30+ song set which I couldn’t completely enjoy because I was so nervous about playing afterwards.

This was no ordinary gig (because The Beastie Boys, who else?) so there was a full-on party DJ roster afterwards too, kicking off with Rob Swift and Total Eclipse from the X-Ecutioners, then Ollie Teeba from The Herbaliser and myself on 4 decks, followed by the original Scratch Perverts (Tony Vegas, DJ Primecuts, Mr Thing and DJ First Rate) all topped off by Alec Empire to clear the place out (which he did in fine style). What a line up! Playing at ‘home’ there were numerous friends and such in the absolutely rammed venue and walking out after the X-Ecutioners was pretty daunting, even though Ollie and I had been practicing our set for weeks. It all flew past and before we knew it we were being hustled off for the Perverts to rip it up.

BeastieBoys Backstage supportAbove: backstage shot, clockwise from top left: Q-Bert, Mr Thing, DJ First Rate, DJ Primecuts, Harry Love, DJ Ollie Teeba, myself, Tony Vegas, Mista Sinista, and Kid Koala centre left.

The few photos I have from that night are pretty terrible but the show poster, complete with guest pass, has hung in my home for the past two decades.

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Below: Rob Swift on the decks.

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Sister Corita Kent at Ditchling Art & Craft Museum

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There’s an amazing exhibition on in a very out-of-the-way place at the moment, Sister Corita Kents screen prints (or some of them) are on display in Ditchling, a small village near Hassocks, at their Art & Craft Museum, 10 minutes on the train from Brighton. Sister Corita was a nun, artist and teacher running art classes at the Immaculate Heart College in Los Angeles in the 50s through to the early 70s. Her prime medium during these years was screen printing and her works were eventually seen as part of the Pop Art movement.

Her bold, bright, contemporary methods were in perfect step with the times but she became embroiled in arguments with the church over her messages, especially anti-vietnam and civil rights movements posters which ended with her leaving her post and the church for good. Her life and achievements are incredible as a practicing nun and teacher who had everyone from John Cage to Charles & Ray Eames to Alfred Hitchcock visit to take classes.
The exhibition is on until 14th October and is really worth the effort, it’s a 5 minutes cab ride from Hassocks train station and there’s a permanent collection of religious art and more to see.

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Haendehoch! phonographics

IMG_7597 A mystery package of three 45s and 3 posters arrived a few weeks ago from Dutch label Haendehoch! phonographics. Each single is hand-stamped on the label, wrapped in a risograph printed sleeve, folded inside a plastic sleeve and comes with an A3 sized poster to compliment the release.

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The idea for the label is to rescue music from the web that was never given a release on a physical format at the time and the first three releases glean their contents from Soundcloud files uploaded between 2011 and 2014. It’s a novel way to start a label and, whilst the music wasn’t really to my taste, the graphics are absolutely beautiful.

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The label seems to be the brainchild of the Haendehoch typographics studio in Utrecht who have been creating work for the music and club scene in the Netherlands for over a decade. You can judge for yourself and buy the single now here
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Frank Zappa advert + poster collages Pt.2

GUAMBO poster
Continued from part 1
I’m not sure who did the design above but, from the date, I’d guess it was Zappa, regardless it’s a great poster

Around the end of making The Mothers of Invention‘s ‘Absolutely Free’, Cal Schenkel started working with Frank Zappa on artwork (he also appears on the ‘Freak Out’ album as one of the studio voices). From then on he became the graphic artist most associated with the Mothers and some of Zappa’s solo works, his collages, paintings and sculptures adorning many of their classic LPs. Here’s an ad for ‘Absolutely Free’

Abs Free ad CalSchenkel hit parader dec-67e

Cal created several ‘Moop’ ads, odd comic-styled pages, “…yeah, and we also did a series of ads which you might have seen at one point… for MOOP. You ever seen any of the MOOP ads? …but they were the weirdest ads, they were like just funny little surrealistic comic strips…and there’s a bunch of ads that were running–like, Hit Parader, and just the oddest places…” – from this interview

schenkel_c_absolutelyfree 1967-10-xx Hit Parader MOOP1 05 schenkel_moop21968-05-xx Crawdaddy n15 48Lonely Little Girl ad

This beauty below appeared in Marvel comics’ Daredevil #38

Mothers Daredevil 38 ad Uncle Meat adschenkel_cal_kidding

By the 70s, things had started to change graphic-wise in publications and we go into what I call the ‘statement’ era of advertising where text played a big part in hooking the viewer in via an intriguing ‘headline’ and then selling the product in a quirky sales-pitch style similar to these examples below. Crazy graphics, surrealism and excessive detail were out and, as a designer, I can’t blame them. Much the same as the sometimes impenetrable psychedelic posters of the late 60s were only meant for the heads in the know to decipher, their time was up and now the marketing men had to sell this stuff to the masses rather than keep it underground. Cue straight, no-nonsense text in blank space and packshots of the album or group in question.

1969-06-14 Rolling Stone [UK] n35 051970-10-29 Rolling Stone n69 23One Size Fits all ad

Frank Zappa advert + poster collages Pt.1

1967-09-xx Hit Parader Abs Free ad

Lately I’ve been studying the collage art of Frank Zappa and Cal Schenkel from the Mothers of Invention albums. On reading up on this material, including a long interview with Schenkel, I realised that Zappa himself seems to have done a lot of the artwork for the first two Mothers albums, ‘Freak Out’ and ‘Absolutely Free’, with Cal coming in at the end of the latter and doing some of the adverts. What you see below is – as far as I can tell – is mostly the work of Zappa who was a pretty decent visual artist in his own right is seems.

Absolutely Free ad Frank Zappa flyer-2

Freak Out News 1
An ‘official New of the Mothers’ would occasionally get printed in the LA Free Press, below is the first one, a four page digest that includes a poster for a forthcoming gig.

Freak Out News 2

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Freak Out newspaper poster Freak Out Off news Oct Freak Out Off news Oct2

Some variations on gig posters
Freak Out poster blue Freak Out poster red

Collage made to illustrate an interview in a music magazine

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The original paste up for an advert / flyer
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Cuphead Posters

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I’m still loving the design of Cuphead, the recent release from Studio MDHR based on the look of the old Fleischer Brothers animation studios. There seem to be lots of great posters for it online, possibly official, it’s hard to tell these days. Many follow the multi-coloured, multi-character model but some keep in line with the look of the game. There’s also merchandise starting to appear, from enamel pin badges to the inevitable Funko toys but the best object so far has to be the 4xLP original soundtrack.

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Housed in a 30’s book-style sleeve with gold leaf cover graphics, separate leaves for each disc and yellowed ‘pages’, it looks like it could have come straight from your grandparents’ vinyl collection. There’s also a lovely 7″ with selections from the near 3 hr LP set. At an eye-watering £71 + postage it’s a bit out of my league at the moment but it looks worth every penny from the photos.

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* Beware of pre-orders of figures from PopInABox – my Cuphead and Mugman figures are now 2 months overdue, one has been dispatched from overseas without a tracking number and the other remains in limbo while they wait for stock, meanwhile I’ve seen them in shops in the UK.

Elzo Durt

couv-livre-elzoThrough an odd set of web links I chanced upon the work of Elzo Durt today, his modern take on collage and psychedelia catching my eye and making me investigate further. This Brussels-based artist works with the Recyclart people (I’ve played for them a couple of times and maybe, unknowingly, seen his work) and runs a record label too. Find out and see more of his work at www.elzodurt.com

born-bad-psyche-night cursor-miner_poster-copie dillens_juillet2015_2 el-bla-recto EXPLODING-EYES_oct-2015 hosmoz_fading-mechanism_5 illu_badseed_08_2010 junkyard poster_rockerill_fest poster-killekill-9-years pub_citysounds_mai_2013 red-mass_7inch_recto rockerill_fest_2016 seri_aidswolf_2007 the-sore-losers

DJ Food AV series #2: O Is For Orange

Archspace DJFood flyer crop
Here we go, after last year’s ‘Selected Aphex Works’ shows, the next installment in my live AV Series premiere’s on April 6th at Archspace, London with a new version of my ‘O Is For Orange’ mix – chock full of Boards of Canada and their influences with psychedelic video accompaniment. Tickets available here

Andy Votel exhibition – STOP MAKING SÉANCE

JWArchitectPromodetails One day last Autumn a mystery package arrived containing various Finders Keepers records and one very special, handmade 12″ of Jane Weaver‘s ‘The Architect’ single. One of an edition of 10, it’s a thing to behold; a test pressing hand-labelled with a paste up cover containing one of my favourite designs of last year (see this post).

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Being one of the people urging the designer to make prints of one of his posters for Jane’s Manchester gig I was gutted when my copy got lost in the post over the Xmas period. Luckily a replacement is soon to be on its way. The ‘architect’ of these creations is one of my favourite contemporary designers, Andy Votel, who will be exhibiting some previously unseen self-initiated full size paintings / collages in Manchester from the 25th at Electrik in Manchester.

VOTEL SEANCE INVITE invite

From the press release: “Writer, DJ, designer, broadcaster, label boss and anti-musician Andy “Votel” Shallcross displays a series of original personal works created, at home, in October / November 2017.  
Based around contemporary “fakelore”, reducing influences of European science-fiction art, scholastic illustration, post-pop-art, Plakatstil and mid-century graphic design Andy uses simple methods of painting, collage, deletion and recontextualisation for these one-off, large format placards.
Adopting a recurring patchwork method found in all of Andy’s multi-discipline “magpaic” activities, the running narrative and aesthetic format used in STOP MAKING SÉANCE can be described as pictorial-anagrams, which Votel playfully refers to as Andygrams. Having designed over 200 record sleeves in over 20 years of his graphic design day-job these singular quick-fire situation-abstractions are not intended for large-scale reproduction or as communicative graphic-design thus retaining a freedom previously unexplored in Andy’s visual work and will be on display for short residency in Manchester, Gothenburg and Barcelona in early 2018.”

Check out this interview with Oi Polloi for more info and images

Seance detail 1 Seance detail 2 Seance detail 3

7Up – the UnCola posters

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Browsing eBay over the Xmas holiday, a friend came across a psychedelic Submarine poster not a million miles away from Heinz Edlemann’s classic Yellow variant, created for The Beatles‘ film of the same name. In the same brightly-coloured, cartoonish style of the late 60s and early 70s – much popularised by artists like Edelmann, Milton Glaser, Nicole Claveloux and Peter Max – this sub was in fact green and advertising the drink, 7Up – billing itself as ‘The UnCola’. What was remarkable about this eBay listing though was that it was for an original 60″x36″ poster, not the sort of thing that turns up every day.

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Indeed, further investigation revealed that the seller, Dallas resident, Robert Trent, is the foremost collector of this era of 7Up advertising and was selling off duplicates from his collection. Even crazier was that he was also selling huge billboard versions of some of the designs, some as an un-pasted set of 12 panels over 12 meters in length. Over the course of many entries he had compiled a huge resource of information, links and imagery, all expertly checked and presented without fuss and in meticulous detail. These kind of posters don’t come up every day and he has the whole history up there to give context to the images. After seeking his permission I hereby reproduce some of the imagery and details before it’s lost.

From Robert’s listing: “‘Wet Un Wild (green submarine, aka yellow submarine) 60” x 36” horizontal poster by Ed George

Note:  This is made of thick quality poster paper, not dimpled yellow plastic tablecloth material (modern-day Tyvek construction wrap vapor barrier or “paper dress” nylon material) like the other “Wet Un Wild” posters occasionally offered on eBay. 

This one is in excellent, but not perfect condition. This illustration is highly sought after and may be the holy grail of all 7Up UnCola poster images. Ed George illustrated this in 1969, (he) held multiple posts in-house at the J. Walter Thompson [advertising] Co. in Chicago (JWT) over many years.”

Below: 28 of the billboards in Robert’s collection as of writing…7Up UnCola Virtual Billboard Museum (28) 3x10_011518_2

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From Robert’s listing: “Most of these images actually graced highway billboards and dorm rooms. They were so popular that the Seven Up Company offered them for sale – few survived. The first batch of billboard sized images were up nationwide when colorful VW vans full of hippies drove to the Woodstock Festival in August of 1969. A “Fallpaper Poster Offer” on the bottom of page 8 of the October 5, 1969 Chicago Tribune Sunday Comics offered a set of (4) 34″x21″ reproductions of their famous billboards seen earlier in the year for, read it and weep – ONE DOLLAR TOTAL (plus 6 bottle cap liners). That offer expired on 12/31/69. The sizes also ranged from small Size “D” posters to giant Size “A” 21’x10′ billboards. These are all ORIGINAL vintage posters – NOT modern giclee photo reproductions.”

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From Robert’s listing: ‘The Light Shining Over The Dark’  This is a vintage 33″ x 20″ horizontal poster that is in excellent condition and VERY RARE.  I’m only aware of 2 or 3 other copies, some of which have passed through my hands. The artist’s signature can be seen at the right center in the bottom of the girl’s white dress. 

The artist was Pat Dypold who illustrated this by 1973 as a free-lance artist.  She did the bulk of the other outdoor ads (billboards) for the J. Walter Thompson [advertising] Company of Chicago (JWT) that orchestrated the famous UnCola ad campaign from about 1968 through 1975.”

 

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From Robert’s listing: “‘See The Light’ (psychedelic bicycle) 60″ x 36″ horizontal poster by the late Tom Kamifuji (1922-2015) (original concept by Bill Bosworth)

“Hiroyuki “Tom” Kamifuji ran a design studio in San Francisco. He was an illustrator, poster designer, typographer, art director and designer. Yet, for all his legacy of brightly-colored works, there is very little biographical information available. Perhaps his most universal success was the inspiration for the rainbow swath of color within the Apple Computers apple. The concept for this image came from Bill Bosworth who worked in-house at the J. Walter Thompson [advertising] Co. in Chicago (JWT) over many years.  However, the actual finished artwork was done by California artist Tom Kamifuji. There is no signature on this “Size B” poster, but the larger “Size A” 21’x10′ “See The light” billboard in my possession has Tom Kamifui’s signature.”

7UPUncanny

From Robert’s listing:‘UnCannny In Cans’ This is a vintage 33 3/4″ x 20 3/4″ poster that is in excellent, near mint condition. This is an authentic, traceable representation of late ’60s, early 1970’s pop art advertising. The artist was John Alcorn who illustrated this in 1969 as a free-lance artist. His signature is in the bottom middle brown band. At the age of 24 Alcorn was the 4th person to join Push Pin Studios which was the place to be in the graphics community at the time.

The Seven Up Co. sold 4 different sizes of most images to the general public. BTW – My collection also includes one of the “UnCanny In Cans” Size “A” billboards plus a 60″ x 36″ Size B” version. The poster for sale here is a 34″x21″ Size “C”.

John did a number of well known illustration advertisements in the prior years for Pepsi and Campbell’s Soup and his career flourished for many more years. These outdoor ads (billboards) were commissioned by the J. Walter Thompson [advertising] Company of Chicago (JWT) that orchestrated the famous UnCola ad campaign from about 1968 through 1975. Most of the 53+ extremely colorful billboard & poster images were illustrated by invited outside freelance artists who were allowed to sign their names on the originals if desired – not all did. Only a few images were produced in-house, and never with the artist’s name on them. JWT wisely chose to invite only up and coming artists and not well known graphic stars so as not to let the notoriety overshadow the product itself.

Many of the artists have gone on to great fame in the graphics community Milton Glaser (I [heart] NY logo) (Mad Men final Season 7 poster; co-founder of Push Pin Studios), Seymour Chwast (co-founder of Push Pin Studios) with Isadore Seltzer, John Alcorn (Push Pin Studios), Kim Whitesides, Barry Zaid, Jacqui Morgan, Simms Taback (1st Happy Meal Box in Smithsonian & Caldecott Honor for children’s books), Skip Williamson, Robert Abel (Tron movie), Charlie White III (permanent collection at MOMA), John Craig, Ray Lyle, Heather Cooper, Nancy Martell, Roger Chouinard, Pat Dypold, Bob Taylor, Tom Kamifuj, Bill Bosworth, Ed George, Joanne _ and probably several others.

The Seven Up Company executives chose rough “comps” without the artist’s names attached to the submissions. If 1 or more sketches were chosen, the artist would eventually earn up to $2,000 per completed piece. I’ve spoken with some of the retired ad execs from JWT and they reported that this was a fantastic assignment with a dream client that encouraged bold moves. These Midwest Mad Men boosted sales by anywhere from 30-60% under their highly creative reign from 1968 until the mid-seventies.”

7UP The YouthFare 7UPAirship

From Robert’s listing: Bob Taylor was an art director at the famed J Walter Thompson [advertising] Company based in Chicago – the Midwest Mad Men.  An American Contemporary Graphics Exhibit booklet from about 1972 featured Bob and a different “cartoony” billboard image of his on pages 9-10.  Bob was one of the driving forces behind “The UnCola” ad campaign from the beginning in 1968 until the end in the middle 1970’s. Bob also illustrated “The Youth Fare” in a similar “cartoony” style depicting a green bottle of 7Up as a bi-plane.

This is the 21’x10′ Size “A” billboard version of this blimp image by Bob Taylor available as Design #10 for $7.00 in the billboard and poster offer that expired on 5/31/72.  A small 21″x11″ poster was available for FREE if you responded to the poster offer that expired on 12/31/70.  Another folding billboard and poster offer that expired on 5/31/72 offered this billboard as Design #12 for $8.50.

As of today, I only know of one other copy besides the 2 billboards in my possession. This piece of advertising history is in NEAR MINT condition and ready for display. To get a sense of scale, a standard sized vehicle would not cover up the blimp itself if laid out flat on a driveway.”

7UP free poster offer

The American Contemporary Graphics Exhibit book laid out profiles of some of the artists along with their contributions and the aim of the campaign.
7UP3xposters7UP2xposters 7UPbookBobTaylor 7UPbookCharlesWhiteIII 7UPbookJohnAlcorn 7UPbookKimWhitesides 7UPbookMiltonGlaser

From Robert’s listing: Milton Glaser (b. 6/26/29) This image was created during his Push Pin Studios era which is the firm he co-founded with Seymour Chwast.  It would be another 6 years before he created the most copied “I [heart] NY” logo on the planet in 1977. Scans from 2 different booklets from about 1971 independently attribute this work to Milton Glaser.  Here are his own words about the concept for the image: 

“Well, basically the idea of being ‘turned on’ by 7Up was buried somewhere in my consciousness, and I transferred that feeling into a visual pun.  The word ‘can’ was my focal point.  To make something extraordinary happen out of this particular can seemed like the right attitude to have at the time.  Graphically, it’s an interphasing of two phenomena – electricity and 7Up”. 

My extensive collection includes the ONLY 2 KNOWN COPIES IN ANY SIZE of this particular image. The originals are 21’x10′ Size “A” billboards acquired from someone in the Out Of Home (OOH) [billboard] business that set these aside in the early 1970’s thinking that they might be something special.  They are.  Even world famous graphics guru Milton Glaser doesn’t have any copies in his vast collection per his archivist.  I’ve never seen ANY other copies in ANY other size.  I also collect 7Up UnCola “poster offers” but I’ve also never found any offering this image to the general public.  Most of my other billboards were offered to the general public for prices between $3.50 and $8.50.  For some reason, this one and a few others were not made available although a few like this one were squirreled away. “

 

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Pat Dypold seems to be the unsung heroine of the piece, contributing many illustrations in various styles but she’s not a name I’m familiar with. Robert had a class reunion and hung several of the billboards from the balcony at the venue they held it at, you get a sense of scale with these photos plus some close up details.

7UPUncanny actual size7UPGuitarists actual size

From Robert’s listing: “Giant 21′ x 10′ 7Up UnCola original unused vintage paper billboard illustrated in 1971 by Kim Whitesides. An American Contemporary Graphics Exhibit booklet from about 1972 featured Kim Whitesides and this image on pages 11-12.  He did at least 3 other billboard images for The UnCola ad campaign, 2 of which were issued in billboard and/or poster formats.

The billboard itself consists of 12 thick paper panels, each 43″ wide x 59″ tall.  There’s about a 1″ white margin on the top and right edges of each panel so it can be installed in an overlapping “rainlap” pattern designed to shed water like shingles on a roof (see last image). These were only meant to last outdoors for 30-60 days, and then the next billboard would be pasted over the top – destroying the paper underneath.  The only way any of these survived for nearly 5 decades was for them to be set aside and not used as intended.  This is one of the rare examples of that being done.  Although rare, I have 3 copies of this billboard image in my collection.  All 210 square feet of my copy has been painstakingly reinforced with acid-free scrapbooking tape on the rear side, but only as needed to stabilize small rips, week fold lines and other minor imperfections.  Any small holes have been patched with matching paper from donor panels from the same era and are barely noticeable up close.  In places, colored pencils or markers have been used to refresh missing ink.”

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There are examples of many order forms including this fold up mail out, such great thinking going into something so ordinary.
7UPOffer47UPorder form27UPButterflypasteupinstructions 7UPfallpaper7UPorder form7UPposter selection
There are two very good articles / interviews with Robert on the web: one with Collector’s Weekly
and one with the ever-reliable Dangerous Minds so head there if you want more info. You can follow Robert on Instagram, view his whole collection on Flickr or peruse his eBay entries for yourself. Masny thanks to Robert for letting me repost these pictures and info.

Posted in Art, Design, Poster / flyer. | 1 Comment |

Further at the Portico Gallery – Nov 18th

Further Portico 2.5 Poster A3 portraitThe next Further at The Portico Gallery is on Sat Nov 18th. Pete Williams and I are very excited to be joined by Sculpture for one of their incredible live AV sets and Simon James (Simonsound / Black Channels /Akiha Den Den) will be performing a live set from his Buchla easel system. Early bird tickets on sale now

We’ll also have the Book & Record Bar stall with releases from both acts and a hand-picked selection to compliment plus delicious food and plenty of seating. See below for what to expect on the night.
Sculpture

Simon James

The last Further at the Portico Gallery