New artwork I created for the latest 4 track 12″ from Humanoid – out this Friday June 2nd on De:tuned records on black or red marbled vinyl and DL. A great slice of acid with a reworking of an old 808 State classic thrown in too.
Always a pleasure to work for this label and to get to design for artists and releases of this calibre is a dream. Just wrapping up another 12″ design for later in the year today.
Order here: https://detunedrecords.bandcamp.com/album/sweet-acid-sound
Sorry, no upload today as I’ve been crazily trying to catch up with work after a birthday weekend that morphed into a bank holiday and I’m also finishing two special new mixes that will debut on Monday.
As it was my birthday last Friday we went to see the Beyond The Streets exhibition before it closed at the Saatchi (2nd time for me) and ate the most amazing cream pastry thing from the small kiosk next to Sloan Sq station.
The evening was the Book & Record Bar‘s Stick It On night where you arrive with records of your choice, chalk your name on the board and wait your turn to play three in a row – and repeat with alcohol. Lots of friends turned up and we left at 1am.
Saturday there was something going on in town, I forget what, so we steered clear and checked out the new record shop in Crystal Palace – Vinyl. Packed with treats – quite literally as all the usual bins from outside were inside due to the terrible weather. Found some decent bits but need to go back for a deeper dig…
Sunday, up early for the Peckham carboot then on for lunch on the main high street and drinks at the CLF Art Lounge, a rooftop bar by the station I had no idea existed but felt tropical due to the open air insulation. Dom Servini was playing all afternoon and we met up with Deb Grant and friends before she went off to Manchester to start her new career as an official 6 Music DJ. Then rushed to Iklectic in Waterloo to see Sculpture do one of their usual incredible live sets, bagging an A0 poster along the way.
Monday we wandered down to Brixton to the Chip Shop (with the emphasis on Hip Hop) to hear Andy Higgs and Graeme Parker play with special guest Nik Weston from Mukatsuku records, with the extra treat of Zoe ‘Lucky Cat’ Baxter turning up unannounced.
Back to work Tuesday, assembling over 20 unique test cover versions of The New Obsolescents‘ LP cover for a future thing but then off to Iklectik again in the evening to witness Paul Cousins play live for the launch of his new album on Castles In Space.
My friend Joe Whyte was playing pedal steel guitar alongside him for several numbers and the whole thing was sublime despite the horrible weather outside. Saw even more friends and wobbled back home with a pile of new vinyl from Colin and the latest issue of Moonbuilding mag.
Back to the mix(es) – coming Monday for a very important birthday…
The photo above was taken from DJ Hurricane’s Facebook page today, commemorating 11 years since the death of MCA – 11? How is it that long? The eagle-eyed among you will spot a copy of Jazz Brakes vol.2 nestling in the Hurra’s embrace there. I had no idea, maximum respect.
Wheeling around the internet (as I do) you pick up all sorts of interesting things, here are some that have been cluttering up the desktop with nowhere to go this month. Above is a promo badge – or button as they call them in the States – for the opening of The Kaleidoscope club in 1967, apparently the Grateful Dead played – taken from a RockPosters.com post.
The cover of the Sexedelic LP, most of which became one half of the Vampyros Lesbos Psychedelic Dance Party compilation on Crippled Dick Hot Wax. Despite owning said comp since the 90s I’d never seen this cover.
International Times newsagents poster, sent to me by Drew Mulholland
Robert Williams illustrated header card for a bag of weed! Not sure the year but looks 70s.
Gorgeous box design for a Philips projector lens.
Original art for an Alex Nino spread from Star Reach magazine no.6 from Heritage Auctions
Beautiful Odyssey computer box design plus computer inside, look at those huge chips! Seen on Facebook Marketplace.
New Warrington Runcorn New Town Development Plan LP cover – possibly by Nick Taylor? Out next week…
Gorgeous designs by Louise Mason for the State 51 Singularity series of lathe cuts, made in conjunction with The Quietus website. Patrons on the highest tier of The Quietus’ subscription service get regular digital releases from various bands championed by the website and these are starting to be made available as limited lathe cut singles via State 51. Each edition (of 50) comes in an embossed box with hand-finished details and features a 20 minute disc of exclusive music from each artist.
Talking of The Quietus, they desperately need more subscribers to survive so if you want to support good, independent journalism you can sign up to three different options with the site, each of which unlocks more content. Subscribe here.
It’s Bandcamp Friday today which means that 100% of the revenue goes to the artist or label if you buy music (physical or digital) from the Bandcamp site. Several releases that I designed artwork for are out today or up for pre-order. Check them out below.
Une – ‘Whirl’ CD on Spun Out Of Control
Paul ‘Damage’ Bailey – Subsurface’ 12″ on De:tuned
Up For Pre-order:
AsOne – ‘AsOne2’ LP on De:tuned
Humanoid – ‘Sweet Acid Sound’ 12″ on De:tuned
Also recently released:
The Home Current with Peter Wix – ‘Controlled Sparks’ CD on Spun Out Of Control
AsOne – The Unveiling 12″ on De:tuned
The Real Tuesday Weld – ‘Blood’ CD edition on Antique Beat
And if you want to support my music then there’s plenty to go round:
DJ Food page on Ninja Tune
https://djfood.bandcamp.com/
The Celestial Mechanic album I created with Saron Hughes to soundtrack Rian Hughes’ book, ‘XX’ on Utter
https://celestialmechanic.bandcamp.com/album/citizen-void
Infinite Illectrik – my digital-only label for Quadraphon turntable experiments (new music coming soon!)
https://infiniteillectrik.bandcamp.com/music
The New Obsolescents – my collaboration with Howlround on Castles In Space
https://thenewobsolecents-cis.bandcamp.com/album/the-superceded-sounds-of
I designed the zoetrope on the B side of the forthcoming Bluey soundtrack LP, Dance Mode. Just announced and available on Record Store Day 2023. More info here
The main thing I’ve been doing this year is learning new software, lots involving AI algorithms that still seem like some kind of strange magic.
My own experiments with the refining of my Quadraphon turntable have made for a sleeker, more portable and adaptable design along with the fantastic 4 channel Omnitronic TRM-402 mixer and the Ninja Tune/Erica Synths Zen Delay FX unit. I can make analogue tracks via one deck on the fly and jamming with this set up can yield hours of material, a refreshing new way to make music. Also becoming an author on good old fashioned paper felt pretty good too, I think I might have the book bug now. I hope you all have a Happy New Year and a riproaring 2023…
Music:
Clocolan – Empathy Alpha LP (Redpan)
Brian Eno – The Lighthouse (Sonos HD)
King Gizzard & The Lizard Wizard – Omnium Gatherum LP (Flightless)
Twilight Sequence – Trees in General: and the Larch 12″ (Castles In Space)
WTCHCRFT – Drugs Here 12″ (Balkan Vinyl)
Ghost Power – Ghost Power LP (Duophonic Super 45s)
Dexorcist – Night Watch 12″ (Yellow Machines)
Project Gemini – The Children Of Scorpio LP (Mr Bongo/Garden’s End)
Regal Worm – Worm! LP (Quatermass)
The Advisory Circle – Full Circle LP (Ghost Box)
Fenella – The Metallic Index (Fire Records)
S’Express & Daddy Squad – Music 4 The Mind DL
Podcasts:
The Bureau of Lost Culture (Soho Radio)
Cartoonist Kayfabe (YouTube)
We Buy Records (We Made This)
The Jonny Trunk Podcast (Patreon)
Oh God, What Now? (Podmasters Prod.)
The Tone Generation – Ian Helliwell
Peel Acres – Tom Ravenscroft (BBC Sounds)
The Bunker (Podmasters Prod.)
Gigs / Events:
Lux @ 180 Strand, London
Victor Vasarely – Universe exhibition @ Selfridges, London
Premier of Who Killed The KLF? @ Leake St, London
The Orb play U.F.Orb @ The Fox & Firkin, London
Bring The Paint festival, Leicester
Staying in a restored Futuro House, Somerset
Fogfest @ Iklectik, London
Glissando Guitar Orchestra @ Club-85, Hitchin
Funki Porcini’s Lasarium @ Iklectik, London
Wheels of Light launch event @ Raven Row, London
The Trunk Groovy Record Fayre @ Mildmay Club, London
At Home With The Boyle Family film launch @ Iklectik, London
Magnetic Flow exhibition, @ LaVallée, Brussels
Design / Packaging:
Night Cafe / Midjourney – the most fun/frustrating web AI creation tools
Jed St. Christopher – The Further Diffusion of Useful Knowledge 10″ lathe cut (Buried Treasure) by Nick Taylor
Twilight Sequence – Trees in General: and the Larch 12″ (Castles In Space) by Zeke Clough
King Gizzard & The Lizard Wizard – Ominium Gatherum LP by Jason Galea
Sculpture – Malculus / Photo Synth 7″ + zoetrope pack by Rueben Sutherland
The Advisory Circle – Full Circle LP (Ghost Box) by Julian House
Clay Pipe Mini Pipe 3″ CD series by Francis Castle
Monochrome Echo – The City & The Stars LP (Castles In Space) by Nick Taylor
Drumetrics – Phuzzle 10″
Artists incorporating AI into their work:
Ko_Computer
Douggy Pledger
Alex Klim
Will Toulan
Scott Wetterschneider
Stuart Smith
Steve Scott (image below by Steve Scott)
Books / Magazines / Comics:
Grrrl Scouts – Jim Mahfood (Image)
99 Balls Pond Road – Jill Drower (Scrudge Books) – now reprinted in text-only paperback and retitled ‘The Exploding Galaxy: Performance Art, LSD and Bent Coppers in the Sixties Counterculture’ – an absolute must for 60s counter culture historians
Radio Spaceman – Mike Mignola & Greg Hinkle (Dark Horse)
Mental Hygiene – Kate Gibb
A-Z of Record Shop Bags – Jonny Trunk (Fuel)
Mud Sharks – Dave Barbarossa
Good Pop, Bad Pop – Jarvis Cocker (Vintage)
House Music – Andy Votel (The Modernist)
Judge Dredd – Brian Bolland (Apex Edition)
Contemporary Collage magazine (digital)
Defying Gravity – Jordan Mooney w. Cathi Unsworth
The Delaware Road deluxe edition – Alan Gubby, Dolly Dolly (Buried Treasure)
69 Exhibition Road – Dorothy Max Prior (Strange Attractor)
Judge Dredd – Mike McMahon (Apex Edition)
It’s Lonely At The Centre Of The Universe – Zoe Thorogood (Image Comics)
The Black Locomotive – Rian Hughes (Picador)
Film /TV:
The Book of Boba Fett (Disney+)
Get Back (Disney+)
Who Killed The KLF?
Pistol (Disney+)
The Boys (Amazon Prime)
In The Court of the Crimson King (Toby Aimes)
Another year over and what have I done?
Finished The Real Tuesday Weld’s ‘Dreams’ LP/CD and ‘Late Night Reveries’ cassette artwork
Appeared on the Bureau of Lost Culture podcast, 45 Live show, mixed an episode of new online show, Genius & Soul (still not broadcast)
Re-designed an old classic logo for The Herbsmen
Adapted The Designers Republic’s Humanoid artwork for a FSOLDigital CD release
Designed Hawksmoor’s ‘Head Coach’ CD for Spun Out Of Control
Recorded with Dave Barbarossa for a future music project
Finished and published the Wheels of Light book for Four Corners Books with press coverage from The Quietus, Shindig!, The Observer, Velocity Books, Moonbuilding, Electronic Sound, Creative Review and more.
Had a track featured on the Diary of a Madman compilation on Bibliotapes in aid of Ukrainian Red Cross
Refined my Quadraphon turntable into a Mk.3 version
Got featured in the 2000AD Summer Special, music edition, talking about my love of the comic
Made a record by etching a playable image into a disc
Compiled, remixed and edited 30 years worth of games footage for DICE’s anniversary, making an 11 minute version then condensing it into 90 seconds.
Redesigned The Cinematic Orchestra’s ‘Every Day’ LP for the 20th anniversary edition from original design concepts
Designed Stasis, AsOne, Paul ‘Damage’ Bailey and Humanoid 12″s and reinterpreted Mike Dred’s ‘OverMind’ LP art for De:tuned
Also designed the AsOne2 LP for De:tuned
Had a collage featured in Contemporary Collage magazine
Mixed a new religious-themed set for the Tales To Enlighten 2 Kickstarter
Reformatted Dave Barbarossa’s Mud Sharks book for publication.
Interviewed Zoe Lucky Cat Baxter, Andy Votel, Alex Paterson and DJ Format for Dust & Grooves book 2.
Designed The Real Tuesday Weld’s 3″ CD Xmas card.
RIP:
Sidney Poitier, James Mtume, Meatloaf, Barry Cryer, Ian Kennedy, Douglas Trumbull, Bamber Gascoigne, Betty Davis, Jan Pieńkowski, Philip Jeck, Chantal Passamonte, Garry Leach, June Brown, Jordan, David McKee, Klaus Schulze, Neal Adams, George Perez, Vangelis, Rat Records, Alan Grant, Bob Rafelson, Bernard Cribbens, Olivia Newton-John, Lamont Dozier, Raymond Briggs, Queen Elizabeth II, William Klein, Jean-Luc Godard, Ramsey Lewis, Pharoah Sanders, Kim Jung Gi, Robbie Coltrane, Joyce Sims, Keith Levene, Nik Turner, Wilco Johnson, Tom Philips, Aline Kominsky-Crumb, Manuel Gottsching, Terry Hall, Martin Duffy, Mike Hodges, Pelé, Vivienne Westwood, Anita Pointer.
Looking forward to:
The Out in 2000AD
Supporting the Art of Noise at the Jazz Cafe on Jan 4th/5th
Conform to Deform – The Weird & Wonderful World of Some Bizarre – Wesley Doyle (Jawbone Press)
The The – 1$ One Vote 7″ (Lazarus)
The conclusion of The Real Tuesday Weld’s Swan Songs trilogy?…
Tales To Enlighten: The New Testament
The Kevin O’Neill Apex Edition (Rebellion)
The return of Rave Wars
Spider-Man – Across The Spider-Verse
It seems it doesn’t rain, it pours, suddenly several releases I’ve done the sleeve design for are all on sale or pre-order this week. Above and below is Janko Nilovic and Yeti on the Pads 7″ I did during one of the Covid lockdowns using a collage from around 10 years ago as the front cover, this has taken years to come to fruition.
Buy here
Next is a very new design that I’ve only just signed off for print, The Real Tuesday Weld‘s annual 3″ CD Xmas card is a buildable stereogram with mini vinyl effect 5 track CD. Order here There’ll be more from them next week…
At last Kirk Degorgio‘s ‘The Unveiling’ 12″ is revealed, this comes in black and black vinyl variants from those lovely De:tuned people. Take your pick here
And, as previously mentioned, The Cinematic Orchestra‘s 20th anniversary edition of their ‘Every Day’ album went on sale yesterday, remade and revised from an original graphic concept I had when first designing the artwork in 2002. Pre-Order now
The Delaware Road deluxe edition unwrapping, the omnibus edition is out today via Buried Treasure and neatly brings together years worth of work and research by Alan Gubby, aided by poet Dolly Dolly, designer Nick Taylor and illustrator Jarrod Gosling. Originally conceived as a documentary film by Alan 15 years ago then rewritten as a fictional account of the Radiophonic Workshop’s perhaps two most famous practitioners, Delia Derbyshire and John Baker, the Delaware project then expanded into a compilation album and live performance.
I went to the first incarnation in Reading back in 2015, you can read about that here. For the second, more ambitious outing at the disused Nuclear Bunker at Kelvedon Hatch in Essex, I was on the bill – more about that here. The third incarnation then morphed into a mini festival in a Salisbury Plain army base which nearly didn’t happen but was an incredible collection of performers and people the likes of which haven’t been seen since, see photos from that here.
A six part comic series that followed – illustrating the whole story as originally envisaged – and now the whole project has been collected into a smart omnibus edition with notes, photos, preliminary designs and more, all wrapped in a beautiful cover that brings to mind the Festival of Britain. Out today, I think the limited deluxe edition with 4″ lathe cut disc has now sold out but this book tells the whole story, both fictional and then from the inside, of this most amazing series of events.
Order it here, right now, plus it’s Bandcamp Friday so more of it goes to the artist and label.
I was happy to do this as I’d never been entirely happy with how the original artwork finally turned out so this was a chance to have a second go and I am really happy with how it’s turned out. Pre-order yours here also here for Bandcamp Friday
The Ramsgate Music Hall have taken the chance to book me a headline set featuring the Quadraphon deck next February. I’ll be flying solo with this most experimental of turntables for the first time, four tone arms and a lot of locked groove records, this won’t be your usual DJ Food dancefloor set.
Tickets available here
Video from my recent support slot at Iklectik by Robin Reynolds
The second Groovy Record Fayre, hosted by Jonny Trunk and Ian Shirley, took place on Saturday at the Mildmay Club on Newington Green, N16 and again, it was a blast. Pete Williams and I had a stall again and many friends and faces passed by. It was celeb central at points, from superstar DJs to stand up comedians and supermodel it girls. I missed a chance to chat to Stewart Lee who was looking through the Krautrock box because I was explaining what Go-Go and cut up mixes were to a younger buyer but Lee wasn’t buying anyway.
Pete with our stall, notice my Wheels of Light book placed in prime position bottom left.
Pete sleevefaces with Buried Treasure’s Alan Gubby
Andy Higgs digs
Marc Mr Thing journeyed up from Hastings for the day
Paul Putner bought my book shock!
A right pair of tits, and Martin & James of The Karminsky Experience Inc.
Richard Norris also picked up my book and Children of the Stones (like everyone else)
Rat Records mini reunion with Ronan and Philippe
Comix legend Edwin Savage Pencil Pouncey bought six of my underground comix, a true seal of approval.
Pop quiz winner (later on) Simon Gitter with smooth dancer and pop quiz secret weapon 2 Tone Tony.
Everyone was packed up and out of the hall by 6pm and people disappeared for dinner. Around 7.30 the pop quiz kicked off and 90 minutes later the team Jonny Trunk happened to be on claimed victory to cries of ‘fix!, fix!’. The fact that there was a 10 point Trunk section might have helped. Martin Green and Jarvis took to the stage as tables and chairs were cleared in record time, the glitter ball ignited and the bar besieged. Much drink was drunk and dancing had until 1am with a packed dancefloor and singalongs to Plastic Bertrand, Bowie, The Beatles, Adam & The Ants, The Sweet, Prince, Double Dee & Steinski, Beastie Boys, Sparks, B-52s and so many more.
Meanwhile in the toilets, Alex Chung had other things on her mind…
The Trunk Groovy Record Fayre is this Saturday! My Further partner Pete Williams and I are having a stall again at the Mildmay Club, Newington Green. I’ll have lots of dance 45s if that’s your thing, part of a huge collection recently bought by Michael from The Book & Record Bar, doubles from my personal collection including Ninja stuff and copies of my new book, Wheels of Light, among other things. Do stop by, the last one was excellent as was the pop quiz and party afterwards.
And it’s FREE!
October 29th, 11am until late, the Mildmay Club, Newington Green, London, N16 9PR.
It’s back! The return of the Trunk Groovy Record Fayre. My Further partner Pete Williams and I will be having a stall again this October at the Mildmay Club, Newington Green. I will have lots of dance 45s if that’s your thing, some records from my personal collection and copies of my new book, Wheels of Light, among other things. Do stop by, the last one was excellent as was the pop quiz and party afterwards.
Do stop by, last year’s was amazing (see photos here), from the daytime fair to the evening pop quiz and after party get down.
And it’s FREE!
October 29th, Mildmay Club, Newington Green, London, N16
I’ve seemingly neglected this blog a bit this year save for a lot of the Mixcloud Select weekly entries but that’s because I’ve been so damned busy (which is good!). Last month my friend Elion Paz – photographer, dirt bike enthusiast and now marathon runner – arrived in the UK for three weeks of preliminary shoots and interviews for the second Dust & Grooves book. You may know the first book, a beautiful hardback tome to record collecting published in 2014 with Mr Scruff on the cover, perched atop some of his collection.
Way back then there weren’t many books like this about vinyl collectors and obsessives. Things have changed quite a bit since then it’s fair to say and the next book will cast the net even wider into other areas. While Eilon was here I helped him out with interviews, contacts and also featured in a piece myself focusing on Command record covers (see above).
© Eilon Paz/Dust & Grooves
Our first assignment together was a visit to Zoe ‘Lucky Cat’ Baxter to check out her collection of reggae and Chinese records, here we are sniffing the acetate dubplates.
© Eilon Paz/Dust & Grooves
We then headed to West Norwood to The Book & Record Bar to speak to Alex Paterson of The Orb who pulled out one of his tour boxes, unopened for over a decade and walked us through the contents before we retired to his home to dig into his collection. Alex later told me it was one of his favourite interviews.
Next up was a trip down to Brighton to dig with the ultra-hospitable DJ Format and take a journey through his career with a focus on odd religious records. Here we are messing about with his copies of Marshall McLuhan‘s ‘The Medium Is The Massage’.
© Eilon Paz/Dust & Grooves
Lastly, after much persuasion, we visited Stockport and the incredible collection of Andy Votel, someone Eilon had wanted in the first book but hadn’t been able to fit in. Oh the sights we saw…
Eilon then went to Bristol for several days before returning to his home town on New York last week and running his first marathon at the weekend. His work ethic and vision are nothing short of extraordinary, I know the next book will be right up there with the first.
My now annual mix for those lovely 45 Live people goes out this Friday night (PST) or Saturday morning (GMT) depending where you are in the world. Greg Belson is still running the show which must be approaching its 150th episode soon. Airing on Dublab at 8-10pm every 1st and 3rd Friday, it’ll be available afterward via their site or Mixcloud. I’m again mining the late 80’s for early house, acid and freestyle (lots of Todd Terry productions). I thought I’d exhausted these theme a few years back but tracks just keep popping up and I have more than enough for two more mixes moving into the 90s.
This post is dedicated to Bob Rafelson, the director of Head, who passed away this week, RIP.
Back in 2001 I was asked to compose a turntable rescore for a film of my choice for a club night in Budapest, Hungary called Cinetrip. At the time I was really starting to explore psychedelia through digging trips in the US and Canada and thought this would an ideal way to soundtrack something weird and wild that would hold the attention without too much dialogue.
Sometime around the late 80’s I’d taped The Monkees’ freak film flop from TV as it intrigued me when reading the blurb. I was pretty confounded by it, this wasn’t the squeaky clean boy band with the ‘here we come…’ hi-jinx of their Saturday morning TV series. This contained cut up sequences, solarized freak outs, Vietnam war commentary and more fourth wall-breaking than you could shake the dandruff out of your hair to. It made no sense, consisted of an ever-changing series of completely different scenes designed to link songs and concepts together before looping back on itself and returning to the start. There was little plot to follow, just The Monkees as they jumped from genre to genre, location to location, costume change to character evolution.
Music choice ranged from present day right back to the 60s, a psychedelic flavour of course but elements of library, soundtracks, jazz, electronics, trip hop and spoken word to fill the few talking moments all fitted over an over-evolving selection that was refined each time I played it. After the initial performance I severely reworked the parts for The Big Chill Festival where it had evolved into a three turntable and FX performance that was so complex and stressful to perform that my legs weirdly seized up the minute I’d finished the set! I did another nine performances – mostly in the UK and Ireland but also playing at the Portuguese short film festival to a bemused audience – until it was retired in 2005.
After this I decided to preserve the set by making a DVD with both the original and my alternate soundtrack selectable via the audio menu, adding in some of the original film dialogue in the edit to mesh the sound and vision together a little more. The disc came wrapped in mirror board card to mimic the original soundtrack LP packaging and included a random flyer from one of the nine different cigarette card-sized ones made for the Dublin performance. These were sold online via the Ninja Tune forum and later on I uploaded the whole thing to the Internet Archive for posterity. This mix has never been put up solo on the web and I’ve never done a track listing for it, preferring for people to have to work it out. Sometimes it’s good to have a mystery to dig into, although a lot of tracks are fairly obvious to anyone with a decent musical knowledge. Also I sampled a few bits later on…
So here it is, sans the film of course, but that’s out there if you dig a little
Andy Votel has an exhibition of record sleeves containing architecture at The Modernist in Manchester. Taking inspiration from his sleeve for Jane Weaver‘s ‘The Architect’ he has created a poster and book to accompany the show. The book features records from his own collection including plenty of his own designs with intimate details that will have most running to Discogs or Google to find out more. Both the book and poster are available from The Modernist and the exhibition runs until September.
Below is my copy of a super rare hand made copy of Jane’s ‘The Architect’ which features an alternate version of the original cover.
The DJ Shadow Reconstructed website has just published the second of two very indepth interviews with Yasushi Takayama – an old friend who worked for the Toys Factory record label in Japan in the 90s. Toys Factory manufactured and distributed both Ninja Tune and Mo Wax back in the day and did some beautiful releases with bonus tracks as well as bring acts from the labels to Japan for tours and concerts. Yasushi was instrumental in dealing with the labels and would be on hand to help and hang out with us when we visited the country.
Above is a shot of a much younger Yasushi and I during my first visit to Japan in 1996 and I have many fond memories of meals, record shopping and special visits to secret stores with him during our times out there. I put him in touch with Jon at the website who is diving deep into the people and places around Shadow’s career and supplied some personal photos from the time. Whilst the interviews are mostly Mo Wax-related they also give a behind the scenes look at the times and Ninja Tune is mentioned in relation to Yasushi’s role at the label. For collectors and music history fans these interviews are full of rare flyers, previously unpublished photos and show how unique the Japanese versions of these releases were.
Yasushi with DJ Vadim at the Vaccuum Record shop, Tokyo in 1997.